LITR Flashcards

(78 cards)

1
Q

Lyrical poem, the poet either express his feelings or emotions

A

LYRIC POETRY

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2
Q

A longer form of poetry that tells an entire story, with the beginning, middle and ending. Contains all the elements of fully developed story, including plot, conflict and resolution.

A

NARRATIVE POETRY

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3
Q

Poem that use detailed words to create imagery of a person, animal, or inanimate objects.

A

DESCRIPTIVE POETRY

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4
Q

Rhyming poem containing 14 lines

A

SONNET

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5
Q

Situation on octave with the resolution in Sestet

A

ITALIAN SONNET

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6
Q

Falls into 3 quatrains and concluding couplet

A

ENGLISH SONNET/ SHAKESPEREAN SONNET

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7
Q

No required number of syllables but must have 3 lines

A

HAIKU

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8
Q

Mournful poem that traditionally mirrors the 3 stage of lost

A

ELEGY

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9
Q

Comedic, downright crude and trivial in nature kind of poem

A

LIMERICK

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10
Q

Short numerous poem contains of 5 lines

A

LIMERICK

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11
Q

Short narrative song, typically consist of 2 kinds of stanza

A

BALLAD

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12
Q

Lyric poem with varying stanza

A

ODE

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13
Q

Long narrative poem that can be long as book

A

EPIC

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14
Q

a literary technique derived from latin,
meaning “letters of the alphabet.” It occurs when two or more words are linked that share the same first consonant sound, such as “fish fry.”

A

Alliteration

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15
Q

a literary technique where the same or similar vowel sound is repeated.

Example:( the sound “o”) Go slow over the road.

A

Assonance

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16
Q

the same consonant sound repeats within a
group of words.

Example: Mike likes his new bike.

A

Consonance

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17
Q

one way a poet can create sounds in a poem.
Example: The dog growled menacingly at the strangers.

The cat meows incessantly as she pets it.

The mooing of the cows was hard to miss.

A

Onomatopoeia

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18
Q

the correspondence of two or more words with
similar sounding final syllables placed so as to echo one another

Example: day, prey, weigh, bouquet

A

Rhyme

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19
Q

a recurring movement of sound or speech. An
example is the rising and falling of someone’s voice.

A

Rhythm

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20
Q

Two things or actions are interlinked.

A

Simile

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21
Q

An implied comparison without the use of any comparative word.

A

Metaphor

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22
Q

It is called a visible representation of something abstract (as a quality)

A

Personification

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23
Q

Address of a usually absent person or a usually personified thing rhetorically.

