Macbeth Flashcards

(58 cards)

1
Q

Structure

A

Act 1 > Introduces characters and themes, ends with a dramatic catalyst (an event or moment that speeds up the plot).
Act 2,3,4 > Plot progresses, emotions, reactions and chains of events are established as a result of the dramatic catalyst.
Act 5 > Resolution
Greek tragedies explore the human condition.
Macbeth, a traffic hero, is overcome by his inner flaw: “vaulting ambition” which is obsessive and the drive of the plot.

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2
Q

Blank verse

A

10 syllables per line (looks like a poem)
Used by smart, or upper class characters
Shows confidence, calm feeling - thought things through
Does not rhyme

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3
Q

Heroic couplet

A

2 rhyming 10 syllable pines

Makes important or wise saying memorable, emphasises the point.

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4
Q

Dramatic Prose

A

Sentences, like a normal book

Characters - poor, uneducated OR high characters that are emotionally unstable, under extreme emotion

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5
Q

Witches

A

Seen as pawns of the devils represent the evil on earth and meet on in darkness which symbolises their malevolence and secrecy.

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6
Q

Motif

A

Bloody hands - constant repeated symbol within the text, highlights the guilt that is haunting her and physical symbol of sin

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7
Q

“Thunder and lightning”

A

(A1S1)
Opens the play with pathetic fallacy which personifies the weather, reflecting the mood or atmosphere - which is angry, rage, negative and dark; a sense of fear, danger and evil being created.

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8
Q

“Fair is foul, and foul is fair”

A

(A1S1)
Repetition and alliteration used enhances its affect, making it have a more dramatic impact.
Juxtaposing ideas (Antithetical ideas) introduces the theme of duplicity (hidden, secret plans) making the play deceptive and the reader confused on what to believe.

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9
Q

“Unseamed him from the nave to th’ chops”

A

(A1S1)
Shows Macbeth to be fierce, courageous and brave.
His actions are shown to be honourable, fighting for his king.
Text only reveals the noble deeds of Macbeth, making the turn of events with Macbeth’s mentality even more shocking and dramatic.

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10
Q

“Brave Macbeth”

A

(A1S2)
From Banquo, highlights how Macbeth was initially perceived; to be heroic on the physical battlefield and of a strong nature. Also enhanced by “noble” (Link, another reference from Banquo - A1S3). The term “noble” is also repeated by Lady M after Macbeth murders Duncan, this highlights the tragic process of Macbeth and links to what he used to be.

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11
Q

“With his brandished steel”

A
(A1S2)
Represents his class and wealth - his status (monetary and reputation), as well as his strength and power through the "steel" - which is a metaphor for sword, personified.
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12
Q

“Smoked with bloody execution”

A

(A1S2)
Violent imagery.
“Smoked” creates a dark undertone, with a ghostly feel which shows close relation and links in with the supernatural idea of the witches.
“Bloody execution” shows Macbeth to be dangerous and a martyr to his king, as he is doing it for patriotic reasons - which is seen as noble and honourable. However, it also highlights the murderous side of him, which is his fatal flaw and evokes him to be familiar with death that inflicts his power to take a life with intention, making the scene more evil.

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13
Q

“Valour’s minion”

A

(A1S2)
This portrays Macbeth to act on command, out of his courage and bravery. It shows I’m to be the definition of courage: however, “minion” shows him more to be a slave to it, with lack of power and demeans him and his power.

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14
Q

“Eagle”

A

(A1S2)
Noun, birds seen as predators, majestic creatures that fly from height and are strong, powerful with keen visions, astute and calculating.
This would convey Macbeth to be a powerful man to a viewer in the Jacobean audience that is highly recognised.

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15
Q

“Lion”

A

(A1S2)
Noun, a dominating creature that is superior in physical strength - leaders, dictators and extremely loyal.
How Macbeth is represented by a trusted audience, the captain, shows how Shakespeare crafted the creation of Macbeth’s character to present him as a high and mighty character.

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16
Q

“They dance in a ring”

A

(A1S3)

Stage direction of the witches, it is metaphorical and shows the indication that things are going downhill.

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17
Q

“The witches vanish”

A

(A1S3)
Stage direction, metaphorical for Macbeth’s nobility, honesty, loyalty, integrity vanishing too. Also could be metaphorical for the seed already being sown as the witches have appealed to Macbeth’s greed.

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18
Q

“Instruments of darkness”

A

(A1S3)
Banquo referring to the witches.
“Instruments” - noun, shows the witches to be used and played by the devil as his pawns, as the devil is evil himself. However, the word could be juxtaposing the “darkness” because instruments are used to produce music which has connotations of happiness and life.

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19
Q

“To win us our harm”

A

(A1S3)
“Win” -verb, shows Banquo’s perception that the witches have intent to fight for their “harm” and to be a ploy.
“Harm” -noun, signifies warning and the idea that they’re putting themselves in the position to endure harm, indicating their self destruction and actions to send themselves to their own doom

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20
Q

“Cannot be ill; cannot be good”

A

(A1S3)
Highlights Macbeth’s internal conflict and gives a reassuring tone that signifies Macbeth trying to convince himself.
“Ill” shows Macbeth perusing his greed, and with the “good” infers that he thinks it is for the better - however it is an evil deed.

