LESSON 4: ELEMENTS AND PRINCIPLES OF ART Flashcards

1
Q

Elements of Visual Arts 7

A

Lines
Colors
Texture
Perspective
Space
Form
Volume

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2
Q

are the visual components that are required to create a work of art

A

Elements of Visual Art

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3
Q

mark on a surface that describes a shape or outline. It can create texture and can be thick and thin. Types can include actual, implied, vertical, horizontal, diagonal, and contour lines.

A

Line

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4
Q

are poised for action. They are poised, balanced, forceful, and dynamic. They express an impression of dignity.

A

Vertical Lines

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5
Q

are lines of repose and serenity. They express ideas of calmness and quiescence.

A

Horizontal Lines

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6
Q

are used to create feelings of movement or action.

A

Diagonal Lines

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7
Q

sometimes referred as S curves, suggest gracefulness or sexiness.

A

Curved lines

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8
Q

TYPES OF LINES

A

Repetition
Transition

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9
Q

occurs when two or more lines are drawn within a corner following the lines of the corner.

A

Repetition

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10
Q

is a line that connects two workflow elements.

A

Transition line

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11
Q

refers to the visual perception of light being reflected from a surface of an artwork.

A

Color

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12
Q

colors can be divided into three groups:

A

primary, secondary and tertiary.

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13
Q

Attributes of Color

A

Hue, Value , Tints, Shades , Intensity

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14
Q

is the term for the pure spectrum colors commonly referred to by the “color names” - red, orange, yellow, blue, green violet - which appears in the hue circle or rainbow.

A

Hue

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15
Q

is an abstract illustrative organization of color hues around a circle, that shows relationships between primary, secondary, and tertiary colors, etc.

A

color wheel

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16
Q

refers to the lightness or darkness of a color. It is the quality that depends on the amount of light and dark in color.

17
Q

are values above the normal

18
Q

are values below the normal.

19
Q

refers to the brightness or darkness of color. It gives color strength.When a hue is vivid form , it is said to be in full intensity. When it is dulled, it is said to be partly neutralized.

20
Q

is the element that deals more directly with the sense of touch.

21
Q

expresses the idea of how a surface might feel. For example, a painting of a blanket might convey the idea that the blanket is soft.

A

Implied texture

22
Q

texture that can actually be felt. For example, a ceramic bowl might feature a carved texture that could be felt when holding that bowl.

A

Actual texture,

23
Q

deals with the effect of distance upon the appearance of objects, by means of which the eye judges spatial relationships.

A

Perspective

24
Q

Kinds of Perspective:

A

Linear perspective, Aerial perspective

25
is the representation of an appearance of distance by means of converging lines. It has to do with the direction of lines and with the size of objects.
Linear perspective
26
is the representation of relative distances of objects by gradations of tone or color.
Aerial perspective
27
refers to how the artist fills the surface on which a work of art is created. It can also refer to the expression of depth within a work of art.
Space
28
Kinds of Space
Positive, Negative
29
the areas in a work of art that are the subjects, or areas of interest.
Positive space
30
areas around the subjects, or areas of interest.
Negative space
31
applies to the over-all design of a work of art. It describes the structure or shape of an object.
Form
32
Types of Forms
Organic forms, Geometric forms
33
Typically are irregular in outline, often assymetrical. Most often thought of as naturally occurring (snowflakes etc)
Organic Form
34
corresponds to named regukar shapes (squares, rectangles, triangles, circles)
Geometric Form
35
refers to the amount of space occupied in three dimensions. Refers to solidity and thickness.
Volume