leeson 3 MT

Question 1

The site that saw this shift was a very personal space for the artist himself, which is the _______.

Answer 1

Studio

Question 2

The extension of the artist himself. Its model dates back from the Renaissance.

Answer 2

Artist Studio

Question 3

There were those whose work stations were divided into two, the ______ and the ________.

Answer 3

studiolo and the bottega.

Question 4

in _______, academies and art salons became popular as they did not only support the production of art but also the discourse around them.

Answer 4

France

Question 5

During the beginning of _________, a compendium of events release the artists from the limitations that affected the way in which they produced their works which included the availability and portability of materials. (i.e., foldable easels and paint in tubes.) and the reliance on the wealthy patrons to place a commission.

Answer 5

Industrial Revolution

Question 6

It was during this time where artists began to question the merits of stringent artistic training and education,

Answer 6

1800s

Question 7

It was during this time where art was truly liberated from the traditions of the past. It was then that the artists found freedom to articulate their distinct aesthetic way of creative production

Answer 7

1900s

Question 8

In the last century, some of the roles that have been existent since the beginning of art history have been properly dealt with and legitimized into a sophisticated network of relationships and exchanges. This network refers to the ________.

Answer 8

Art World

Question 9

he asserted that “all artistic work , like all human activity, involves the joint activity of a number, often a large number, of people……..” This means that there are numerous people who either work in consent or dissension, and in doing so, continuously (re)define, (in)validate, maintain (or abolish),reproduce or circulate the “cultural category of art”.

Answer 9

Howard Becker’s Art Worlds (1982)

Question 10

He stated that “ The work always show signs of cooperation. The forms of cooperation may be ephemeral (lasts in a short period of time), but often become more or less routine; producing patterns of collective activity we can call an art world.”

Answer 10

Howard Becker

Question 11

These are very important because this implies that the art world does not only rely on ideas, sentiments, and aesthetic values, but also on skills that are professionalized, stratified, and more importantly, monetized. Example of multilevel platform where different players in art world is the international art fair like the Art Basel in Hong Kong.

Answer 11

Commercial Market Platforms

Question 12

both of which can exist in either institutional or noninstitutional scenarios.

Answer 12

Adminitrative or Managerial Roles

Question 13

is one of the most elusive of roles to pin down. Institutional ________ are typically affiliated with museums and galleries while independent or freelance curators have the leeway to move around various projects, platforms, art spaces in the multiplicity of terms

Answer 13

Curators

Question 14

It is more of the interpretation and development of the artwork or the collection through establishing the significance, relationship and relevance of these materials. Some are the ability to research and write, as an arbiter of design and layout, and deciding for the display and hanging of materials for exhibition.

Answer 14

Curator

Question 15

are those who initially assess and survey the artwork that collectors are interested in. It is their role to oversee the sale of the artwork, on behalf of the collector.

Answer 15

Buyers

Question 16

may either be too busy or would rather keep his identity hidden.

Answer 16

Collectors

Question 17

Establishes himself as someone who not only appreciates arts but knows art , understands its behavior and patterns, becoming a key player in making or breaking an artist’s career or shaping the course of a museum ‘s collection (through pledges of support and donations).

Answer 17

Collectors

Question 18

They are becoming more well beyond extending their wallets.

Answer 18

Collectors

Question 19

Those whose direct hand is in the distribution and circulation of the artworks through a variety of means, such as direct sales, through galleries, and the more recent player in the Philippines, auction houses.

Answer 19

Art Dealers

Question 20

They are expected to have knowledge and insight including specialization in art form, style, medium or period; market trends; and even the interrelationships of other key players in the art world who will benefit from the circulation and distribution of the artwork he promotes.

Answer 20

Art Dealers

Question 21

They are the main institutions that display, distribute, and circulate different artworks; however they behave in different ways

Answer 21

Museums and Galleries

Question 22

are mandated to display artworks for the education of the public and the appreciation of these objects only.

Answer 22

Museums

Question 23

display artworks for the purpose of selling art.

Answer 23

Galleries

Question 24

What are the three production process

Answer 24

Preproduction
Production
Postproduction

Question 25

stage begins when the artist has an idea that he wants to express or communicate with audience

Answer 25

Preproduction

Question 26

stage occurs when there is an execution of ideas of arts from the preproduction stage. Execution of art may take a variety of forms such as painting, sculpture, tapestry, photograph, film, a routine (dance), or a track or composition (music).

