Materials Of Decoration Flashcards
(519 cards)
1
Q
Cotton fabric with a printed design of white and a contrasting color
A
Bandanna
2
Q
A rib weave, usually done on a minute brick fashion, giving a pebbly appearance. A granular texture is achieved by the short broken weaves in the filling direction. Usually made of silk, worsted wool, synthetic fibers or a combination of these. It is a rich, soft-looking fine fabric, english in origin, and originally mades as a mourning cloth
A
Barathea
3
Q
Fabric made from or created to simulate the bark of tress. Usually made from cotton and is textured, it was popular in the 30s-40s. Often printed with large vines, leaves and florals, this fabric is used extensively fro draperies, slipcovers, and other home furnishings
A
Bark Cloth
4
Q
A fine, medium-weight, soft, semi-sheer, smooth fabric, usually made of cotton or cotton blends. It is named for Jean Baptiste, a french linen weaver. Resembles nainsook, but is finer and almost transparent
A
Batiste
5
Q
This refers to any style that has beads embroidered into the design. Beading can be done at the time the fabric is made or can be re-embroidered after the fabric is made
A
Beaded Fabric
6
Q
A cord cotton-like fabric with raised ridges in the lengthwise direction. Since the fabric has a high strength and a high durability, it is often used for upholstery and work clothes
A
Bedford Cord
7
Q
A sturdy warp-faced fabric with pronounced cross-wise ribs formed by bulky and coarse pile yarns or rubber threads. Can be made of silk, wool, acetate, or rayon warp, with wool or cotton filling. It originated in Bengal, India, and is used for dresses, coats, trimmings, and draperies
A
Bengaline
8
Q
This is made when the yarn that is knitted into fabric is brushed with wire brushes to pull the material together and to fluff it up. The resulting end fabric has a looped, soft pile, with large air pockets which serves to improve the insulating properties of the fabric. Often compared to fur because of its soft texture, it is very lightweight and warm
A
Berber Fleece
9
Q
Has a small geometric pattern with a center dot resembling a bird’s eye. It is woven on a dobby loom, with heavier filling yarns that are loosely twisted to make the material more absorbent
A
Birdseye
10
Q
Two or more fabric layers held together with adhesive or a fusible layer
A
Bonded
11
Q
is the French word for buckled, ringed, or curled. The fabric was so named because it has a ring appearance, formed by drawn-out loop yarns on the face of the goods, thereby giving it a kinky appearance at intervals
A
Boucle
12
Q
A twill weave that originated in France. The yarns are interspersed with nubs, giving the material a dull nubbed surface effect
A
Bourette
13
Q
A tightly woven plain weave with a crosswise rib. It was originally a silk shirting fabric, so named because it was woven in widths exceeding the usual twenty-nine inches. It is a dressy fabric and must be handled with care, form fitting and drapes well
A
Broadcloth
14
Q
Carpet woven on widths of six, nine, twelve, fifteen and eighteen feet
A
Broadloom
15
Q
A rich Jacquard woven fabric of an all-over interwoven design of raised figures of flowers with the pattern emphasized by contrasting surfaces or colors, of which all are done in low relief. The name was derived from the French word meaning ornament. Common end uses include such formal applications as upholstery, draperies and evening wear
A
Brocade
16
Q
A tightly woven Jacquard fabric with a warp effect in the figure, which is raised to give a puffed appearance, The puff effect is created by several kinds of fillings, tension-weaving of a linen or nylon that shrinks after the heating process
A
Brocatelle
17
Q
A ply yarn scrim fabric with a stiff finish. Usually used for interlinings in garments. It was named for Bokhara, in the southwest U.S.S.R., where it was first made,
A
Buckram
18
Q
A natural textile made from the pulp of the bamboo grass. Sustainable textile fiber. It is light and strong, has excellent wicking properties, and is to some extent antibacterial
A
Bamboo Fabric
19
Q
A twill weave cotton denim fabric that is soft but tough as nails. It is durable and heavier than regular denim. It takes dyes well with very good results. Not stiff like canvas
A
Bull Denim
20
Q
A plain weave coarse fabric usually made from jute or hemp. Generally used as a carpet backing, and as inexpensive packaging for sacks of grain or rice.
A
Burlap, Gunny
21
Q
A plain, closely woven, inexpensive cloth, with an all-over print, usually of a small floral pattern which is discharge or resist printed onto a white or contrasting background color. The colors are not always fast. It originated in Calcutta, India, and is one of the oldest cotton staples on the market
A
Calico
22
Q
A soft, white, closely woven cotton fabric calendered on the right side to produce a slight gloss. Known to launder very well, has good body, sews and finishes well. It was originally made in Cambrai, France
A
Cambric
23
Q
The face is a twill, with a soft and loosely twisted filling yarn, which is later brushed to produce a soft nap at the back. It is heavy, warm, strong and absorbent, named for Canton, China where it was first made. Generally used in linings and interlinings, garments, coverings.
A
Canton Flannel
24
Q
Has an even weave that is heavy and firm for industrial or heavy duty purposes. It is used for clothing but formerly much used for tents and sails. Mostly a rugged, and heavy material made from plyed yarns.
A
Canvas
25
One of the softest fabrics made. It is very lightweight, with a soft plain weave fabric with a slightly brushed surface. This is usually is printed with a delicate floral pattern. It was named from the Anglo-Indian term shalee, meaning soft. Most often seen in fabrics made from cotton, wool, or rayon
Challis
26
A plain weave fabric most commonly made from cotton fibers, with colored warp, often blue and white filling that gives a mottled colored surface
Chambray
27
A fabric woven from chenille yarns and has a fuzzy pile. It is named for the french word meaning caterpillar. This is used mainly for decorative fabrics, embroidery, tassels, and rugs.
Chenille
28
A thin, diaphanous, or gauzelike, soft, flimsy fabric, but is strong despite its filmy look. It wears very well and is very difficult to handle
Chiffon
29
A glazed cotton fabric often printed with bright figures and large flower designs. Some glazes wash out during the laundering, but resin glaze will withstand washing or dry-cleaning. It was named from the Hindu word meaning spotted.
