literary and critical terms def and examples Flashcards

final exam (45 cards)

1
Q

Plot

A

The sequence of events in a story. Example: Balram’s rise from driver to murderer in “The White Tiger.”

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2
Q

Foreshadowing

A

Hints or clues about what will happen later. Example: Early mentions of violence in “Farming of Bones.”

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3
Q

Flashback

A

A scene that interrupts the chronological order to depict something from the past. Example: Ramatoulaye recounting her marriage in “So Long a Letter.”

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4
Q

Conflict

A

A struggle between opposing forces. Example: Balram vs. the class system in India.

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5
Q

Setting

A

The time and place where a story occurs. Example: Haiti during the 1937 massacre in “Farming of Bones.”

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6
Q

Theme

A

The underlying message or main idea. Example: Cultural identity in “So Long a Letter.”

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7
Q

Narrator

A

The voice that tells the story. Example: Trevor Noah in “Born a Crime.”

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8
Q

Unreliable Narrator

A

A narrator whose credibility is compromised. Example: Balram in “The White Tiger.”

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9
Q

Characterization

A

The method an author uses to develop characters. Example: Ramatoulaye’s character developed through letters.

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10
Q

Symbolism

A

: The use of symbols to represent ideas or qualities. Example: The tomato plant in “So Long a Letter.”

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11
Q

Imagery

A

Descriptive language that appeals to the senses. Example: Graphic description of the massacre in “Farming of Bones.”

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12
Q

Verbal Irony

A

Saying the opposite of what is meant.

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13
Q

Dramatic Irony

A

The audience knows more than the character.

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14
Q

Situational Irony

A

An outcome that is opposite of what is expected. Example: Balram pretending loyalty while planning murder.

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15
Q

Tone

A

The author’s attitude toward the subject. Example: Reflective and critical in “So Long a Letter.”

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16
Q

Style

A

The way an author uses language. Example: Poetic and letter-form in “So Long a Letter.”

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17
Q

Simile

A

A comparison using “like” or “as.” “Time oozed through the dark like a lead weight.”

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18
Q

Metaphor

A

A direct comparison. “The city is a jungle.”

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19
Q

Personification

A

Giving human qualities to non-humans. “The wind whispered.”

20
Q

Hyperbole

A

Exaggeration for effect. “I’ve told you a million times.”

21
Q

Allusion

A

An indirect reference to another text or event. Reference to colonial schooling systems.

22
Q

Anti-hero

A

A central character who lacks traditional heroic qualities. Example: Balram in “The White Tiger.”

23
Q

Social Criticism

A

A critique of societal structures and norms. Example: Polygamy and patriarchy in “So Long a Letter.”

24
Q

Magical Realism

A

A genre combining realistic narrative with surreal elements. Example: “Two Words.”

