Listening Test Flashcards

1
Q

Dufay, Nuper Rosarum Flores

A
  • Motet (short piece of sacred choral music)
  • Composed for the consecration of florence’s cathedral ‘Santa Maria del Fiore’
  • Composed in 1436
  • Begins with a duet between two upper voices before the entrance of the cantus firmus
  • The cantus firmus is doubled reflecting the ‘dome within a dome’
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2
Q

Josquin, Ave Maria

A
  • Motet
  • renaissance period (late 1400’s)
  • Four voice choir
  • Acapella
  • Vocal line is a rhymed poem to the virgin Mary (musical phrase paralleled to text)
  • 4 voice polyphony
  • composed during the composer’s service at a french/northern Italian court.
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3
Q

Handel Messiah, Hallelujah Chorus

A
  • Oratorio
  • Composed in 1741
  • 260 pages long
  • First performed in 1742 in Dublin
  • Wasn’t performed in London until 1749
  • Text for Halellujah comes from the book of revelation in he New Testament
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4
Q

Handel- Zadok the Priest

A
  • composed 1727
  • composed for the coronation of King George the 2nd of England
  • Has been performed at every coronation since
  • Baroque period piece
  • Contains a six-part choir singing ‘God save the King’
  • The word ‘alleluia’ is accompanied by semiquavers to contrast
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5
Q

Haydn- String Quartet in Bb Major, op 76, no. 4 ‘Sunrise’, Mvt. 1

A
  • Composed 1797
  • First appeared in Vienna, then in it;’s final form in London.
  • The final quartet Haydn Composed
  • The opening of movt. 1 contains a 5 not phrase that is repeated throughout the piece. It’s shiny timbre reflects the sunrise name.
  • Published 1799
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6
Q

Mozart Symphony NO. 41 in C Major, ‘Jupiter’, Mvt. 4

A
  • composed 1788
  • colloquially known as Jupiter since the early 19th century
  • the last symphony he composed
  • A post-modernist piece
  • Fuses sonata with fugue
  • Contains a 4 note repeated motif - notes C D F and E
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7
Q

J.C. Bach, Sinfonia in G Minor, OP. 6 no. 6, Mvt. 1

A
  • composed in the 1760’s
  • in a minor key
  • contains ‘storm and stress’
  • influenced the symphonies of mozart
  • 2 oboes, 2 horns, strings and basso continuo
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8
Q

Berlioz Symphonie Fantastique

A
  • composed 1830
  • revised 1831
  • published 1845
  • Rèveries Passions is the name of the first movement
  • reflects Berlioz’s love obsession with Harriet Smithson
  • ideè fixe present in 1st mvt
  • His most famous work
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9
Q

Schoenberg, Variations for Orchestra

A
  • completed 1928
  • neo-classical in style
  • utilises a 12-tone system
  • composed in Berlin
  • includes 12 variations
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10
Q

Bloch - Concerto Grosso no. 1

A
  • composed 1925
  • for strings and piano
  • composed in the height of neo-classicism but has modern and romantic influence
  • finale is a fugue
  • 5 voices with staggered entries
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11
Q

Shostakovich - Symphony NO. 5, Mvt 4

A
  • in D minor
  • completed 1937
  • first performed 1937
  • for strings and wind
  • most popular work
  • Western listenings were overwhelmed by it
  • Stalin approved despite having banned Shostakovich’s opera in 1936 for it’s anti-communist themes
  • called ‘the symphony of socialism’
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12
Q

Milhaud - La creation du Monde

A
  • composed 1923
  • op. 81
  • orchestrated for strings and wind
  • 1st performed in Paris in 1923 to a ballet
  • Baroque form with jazz prelude and fugue influence
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13
Q