A

Apostrophe

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24
Q

Exaggeration of words is made on a statement in order to create impressiveness

A

Hyperbole

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25
,we speak in a softened and milder form to give the expression of unpleasant thing
Euphemism
26
It is a short fictitious story that illustrates a moral attitude or a religious principle
Parable
27
Statement made is directly contradictory to the reality/ the opposite of literal meaning
Irony
28
a word is substituted for another word that it is closely associated with
Metonymy
29
a phrase that uses two contradictory words to create a new meaning.
Oxymoron
30
a statement that appears to contradict itself but contains some truth, theme, or humor.
Paradox
31
tells the events of the story that happen before the present story.
Backstory
32
tells of an inherent object inserted in the narrative;
Chekhov’s gun
33
narration that starts at the middle of the story.
In Medias res
34
tells a catchy story opening to hook the attention of the readers
Narration hook/narrative hook
35
tells a story within a story
Story within a story or hypodiegesis
36
tells a good character in a bad situation ensures character wins with an unexpected or implausible used to resolve the situation
Deus-ex-Machina
37
tells a surprise ending
Plot twist
38
tells a reward to the good characters and punishes the bad characters
Poetic Justice
39
tells and abrupt ending which places the main characters in a perilous situation with no resolution
Cliffhanger
40
tells an interjected scene of the story that takes it back in time from the current point in the story and often used to tell the events that happened before another important event.
Flashback
41
tells a scene that takes the narrative to a future time from the current point of the story.
Flash forward
42
indicates or hints something is coming in the latter part of the story.
Foreshadowing
43
a narrative convention which tells from whose perspective is the story told.
Point-of-view
44
is another style technique used to inspire or pity a character
Pathos or emotional appeal
45
forms mental images of scenes using descriptive words
Sensory detail
46
which repeats on purpose the words that usually express a motif or theme important of the story
Leitwortstil
47
which presents an object or character with much description or gestures and dialogues making scenes vivid for the audience.
Dramatic visualization
48
the underlying message or the central idea. It is about life that the author is conveying in the story which is universal in nature. It is about human experience.
Theme of the story
49
moves the emotion of the reader or audience. It is a way or method used by the author to create emotional response among his reader or audience.
Emotional Appeal
50
used the language should sway the emotion to convince the readers.
Persuasive writing
51
often used to create comparison to feel the connection in the story.
Metaphor or simile
52
Uplifts women goals by defining and stablishing equality in the family, civil, social, political and economic area.
FEMINISM
53
often associated with the literary pieces written by women that deal with women in the society. This approach gives an impact to the voice of women.
Feminist Literature
54
deals with the cultural context during the writing of the piece of literature. This approach interprets literature for its meaning or idea in a particular sociohistorical atmosphere, it needs an understanding of the author’s milieu and the cultural context during its production,
New Historicism
55
which is also called new criticism. This uses close reading of a piece of literature. Formalists’ interpretation of a work of art is formulated by the information and details of the piece itself.
FORMALISM
56
Considered are form, structure, technical features as more important than the content and context
FORMALISM
57
Formalists focus is on rhetorical and logical connections within the writing.
FORMALISM
58
It is a critical judgement of a motion picture. It focuses on the art of the film maker and evaluates the techniques employed by the director.
FILM REVIEW
59
It is the kind or type of film. Is it comedy? Tragedy? Musical? Action? Thriller? Horror? Sci Fi? Romance? Historical? Melodrama? Animation?
GENRE
60
It is the gist or summary of the film. What is the film all about? What are the objectives of the film> how were the elements of the story interrelated with one another?
SYNOPSIS
61
It is the development or portrayal of the characters. How will you describe the characters in the film? What are their deprivations and motivations? Are their acting skills convincing and powerful for the viewers?
CHARACTERIZATION
62
It is the essential aspect of the film and it consists SPEECH as the voice of the actors, the MUSIC, as the soundtrack or song laid in the film, and the SOUND EFFECT or embedded sound in the film.
SOUND
63
It is the manipulation of the filmstrip and photographic image by the camera. How was the coordination of one shot with the succeeding shot? Does the speed, motion, and transformation of each photographic image help in the quality of the film?
CINEMATOGRAPHY
64
It refers to the costumes and make-ups matched to the characters’ role? Do the props stimulate the ambiance for the scene? Does the production design depict the setting of the story?
PRODUCTION DESIGN
65
Part is used for a whole or whole is use as a part
Synecdoche
65
Display few character traits and often does not change n the whole story
Flat
66
Complex trait with distinct personality background and motive
Round
67
Goes through a dramatic changes as a character in the fiction
Dynamic
68
Traits that do not change throughout the story, same from the start to the end of the story
Static
69
Story from PHILIPPINES
SI MABUTI by Genoveva Edroza Matute- narration is the techniques used and literary approach is Feminism Tata Selo by Rgelio Sikat- Literary approach used is Formalism Morning in Nagrebcan by Manuel E Arguilla-Symbolism is the literary approach used.
70
Anything that stand for something else/representing something in poetic manner
Symbols
71
makes the author to convey ideas to the reader or audience in a poetic matter instead of its outright expressions
Symbolism
72
Vietnam Poets
The Cherished Daughter- A folk poem/ lyric poem/ repetition/ feminism prespective A school boy Apology by Le Thanh Huan- Historicism/Narrative Poem/Visual Imagery Inside Submarines by Phan Nhien Hao
73
Literary works in Brunei
The Oilfields Laborers- Cliff Hanger/ Foreshadowing Borneo's Green Heart Travel Brunei Darussalam Poem - Bandar Seri Begawan by John Tiong Chunghoo
74
Literary works in Myanmar
Close Proximity by Journal Kyaw Ma Ma Lay The Wedding Reception by Nyi Pu Lay The Kindergarten Teacher By Aung Thin
75
Literary works in Thailand
Boatman Love Song- theme: Love/ Lyric Poetry/Ode/ Simile Three Line Poetry by Uten Muhamid- Haiku
76
under the umbrella of sociocultural reading context
Historicism or historical approach
77
a prospective dealing with a history that influenced the writing of literature
Historicism or traditional historical criticism