Life and Works of Rizal - Lesson 5 (Part 1) Flashcards
(49 cards)
darkest winter because no money arrived from Calamba
bleak winter of 1886
Who helped fund Rizal’s Noli me Tangere?
Dr. Maximo Viola
What was Rizal’s basis in writing Noli me Tangere?
Harriet Beecher Stowe’s “Uncle Tom’s Cabin”
Who were the following people who unanimously approved Noli me Tangere?
Paternos (pedro, Maximino and Antonio), Graciano Lopez Jaena, Evaristo Aguirre, Eduardo de lete, Julio Llorente, Melecio Figueroa, Valentin Ventura
Where did Rizal start writing Noli me Tangere, and what was his progress?
Madrid ; half of the book
Where did Rizal finished 3/4 of Noli me Tangere?
Paris
Where did Rizal finished the last 1/4 of Noli me Tangere?
Germany
When and where did Rizal write the last few chapters in Noli Me Tangere?
Wilhemsfeld on April - June 1886
When and where did Rizal made the final revisions of Noli Me Tangere?
Berlin, February 1886
What chapter of the Noli Me Tangere did Viola delete in order to reduce printing expenses?
Elias and Salome (Chapter 25)
This printing shop charged the lowest rate. 300 pesos for 2000 copies
Berliner Buchdruckrei-Action-Gesselschaft
Why was Rizal suspected as a French spy?
frequent visits to villages and little towns in rural areas
When did Noli Me Tangere come off the press?
March 27, 1887
Rizal sent first copies of Noli Me Tangere to his intimate friends, who are?
Blumentritt, Dr. Antonio Ma. Regidor, Graciano Lopez Jaena, Mariano Ponce, Felix R. Hidalgo
When did Rizal gave the galley proofs of the Noli?
March 29, 1887
Where did Rizal got the phrase for his Noli?
Gospel of St. John 20 : 13 - 17
human sufferings is a ___
Cancer (Social Cancer)
In the Noli, what does a woman’s head atop a Maria Clara bodice signify
nation and the women, victims of the social cancer.
In the Noli, what does the friar’s feet signify?
Oneof the causes of the cancer, in outsized in relation to the woman’s head.
The other aggravating causes of oppression and discrimination.
guard’s helmet and the iron chains, the teacher’s whip and the alferez’s scourge
people, forever in the background of their own country’s history.
A slight cluster of bamboo stands the backdrop-
indicative of the religious policy, the misdirected ardor, the people strangled
cross, a maze, flowers and thorny plants, a flame;
believed to be Maria Clara or as the “Inang Bayan” to whom Rizal dictates the novel
Silhouette of a Filipina
Represents the Catholic faith as it rises above Inang Bayan and Filipinos (shows dominance)
Cross/Crucifix
