Lecture 2 Flashcards

(34 cards)

1
Q

Different approaches to popular culture?

A
  1. ) as part of our political economy, an industry.
  2. ) as part of our social history.
  3. ) as art/representations of society.
  4. ) as producers and negotiators of cultural meaning and identity.
  5. ) as cultural products.
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2
Q

individual

A

self-determined, self-aware, outside the influence of social and psychological forces.

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3
Q

subject

A

determined and controlled by social and psychological forces without full self-awareness.

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4
Q

agent

A

social roles determined and controlled by social forces to some degree but can act creatively within those roles.

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5
Q

Marxism

A

theory of history, economics, and politics initially developed by Marx and Frederick Engels.

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6
Q

Base

A

comprised of means and productions and class relations.

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7
Q

Superstructure

A

comprised of social institutions, cultural practices, and ideological thought.

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8
Q

How do the base and superstructure interact?

A

economic base of society determines its cultural superstructure, which in turn maintains and sometimes changes the base.

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9
Q

Class conflict

A

tension between economic groups organized around division of labour.

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10
Q

Historical materialism

A

theory of social change which assumes history develops through a dialectical clash of opposing economic forces related primarily to changes in means of production.

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11
Q

Historical materialism assumes a _________ view of history. Ex: _____

A

deterministic.

  • tribal –> slave –> feudal –> capitalist –> socialist –> communist society –> unorganized society and division of labour.
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12
Q

Dialectical materialism

A

conflict of opposing forces and their resolution caused by material needs.

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13
Q

Bourgeoisie

A

economically powerful class of people.

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14
Q

The Thesis

A

represents the currently accepted rules and morals of the ruling class (status quo).

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15
Q

Antithesis

A

represents the “opposition” by the working class.

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16
Q

Synthesis

A

represents the “new reality” after these ideas to ideas clash.

17
Q

Proletariat

A

working class of people.

18
Q

Commodity fetishism

A

object divorced from labour that produced it and placed within system of exchange.

19
Q

Commodity

A

a product, made by human hands, that gains a certain value through its social relationships.

20
Q

Where does value reside from based on commodity fetishism

A

exchange value –> value resides in relations between it and other objects independent of use or labour.

21
Q

Hegemony

A

process by which dominant ideology is accepted as natural by those it governs.

  • use of consent rather than force.
  • pop culture operates this way.
22
Q

Interpellation

A

The way that cultural products address their consumers and recruit them into a particular ideological position.

  • Althusser
23
Q

Repressive state apparatuses

A

When necessary to protect capitalist interests, the state uses force to repress the working class via the police, courts and army.

24
Q

Ideological state apparatuses

A

Controls peoples ideas, values and belief.

ex: family, school, church, media.

25
Freud
- founder of psychoanalysis
26
The unconscious mind
- things we're unaware of and cannot become are of. - interpretations of cultural texts that dig beneath the surface to reveal hidden, symbolic meaning are based on this model.
27
Conscious mind
small amount of mental acitivty we know about.
28
subconscious mind
things we could be aware of it we wanted or tried.
29
id
composed of our instinctual drives.
30
superego
works to suppress the urges of the id and tries to make the ego behave morally.
31
ego
the repression of our instincts & the knowledge of social norms.
32
The uncanny
offers an analysis of a specific psychological state and the ways in which cultural objects can affect us. - a sense of intense creepiness & familiarity.
33
repression
when your conscious mind suppresses urges, refusing to give them any outlet at all.
34
Lacan's mirror stage
- formation of the function of "I". - infant sees themselves in a mirror and misrecognizes the image as their ideal self. - bases of all future identifications.