LESSON 1 Flashcards

(47 cards)

1
Q

It is the rhythmic, expressive movement of the body, often performed to music, used to convey emotions, tell stories, celebrate cultural traditions, and engage in physical activity.

A

DANCE

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2
Q

WHAT IS THE 6 NATURES OF DANCE

A

Expressive, Rhythmic, Cultural, Physical, Aesthetic, Social

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3
Q

Health Related Fitness

the ability of the heart, lungs, and blood vessels to supply oxygen to the cells to meet the demands of prolonged physical activity and is also referred to as aerobic exercise.

A

Cardiorespiratory Endurance

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4
Q

Health Related Fitness

The maximal force that can be generated by a specific muscle or group of muscles.

A

Muscular Strength

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5
Q

Health Related Fitness

The ability of a muscle or muscle group to sustain repeated contractions (perform work) overtime to fatigue.

A

Muscular Endurance

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6
Q

Health Related Fitness

Is the ratio of fat to lean mass (muscle, bone, etc.) in the body, reflecting overall health and fitness.

A

Body Composition

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7
Q

Health Related Fitness

The ability of a joint to move through its normal, full range of motion—is important for general fitness and wellness.

A

Flexibility

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8
Q

Health Related Fitness

person’s ability to transfer energy into force at a rapid pace also known as explosive body movement. Power is a combi- nation of strength and speed.

A

Power

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9
Q

SIX QUALITIES OF DANCE ENERGIES

A

Sustained, Percussive, Vibratory, Swinging, Suspended, Collapsing

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10
Q

This type of dance encompasses folk dances, reflecting daily life and local customs with vibrant costumes and rhythms, and ethnic dances, rooted in indigenous rituals and spiritual practices, featuring traditional attire and symbolic movements.

A

Philippine Traditional Dance

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11
Q

This type of dance focuses on expressive, innovative movement, breaking from classical ballet. Contemporary Dance- blends various styles and techniques, emphasizing experimentation and addressing current themes.

A

Modern Dance

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12
Q

This type of dance includes, recreational- dancing for social enjoyment at events, and Competitive- dancing with formal techniques judged in competitions for precision and style.

A

Ballroom dance

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13
Q

This type of dance is a performance sport that combines cheerleading and dance. It involves routines featuring acrobatic stunts, jumps, tumbling, and synchronized dance moves, typically performed to support sports teams or entertain audiences.

A

Cheerdance

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14
Q

This type of dance is an energetic dance style from urban areas, featuring freestyle improvisation and techniques like breaking, locking, and popping, performed to hip-hop music with a focus on self-expression and creativity.

A

Hip-Hop/Street Dance

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15
Q

This type of dance is a vibrant and energetic dance performed during local or cultural festivals. It showcases traditional or celebratory movements and often involves colorful costumes and lively music to honor specific events, traditions, or deities.

A

Festival Dance

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16
Q

Stand erect, chest out, relax your shoulder and arms (FUNDAMENTAL POSITION)

A

Preparatory

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17
Q

Arms sideward, raised below shoulder level with a graceful curve. Bring feet apart sideward. (FUNDAMENTAL POSITION)

A

Second Position

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18
Q

Raise one arm overhead while other arm remains in 2nd position. Bring the heel of one foot to touch the instep of the other foot. (FUNDAMENTAL POSITION)

A

Third Position

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19
Q

Raise one arm in front of chest in a half circle, while one arm remains overhead. Bring one foot in front of the other foot to walk strike. (FUNDAMENTAL POSITION)

A

Fourth Position

20
Q

Raise both arms overhead in a graceful curve. Bring the heel of one foot to touch the toe of the other. (FUNDAMENTAL POSITION)

A

Fifth Position

21
Q

both arms are at one side, either sideward right or left. This may be done at shoulder chest or waist level. (FOLK DANCE)

A

Arms in Lateral Position

22
Q

Arms are side horizontal, elbows bent at right angles, forearms parallel to head, palms forward or facing inward, fists loosely closed.

