Lesson 7 Flashcards

(39 cards)

1
Q

are the “tools” we use in creating a work of art. Every work of art uses at least one _______. They can be isolated and defined.

A

Elements

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2
Q

The Elements are: (7)

A

Line, Color, Shape, Form, Value, Space and Texture

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3
Q

is the most basic element of art; a continuous mark made on a surface that can vary by length, width, and direction.

A

Line

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4
Q

is produced when light strikes an object and reflects back in your eyes.

A

Color

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5
Q

This element of art has three properties: (color)

A

1.Hue
2.Intensity
3.Value

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6
Q

-the name of a color (ex. red, yellow. blue)

A

Hue

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7
Q

is produced when light strikes an object and reflects back in your eyes.-the purity and strength of a color (ex- bright red or dull red)

A

Intensity

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8
Q

-the lightness or darkness of a color

“_____ is sometimes considered an Element on it’s own.

A

Value

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9
Q

is a visual tool that aids in color mixing and creating Color Schemes.

The first circular color diagram was designed by Sir Isaac Newton in 1666.

The colors have a fixed location on the wheel to enable artists to use it properly.

A

Color Wheel

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10
Q

(3) Color Basics

A

•Primary Colors
•Secondary Colors
•Tertiary (Intermediate) Colors:

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11
Q

Red, Yellow and Blue are the ________ _____. These are the three basic colors that are used to mix all hues.

A

Primary Colors:

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12
Q

Orange, Green and Purple are the ___________ ______. They are achieved by mixing two primary colors together

A

Secondary Colors:

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13
Q

are more subtle hues which are achieved by mixing a primary and a secondary color that are adjacent on the color wheel.

A

Tertiary (Intermediate) Colors:

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14
Q
  • are used to create style and appeal. Different schemes have different effects. They may be soothing, eye catching, or energetic, for example.
A

Color Schemes

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15
Q

Colors that are opposite each other on the color wheel are considered to be _______ (example: red and green).

A

Complementary color scheme

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16
Q

use colors that are next to each other on the color wheel. They usually match well and create serene and comfortable designs.

A

Analogous color schemes

17
Q

use one hue solely in a work of art. Variation is achieved by using the tints and shades of the hue (it’s value). This color scheme creates a unifying and harmonious effect.

A

Monochromatic color schemes

18
Q

These terms are often used incorrectly, although they describe fairly simple color concepts. (3)

A

Tints, Shades, and Tones

19
Q

If a color is made lighter by adding white, the result is called a ____.

20
Q

If black is added, the darker version is called a _____.

21
Q

And if gray is added, the result is a different ____.

22
Q

The color wheel can be divided into:(2)

A

Warm and cool colors

23
Q

____ _____are vivid and energetic, and tend to advance in space. They are reds, yellows, and oranges.

24
Q

____ _____ give an impression of calm, can create a soothing impression, and tend to recede in space. ____ colors are blues, greens, and violets.

25
White, black greys and browns are considered to be ________.
neutral
26
is a two-dimensional enclosed space: you can measure length and width.
Shape
27
is a 3 dimensional object (such as a sculpture) and is also either geometric or organic. You can measure length, width and depth in a ____.
Form
28
is the degree of lightness or darkness in colors. It is the lightness or darkness of a color in relation to its own brightness, not in relation to other colors,
Value
29
is defined and determined by shapes and forms.
Space
30
is where shapes and forms exist (often the subject)
Positive space
31
is the empty space around shapes and forms (background).
Negative space
32
refers to the surface quality or "feel" of an object smooth, rough, soft, etc.
Texture
33
Textures may be _____ (felt with touch - tactile) or implied (suggested by the way an artist has created the work of art -visual).
actual
34
The analytic study of how the various elements and material features of the artwork produce meaning should lead to a more stable and consensual field of meaning leading to a better understanding of an artwork by an ordinary audience or viewer.
ARTWORK ANALYSIS
35
Three planes of analysis or in reading the image:
A. Semiotic B. Iconic C. Contextual
36
(Name of the artist, title of the work, year the work was created, dimension or size, medium or technique, location of the work, whose collection or gallery). This is like a credit line, which lists important facts about a work of art.
A. Semiotic
37
(Subject- type, kind, source, and how the artist describes the subject).
B. Iconic
38
(meaning of the work, symbols, ideas, concepts). The work of art may contain references and allusions, direct or indirect, to historical figures and events, as well as to religious, literary, and philosophical ideas and values, which are part of the meaning of the work.
C. Contextual
39