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21
Q

“Two truths are told”

A

(A1S3)
Macbeth dramatises the encounter, and shows Macbeth to have fallen for their proposition as he labels their tellings as “truths”, indicating he believes them to be true and showing the first sign of his overwhelming greed that ends with his downfall.
This is a contest to Banquo’s sight of it - as he labelled the witches previously as “instruments of darkness”

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22
Q

“The service and the loyalty I owe”

A

(A1S4)
Macbeth to King Duncan, shows his character to be deceptive and ironic as Macbeth does owe him, but he doesn’t play to give it.
Shows him as persuasive and deceitful.

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23
Q

“Stars hide your fires; Let not light see my black and deep desires”

A

(A1S4)
“Stars” and “light” is metaphorical for God and symbolises good and purity, which juxtaposes “black” and evil - which symbolises the devil and Macbeth’s own dark intentions that he hides “deep” down. “Deep” also highlights his internal battle and the secrecy he is hiding.
“Desires” show his fatal flaw of greed and his sinful nature.

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24
Q

“Perfect’st”

A

(A1S5)

Macbeth’s reference to the witches’ prophecy, which shows him to be full of faith and trust in the supernatural.

25
"Dearest partner of greatness"
(A1S5) Macbeth's reference to Lady Macbeth, highlighting his love and respect - showing her to be his superior and also shows him to value her opinion.
26
"Milk of human kindness"
(A1S5) Lady Macbeth sees Macbeth as weak and incapable. This contrasts Macbeth at the beginning and shows him to need her assistance, like he is her dolly.
27
"Pour my spirits in thine ear"
(A1S5) Presents Lady Macbeth as controlling and yielding to the supernatural prophecy - highlighting her as devilish, dominant, greedy, spiteful, fragmented thoughts, powerful, manipulative, strong-minded and valued.
28
"Raven"
(A1S5) Metaphor for Macbeth and Lady Macbeth. Noun - gives connotations of death and deviousness. Imagery.
29
"Under my battlements"
(A1S5) "My battlements" shows Lady Macbeth's territory and military metaphor indicates war or battle. Symbolises her conflict and shows she is preparing to defend herself and her husband.
30
"Come, you spirits"
(A1S5) Lady Macbeth repeats this, which allows her to maintain her purpose. "Come" is a demanding and imperative verb, and the phrase shows her to welcome evil into her and to inhabit her body. The supernatural is influencing her.
31
"Unisex me here"
(A1S5) "Unsex" - another imperative verb that is used by Lady Macbeth to show her desire to have her feminism characteristsics taken away, this also exposes her emotions towards being female, which she sees as a weakness or disadvantage that makes her powerless. By taking these characteristics away, Lady Macbeth is deemed gender less, which makes her become emotionless and ruthless - removing her remorse.
32
"Direst cruelty"
(A1S5) "Direst" shows it's extreme significance, the full consumption of evil that has taken place and there savage and brutality of it.
33
"Make thick my blood"
(A1S5) "Make" is another imperative verb, highlighting the power lady Macbeth has, even over nature. The concept of the phrase is extreme, and supernatural - showing nature to be dark and evil
34
"Heaven" contrast "spirits"
(A1S5) Juxtaposing, antithetical or opposing ideas. Jacobean audience would have been aware of the consequences behind rejecting God and rebelling, which is what Lady Macbeth is doing.
35
"Look like th'innocent flower, but be the serpent under't"
(A1S5) Direct link to duality and deception. "Flower" indicates fate, and to be accepted and heavenly. "Innocent" also represents purity and honesty, something that the audience knows Lady Macbeth is not, highlighting this dualistic sense even more. Religious or biblical connotations is shown through "serpent", which Christians (the Jacobean audience) would link to the devil, who is pure evil and poisonous. The devil is shown as a serpent in the Garden of Eden, a story within the bible, that symbolises the sinful nature of all human beings. This also shows lady Macbeth to have the core and intention of evil.
36
"Fair and noble hostess"
(A1S6) Duncan to Lady Macbeth, ironic as she is planning his murder, and has sick intentions. This shows Lady Macbeth playing the "innocent flower" and for King Duncan to be falling for her trickery, his fatal flaw could be being too trusty.
37
"We love him highly"
(A1S6) Link to A1S2, the captain refers to Macbeth as "valour's minion", shows the servants to be loved by their masters and Duncan loves Macbeth.
38
"Vaulting ambition"
(A1S6) | Macbeth's fatal flaw (harmartia), this factor distinguishes him as a tragic hero in the tragic play.
39
"Is this a dagger I see before me"
(A2S1) | Internal conflict of Macbeth during his soliloquy is displayed and made evident to the Jacobean audience.
40
"The handle towards my hand?"
(A2S1) Macbeth gives rhetorical questions, showing his desperation and his internal conflict that is trying to persuade himself that fate is drawing him to do this action, and kill the king. He believes fate wants him to take Duncan's place.
41
"That summons thee to Heaven, or to Hell"
(A2S1) This shows Macbeth's own awareness of the consequences, if he goes alone with him plan of committing treason. A Jacobean would also be aware of this, because of their superstitions at the time.