A

Arms in Reverse “T” position

23
Q

To turn hands up and sown alternately, hands at waist level in front, elbows close to waist. (FOLK DANCE)

24
Q

Weight on one foot, hit the floor with the ball or heel of the other foot (the free foot) after which that foot is lifted from the floor to any direction. (FOLK DANCE)

25
Two couples (the vis-à-vis) are opposite each other. Each couple proceeds in a straight line to the opposite place. The girl passes by their Left shoulders between the boy. Boys bow to each other when they meet at the middle or at about one-third of the way, then proceed to the opposite place. Upon reaching the opposite place, partners turnabout, girls stand at partners’ right side. (FOLK DANCE)
Cross- Over
26
Partners are facing each other or standing side by side, girl at the right of boy. They join their Left hands together and their Right hands together either Right over Left or Left over Right hands. (FOLK DANCE)
Crossed arms
27
To displace quickly one foot with the other, thus completely taking off the weight of the body from the displaced foot. (FOLK DANCE)
Cut
28
The vis-à-vis (opposite) both advance forward, pass each other’s right (or left) side, step across to the right (or left), move backward without turning around pass each other’s left (or right) side to proper places. This is of foreign origin and is used in many Philippine dances. (FOLK DANCE)
Do-Si-Do(“Dos-a-Dos”)
29
To pull one foot along the floor close to the other which has the weight of the body The weight may or may not be transferred. (FOLK DANCE)
Draw
30
Place hands at the waist line (at the smallest part of the trunk), knuckles in, fingers pointing in rear. (FOLK DANCE)
Hand on Waist
31
To flourish or offer a handkerchief, hat or glass of wine to somebody as a sign of invitation. (FOLK DANCE)
Hapay
32
To place one forearm in front and the other at the back of the waist. This is a Visayan term.
Hayon –Hayon
33
A spring from one-foot landing on the same foot in place or any direction (in front, in rear, sideward or across). (FOLK DANCE)
Hop
34
Partners turn once around clockwise (with right elbows almost touching) or counter clockwise with left elbows almost touching) using walking or any kind of dance step. The hands near each other are on waists. This is a tagalong term but is of Spanish origin. (FOLK DANCE)
Jaleo
35
Spring on one foot or both feet, landing on both in any direction. (FOLK DANCE)
Jump
36
Moving the hand from the wrist either in a clockwise or counterclockwise direction. This is an Ilocano term. (FOLK DANCE)
Kumintang
37
A spring from one-foot landing on the other foot in any direction (forward, sideward, backward or oblique) (FOLK DANCE)
Leap
38
To turn the hand from the wrist half-way clockwise then raise and lower wrist once or twice. This is an Ibanag term. (FOLK DANCE)
Masiwak
39
To put the foot in a certain or desired position without putting weight on it. The sole of the foot rests flat on the floor. (FOLK DANCE)
Place
40
Touch lightly with the toes of one foot, weight of the body on the other. (FOLK DANCE)
Point
41
partner bow to each other, to the audience, opposite dancers, or to the neighbor. (FOLK DANCE)
Saludo
42
Cross the Right (or left) foot in front of the Left (or right), bend the body slightly forward and cross the hands down in front with the Right (Left) hand over the Left(Right). (FOLK DANCE)
Sarok
43
To bring down the foot forcibly and noisily on the floor (like doing heavy steps). (FOLK DANCE)
Stamp
44
Four or more people advance to the center and join Right hands and circle around clockwise using walking or change or any other step. (FOLK DANCE)
Star with the Right Hand
45
same as “Star with the Right hand” only join Left hands and counterclockwise.(FOLK DANCE)
Star with the left hand
46
To advance or recede by raising and moving one foot to another resting place. There is a complete transfer of weight from one foot to the other.(FOLK DANCE)
Step
47
To tap lightly with the ball or tip of the toe, placing weight of the body on the foot. There is no change or transfer of weight here. (FOLK DANCE)
Tap