Lesson 7 Flashcards

(48 cards)

1
Q

All sounds are a form of energy produced by the vibration of an object. The vibration makes the air around the object vibrate too. These air vibrations are called

A

sound waves

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2
Q

is the pattern of disturbance caused by the movement of energy traveling through a medium (such as air, water, or any other liquid or solid matter) as it propagates away from the source of the sound.

A

SOUND WAVES

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3
Q

is a combination of sounds and silence.

A

MUSIC

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4
Q

is the element of “TIME” in music.

A

RHYTHM

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5
Q

When you tap your foot to the music, you are “keeping the beat“ or following the structural rhythmic pulse of the music.

A

RHYTHM

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6
Q

Traditionally, ___ were not part of music, but nowadays composers use sounds, silence and even noises in many different ways in their compositions to create new musical experiences.

A

noises

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7
Q

All musical aspects relating to the relative loudness (or quietness) of music fall under this general element.

A

DYNAMICS

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8
Q

This are called?

Pianissimo (pp) – very quiet
Piano (p) – quiet
mezzo-piano (mp) – moderately quiet
mezzo-forte (mf) – moderately loud
forte (f) – loud
fortissimo (ff) – very loud
crescendo – gradually getting louder
decrescendo – gradually getting
quieter
accent – “punching” or “leaning into”, a note harder to temporarily emphasize

A

DYNAMIC LEVELS

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9
Q

gradually getting
quieter

A

decrescendo

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10
Q

“punching” or “leaning into”, a note harder to temporarily emphasize

A

accent

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11
Q

very quiet

A

Pianissimo (pp)

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12
Q

quiet

A

Piano (p)

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13
Q

moderately quiet

A

mezzo-piano (mp)

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14
Q

moderately loud

A

mezzo-forte (mf)

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15
Q

loud

A

forte (f)

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16
Q

very loud

A

fortissimo (ff)

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17
Q

gradually getting louder

A

crescendo

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18
Q

is the LINEAR / HORIZONTAL presentation of pitch (the word used to describe the highness or lowness of a musical sound).

A

MELODY

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19
Q

is the VERTICALIZATION of the pitch.

A

HARMONY

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20
Q

Often, ___ is thought of as the art of combining pitches into chords (several notes played simultaneously as a “block”).

21
Q

These chords are usually arranged into sentence-like patterns called ___

A

chord progressions.

22
Q

is the speed of the beat or the music’s pace.

23
Q

It determines how fast and slow the music is.

24
Q

ELEMENTS OF MUSIC

A

RHYTHM
DYNAMICS
MELODY
HARMONY
TEMPO

25
presto – very fast
26
largo – very slow (broad)
27
grave – very slow (solemn)
28
adagio – slow
29
andante – moderately slow, a walking pace
30
moderato – moderate
31
allegretto – moderately fast
32
allegro – fast
33
vivace – lively
34
prestissimo – as fast as possible
35
this are from? largo – very slow (broad) grave – very slow (solemn) adagio – slow andante – moderately slow, a walking pace moderato – moderate allegretto – moderately fast allegro – fast vivace – lively presto – very fast prestissimo – as fast as possible
TEMPO
36
PERIOD OF MUSIC
Middle ages Renaissance Baroque Classic Romantic Modern
37
An era dominated by Catholic sacred music, which began as simple chant but grew in complexity in the 13th and 15th centuries by experiments in harmony and rhythm.
MIDDLE AGES (450-14500)
38
A more personal style emerged in this era with a greater focus on Humanism, and a rebirth of learning and exploration.
RENAISSANCE (1450-1600)
39
Considered as the “Golden Age of Vocal Music”
RENAISSANCE (1450-1600)
40
This era-the last great age of aristocratic rule- is represented by extremely ornate and elaborate approaches to the arts.
BAROQUE (1600-1750)
41
This era saw the rise of instrumental music, the invention of the modern violin family and the creation of the first orchestras.
BAROQUE (1600-1750)
42
The music of this politically turbulent era focused on structural unity, clarity and balance.
CLASSIC (1750-1820)
43
The new expressive and dramatic approaches to composition and performance that were developed in this era became the standards that all “Classical” music be judged by great composers
CLASSIC (1750-1820)
44
This era witnessed an explosion of flamboyance, nationalism, the rise of “superstar” performers, and concerts aimed at middle-class “paying” audiences.
ROMANTIC (1450-1600)
45
Orchestral, theatrical and soloistic music grew to spectacular heights of personal expression.
ROMANTIC (1450-1600)
46
The defining feature of modern music (and modern art generally) is the breaking-down of all traditional aesthetic conventions, thereby unleashing complete freedom in all aesthetic dimensions, including melody, rhythm, and chord progression.
MODERN (1900-present)
47
examples of modern music
POP, JAZZ, ROCK, COUNTRY, ELECTRONIC, RAP
48
Even the very notion of what constitutes “music” was redefined.
MODERN (1900-present)