Chintz
30
An unglazed chintz
Cretonne
31
Fabrics that have been coated with a lacquer, varnish, rubber, plastic resins of polyvinyl chloride or polyethylene, or other substance to make the longer lasting or impervious to water to water or other liquids
Coated
32
A cut pile cloth with narrow to wide wales that run in the warp direction of the goods. An extra set of filling yarns make the pile and the back is a plain twill weave. Of all the cotton fabrics, this is the warmest because the wales form an insulated cushion of air
Corduroy
33
A lightweight fabric characterized by a crinkly surface produced by hard twisting yarns, chemical treatment, weave, or embossing. It has a very good wearing qualities and has a very slimming effect
Crepe
34
Chain stitch embroidery made with a fine, loosely-twisted, two-ply worsted yarn on a plain weave cotton fabric. Done by hand, for the most part, in the Kashmir province of India and in England. Most designs are outlines of flowers, vines or leaves
Crewel
35
A fabric with an uneven surface, created by use of caustic soda that causes it to shrink unevenly.
Crinkle
36
A lightweight, plain weave, stiffened fabric with a low yarn count
Crushed
37
Any velvet with an irregular pattern of nap going in different directions. The pattern gives the fabric a crushed or rumpled appearance
Crushed Velvet
38
A firm, glossy, Jacquard patterned fabric similar to brocade but flatter and reversible. It was first brought to the Western world by Marco Polo from Damascus. It is a very durable fabric, launders well and holds a high luster
Damask
39
A rugged, serviceable, staple cotton cloth recognized by left-hand twill on the surface. Its name is derived from the french and was originally used for work clothes
Denim
40
A thin, sheer cloth in which cords or stripes may be woven into the fabric. It is easy to manipulate and launders easily and well. Has a crisp texture which remains fairly well after washing
Dimity
41
A sheer fabric embellished with small dot motifs that may vary in color. It originated in Saint Galen, Switzerland
Dotted Swiss
42
A closely woven, heavy material, and the most durable fabric made, according to the textile industry. The fabric used is usually made of cotton. There are many kinds, but the heavier weights are already called canvas
Duck
43
A ribbed cloth with a crosswise rib effect. It is soft and belongs to the grosgrain family
Faille
44
A compact, matted woolen material. The name is derived from the Anglo-Saxon word meaning to filter. Usually made of wool or fur often mixed with natural or synthetic fibers
Felt
45
Printed or woven fabric featuring a jagged, undulating, flame-like, multi-colored pattern
Flame Stitch
46
A medium-weight, plain or twill weave fabric that is typically made from cotton, a cotton blend, or a wool. The fabric has a very soft hand, brushed on both sides to lift the fiber ends out of the base fabric and create a soft, fuzzy surface
Flannel
47
A medium-weight, plain weave fabric with a soft hand, usually made from cotton. The fabric is usually brushed only on one side, and is lighter weight than flannel
Flannelette
48
A type of raised decoration applied to the surface of a fabric in which an adhesive is printed on the fabric in a specific pattern, and then finely chopped fibers are applied by means of dusting, air-brushing, or electrostatic charges. The fiber adhere only to the areas where the adhesive has been applied, and the excess fibers are removed by mechanical means
Flocked
49
Is a high gloss mylar usually in metallic colors that pulls away from the clear backing. Sometimes it is referred to as foil paper and other times it is referred to as foil sheets
Foil
50
A lightweight cloth noted for its soft finish and feel. It is made with plain or twill weaves and is usually printed with small figures on dark or light backgrounds
Foulard
51
Generally made with uncut loops but is sometimes styled by shearing the loops at varying heights. Originated from Fries land Holland
Frieze
52
Is a firm, durable, compactly woven cloth which shows a diagonal line on the face of the goods. It is named for a cloak or mantle popular during the Middle Ages
Gabardine
53
A thin sheer fabric constructed with plain, leno, or dobby weave, specifically used for curtains next to glass windows to diffuse light
Gauze
54
Has dyed yarns introduced at given intervals in both warp and filling to achieve a block or check effect. Name is derived from the Italian Ging-gang meaning striped
Gingham
55
A fine, loosely woven fabric in leno weave
Grenadine
56
A strong, closely-woven corded fabric, usually of silk or rayon and often with cotton fiber. It is a heavy, rather prominent, ribbed fabric made from plain or rib weaves
Grosgrain
57
From the Japanese for "soft as down". Is a lightweight plain weave silk fabric. Lighter than shantung
Habotai
58
A fabric which has a series of faint stripes formed by light, medium or dark yarns
Jaspe
59
Woven, multi-colored effect created by blending fibers of different colors
Heather
60
A very stiff, wiry cloth made with a single horsehair in the filling, usually on a cotton warp. The width of the fabric is determined by the length of the horsehair in the filling.
Haircloth
61
Broken twill weave composed of vertical sections that are alternately right hand in direction.
Herringbone, Arrowhead
62
Wide stripes of Herringbone
Chevron Weave
63
Broken twill weave forming a four pointed star
Houndstooth
64
A style of weaving that uses a resist dyeing process similar to tie-dye on either the warp or weft before the threads are woven to create a pattern or design. Through common usage, the word has come to describe both the process and the cloth itself
Ikat
65
Fabric woven with yarns of one color in the warp and another color in the filling so that the fabric seems to change color as the light strikes it
Irridescent
66
A fabric in which metallic threads or yarns are interspersed throughout or used in the base construction. The term comes from the french for "worked with gold and silver wire"
Lame
67
A term used to describe fabrics which have been joined together through the use of high-strength reinforcing scrim or base fabrics between two piles of flexible thermoplastic film. It can be bonded utilizing either foam itself, or some other material.
Laminated
68
A light, thin cloth of plain weave with a crisp and crease-resistant finish. Name is derived from Laon, a city in France where the fabric was manufactured extensively
Lawn
69
A jacquard stripe fabric simulating silk and embroidery
Lisserie
70
A fine firm cotton cloth with a plain weave background. It is usually striped or plaid in color. When washed it bleeds
Madras
71
A lightweight, open-mesh cloth of leno or doupe weave. It is used for clothing, curtains and mosquito nets
Marquisette
72
A soft, double cloth which has a quilted surface effect, and is woven on Jacquard looms. Term is derived from the French word meaning cushioned or padded
Matelasse
73
A heavily felted, hard, plain, face-finished cloth. It is napped and very closely sheared. It originated in the famous Melton Mowbray fox- hunting area in Leicestershire, England
Melton
74
A type of fabric characterized by its net-like open appearance, and the spaces between the yarns. Is available in a variety of constructions including woven, knot, lace, or crocheted fabrics
Mesh
75
Made of a very coarse yarn and is a rough, substantial, rather bulky fabric with a tendency to sag, depending on the compactness of the weave. A heavy weight cotton fabric utilizing the basket weave variation of the plain weave.