25
Afrofuturism
A cultural genre blending science fiction and African culture. Example: “Rainmaker.”
26
Graphic Narratives
Storytelling through comics or visual media. Example: “Taste of Illness.”
27
Epistolary Novel
A novel written as a series of letters. Example: "So Long a Letter."
28
Coming-of-age (Bildungsroman)
A story of a character's growth from youth to adulthood. Example: "Born a Crime."
29
Historical Fiction
Fiction set in the past, incorporating historical events. Example: "The Farming of Bones."
30
Literature of Witness
Writing that documents traumatic or historical events. Example: "The Farming of Bones."
31
Memoir
A factual account from the author's life. Example: "Born a Crime."
32
Genre Theory
Analyzes how a work fits into a literary genre and how it uses genre conventions.
33
Gender & Sexuality Analysis / Feminist Theory
Examines gender roles, patriarchy, and sexuality in texts.
34
New Historicism
Considers the historical and cultural context of literature.
35
Postcolonialism
Analyzes literature from formerly colonized nations and explores issues like identity and cultural conflict.
36
Ex: What kind of figurative language is used in the line “Time oozed through the dark like a lead weight in a fish's gut”? Allusion Metaphor Personification Simile
Simile
37
Ex: Which event from So Long a Letter would we focus on if we were analyzing the novel through the critical lens of Postcolonialism? Ramatoulaye and Aissatou’s education at a French school. The cultural perceptions of class that led Mawdo to take Young Nabou as his second wife. Modou’s treatment of Binetou first as her sugar daddy, and then as her husband .
Ramatoulaye and Aissatou education at a French School.
38
Ex: Match these literary genres with their definitions: Afrofuturism Epistolary novel Historical Fiction Magical realism A genre in which the plot takes place in a setting related to past events, but which focuses on conveying a narrative rather than accurately describing those events. A literary work composed of a series of letters. A genre that paints a realistic view of the world while adding fantastic elements, particularly for social commentary. A genre that centers Black history and culture and incorporates science-fiction, technology, and futuristic elements into literature, music, and the visual arts.
Afrofuturism-A genre that centers Black history and culture and incorporates science-fiction, technology, and futuristic elements. Epistolary novel- A literary work composed of a series of letters. Historical Fiction-A genre in which the plot takes place in a setting related to past events, but focuses on conveying a narrative. Magical Realism-A genre that paints a realistic view of the world while adding fantastic elements, particularly for social commentary.
39
Trevor Noah
His mixed-race heritage under apartheid makes him “born a crime”
40
Amabelle Desír
Returns to her homeland of Haiti after suffering through a genocide
41
Balram Halwai
Murders his master to steal money and become an entrepreneur
42
Anyango
Is shunned by her community in Uganda for her lesbian relationship
43
Ramatoulaye
A schoolteacher whose husband abandons her for his second wife
44
Identify two texts that have themes of preserving or restoring one’s cultural heritage:
"So Long a Letter" – Through Ramatoulaye's reflections on Senegalese traditions, religion, and French colonial influence, the novel explores how cultural identity is navigated and preserved by women in a changing society. "The Farming of Bones" – The novel highlights the importance of Haitian identity, memory, and language (like the use of Kreyòl) in the face of systemic violence and erasure during the 1937 Parsley Massacre.
45
Essay prompts: Option 1: Motor vehicle accidents play a role in the three novels we’ve read this semester: In chapter 24 of So Long a Letter, a motorcyclist knocks down two of Ramatoulaye’s sons while they are playing soccer in the street; all parties are merely injured. In chapter 8 of The Farming of Bones, Señor Pico hits and kills Joël with his car when driving home to see his newborn children; we’ve discussed how this action has ripple effects among many people. In The White Tiger, we have two accidents: the hit-and-run where Pinky killed the child in The Fourth Night, and the emergency where Balram’s driver kills a boy on a bicycle in The Seventh Night. Write an essay comparing and contrasting the way the authors use motor vehicle accidents in these three texts as a device to move along the plot, create conflict, and develop characterization and/or theme. Why might this event be so commonplace among these drastically different countries and time periods? What do the responses to these events show us about the universality of human nature?
Sample Introduction Paragraph Motor vehicle accidents, though seemingly random, are employed with deliberate narrative purpose in So Long a Letter, The Farming of Bones, and The White Tiger. In these three novels, the authors use car accidents as pivotal moments that expose systemic injustice, ignite personal transformation, and reflect on human accountability. While the contexts—Senegal, the Dominican Republic, and India—are geographically and culturally distinct, these scenes share a symbolic function: they reveal how violence and power intersect with the everyday, exposing deeper truths about class, privilege, and moral compromise. The characters’ reactions to these events not only propel the plot forward, but also serve as windows into universal aspects of human nature, such as guilt, denial, grief, and the pursuit of justice. Thesis Statement Although the motor vehicle accidents in these novels occur under different circumstances, they serve as literary devices that unveil hidden power structures, test moral boundaries, and highlight the shared vulnerability of human life, making them powerful catalysts for character development and thematic exploration across cultures. Body Paragraphs Plan Body Paragraph 1: Character and Power – Señor Pico & Pinky Madam Text 1: The Farming of Bones Señor Pico, a Dominican colonel, kills Joël, a Haitian child, in a hit-and-run and shows no remorse. Reflects themes of dehumanization, racial hierarchy, and state-sanctioned violence. “He never looked back once at Joël’s crumpled body” (Danticat 74). Text 2: The White Tiger Pinky Madam kills a child in a drunken state; Balram is coerced into signing a confession. Reflects India’s deep class divisions and systemic corruption. “They made me sign that confession because I was the servant” (Adiga 168). Both characters avoid accountability due to privilege. Body Paragraph 2: Trauma and Emotional Aftermath – Ramatoulaye’s Children & Balram’s Transformation Text 1: So Long a Letter The accident with Ramatoulaye’s sons doesn’t cause death but creates a moment of maternal anxiety. Shows how easily tragedy can strike, emphasizing the fragility of life. “The idea of losing them paralyzed me with fear” (Bâ 85). Text 2: The White Tiger Balram’s own involvement in a second accident becomes a tipping point in his moral descent. Loss of compassion, desensitization. “There was blood on the bumper, and I didn’t care anymore” (Adiga 234). Compare: In So Long a Letter, the event brings emotional clarity; in The White Tiger, it pushes Balram toward amorality. Body Paragraph 3: Universal Symbolism – Movement, Disruption, and Modernity Accidents act as symbols of disruption in all three novels—interrupting social orders and personal paths. The motor vehicle is a metaphor for power, modernity, and control—those who drive are in control; those who are hit are powerless. In all three stories, vehicles divide the elite from the marginalized. Accidents become moments that unveil the limits of societal protection. Conclusion Paragraph Despite their different cultural and political settings, So Long a Letter, The Farming of Bones, and The White Tiger each use motor vehicle accidents to confront the reader with the unpredictability and moral complexity of life. These incidents are never just accidents; they are acts of narrative intervention that reveal character truths, expose social fault lines, and invite reflection on how we respond to harm—both caused and endured. Whether through grief, silence, or transformation, each response suggests that in every society, power dictates who suffers and who escapes, reinforcing the tragic but universal truth of human inequality.