Literary Terms Flashcards

1
Q

ALLEGORY

A

A story which carries a deeper spiritual, moral, or political meaning below the surface. The characters often represent abstract ideas.

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2
Q

ALLITERATION

A

The recurrence of initial consonant sounds of different words within the same sentence.

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3
Q

ALLUSION

A

A reference to a well-known literary work, historical person, or event.

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4
Q

AMBIGUITY

A

When, for a higher purpose, an author intentionally suggests more than one, and sometimes contradictory, interpretations of a situation.

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5
Q

ANTAGONIST

A

The character in a story who opposes the hero or protagonist. The _____ is not always evil or cruel.

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6
Q

APOSTROPHE

A

When a speaker addresses something abstract, inanimate, or someone not present or dead as if it/he/she can hear the speaker’s words.

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7
Q

ARCHETYPE

A

In literature, a typical character, an action, or a situation that seems to represent such universal patterns of human nature.

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8
Q

CACOPHONY

A

A writer’s use of harsh sounding diction to create auditory imagery and/or for emotive effect.

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9
Q

CARICATURE

A

A character with features or traits that are exaggerated so that character seems ridiculous.

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10
Q

CARPE DIEM

A

A widespread literary theme meaning “seize the day” in Latin and found especially in lyric poetry.

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11
Q

CHARACTERIZATION

A

The method by which the author builds or reveals a character.

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12
Q

COMIC RELIEF

A

The inclusion of a humorous character, scene, or witty dialogue in an otherwise serious work, often to relieve tension.

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13
Q

CONCEIT

A

An unusual, elaborate or startling metaphor or analogy; a poetic literary device common among the Metaphysical poets of the 17th century.

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14
Q

CONNOTATION

A

A literary device: a suggested, implied, emotional, figurative, or evocative meaning for a word that goes beyond its dictionary definition.

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15
Q

COUPLET

A

Two rhyming lines in verse.

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16
Q

DENOTATION

A

The literal “dictionary” meaning of a word. Used when an author wishes to be precise in meaning.

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17
Q

DICTION

A

A writer’s choice of words. In addition to choosing words with denotations and connotations, an author must choose words that are abstract or concrete, formal or informal, or literal or figurative.

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18
Q

EPIPHANY

A

A character’s transformative moment of realization.

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19
Q

ETHOS

A

A form of persuasive appeal based on the writer’s character and credibility.

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20
Q

EUPHEMISM

A

Politically accepted or positive word when used in place of harsh, blunt, or offensive language for a more pleasing effect.

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21
Q

EUPHONY

A

The use of harmonious, pleasant-sounding words for effect.

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22
Q

EXPOSITION

A

A term used to refer to the background portion of the plot traditionally provided at the beginning of a story. Also used to refer to any time a narrator explains something. More modern authors typically attempt to keep _____ brief as it slows the pace or interrupts a story. It is the tell portion of the phrase show not tell.

23
Q

FIGURATIVE LANGUAGE

A

Creative language that is not literal, where what is being said is different from what is actually meant. Used to create imagery and/or to explain, clarify, or enhance an idea by comparing it to something else.

24
Q

GENRE

A

A distinct classification in literature according to what different works have in common in their structure and treatment of a subject.

25
Q

HUBRIS

A

First used in Greek tragedies, refers to excessive pride that usually leads to a hero’s downfall.

26
Q

HYPERBOLE

A

Exaggeration for effect.

27
Q

IMAGERY

A

The use of words to create pictures or appeal to other sensory experience.

28
Q

IRONY

A

Tension created by the contrast between what someone says and actually means, between what is expected to happen and what really happens, and between what a character thinks and what is actually true.

29
Q

METAPHOR

A

A figure of speech that compares or equates two different things without using like, as or similar terms.

30
Q

NARRATION

A

the act or process of telling a story or describing what happens.

31
Q

ONOMATOPOEIA

A

The use of words that refer to sound and whose pronunciations mimic those sounds.

32
Q

OXYMORON

A

A paradox made up of two seemingly contradictory words.

33
Q

PARADOX

A

A statement that appears to be contradictory, but actually is not.

34
Q

PARALLELISM

A

The repeated use of similar grammatical structures for emphasis.

35
Q

PARODY

A

A literary technique which imitates and ridicules (usually through exaggeration) another author or literary genre.

36
Q

PATHOS

A

A quality that evokes or appeals to pity or sadness.

37
Q

PERSONA

A

A voice or viewpoint an author adopts in order to narrate a story or poem.

38
Q

PERSONIFICATION

A

A type of metaphor in which an animal or an inanimate object is imbued with human qualities.

39
Q

POINT OF VIEW

A

The perspective from which a work is told, usually 1st or 3rd person.

40
Q

PROTAGONIST

A

The central character in a literary work.

41
Q

PUN

A

A play on words that derives its humor from the replacement of one word with another with similar pronunciation or spelling but a different meaning.

42
Q

RHETORIC

A

the art of effective or persuasive speaking or writing.

43
Q

SATIRE

A

A literary work that uses irony to critique society or an individual.

44
Q

SETTING

A

The place, time, and social context in which a literary work takes place.

45
Q

SIMILE

A

A comparison of different things by speaking of them as “like” or “as” the same.

46
Q

SOLILOQUY

A

In a play, a monologue in which a lone character expresses his or her thoughts so the audience can “hear” what the character is thinking.

47
Q

SONNET

A

The sonnet is a fourteen-line lyric poem in iambic pentameter with a formal rhyme scheme.

48
Q

STANZA

A

Lines in a poem that the poet has chosen to group together, usually separated from other lines by a space.

49
Q

STYLE

A

The way a literary work is written based on the choices a writer makes for effect in diction, syntax, imagery, figurative language, and other literary elements.

50
Q

SYMBOLISM

A

When a setting, object, or event in a story has more than literal meaning and therefore represents something more abstract and significant to understanding the work of literature.

51
Q

SYNTAX

A

An author’s distinctive form of sentence construction and arrangement.

52
Q

THEME

A

A main idea, universal lesson, or message suggested in a literary work.

53
Q

TONE

A

The writer’s attitude, feeling, or moral outlook toward the subject and/or readers.

54
Q

VOICE

A

An author’s distinctive literary style, basic vision and general attitude toward the world.