LESSON 2. Part 2 Flashcards

1
Q

A term that refers to
Stone Age, Paleolithic, and Neolithic art and artifacts, literally referring to the time before recorded history.

A

Prehistoric Art

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2
Q

This period stresses the nude sculpture such as the kouros (nude male figure of
athlete) and the kore (fully clad female figure).

A

Archaic Period

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3
Q

In this period, Arts were influenced by the earlier civilization of Mesopotamia and Egypt like
the use of geometric art in pottery.

A

Archaic period

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4
Q

This period is considered as the remarkable civilization of ancient Greek, the “Golden age of Athens”.

A

Classical Period

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5
Q

In this period, arts achieve the aesthetic ideals (emphasize forms and follow the
principles of design) and sculpture evolve from the frontal and rigid of kouros

A

Classical Period

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6
Q

Sculptures in this period are influenced by the Oriental and the political instability which brings new set of aesthetic ideals particularly in paintings and sculptures.

A

Hellenistic Period

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7
Q

This is the end of the golden age of Athens, the time of Alexander the Great
(338 BC) who conquered the Greek cities.

A

Hellenistic Period

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8
Q

Is a work of art depicting mostly inanimate subject matter, typically
commonplace objects which may be either natural or man-made

A

Still life

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9
Q

It comprises the visible features of an area of land, including the
physical elements of landforms such as mountains, hills, water bodies, living elements of land cover including indigenous vegetation, human elements
including different forms of land use, buildings and structures, and transitory elements such as lighting and weather conditions.

A

Landscape

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10
Q

It is produced by Christians or under Christian patronage. Arts were influenced by the early Christian symbols like cross, fish,
lamb, Alpha, Omega, wreath, grapes, doves, and peacocks. Arts introduced a new sense of values which emphasized spiritual and the life after death.

A

Early Christian Arts

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11
Q

An art movement originated in the late 18th
century that emphasized inspiration, subjectivity, and the primacy of
individual

A

Romanticism Art

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12
Q

Refers to the period of European arts of the 17th
and 18th centuries that follows mannerism and it is distinct with
ornate detail.

A

Baroque Arts

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13
Q

Refers to the period of European arts that emerged from the later years of the Italian High Renaissance
around 1520 and lasted until about 1580 specifically in Italy. This
16th century period of arts were characterized by unusual effects of
scale, lighting, perspective, and the use of bright, often lurid colors.

A

Mannerism Arts

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14
Q

a style or movement in painting
originating in France in the 1860s, characterized by
a concern with depicting the visual impression of
the moment, especially in term of the shifting effect
of light and color.

A

Impressionism

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15
Q

A technique of neo-impressionist painting using tiny
dots of various pure colors, which become blended
in the viewer’s eye.

A

Pointillism

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16
Q

Refers to a wild beast a style
of painting with vivid expressionistic
and non-naturalistic use of color
that flourished in Paris from 1905.

A

Fauvism

17
Q

A. style of painting,
music, or drama in which the artist
or writer seeks to express
emotional experience rather
impressions of the external world.

A

Expressionism

18
Q

An early 20th century style and
movement in the field of visual arts, especially in
painting. It emphasizes the use of simple geometric shapes, interlocking planes, and later,
collage.

A

Cubism

19
Q

an artistic movement begun in Italy in 1909
that violently rejected traditional forms which
emphasized and incorporated into art like energy and the
dynamism of modern technology.

A

Futurism

20
Q

a 20th century avant-
garde movement in art and
literature that sought to release the
creative potential of the unconscious
mind (like the irrational
juxtaposition of images)

A

Surrealism

21
Q

an
early 20th century international
movement in art, literature, music, and
film, repudiating and mocking artistic and
social conventions and emphasizing the
illogical and absurd and favored montage,
collage, and the ready-made.

A

Dadaism

22
Q

Both modernist and contemporary art
which is based on modern popular culture and mass
media, especially as a critic or ironic comment on
traditional fine arts values

A

Pop Art

23
Q

brand new form of painting or
sculpture which used text-based imagery.

A

Word Art

24
Q

is a postmodernist art
movement founded on the principle that art is a
concept rather than a material object

A

Conceptual Art

25
Q

It is an art form that combines visual art with
dramatic performance. It includes events and
happenings by visual artist, poets, musicians, film
makers, video artist, and others

A

Performance Art

26
Q

The Roman Visual Arts such as sculptures and architectures imitated the Greek forms and techniques. However, in visual arts the Romans developed new artistic subjects like Still Life, Landscape, and Architectural motifs.

A
27
Q

It is merged with Classical and
Asian artistic tradition which underscored the clarity of line and sharpness of
outline. They were known for using icons like Crucifixion, and Mary (Mother of God), Our Lady of Perpetual Help.

A

Byzantine Arts

28
Q

Referred to the arts of Europe from approximately 1000
AD to the rise of the Gothic style in the 13th century. During this period, it
underscored the crafts like metal work, geometric design, and stylized animal
from.

A

Romanesque Arts

29
Q

developed out of the Romanesque arts in mid-12th century. It
emphasized religion as the subject of arts and it was renowned for the use of stained glass (mosaic stained glass).

A

Gothic Arts

30
Q

Sculpture, panel painting, stained glass, fresco and illuminated manuscripts were the primary media in what period?

A

Gothic Period

31
Q

It underscored the dominance of man (homocentric), “Man as the measure of all things”. Arts centered on person’s thoughts, feelings and imaginations. Its artistic standards derived from the ideals of
classicism.

The subjects of art in this period remained religious by nature
and the ideal man, “jack-of-all-trade” was the center of attraction.

A

Renaissance Art

32
Q

Andrea del Sarto, Jacopo da Pontormo, and Rosso Fiorentino were acknowledge as the Early Florencian Mannerists and Michelangelo Buonarotti was one of the great creative exponents of Mannerism.

A
33
Q

Gian Lorenzo Bernini and Versailles are the leading figure and
renowned architects in the emergence of Roman Baroque
architecture. Michelangelo Caravaggio and Sir Peter Paul Rubens are considered important baroque artists.

A
34
Q

Incorporates the struggles for freedom and equality and the promotion
of justice as spurred by the idealism of French Revolution.

A

Romanticism Arts