Answer 26

Production

Question 27

This stage is the most drawn-out. Once an artwork is finished, it will then be decided on how it will be circulated not only in the art world but the may publics. Often, it enters into a new sphere, inside the domain of museums, galleries, performance halls, theaters and other art spaces where interaction can take place.

Answer 27

Postproduction

Question 28

is one of the aspects of art that directly correlates with its composition and presumed finality of the artwork. It is the mode of expression in which the concept, idea or message is conveyed. It maybe concrete or tangible,such as paintings, sculptures, monuments and structures; or it maybe ephemeral or something transient,such as a track , a film or a performance.

Answer 28

Medium

Question 29

It shows the level of familiarity with the medium being manipulated. It alludes to the necessity of additional tools or implements (hammer and chisel) or consideration of time and the specificity of the site of creation.

Answer 29

Techniques

Question 30

She wrote that “exhibitions acts as the catalyst of art and ideas to the public; they represent a way of displaying and contextualizing art that makes it relevant and accessible to contemporary audiences……..” Therefore, it is apparent that exhibitions are not only of import to artists who rely on its being, but more so to the varied audiences who get to see them.

Answer 30

Anna Cline "Evolving Role of the exhibition and its impact on art and culture"

Question 31

it reads that “exhibitions are strategically located at nexus where artists, their work, the arts institution, and many different publics intersect.”

Answer 31

Paula Marincola "What Makes a Great Exhibition?" (2006)

Question 32

creates an opportunity in which the different roles in the art world get to meet, interact, and even enter into a discussion.

Answer 32

Exhibition

Question 33

are also a good way to introduce the artwork.

Answer 33

Publications

Question 34

may be long-term or permanent hangs, or it may be temporary or periodically changing. An artist may have a solo exhibition or may be included in a two-person showing or even a group ______

Answer 34

Exhibition

Question 35

One of the most common measures in which artists and other creative producers are given incentives and honor for their work is through state-initiated and given awards and citations.

Answer 35

Awards and citation

Question 36

The two major awards given to artists in the Philippines are the:

Answer 36

Orden ng Pambansang Alagad ng Sining (Order of National Artists) Gawad sa Manlilikha ng Bayan (National Living Treasures Awards)

Question 37

It is the highest national recognition given to Filipino individuals who have made significant contributions to the development of Philippine Arts; namely, music, dance, theater, visual arts, literature, film, broadcast arts and architecture and allied arts.

Answer 37

Order of National Artists

Question 38

It is jointly administered by the National Commission for Culture and the Arts (NCAA) and the Cultural Center of the Philippines (CCP) and conferred by the President of the Philippines upon recommendation by both institutions.

Answer 38

Order of National Artists

Question 39

He was the first recipient of this award. He is a painter who was touted as the “Grand Old Man of Philippine Art” and was the sole awardee in the year 1972, a National Artist for Visual Arts.

Answer 39

Fernando Amorsolo

Question 40

Some of the honors and privileges that a national artists awardee receives are the following:

Answer 40

1. the rank and title 2. medallion or insignia and a citation that will be read during the conferment; 3. Cash awards and a host benefits; 4. a state funeral and burial at the Libingan ng mga Bayani; and 5. a place of honor and designated area during National state functions along with recognition or acknowledgement at cultural events.

Question 41

It was created in 1992 under the RA No. 7355. Also under the jurisdiction of the National Commission for Culture and the Arts (NCAA).

Answer 41

Gawad sa manlilikha ng bayan (GAMBA)

Question 41

It was first conferred to three outstanding artists in music and poetry back in 1993. They are ________, a master of the Ambahan poetry; ________, a master of various traditional musical instruments of the Palawan people; and _____________, a master of the kutyapi and other instruments.

Answer 41

**Ginaw Bilog** **Masino Intaray** **Samaon Sulaiman**

Question 42

Some of the incentives accorded to the awardee are in GAMBA:

Answer 42

1. a specially designed gold medallion 2. an initial grant of P100,000 and P10,000 monthly stipend for life (later increased in P14,000 3. benefits such as maximum cumulative amount of P750,000 medical and hospitalization benefits; and 4. funeral assistance or tribute fir for a National Living Treasure.

Question 43

The recipients’ practice may fall under the following categories; folk, architecture, maritime transport, weaving, carving, performing arts, literature, graphic and plastic arts, ornament, textile or fiber art, pottery and other artistic expressions of traditional culture

Answer 43

Gawad sa manlilikha ng bayan (GAMBA)