42
"Could I not pronounce 'Amen'"
(A2S2) Religious reference, the strong faith in this era would've shown Macbeth, to a Jacobean audience, to be rejected by God, as he has not been given God's blessing of forgiveness or purity. This would be because of Macbeth's sinful actions, as he has just killed Gods mouthpiece on earth, his chosen king - from the divine right of kings, therefore he has violated the role of god by killing another.
43
"I heard a voice cry"
(A2S2) Gives a sense of the supernatural, which could link to the witches or the devil - the feeling shows their presence at this time of Macbeth's evil actions. Also, this is a sign of Macbeth losing himself, his sanity and highlights his downfall as the guilt is playing over in his mind, that's why he can hear voices. Could link to the witches prophecy - Macbeth loses his sanity.
44
"Macbeth does murder sleep"
(A2S2) The verb "murder" juxtaposes innocence; shows Macbeth to have brutally killed peace and purity within sleep. "Sleep" itself is metaphorical for Duncan, as he does not deserve to die. The verb connotates with peace, assurance - signals finality, as if Macbeth is doomed or condemned.
45
"His blood-stained hands"
(A2S2) Stage direction of Macbeth This shows a turning point of Macbeth, and the structural change signals the downfall of the heroic character. This also uses visual/visceral (cinematic) imagery to emphasise how he is marked, not just physically - but emotionally, spiritually, mentally by sin. Macbeth is literally stained/soiled by murder, symbolic of his guilt and a physical representation of his sins. Conveys the repeated motif within the book of bloody hands (LINK "filthy witness", "out damned spot")
46
"It will make us mad"
(A2S2) Lady Macbeth to Macbeth, after he kills Duncan. This is an ironic statement, as it is the inevitable result for them both. Foreshadows Lady Macbeth's insanity. Lady Macbeth's strength in this scene defies gender stereotypes, as women were seen as weak and were hidden from murder.
47
"Strange screams of death"
(A2S3) Pathetic fallacy, this is the superstitious beliefs surrounding death, just before Duncan is found. Therefore, this is dramatic irony, as the Jacobean audience know whose death is referred to.
48
"Night"
(A2S3) A reoccurring imagine within the book, a motif, of darkness - symbolic of evil, death, betrayal, malevolence and Macbeth's own internal conflict and guilt.
49
"Know Banquo was your enemy"
(A3S1) Shows Macbeth now as a manipulator (towards the assassins he sends to kill Banquo), this gives the idea that Macbeth's "noble" personality has changed, as well as his morals. He has now become deceptive and cunning and persuades others (like lady M), as his embodies Lady Macbeth's murderous values. This gives his the worst side of human nature, killing people. Shakespeare also shows the Jacobean audience the worse side of man, he becomes amoral. Macbeth's paranoia and obsession with maintaining his power begins when he targets Banquo.
50
"Masking the business" (of Banquo's killing)
(A3S1) LINK to "look like th'innocent flower, but be the serpent under't". Gives a religious connotation of the serpent, Macbeth hiding his malicious, evil actions. Shows the foul side of Macbeth, and him trying to hide it from not only himself but Lady M and his country, he's trying to self-justify and self-preserve himself, making him become irrational as he is now plotting multiple murders, his vaulting ambition becoming out of hand and with Macbeth going loose on a power spree.
51
"Fear"
(A3S2) This is what drives Macbeth to carry on with his murder spree, his terror causes him to be irrational, with his paranoia of losing power - or facing the consequences of his sins - setting in. Shows his desperation.
52
"Full of scorpions in my mind"
(A3S2) "In my mind", this shows his mental conflict and torment. This is a direct link to his sililoquy. Act 1) when he's drunk of his own "poison". He still sees weakness, even though his state of mind has changed - still has an underlying weakness - LINK) "too full of the milk of human kindness"
53
"Be innocent of the knowledge, dearest chuck"
(A3S2) | Role reversal, innocence to lady Macbeth as Macbeth himself takes control over her and the situation.
54
"Cabined, cribbed, confined, bound in savage doubts and fears"
(A3S4) Shows Macbeth to be imprisoned in his mind along with his fears. Language structure - 4 adjectives.
55
"Horrible shadow!"
(A3S4) About Banquo's ghost, which shows his fears physically manifestate as a ghost. Macbeth's fears are changing his state of mind, a result of his sinful actions - highlighting the tragic process during his downfall.
56
"Show the glory of our art"
(A3S5) Direct comparison of society's view and perception of witchcraft and their own view-seeing of what they do as their "art" and proudly declaring it as theirs for it is a "glory" for them to "show" the world. LINK - Banquo's reference to the witches as "instruments of darkness"
57
"Spiteful and wrathful"
(A3S5) Reference to Macbeth, shows him to be the opposite of his original character that was portrayed, shows the effect of his downfall. Foresees Macbeth killing or committing malevolent crimes.
58
"Loves for his own ends"
(A3S5) Only cares and acts on his own behalf or those who he loves. Highlights his arrogance that came with his fatal flaw (vaulting ambition).