lesson 7-8 Modify T or F

Question 1

MODIFY TRUE OR FALSE

In April 1993, the Gawad sa Manlilikha ng Bayan or the National Living Treasures Award was institutionalized through Republic Act No. 7355.

Answer 1

1993 should be 1992

Question 2

MODIFY TRUE OR FALSE

In April 1992, the Gawad sa Manlilikha ng Bayan or the National Living Treasures Award was institutionalized through Republic Act No. 7345.

Answer 2

RA NO. 7345 should be RA NO. 7355

Question 3

MODIFY TRUE OR FALSE

As envisioned under R.A. 7355, “Manlilikha ng Bayan” shall mean a
citizen engaged in any traditional art uniquely Filipino whose distinctive skills have reached such a high level of technical and artistic excellence and have been passed on to and widely practiced by the present generation in his/her community with the same degree of technical and artistic competence.

Answer 3

True

Question 4

MODIFY TRUE OR FALSE

The presence of Gawad ng Manlilikha ng Bayan Awardees is required in the events under the international programs and projects of the NCCA such as the Philippine National Arts Month, the National Heritage Month, and other
important national and regional cultural celebrations and similar future events.

Answer 4

INTERNATIONAL should be INSTITUTIONAL

Question 5

MODIFY TRUE OR FALSE

First awarded in 1993 to three outstanding artists in music and poetry, the Gawad sa Manlilikha ng Bayan has its roots in the 1988 National Folk Artists Award organized by the Rotary Club of Makati-Ayala.

Answer 5

True

Question 6

MODIFY TRUE OR FALSE

As a individuals, these folk and traditional artists reflect the diverse heritage and cultural traditions that
transcend their beginnings to become part of our national character.

Answer 6

INDIVIDUALS should be GROUP

Question 7

MODIFY TRUE OR FALSE

As Filipinos, they bring age-old customs, crafts and ways of living to the attention and appreciation of foreign life.

Answer 7

FOREIGN should be FILIPINO

Question 8

MODIFY TRUE OR FALSE

GAMABA provide us with a vision of ourselves and of our nation, a vision we might be able to realize someday, once we are given
the opportunity to be true to ourselves as these artists have remained truthful to their art.

Answer 8

True

Question 9

MODIFY TRUE OR FALSE

The Award shall be given in each, and limited to the following
categories of traditional folk arts, viz.: folk architecture, maritime transport, weaving, carving, performing arts, literature, graphic and plastic arts, ornament, textile or fiber art, pottery and other artistic expressions of traditional
culture.

Answer 9

LIMITED should be NOT LIMITED

Question 10

MODIFY TRUE OR FALSE

As candidate of GAMABA, He/she is an inhabitant of an indigenous/traditional cultural community anywhere in the Philippines that has preserved indigenous customs, beliefs, rituals and traditions and/or has syncretized whatever external
elements that have influenced it.

Answer 10

True

Question 11

MODIFY TRUE OR FALSE

As candidate of GAMABA, He/she must not have any engaged in a folk art tradition that has been in
existence and documented for at least fifty (50) years.

Answer 11

MUST NOT HAVE should be MUST HAVE

Question 12

MODIFY TRUE OR FALSE

As candidate of GAMABA, He/she must have consistently performed or produced over a significant period, works of superior and distinctive quality.

Answer 12

True

Question 13

MODIFY TRUE OR FALSE

As candidate of GAMABA, He/she must possess a mastery of tools and materials needed by the
art, and must have an established reputation in the art as a master and maker of works of extraordinary technical quality.

Answer 13

True

Question 14

MODIFY TRUE OR FALSE

As candidate of GAMABA, He/she must have passed on and/or will pass on to other members of
the community their skills in the art for which the community is
traditionally known.

Answer 14

ART should be FOLK ART

Question 15

MODIFY TRUE OR FALSE

A traditional artist who possesses all the qualities of a Manlilikha ng Bayan candidate, but due to age or infirmity has left him/her incapable of teaching further his/her craft, may still be recognized if, He/she had created a significant body of works and/or has consistently displayed excellence in the practice of his/her art, thus achieving important contributions for its development.

