LTE FINAL STUDY SET Flashcards

(38 cards)

1
Q

THRUST STAGE

A

a theater stage in which the audience sits around three sides of the acting

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2
Q

Hoe do readers or viewers of a play generally come to understand the theme of that work?

A

It can be inferred from the ACTION

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3
Q

In a dramatic performance, how does the exposition occur?

A

conveyed implicitly through the play’s DIALOGUE

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4
Q

FOIL

A

a character designed to illuminate another character by contrast

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5
Q

What does the “unity of time” refer to?

A

a limitation on the play’s action to a short span of time, usually no more than a day

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6
Q

What best describes the suggestions provided by the playwright for how to produce and perform a drama?

A

stage directions

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7
Q

what best describes the crucial difference between drama and other major genres of fictional prose and poetry?

A

online prose and poetry, DRAMA IS WRITTEN PRIMARILY TO BE PERFORMED

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8
Q

How do you best describe verbal irony?

A

it is dialogue that seems to mean one thing but really means something else

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9
Q

what question do you need to ask yourself when reading a play that you do not need to ask when seeing a play performed live?

A

What does the setting of this play look like?

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10
Q

PLOT TIME

A

the time during which the character in the play live and act

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11
Q

What is the name of Stella and Blanches ancestral home?

A

Belle Reve

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12
Q

What type of music does Blanche hear when she remembers her husband’s death?

A

Polka

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13
Q

in what manner did Blanche’s husband die?

A

suicide

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14
Q

what present does Stanley give Blanche for her birthday?

A

a train ticket

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15
Q

what does Blanche say as the doctor and nurse escort her from the apartment at the end of the play?

A

“I have always depended on the kindness of strangers”

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16
Q

how does Mitch learn that Blanche has been lying to him?

A

Stanley tells him

17
Q

What does Blanche’s obsession with light reveal about her character?

A
  • Blanche doesn’t like the light because it shows her true self
  • can’t hide from her true feelings
18
Q

“Why you all keep it so cold in here? Sturdyvant try and pinch every penny he can. You all wanna make some records, you better put some heat on in here or give me back my coat

19
Q

“I done told you…the boy’s gonna do the part. He don’t stutter all the time. Just give him a chance.”

20
Q

“I got talent! Me and this horn…we’s tight. If my daddy knowed I was gonna turn out like this, he would’ve named me Gabriel.”

21
Q

“Come on! Come on and turn your back on me! Turn your back on me! Come on! Here is you? Come on and turn your back on me! Turn your back on me, motherfucker! I’ll cut your heart out!”

22
Q

“That’s the only way he got out of there alive…was to dance. Ain’t even had no respect for a man of God! Wanna make him into a clown. Reverend Gates sat right in my house and told me that story from his own mouth. So…the white folks don’t care nothing about Ma Rainey.”

23
Q

“Look,…give me a chance, okay? Here…sit down. I’ll take care of it. Officer, what’s the problem?”

24
Q

“I’m not putting up with any shenanigans. You hear? I’m just not gonna stand for it. I want you to keep her in line.”

25
"Sure I messed with [women]. done messed with a whole heap of them. And gonna mess with some more. But I ain't gonna be no fool about them. What you think? I done come in the world full-grown, with my head in a book?"
Toledo
26
"A woman like me wants somebody to bring it and put it in my hand. I don't need nobody wanna get something for nothing and leave me standing in my door."
Dussie Mae
27
“I’m with you on that score, Cutler. I wanna get out of here. I don’t want to be around here all night. When it comes time to go up there and record them songs… I just wanna go up there and do it. Last time it took us all day and half the night.”
Slow Drag
28
SETTING of Ma Rainey
Chicago in the 1920s
29
Ma Rainey- Central Focus
music & black culture in Chicago during this time
30
“I look at each different kid and I say in my head: You’re real.”
Jack
31
“‘Look, it’s like on Dora,’ says Ma, ‘when she goes to one place and then a second place to get to the third place. For us it’s Truck, Hospital, Police. Say it?”
Ma
32
"Compliments to women about their looks. I never met a woman that didn't know if she was good-looking or not without being told, and some of them give themselves credit for more than they've got."
Stanley
33
"Drunk--- drunk--- animal thing, you! All of you--- please go home! If any of you have one spark of decency in you---"
Stella
34
"I gotta sick mother. She don't go to sleep until I come in at night... She says to go out, so I go, but I don't enjoy it. All the while I keep wondering how she is."
Mitch
35
"Well, now you talk. Open your pretty mouth and talk while I look around for some liquor! I know you must have some liquor on the place! Where could it be, I wonder? Oh, I spy, I spy!"
Blanche
36
“Well, I don’t see any signs of anger around here. Wonder how they are finding things upstairs. I hope she had it a little more red-up up there. You know, it seems kind of sneaking. Looking her up in town and then coming out here and trying to get her own house to turn against her!”
Mrs. Hale
37
"When I was a girl--- my kitten--- there was a boy took a hatchet, and before my eyes--- and before I could get there--- If they hadn't held me back I would have--- hurt him."
Mrs. Peters
38
"Oh—yesterday. When I had to send Frank to Morris Center for that man who went crazy—I want you to know I had my hands full yesterday. I knew you could get back from Omaha by today and as long as I went over everything here myself—"
Sheriff