Monk's Cloth
76
A generic term for a variety of cotton fabrics. Is a smooth and delicately woven cotton fabric
Muslin
77
A fine, soft fabric with a plain weave, usually with a strip and often mercerized to produce luster
Nainsook
78
A smooth, transparent, high-textured fabric made in plain or novelty weaves. It is much like voile but it has more body
Ninon
79
A very light, thin, stiff, transparent and wiry cloth. Chemical treatment assures that it will retain its crispness through repeated laundering
Organdie
80
A tough medium to heavyweight coarsely woven plain weave fabric, usually made of a cotton or cotton/poly blend. Lower grades of the unfinished fabric are used for such industrial purposes as bags, sacks, pipe coverings
Osnaburg
81
A tightly woven plain weave ribbed fabric with a hard slightly lustered surface. The ribbed effect is created by weaving a finer silk or manufactured warp yarn with a heavier filler yarn, usually made of cotton, wool, or waste yarn.
Ottoman
82
A soft, somewhat porous, rather stout fabric with a silk-like luster finish. It launders very well but is known to soil easily. Mostly used for men's shirt and has a basket weave structure
Oxford
83
Named from the french word plush and is a satin-faced material made with a high luster by a roller-pressure treatment during finishing. Resembles velvet but has a much longer pile
Panne
84
A medium weight, plain weave, low to medium count cotton-like fabric. Most common for bedsheets
Percale
85
A medium weight or heavy fabric with raised cords that run in the warp direction. Used in many polo shirts
Pique
86
A fabric treated in a striped motif or in spot formation with a caustic soda solution that shrinks parts of the goods to provide the crinkled or pleated effect, thus it does not need to be ironed
Plisse
87
Mainly cotton, sometimes silk, leno, gauze, knotted or mesh woven fabric. Has a dull surfaced net with various sized holes. Has white or colored dots individually spaced or in groups
Point D'Esprit
88
A warp pile cloth covered with a surface of cut-pile yarns. The pile is linger but not as densely woven as velvet.
Plush
89
Combed and carded fabric in a satin construction which has been calendared to produce a high-luster surface finish.
Polished Cotton
90
Was originally a thin, natural, tan-colored silk fabric made of wild Chinese silk with a knotty rough weave. Now,it is also a staple, fine combed fabric finished with a high luster
Pongee
91
Identified by a fine rib effect in the filling direction from selvage to selvage. Term is derived from the obsolete french term papeline
Poplin
92
Is similar to poplin but has a more distinctive cross rib cord.
Rep
93
Plain weave fabric where the majority of the fabric face is composed of warp threads
Sail Cloth
94
Fabric made from yarns with low luster, such as cotton or other staple length fibers. A variation of the satin weave, produced by floating gill yarns over warp yarns.
Sateen
95
Has a very smooth, lustrous face effect while the back of the material is dull
Satin
96
Originally a high-grade coating fabric made from the wool of Merino sheep. Now it is also the name for a soft woolen cloth with elaborate yarn effects
Saxony
97
An open mesh, plain-weave cloth in several constructions and weights and usually used in buckram
Scrim
98
A lightweight cloth in which a base warp lies flat and a second warp becomes crinkled because of chemical treatment
Seersucker
99
Woven cloth with errors of flaws
Seconds
100
One of the oldest basic terms and n textiles. It now implies any smooth-faced cloth made with a two up and two-down twill weave
Serge
101
A silk fabric made of several fibers but designated by an elongated slub filling yarn
Shantung
102
Made from a small twill weave and has a smooth compact surface resembling the skin of a shark. It has a very substantial fell although it is fairly light in weight
Sharkskin
103
A plain-weave corded or combed cloth which comes in light, medium, or heavy weight
Sheeting
104
A lightweight fabric made of two different colored yarns. The fabric has an iridescent look and a crisp but not stiff hand. Is typically made of rayon/polyester blend.
Shimmer
105
Fabric originated in Germany and Austria and were developed to provide greater freedom of body movement for the athlete. They present very good surface texture and are durable and moisture absorbent. Stretchable but has no spandex
Stretch Woven
106
A soft, twill-woven silk or rayon fabric often made in plaid effects. It is soft and flexible, lightweight and lustrous. If made of fiber other than silk, the fiber content must be declared
Surah
107
A fine, sheer, crisp, stiff cloth which may be plain,melted or figured
Swiss
108
A fine, plain weave fabric, smooth on both sides, and usually with sheen on its surface. It may be solid colored, printed, or woven in such a way that the colors seem changeable.
Taffeta
109
A cloth made in plain weave or in a two-up and two-down twill weave. This multicolored fabric may be conventional or exceptional when made in variations of color effects. The fabric originated in Spain. It is also a specific woven pattern that often signifies a particular Scottish clan in the modern era
Tartan
110
Has uncut loops on both sides of the fabric. It is very absorbent; the longer the loops, the greater the absorbency
Terry Cloth
111
A broad term for extremely strong woven fabrics which are used as a covering for pillows, mattresses, and box springs, home-furnishings, and for work clothes and sports clothes. It is a heavy, tightly woven carded cotton fabric usually in a pattern of alternately woven stripes in the warp, jacquard or dobby designs, or printed patterns
Ticking
112
Made from 100% micro fiber polyester. Is a lightweight fabric with a light faille weave, silky feel and a slight sheen. It has an excellent draping quality. Though lightweight, it is an extremely strong fabric
Tissue Faille
113
A durable, heavy poplin made of blend of polyester and cotton. It is also considered a utility cloth and used for table cloths, chair covers, uniforms, and flag/banners
Trigger
114
A rough, irregular, soft, flexible, and unfinished shaggy cloth. It is one of the oldest and most popular outerwear fabrics used today. It is made of twill or homespun plain weave
Tweed
115
Is the world's first ultra-microfiber. It feels like natural suede, but it is resistant to stains and discoloration; it can be machine-washed and because it is a non-woven fabric, it cannot pull or fray. This also ages better than real suede, is stain resistant and is animal friendly
Ultrasuede
116
A term loosely applied to cut-pile cloths in general. It also designates fabrics with a fine raised finish. From the French term meaning velvet, and although it resembles velvet, it has a lower cut pile
Velour
117
A warp-pile cloth in which a succession of rows of short cut pile stand so close together as to give a uniform, even surface. The better kinds may be crush resistant, water resistant and drapes well.