Answer 15

True

Question 16

MODIFY TRUE OR FALSE

A traditional artist who possesses all the qualities of a Manlilikha ng Bayan candidate, but due to age or infirmity has left him/her incapable of teaching further his/her craft, may still be recognized if, He/she has been instrumental in the revitalization of his/her community’s artistic tradition.

Answer 16

True

Question 17

MODIFY TRUE OR FALSE

A traditional artist who possesses all the qualities of a Manlilikha ng Bayan candidate, but due to age or infirmity has left him/her incapable of teaching further his/her craft, may still be recognized if, He/she has passed on to the other members of the community skills
in the folk art for which the community is traditionally known.

Answer 17

True

Question 18

MODIFY TRUE OR FALSE

A traditional artist who possesses all the qualities of a Manlilikha ng Bayan candidate, but due to age or infirmity has left him/her incapable of teaching further his/her craft, may still be recognized if, His/her country has recognized him/her as a master and teacher
of his/her craft.

Answer 18

COUNTRY should be COMMUNITY

Question 19

MODIFY TRUE OR FALSE

A Manlilikha ng Bayan awardee receives a specially designed bronze medallion, an initial grant of P100,000 and a P10,000 monthly stipend for life.

Answer 19

BRONZE should be GOLD

Question 20

MODIFY TRUE OR FALSE

the NCCA board approved an additional monthly personal allowance of P14,000 for the awardees as well as a maximum cumulative amount of P850,000
medical and hospitalization benefits annually similar to that received by the National Artists and funeral assistance/tribute fit for a National Living Treasure.

Answer 20

P850,000 should be P750,000

Question 21

MODIFY TRUE OR FALSE

NCCA described the national living treasures as artists who “reflect the
diverse heritage and cultural traditions that transcend their beginnings to become part of our national character.”

Answer 21

True

Question 22

MODIFY TRUE OR FALSE

Lang Dulay steeped in the wisdom that the ambahan is a key to the understanding of the
Mangyan soul

Answer 22

LANG DULAY should be GINAW BILOG

Question 23

MODIFY TRUE OR FALSE

Ginaw took it upon himself to continually keep scores of ambahan poetry recorded, not only on bamboo tubes but on old, dog-eared notebooks passed on to him by friends.

Answer 23

True

Question 24

MODIFY TRUE OR FALSE

Ginaw shares old and new
ambahans with his fellow Tausug and promotes this poetic form in every occasion

Answer 24

TAUSUG should be MANGYAN

Question 25

MODIFY TRUE OR FALSE Federico Caballero known for his work on the documentation of the oral literature, particularly the ten epics, rendered in an extinct language related to Kinaray-a.

Answer 25

True

Question 26

MODIFY TRUE OR FALSE Federico Caballero is also called Nong Pedring, he learned about novels from his mother and his grandmother, Anggoy Omil who would chant these to him and his siblings as a lullaby.

Answer 26

NOVELS should be EPICS

Question 27

MODIFY TRUE OR FALSE Federico Caballero worked with the Bureau of Nonformal Education, to teach people how to read and write and would promote the tradition of epic chanting despite the initial objection of his children.

Answer 27

True

Question 28

MODIFY TRUE OR FALSE Samaon Sulaiman is an outstanding master of the basal, kulilal and bagit, a gifted poet, bard artist, and musician.

Answer 28

SAMAON SULAIMAN should be MASINO INTARAY

Question 29

MODIFY TRUE OR FALSE Masino Intaray has the creative memory, endurance, clarity of intellect and spiritual purpose that enable him to chant all through the night, for successive nights, countless tultul (epics), sudsungit (narratives), and tuturan (myths of origin and teachings of ancestors).

Answer 29

True

Question 30

MODIFY TRUE OR FALSE Samaon Sulaiman achieved the highest level of excellence in the art of kutyapi playing.

Answer 30

True

Question 31

MODIFY TRUE OR FALSE Aside from kutyapi, Samaon is also proficient in kulintang, agong (suspended bossed gong with wide rim), gandingan (bossed gong with narrow rim), palendag (lip-valley flute), and tambul.

