literary criticism Flashcards

(58 cards)

1
Q

stanley fish

A

reader response

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2
Q

cleanth brooks

A

new criticism

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3
Q

Claude Levi Strauss

A

Anthropological Structuralism

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4
Q

Saussure

A

Structuralism

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5
Q

Roland Barthes

A

Linguistic Structuralism

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6
Q

Jakobson

A

Linguistic Structuralism

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7
Q

Lacan

A

Subjection-realm of symbolic

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8
Q

Althusser

A

Subjection-realm of economy

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9
Q

Foucault

A

Subjection- New Historicism

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10
Q

Derrida

A

Deconstruction

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11
Q

Nancy

A

Participation-Poetics of Finitude

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12
Q

heresy of paraphrase

A

to declare what a poem is trying to say
poems can’t be quantified

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13
Q

affective fallacy

A

to understand the meaning of the text as only what you got from it

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14
Q

intentional fallacy

A

to understand the meaning of the text as what the author meant

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15
Q

NC-What is a poems major job

A

A creative unity–joining of unexpected things together

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16
Q

What’s more important to a new critic-content or form

A

form

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17
Q

reader response theory

A

Meaning is in the activity of reading. Not what the text means, but what it does to us

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18
Q

Is there a text in this class?

A

No, there is only us and we use up the piece

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19
Q

who is the ideal reader in reader response

A

1.speaks the language
2.knows the genres and forms
3. can determine what’s idiosyncratic vs what’s intended

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20
Q

structuralism theory

A

Anything that “is” within a larger system or stucture means nothing in and of itself

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21
Q

Linguistics

A

Study of meaningful sounds

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22
Q

seme

A

arbitrary relation of signifier to signified- ideal element of language

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23
Q

New criticism theory

A

we read to perserve the object as a unified platonic form

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24
Q

signifier

A

the word itself

25
signified
cat you picture
26
sign
signifier/signified
27
anthropological structuralism
looking at human processes through a structuralist lens
28
linguistic structuralism
poetry isn't structured like a language but is in fact a permutation of language
29
syntagmatic
horizontal organization by which seems organize theselves -metanymic -combination
30
paradigmatic
vertical organization by which semes organize themselves -metaphoric -selection
31
the objective semiotics feature that distinguishes literary uses of language from other uses is
the dominance of a tendency to "project the axis of equivalence onto the axis of combination" paradigmatic onto syntagmatic
32
syntax
deployment of words to give off grammatical functions
33
6 factors of speech
1.addresser 2.addressee 3.code 4.message 5.context 6.contact
34
6 functions of speech
1.emotive 2.conative 3.metalingual 4.poetic 5.referential 6.phatic
35
poetic function
when the focus of the communication is on the words themselves not the referent or the rules
36
theories of subjection
when I read poetry and literature I am entering the totality culture as a subject
37
freud's dreamwork
repression reworks one's impulses by way of condensation and displacement
38
condensation
multiple dream thoughts combined
39
displacement
you have immense feelings about something that emerge through a certain motif
40
symbolic
entry into the totality of language
41
metaphor-subjection
signifier stays secure while signified gets squared
42
metanym
dissolves signifier and signified
43
Lacan's theory of subjection
the unconscious is structured like a language-
44
where does culture come from according to Althusser
culture is superstructural-reflected by work
45
What does ISA stand for
Ideological State Apparatus: Literature operates under this and hails us as subjects
46
Subjection-Althusser
All literature is written to support the modes of production THUS dont read literature for meaning but rather what it wants to mean but says under ostensible assertions
47
Subjection-Foucoalt
every new element alters the system and no way to establish metaphysical priority for a given set of terms
48
archaeology
discovering the configuration that give rise to specific practices
49
epistemes
set of rules of formation that allow discourses to function 1.what can be known 2.how something is known 3.total sum of what is known
50
discourse
the system itself that makes possible what you say
51
new historicism
how a body of work 1.responds to a discourse system 2.enacts discourse system 3.alters episteme configuration -no social world is stable
52
genealogy
tracing powers-creation of new epistemes
53
new historicists see literary works as
a vessel tossed in a social sea of competing interests antagonistic values and contradictions
54
whats more important to a new historicist-context or text
context
55
The structurally of structure
the system is never stable, always something that undoes it
56
Deconstruction
There is a necessary self displacement to be a self a self canceling for the sake of continuing one's existence
57
phenomonology
philosophy that tries to describe the richness of experience
58