Velvet
118
When the pile of velvet is more than 1/8"
Plush
119
A filling pile cloth in which the pile is made by cutting an extra set of filling yarns
Velveteen
120
A crisp, lightweight, plain weave cotton-like fabric, made with high twist yarns in a high yarn count construction. Similar in appearance to organdy and organza. Used in blouses dresses and curtains. The cloth is made from gassed yarns
Voile
121
A fabric with a characteristic of honeycomb weave. It is used for coatings, draperies, dresses, and toweling.
Waffle
122
Waffle that is made in cotton
Waffle Pique
123
Refers to fabrics that have been laundered before shipping. This may be done to reduce shrinkage, soften the hand, wash down the color or to give the fabric a used, laundered look
Washed
124
Is a cloth made from cross-bred yarns, and the fabric is strongly colored. This finish is a highly raised lustrous type, and the nap is long and lies in one direction. The cloth may be given a soft feel and finish
Zibeline
125
Ability of a fabric to take in moisture
Absorbency
126
A cutout fabric decoration attached to a larger piece of material, in order to add depth, design or contrasting colors
Appliqué
127
A design featuring interlinking diamond shapes of varying colors, in a diagonal checkerboard pattern. Diagonal version of tartan.
Argyle
128
A small cloth placed over the backs or arms of chairs, or the head or cushions of sofa to prevent soiling of the permanent fabric
Antimacassar
129
Thin layers of natural or synthetic cloth used to line cushions, pillows, quilts or crafts. It can be made from cotton, polyester, silk, wool, or a blend of these. This also helps to conserve warmth; foam inside the comforter
Batting
130
Custom handmade or manufactured materials used on a bed for utilitarian or decorative purposes
Bedding
131
Square panel of fabric with or without elastic edge used to encase the top mattress on a bed
Bed Sheet
132
Fabric bedding treatment, which spams between the upper and lower mattress beginning beneath a comforter to touch the floor
Bed Skirt
133
Fabric bedding treatment, which covers a top mattress
Bedspread
134
Cut from one corner of a fabric to the opposite, diagonal corner. Some fabrics will drape differently and this treatment can require substantially more yardage
Bias-Cut
135
The removal of excess knots, bumps, loose threads and slubs from a fabric before the finishing process, by means of a burling iron or tweezers. It does not damage the fabric and ensures a smooth texture
Burling
136
Quilt made of many small patches (traditionally 2" or so) where each piece is a different fabric. The pattern is usually a one-patch design and often involves swaps and trades with friends to gather many fabrics
Charm Quilt
137
Painted linens that originated in Chitta, India in the 17th century
Chile
138
The series of clipping attached to a purchase sample to show the color line
Color Mag
139
Refers to the complete color range of a given series
Color Line
140
An individual color of a particular style or pattern
Color Way
141
The waviness or curvature of a fiber or yarn. Can be found naturally, as with wool, or can be mechanically produced
Crimp
142
Rubbing off of color from woven or printed fabrics
Crocking
143
Tightly woven or coated fabrics used to prevent down feathers from penetrating the surface
Down Poof
144
Fabric with patterned cut-outs, around which stitching or embroidery may be applied in order to prevent the fabric from raveling
Eyelet
145
Refers to the ability of a fiber or fabric to return to its original length, shape, or size immediately after the removal of stress
Elasticity
146
Calendering process in which fabrics are engraved with the use of heated rollers under pressure to produce a raised design on the fabric surface
Embossing
147
Embellishment of a fabric or garment in which colored threads are sewn on to the fabric to create a design. May be done by hand or machine
Embroidery
148
A thin piece of material put under another material to add color or brilliance
Foil
149
Stiff fabrics used to support, reinforce and give shape to fashion fabrics in sewn products. Often placed between the lining and the outer fabric, it can be made from yarns or directly from fibers, and may be either woven, non-woven, or knitted
Interfacing
150
Is a layer of fabric inserted between the face and the lining of a garment, drapery, or quilt. Serves as an additional layer of insulation
Interlining
151
A think layer of fiber designed to provide insulation, loft, and body to quilts, pillow toppers, and heavy winter jackets
Batting
152
Originally a type of English embroidery with a strong oriental influence, of the type first done during the restoration period. Common motifs are branches, ornamented in color with fruits and flowers and birds is common
Jacobean
153
Fabric made in the same shape as the outer fabric, a lining supports and protects the outer fabric and hides seams as well.
Lining
154
A type of fabric characterized by its net-like open appearance, and the spaces between the yarns.
Mesh
155
An extremely fine synthetic fiber that can be woven into textiles with the texture and drape of natural-fiber cloth but with enhanced wash ability, breathability, and water repellency
Microfiber so
156
Fabric construction created in weft yarns with graduated or shaded tone or color patterns
Ombré
157
Continuous filament rayon yarn with entangled slubs
Ondelette
158
Hand quilting technique where stitched follow printed motifs on fabric
Outline Quilting
159
Fabric or materials used to provide additional cushioning
Padding
160
Intricate interlocking curvilinear pattern originating in India. It is a tear-drop shaped, fancy printed pattern
Paisley
161
Fine silk fabric
Peau De Soie
162
Fine, hand stitched needlepoint design in canvas created with only one foundation threads rather than multiple threads
Petit Point
163
The number of filling yarns per inch of fabric
Pick Count
164
To form undesirable clumps of loose fibers on fabric
Pill
165
Fiber filaments that break in yarn due to friction leaving small undesirable clumps of loose fibers in the surface of fabric
Pilling
166
Fabric cover designed to protect pillow from soiling, utilitarian or decorative
Pillow Sham
167
Combed and carded fabric in a satin construction which has been calendared to produce a high-luster surface finish
Polished Cotton
168
Is a high fabric construction in which a layer of down or fiberfill is placed between two layers of fabric, and the held in place by stitching or sealing in a regular, consistent, all-over pattern on the goods
Quilt
169
To turn fabric where selvages run horizontally rather than vertically, often used where fabrics are non-directional to avoid unwanted seams
Railroaded
170
Dye-resistant products are applied, which results in only the background of a fabric being dyed
Reverse Printing
171
Decorative covering for bed pillows
Sham
172
French word for money trick, decorating using monkeys in human costume, generally in humorous situations popular in rococo ornamentation
Singeries
173
Large panel of fabric, usually in pairs. Used on top of the bed.