Answer 31

True

Question 32

MODIFY TRUE OR FALSE Masino Intaray has the creative memory, endurance, clarity of intellect and spiritual purpose that enable him to chant all through the night, for successive nights, countless tultul (epics), sudsungit (narratives), and tuturan (myths of origin and teachings of ancestors).

Answer 32

True

Question 33

MODIFY TRUE OR FALSE Samaon was a popular barber in his community and serve as an Imam in the Libutan mosque.

Answer 33

True

Question 34

MODIFY TRUE OR FALSE Gangsa, a type of string instrument, he lobbied for two years to the provincial government to grant funds to convert the abandoned Capitol Building into a museum.

Answer 34

STRING INSTRUMENT should be KALINGA GONG

Question 35

MODIFY TRUE OR FALSE Alonzo Saclag learned how to play traditional Kalinga musical instruments and Kalinga ritual dance movements without formal or informal instruction

Answer 35

True

Question 36

MODIFY TRUE OR FALSE Alonzo Saclag formed the Kalinga Budots Dance Troupe with the intent of promoting Kalinga dance to a wider audience

Answer 36

BUDOTS should be BUDONG

Question 37

MODIFY TRUE OR FALSE Alonzo Saclag established a village within his town, named Awichon which aims to promote Kalinga culture to tourists.

Answer 37

True

Question 38

MODIFY TRUE OR FALSE Uwang Ahadas first learned how to play the gabbang, a metal instrument similar to the xylophone then learned how to play the agung, an instrument traditionally played by Yakan men

Answer 38

METAL should be WOODEN BAMBOO

Question 39

MODIFY TRUE OR FALSE By age 20, Ahadas had already mastered the kwintangan which is considered as the most important Yakan musical instrument despite the instrument traditionally reserved for women

Answer 39

True

Question 40

MODIFY TRUE OR FALSE Tuntungan, an instrument traditionally played by Yakan men.

Answer 40

TUNTUNGAN should be AGUNG

Question 41

MODIFY TRUE OR FALSE Salinta Monon is credited with preserving her people's tradition of weaving T'nalak, a dyed fabric made from refined abaca fiber.

Answer 41

SALINTA MONON should be LANG DULAY

Question 42

MODIFY TRUE OR FALSE Lang Dulay is known for maintaining the use of traditional motifs in T'nalak weaving amidst the commercialization of the craft

Answer 42

True

Question 43

MODIFY TRUE OR FALSE Lang Dulay notably had a mental repertoire of around 100 patterns and designs: some of these were based on her dreams, hence her description as a "dreamweaver"

Answer 43

True

Question 44

MODIFY TRUE OR FALSE Salinta Monon watched her mother weave ikat, a traditional abaca fabric when she was a child.

Answer 44

True

Question 45

MODIFY TRUE OR FALSE T'nalak, a traditional abaca fabric

Answer 45

T'NALAK should be IKAT

Question 46

MODIFY TRUE OR FALSE Salinta Monon's favorite design is the binuwaya or crocodile which is said to be among the most difficult to weave.

Answer 46

True

Question 47

MODIFY TRUE OR FALSE Darhata Sawabi is one of those who took to heart the art of makingpis syabit, the traditional cloth tapestry worn as a head covering by the Tausug of Jolo.

Answer 47

True

Question 48

MODIFY TRUE OR FALSE Makingpis syabit is the traditional cloth tapestry worn as a skirt by the Tausug of Jolo.

Answer 48

SKIRT should be HEAD COVERING

Question 49

MODIFY TRUE OR FALSE Darhata Sawabi's art pieces was accepted in Parang

Answer 49

True

Question 50

MODIFY TRUE OR FALSE With Darhata Sawabi's dedication to her art, generations of traditional Tausug designs have been preserved and are available for contemporary appreciation and future study.

Answer 50

True

Question 51

MODIFY TRUE OR FALSE Eduardo Mutuc is an artist who has dedicated his life to creating religious and secular art in silver, bronze, and wood.