Debussy - Pagodes from Estampes

A
  • composed 1903
  • a piano work
  • proposed a new approach to piano
  • influenced by oriental music, particularly javanese gamelan
  • composed 4 years after Debussy witnessed the performance of a Javanese ensemble
  • European form structurally and harmonically
  • Integrated oriental music into Debussy’s style
  • represents gamelan because complex melodies exist over simplistic gongs
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14
Q

David Fanshawe - African Sanctus

A
  • composed 1971
  • contains Prayer
  • Kyrie Eleison, Christe Eleison, Kyrie Eleison (Lord have and Christ have mercy)
  • begins with the Kyrie a solo call to prayer
  • -draws on rock opera, African traditional music and renaissance polyphony
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15
Q

Reich - Music for 18 Musicians

A
  • A work of minimalism
  • composed between 1974 and 1976
  • first performed in 1976
  • 11 chords highlighted throughout the piece
  • comprised 11 sections - 1 chord per section
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16
Q

Penderecki - threnody for the victims of Hiroshima

A
  • completed 1960
  • on of his best known works
  • dedicated o the victims of Hiroshima
  • the work reflects the sound of bombs going off
  • Penderecki also drew upon his time is Nazi ruled Poland
  • scored for 52 strings
  • an autobiographical composition
17
Q

Cage - Imaginary Landscape No. 4

A
  • unlike conventional music, the piece is composed for 12 radios and 24 players (2 per radio)
  • one dials the radio station whilst the other manipulates the amplitude and timbre
  • rhymthic structure of the piece isn’t very clear due to the nature of the radio
  • composed in 1951 and first performed the same year
18
Q

Rautavaara - Symphony nO. 7, mvt 1

A

-entitled ‘Angel of Light’
-scored for an orchestra of large scale
-composed 1994
-first performed 1995
-has also been performed in small groups
-takes on a timbre that reflects the ‘angelic
title

19
Q

Cecile Chaminade - Concertino for flute and Orchestra, op. 107, mvt 1

A
  • composed in 1907
  • used as an examination piece for flute students and the Paris conservatoire despite Cecile being forbidden from studying there by her father
  • Dedicated to French flautist Paul Taffanel
  • contains a cadenza
  • Romantic period
  • Critically acclaimed ‘salon music’, and nothing more, mostly due to the fact Chaminade was a woman.
20
Q

Kaija Saariaho - NoaNoa

A
  • composed 1992
  • for flute and electronics
  • released 1997
  • the flute player manipulates the sound using an electronic loop pedal
  • the title means ‘fragrant’ in Tahitian
  • inspired by the exotic nature of Tahiti
  • contains extended flute techniques
21
Q

Margaret Sutherland - Concerto Grosso

A
  • composed 1958
  • concerto form
  • for strings, harpsichord or piano with optional percussion
  • an Australian work
  • as opposed to the original concerto form of a soloist with orchestra, has a group of soloists
  • Neo-Baroque form
22
Q

Livia Teodorescu Cioccinea - Endeavour Bells

A
  • for piano solo
  • some of it chordal based, some polyphonic (called the interlude section)
  • combines certain structures, but used pedalling of piano to give different tonal qualities
  • an Australian work
23
Q

Peter Sculthorpe - Music for Japan

A

-An Australian Work
-has a focus on didjeridu
-revised his original scores to add in didjeridu
-Indigenous Australian Influences
-composed and first performed in 1970
for woodwind, strings and didjeridu

24
Q

Nigel Westlake - Avinu Malkeinu from Compassion

A
  • the 7th movement of Compassion: a song cycle in 7 movements
  • Jewish and Arabic texts within it
  • ABA form
  • composed 2013
  • Sung in Hebrew
  • for voice and orchestra
  • presents poetic messages through the vocal line that reflect compassion
  • Australian Work
25
Q

Sarah Hopkins: Past Life Melodies

A
  • a choral work
  • an Australian work
  • dedicated to her father John Hopkins
  • composed 1991
  • composed for acapella choir originally but has been rearranged for strings
  • string arrangement uses didjeridu and harmonic whistles.