Sheet
174
Cloth having fine, irregular streaked pattern
Strié
175
Slender, decorative cloth typically used lengthwise down the center of a dining table, for surface protection and embellishment
Table Runner
176
Small decorative spread or coverlet, often woven with fringe
Throw
177
Cotton or linen woven or printed documentary fabric, typically printed in monotone color on an off-white or white background, originally made in France
Toile
178
Fabric printed in one color with 18th and 19th century scenes
Toile De Jouy
179
Blended yarns of twisted linen and cotton yarns in the filler creating a textured surface finish
Union Cloth
180
Materials used to make soft seating including wood or metal frames, eight-way hand tied springs, foams, batting, fabrics and cording
Upholstery
181
Rayon fiber of superior quality used in many decorative fabrics, often used to imitate silk
Viscose
182
A tapestry, needlepoint or bound fabric panel hung on the wall, typically suspended from an iron drapery rod and adorned with cording and tassels
Wall Hanging
183
Fabric procedure using commercial washing machines to mimic a worn effect
Washed Goods
184
Wood facing below the sill on windows
Apron
185
A type of bed with a canopy suspended from the ceiling rather than supported by posts
A La Duchesse, Angel Bed
186
A canopy resting on columns, usually built over an altar
Baldachino
187
Strips of coordinating or contrasting fabric, folded and finished, then affixed to the style as a decorative accent. It is used to frame or border a piece of work to add interest to the finished work
Banding
188
A line or cut across a fabric That is not at right angles to a side of the fabric
Bias
189
Strips of fabric cut on the bias
Bias Binding
190
When the darker color spoils the color and pattern of the lighter fabric
Bleed Through
191
A stitch that is frequently used for attaching appliqué pieces or binding. The stitches are sewn so they are hidden under the top
Blind Stitch
192
A drapes covering suspense over a piece of furniture, as over a bed or a seat of honor
Canopy
193
A curtain heading consisting of a simple hemmed top through which a rod or narrow pole could be slotted
Case Heading, Slot Heading
194
This track is mounted to the ceiling rather than the wall, it is useful when you have a window that goes right up to the ceiling or a wide sill to that protrudes what you want to avoid
Ceiling-Mounted Track
195
Two or three drapery rods sharing one set of brackets. They are used when installing draperies with sheers, or to create any layered look
Combination Rods
196
A colored fabric used as a lining when parts of it will show from the front
Contrast Lining
197
A pair of draperies which open and close from the center of the windows
Center Draw
198
The necessary distance between the wall and the back of the rod or treatment, and/or the front of one layer of the window treatment and the back of the rod or treatment
Clearance
199
Stiffening material similar to buckram used in drapery headings
Crinoline
200
Is a coiled wire with a plastic coating. It is slightly expandable and is fixed by eyelets screwed into the wire at each end, which are the fixed to the hook. Used for lightweight fabrics that only have a short span to cover and do not need to be drawn
Curtain Wire
201
These hang by a special hearing tape from the same hooks as the curtain but they are not actually stitched to the curtain fabric
Detachable Linings
202
These are useful for when you want to used two sets of curtain, or a pelmet and a curtain
Double Tracks
203
One complete section of drapery typically used for patio door applications or as decorative stationary side panels that hang on each side of the window and do not meet in the center
Drapery Panel
204
The distance from the top of the object to where you want the fabric to end
Drop Length
205
The wood board at the top of top treatments, cornices or valances. Its purpose is to prevent dust from settling on the under treatment
Dust Cap
206
Casual curtains that do not pull back. The bottom inside corners are hooked back to let light in
Envelope Curtains
207
Similar to the fan shade, but used on half circle windows with the fan facing up
Fan Curtain
208
The vertical fold of accordion action if the fabric that creates folds and helps hold the drapery to the form intended for pinch pleats
Fan Flooded
209
Arcs of fabric that are pulled together in the center by rings and cords and then fastened to the back of the shades with the arc, or fan, facing down
Fan Shades
210
The main fabric that faces the interior of the room. The "good side of the fabric
Face Fabric
211
The actual width after the treatment is finished and all allowances have been utilized
Finished Width
212
The place where the curtain stops
Finished Drop Line
213
The exact vertical measurement for draperies or curtains
Finished Lenght
214
Tracks that are ideal for bay or bow windows if you want to follow their line with the curtains. They are made of PVC and are very strong
Flexible Track
215
Depth require to mount a window treatment in such a way that it is completely recessed inside the window frame and no portion of it sticks out from the frame of the window
Flush Mount
216
The ratio of the total fabric used to the finished width of a drapery. The ______ the drapery, the smaller the spaces between each pleat
Fullness
217
A rectangular canopy above the bed extending only partway from the bed instead from the headboard. 1/3 the length of the bed
Half-Tester
218
Extra fabric added to the measurements to create a hem
Hem Allowance
219
Installation of a window covering inside the window frame
Inside Mount
220
Thin cords that are threaded through each slat that hold a blind together. In some cases, you may be able to substitute a cloth tape for a ladder
Ladder Cord
221
This is the inner vertical edges of the curtain that meets its pair at the center of the window, the edge that is not fixed to the end of the track when you draw back curtains and is often decorated with a contrastinf lipping, braid, tasseled fringe
Leading Edge
222
The control, typically a cord, which raises and lowers blind or shades
Lift
223
The gap on the side or in the center of a window treatment through which light penetrates
Light Strike
224
Trim that sets off smaller panes of glass in a window
Mullion
225
Installation of window coverings placed in the wall beyond the window frame
Outside Mount
226
One of more widths of fabric, sewn together to create a large _____ to adequately cover the window.