Answer 51

True

Question 52

MODIFY TRUE OR FALSE One of Eduardo Mutuc's first commissions came from Monsignor Fidelis Limcauco, who asked him to create a tabernacle for the parish of Bagbag, Quezon City

Answer 52

BAGBAG, QUEZON CITY should be FAIRVIEW, QUEZON CITY

Question 53

MODIFY TRUE OR FALSE Haja Amina Appi is recognized as the master mat weaver among the Sama indigenous community of Apalit.

Answer 53

APALIT should be UNGOS MATATA

Question 54

MODIFY TRUE OR FALSE Haja Amina Appi's colorful mats with their complex geometric patterns exhibit her precise sense of design, proportion and symmetry and sensitivity to color.

Answer 54

True

Question 55

MODIFY TRUE OR FALSE The art of mat weaving is a long and tedious process, which requires much patience and stamina and an eye for detail, an unerring color instinct, and a genius for applied mathematics.

Answer 55

True

Question 56

MODIFY TRUE OR FALSE Teofilo Garcia is recognized for his craft in making tabungaw

Answer 56

True

Question 57

MODIFY TRUE OR FALSE Tabungaw, a casque made of the native gourd, hollowed out, polished, and varnished to a bright green sheen to improve its weather resistance and with the inside is lined with finely woven rattan matting, and the brim sports a subtle bamboo weave for accent

Answer 57

GREEN should be ORANGE

Question 58

MODIFY TRUE OR FALSE Teofilo Garcia innovated with the materials using bamboo as an alternative to nito.

Answer 58

True

Question 59

MODIFY TRUE OR FALSE Magdalena Gamayo is an Bicolano textile weaver of the abel, the traditional blanket.

Answer 59

BICOLANO should be ILOCANO

Question 60

MODIFY TRUE OR FALSE Magdalena Gamayo uses a sturdy wooden frame with three-foot pedals with wide horizontal beams to support the warp and an even longer lengthwise frame to keep the threads in place

Answer 60

True

Question 61

MODIFY TRUE OR FALSE Magdalena Gamayo taught herself the traditional patterns of binakol, inuritan (geometric design), kusikos (spiral forms similar to oranges), and sinan-sabong (flowers), which is the most challenging pattern.

Answer 61

True

Question 62

MODIFY TRUE OR FALSE inuritan are geometric design

Answer 62

True

Question 63

MODIFY TRUE OR FALSE sinan-sabong are geometric design

Answer 63

SINAN-SABONG should be INURITAN

Question 64

MODIFY TRUE OR FALSE Ambalang Ausalin, is highly esteemed in all of Lamitan

Answer 64

True

Question 65

MODIFY TRUE OR FALSE suwah bekkat are embroidery-like embellishment

Answer 65

SUWAH BEKKAT should be SUWAH PENDAN

Question 66

MODIFY TRUE OR FALSE Ambalang Ausalin's artistry and craftsmanship are best expressed in the bunga sama, sinalu’an, and seputangan.

Answer 66

True

Question 67

MODIFY TRUE OR FALSE suwah pendan are embroidery-like embellishment

Answer 67

True

Question 68

MODIFY TRUE OR FALSE Estelita Bantilan weaves intricate mats using a pandan variety called romblon

Answer 68

True

Question 69

MODIFY TRUE OR FALSE Yabing Masalon Dulo is an active Blaan weaver who is a master of the Mabal Tabih technique

Answer 69

True

Question 70

MODIFY TRUE OR FALSE Haja Amina Appi served as the Cultural Master for the Blaan Weaving School of Living Tradition Project implemented back in 2005 at Sitio Lamlifew, Datal Tampal, Malungon, Sarangani Province. This SLT was funded by National Commission for Culture and the Arts (NCCA).

Answer 70

HAJA AMINA APPI should be YABING MASALON DULO

Question 71

MODIFY TRUE OR FALSE Yabing Masalon Dulo became a partner for the cultural preservation in Sarangani under the Indigenous Peoples Development Program (IPDP) of former Governor Migs Dominguez.

Answer 71

True