Panel
227
Fancy decorative trimmings such as tassels, tiebacks and ribbons
Passementerie
228
Random pattern repeats are matched vertically at the selvage edge so that the pattern lines up horizontally at the leading edge of the fabric
Pattern Match
229
The interval between the repetitions of the same pattern
Pattern Repeat
230
Pre-made and evenly spaced fabric tape sewn onto a drapery heading for stiffness to receive and conceal drapery hooks
Pleating Tape
231
A bed set lengthwise against the wall and surmounted by a small dome
Polonnaise
232
A hardware term, the rod _____ in to the room. It is the distance from the wall to the front of the rod
Projection
233
A term used to describe long draperies that are lying on the floor in a ______ fashion
Puddle
234
Refers to using fabric horizontally rather than vertically. Fabric without a nap or a directional designed can be ______ easily. Used to avoid seams in long lengths of fabric
Railroading
235
Distance from the front of a window treatment to the wall
Return
236
The printed side of the fabric that is used as the finished side of an item. The ______ generally has the most color and the most finished look
Right Side
237
This is the area required and used by pleated curtains when they are open on either side of the window. You need to allow for this when you measure for your curtain track
Stackback
238
A panel of fabric mounted on a board, and attached to the inside frame of a narrow window
Stagecoach Valance
239
Canopy framework over a four-poster bed
Tester
240
Is 1-2" of extra fabric beyond what is needed to reach the floor. Is a more contemporary option to puddling
Trouser Break
241
A narrow bed set into a draped recess
Turkish Bed
242
Hook and loop tape used for attaching fabric to a mounting board. Sometimes used for lightweight fabric and valances
Velcro
243
A rolled fabric border, stuffed to create a sausage shape
Wadded Edge
244
A soft, bulky material for stuffing shapes as in like a goblet heading
Wadding
245
The back of the fabric. The less finished side that may have stray threads or a rougher look to it
Wrong Side
246
Arcs of fabric that are pulled together in the center by rings and cords and then fastened to the back of the shades with the arc, or fan, facing down
Fan Shades
247
The main fabric that faces the interior of the room. The "good side of the fabric
Face Fabric
248
The actual width after the treatment is finished and all allowances have been utilized
Finished Width
249
The place where the curtain stops
Finished Drop Line
250
Stains that appear on the paper face, caused by bad pasting methods or poor paper handling
Adhesive Stains
251
Floral foliage, or scroll patterns, covering the entire paper
Allovers
252
Applied or laid on, as figures cut from paper and laid on to another paper
Appliqués
253
The appearance of one color to another
Bleeding
254
Means that the paper is not flat on the substrate and has pockets of air trapped behind. It is caused by under soaking or not evenly brushing paste, or insufficient smoothing whilst handling
Blisters, Bubbles
255
Amount of rolls produced of a single color combination at one time
Color Run
256
Designs that memorialize a historic event
Commemorative
257
A set of designs and colors to be used together in the same adjacent areas
Companion Papers
258
A design based on a document, an old paper, or a fabric dating from an earlier century
Documentary
259
Installation technique where two strips of paper are overlapped, while a cut is made through the center of the overlapped seam and the excess paper is removed
Double-Cut, Wallpaper Seam
260
The printing surface is made of rubber, but in relief
Flexography
261
Finely powdered silk, wool, or other fibers glued onto paper
Flocks
262
A thin sheet of flexible metal on paper, transparent or opaque color, which can be printed
Foils
263
Paper printed from copper plates, leaving the design slightly impressed
Gaufranes
264
Achieved by printing an adhesive to the areas that are to take the metal dust
Gilding, Silvering
265
Raw stock in which a coat of pigment is applied before the top colors are put on
Ground
266
A process of printing with blocks; in which a separate block is needed for each color
Hand-Blocked
267
Produced by hand-screening
Handprints
268
The trade name designating imported Chinese painted papers
India
269
Widely used for imitating Spanish leather, ceramic tiles, and paneling
Lincrusta
270
Powdered over with ground up paints, or having a thin metallic glaze
Lusters
271
Any kind of wall painting printed on paper
Murals
272
Wallpaper pattern matches including random match, straight match and drop match
Matching
273
Where one length encroaches on the next. It is caused by poor workmanship, insufficient soaking or missing patches while pasting, which makes the paper swell unevenly
Overlapping
274
Where the paper is poorly matched, creased, polished or embossed papers are flattened. This is caused by bad paper handling and over brushing
Overstretch
275
A series of papers with a comprehensive presentation of a subject or area in every direction
Panoramas
276
A process of photographic separation using copper or steel cylinders
Photogravure
277
An enlarged photograph used as a mural on the wall
Photomurals
278
A pictorial design continuing over several strips of paper
Scenic
279
Produced by the silk screen process
Screen Print
280
Having scenes spaced at intervals
Semi-scenic
281
Containing 36 square feet of surface after trimming
Single Roll
282
Made from maize, corn, potato, or wheat. It is in a powdered form, made to paste by adding water. It has a fungicide added during manufacture. It has a tendency to mark the wallpaper so it is not commonly used
Starch Paste
283
Sealer used to prepare the wall before the paper is applied
Size
284
Paper fused or coated with vinyl plastic, rendering it impervious to steam and damp
Vinyls
285
A wallpaper repeat where design elements run diagonally between 3 strips (across the wall) to complete the design
Wallpaper Half-Drop Match
286
A wallpaper pattern will match from roll to roll regardless of how it is positioned on the wall
Wallpaper Random Match
287
The wallpaper design will match at the same position on each strip of paper
Wallpaper Straight Match
288
Ability of a surface to resist being worn away by rubbing and friction
Abrasion Resistance
289
A substance which, when added to concrete, mortar, or grout, increases the rate of hydration of the hydraulic cement, shortens the time of setting, or increases the rate of hardening of strength development, or both
Accelerator
290
A term frequently used as a synonym for addition or admixture
Additive
291
The state in which two surfaces are held together by interfacial forces which may consist of valence forces or interlocking action, or both
Adhesion
292
A material other than water, aggregates, and hydraulic cement, used as an ingredient of concrete or mortar, and added to the concrete immediately before or during its mixing
Admixture
293
Granular material, such as sand, gravel, crushed stone, and iron blast-furnace slag, used with a cementing medium to form a hydraulic-cement, concrete or mortar
Agglomerate
294
A pre-casting of stone, slag, sand and graved bonded together into an integrated mass. The major component of plaster, concrete, and asphalt
Aggregate
295
A chemical substance which effectively neutralizes acid material so as to form neutral salts
Alkali
296
Pliant material such as cork, fabric, foil, leather, linoleum, paper, rubber, or vinyl used as wall covering
Applied
297
Masonry constructed of flat-surfaced stones with straight, clean - cut jointing
Ashlar
298
Any material used as a base over which a finished material is to be installed
Backing
299
A narrow wood strip used to cover joints between boards or panels
Batten
300
A term used in construction or architecture that refers to a wall that slopes backward as it rises from the ground. A slope at the back of a house may be ______ or cut so that it is self-retaining. May also apply to walls that may gently slope inward
Battered
301
Any fractures in the body of a tile visible both on the face and back
Bisque Cracks
302
The adherence of one material to another. Effective ____ must be achieved between the mortar and scratch coat, between the tile and mortar, and between the adhesive and backing
Bond
303
A substance applied to a suitable substrate to create a bond between it and a succeeding layers as between a subsurface and a terrazzo topping or a succeeding plaster application
Bonding Agent
304
Ceramic tile installation featuring each row offset for half its length
Broken Joint
305
A french term designating a plain or carved wood-paneled wall
Boiserie
306
The projecting ornament placed at the intersection of beams or moldings. It is often a carved head of an angel, flower, or foliage motif
Boss
307
To polish or grind down to a smooth finish
Buff
308
A wall or partition that supports the portion of the building above it in addition to its own weight
Bearing Partition
309
A plain square joint between two members
Butt Joint
310
Tiles that have projections on the bondable side. Many of these projections are round.
Buttonback Tile
311
A copolymer of about 98% isobutylene and 2% isoprene. It has the poorest resistance to petroleum oils and gasolines of any rubber. Excellent resistance to vegetable and mineral oils; to solvents such as acetone, alcohol, phenol and ethylene glycol.
Butyl Rubber
312
Any substance which markedly speeds up the cure of an adhesive when added in minor quantity as compared to the amounts of primary reactants
Catalyst
313
A soft, plastic material consisting of pigment and vehicle, used for sealing joints in buildings and other structures where normal structural movement may occur
Caulking Comppund
314
Any material fixed as clothing to walls and roofs. It is a weathering surface that protects a building
Cladding
315
A thin wall supported by the structural frame of the building and not dependent on the load-bearing quality of the wall below it
Curtain Wall
316
A wall faced with assorted shapes and sizes, glaze or unglazed, of ceramic or terra-cotta tiles
Ceramic
317
A constant load that in structures is due to the mass of the members, the supported structure, and permanent attachments or accessories
Dead Load
318
Partitions that can be removed from its mounted position
Demountable
319
A screen or partition separating one area from another within a larger area
Divider
320
Tile decorated with colored clays inlaid and fired, Also colored tile laid in a wall or floor to form a pattern
Encaustic
321
A brick layering pattern in which each layer consists of either an entire row of stretchers and the next layer entirely of headers
English Bond
322
Prints from a copper plate upon which a drawing or design has been made by a metal tool or by "biting" with acid
Etchings
323
An area of tile covering a wall or floor.
Field Tile
324
Partitions with joined sections that can be folded together like an accordion
Folding
325
A hollow block of glass that is translucent but not transparent, used mainly in conjunction with brick
Glass Brick, Glass Blocks
326
A lattice or trellis openwork screen or wall
Grille
327
A wood strip or metal mesh, which acts as a background or reinforcing agent for the scratch coat or mortar coat
Lath
328
The moving load or variable weight to which a building is subjected, due to the weight of the people who occupy it, the furnishings, and other movable objects
Live Load
329
A force provided by weight or mass, external or environmental sources such as wind, water and temperature, or other sources of energy
Load
330
An opening in a wall or ceiling protected from the rain by slats placed at an angle
Louver
331
Organic tile adhesive
Mastic
332
The projecting shelf surmounting a fireplace
Mantel
333
A recess in a wall for a statue or ornament
Niche
334
A wall or partition that supports only its own weight
Non-Bearing
335
The front dividing line of a step, where the top or a risers joins the front of a tread
Nosing
336
A movable wall that is hinged or slides serving as a room divider
Operative
337
A flat surface, raised or recessed, surrounded by rails and stiles, and held in place with mouldings
Panel
338
An interior partial wall dividing a larger area
Partition
339
A rectangular shaft built into a wall and projecting slightly from it
Pilaster
340
Traditionally a mixture of lime, sand, and water, sometimes with hair or other fiber added, used for coating walls and ceilings
Plaster
341
A material that increases plasticity of a cement past, mortar, or concrete mixture
Plasticizer
342
Rock composed of crystals or white or red feldspar in a red ground mass. A valuable stone for architectural and ornamental use
Porphyry
343
The prominent or accent wall
Prestige Wall
344
In paneling any horizontal strip forming a portion of the frame.
Rail
345
A small receptacle designed to hold a sacred relic, usually made of ornamented precious metals enriched with jewels or enamel decoration
Reliquary
346
Aggregate, ceramics, glass, marble, metal, plaster, plastics, slate, terrazzo, or wood used as a finishing surface for a wall
Rigid Materials
347
A mixture of portland cement, sand, and water
Scratch
348
The first coat of plaster or stucco, applied and scratched to a wall or ceiling in three-coat work
Scratch Coat
349
A movable partition intended to divide, conceal, or protect part of a room
Screen
350
A detailed working drawing of a wall that has been cut away to show the interior assembly of the construction material
Section, Cross-Section
351
The condition reached by a cement paste, mortar, or concrete when it has lost plasticity to an arbitrary degree. usually measured in terms of resistance to penetration or deformation
Set
352
Maximum interval during which a material may be stored and remain in a usable condition
Shelf Life
353
Fine plaster or cement made of portland cement, sand and lime applied to a structure used as ornamentation
Stucco
354
The underlying support for the ceramic tile installation
Substrate
355
A small cube of stone, glass or marble used in making mosaics
Tessera
356
A term used to describe the bonding of tile with suitable materials applied approximately 1/8 inch thick
Thin-Set
357
The decorative treatment of the space over a mantel, door, or window, consisting of a mirror and painting, Specifically, it was the over-the-mantel panel treatment of the Louis XV and XVI periods
Trumeau
358
Paper thin wood sheets applied to the outer surface of furniture, which are often inlaid or matched to combinations, i.e. slip, diamond, checkerboard, reverse diamond, book, running, center, balanced match
Veneer Match
359
A pierced lattice effect in wood
Treillage
360
A stylized leaf motif, one of the primary decorative elements of classical architecture as evident on the capital of the corinthian column.
Acanthus Leaves
361
Based on the honeysuckle flowers and leaves
Anthemion
362
A moorish design or scrollwork, leaves, flowers, and interlaced branches, beautifully intertwining and flowing pattern of leaves and flowers, and based on the Assyrian tree of life
Arabesque
363
A full or half male figure used instead of a column or in place of a furniture leg
Atlantes
364
A board placed at the base of a wall and rests on the floor; usually treated with mouldings
Baseboard
365
A decorative strip or moulding that resembles a string of beads. Found on furniture, silver, glassware, pottery etc.
Beading
366
The edge of any flat surface that has been cut at a slant to the main area
Bevel
367
Tortoise shell, ivory, mother-of-pearl and metals of various colors used as inlay to ornament cabinetwork.
Boulle
368
The rounding of an edge.
Bullnose
369
Motifs, which emulates the letters c and s, which are characteristics of the Rococo style. Found on furniture and decorative frames
C and S Scrolls
370
The form of an unrolled scroll with and oval center and having pierced, curled edges. It is a conventionalized shield or ovoid form used as an ornament, often enclosed with wreaths, garlands on scroll like forms
Cartouche
371
A column carved in human form, used as a supporting motif in an architectural composition. Generally female form
Caryatid
372
A molding of concave form approximating a quarter circle
Cavetto
373
Generally made of plaster, a circular decorative molding fixed to the ceiling, often in the center, and often has a pendant light fitting suspended from it
Ceiling Rose
374
The topmost molding of a dado, sometimes known as the dado cap. It is placed on a wall at the height of a chairback to protect the finish of the wall
Chair Rail
375
A bevel or slope made by paring off the edge of anything originally right angled. Often used on the legs of furniture. Creates a 45 degree angle
Chamfer
376
A pattern consisting of alternating light and dark squares
Checkerboard
377
A square block of wood used to form a junction between the sides and head strip of door and window trim. Any block similarly used in cabinet-making
Corner Block
378
Ornament used on the sides of pinnacles, usually leaf or bud-shaped; commonly seen in gothic art
Crocket
379
A french term meaning "five leaves", a pattern resembling a five-leave clover
Cinquefoil
380
An ornamental sunken panel in a ceiling, vault, or the lower surface of an arch, beam or other architectural feature
Coffer
381
A formalized bunch of leaves carved at intervals on the edge of wood mouldings, prevalent during the gothic period
Crocket
382
A molded projection that crowns a wall, or divides it horizontally for compositional purposes. It may be formed simply with a crown molding or be built up with a number of molding
Crown Molding
383
An S shapes curve which begins and ends horizontally
Cyma Recta
384
An opposed to the cyma recta, here the curve starts and ends vertically
Cyma Reversa
385
The lower portion of a wall, when treated differently from the surface above it.
Dado
386
An all-over repeating patter without definite limits
Diaper Pattern
387
A small square projecting block in a cornice
Dentil
388
An ovoid shaped molding forming a part of a classical capital. It springs from the shaft of the column
Echinus
389
A classical motif found on architectural elements such as decorative cornices and also furniture. Consists of repeated and alternate dart and egg (oval) shapes
Egg and Dart Moulding
390
A female head and bust used at the top of a volute
Espagnolette
391
A string of many kinds of material hanging in a curve between two points
Festoon
392
A divider with an openwork design, the lacy effect produced by twisting and curling wire together or the open work in porcelain
Filigree
393
A narrow flat molding or area, raised or sunk to separate larger moldings or areas
Fillet
394
A stylized three-petaled iris flower tied by an encircling band, used as the heraldic bearing of the royal family of France
Fleur De Lis
395
Channels in a vertical position used to embellish columns, pilasters or furniture legs. These are parallel concave grooves that are used to ornament a surface
Flutes
396
A Greek geometric band or border motif, consisting of interlacing or interlocking lines, also known as the meander or key pattern
Fret
397
Elongated ovoid forms placed in a parallel series and projecting beyond the surface they enrich
Gardoon
398
A pilaster that narrows toward the bottom and is capped with a topless female half-figure
Gaine
399
A grotesque animal or human form used as a water spout
Gargoyle
400
A prepared plaster of chalk and white lead which may be cast to make repeating ornamental forms in relief to apply to wood panels, plaster surfaces, etc
Gesso
401
A monster with the body of a lion and the head of and wings of an eagle
Griffin
402
An incongruous combination of monstrous animal and human forms
Grotesque
403
A band or border running pattern having the appearance of overlapping or interlacing circular forms
Guilloche
404
A tapering pilaster terminating in a head or bust of a male
Herm
405
A cabriole leg formed like the tarsal joint of the hind leg of a quadruped
Hock
406
A decorative motif of greek origin resembling a conventionalized fanlike arrangement of petals
Honeysuckle
407
A panel resembling folded cloth. It was prevalent in the gothic period.
Linenfold
408
An alternate name for the conventional diamond-shaped motif
Lozenge
409
A form resembling a crescent or half moon
Lunette
410
A grotesque head or mask
Mascaron
411
A running ornament consisting of an intricate variety of fret or fretwork
Meander
412
A highly ornamented turning in two sections
Melon Bulb
413
Overall pattern of stylized flowers and plants
Millefleur
414
The leading or prominent edge of a moulding or drip. It may be the edge of a step or the edge of a table or bench
Nosing
415
A molding or an arch form composed of two opposing cyma curves whose convex sides meet in a point, thus forming an s, but is somewhat elongated compared to a cyma
Ogee, Ogive
416
A variety of brass made to imitate gold or bronze
Ormolu
417
A convex moulding used in classical architecture. It is usually an exact quarter of a circle but in grecian it is flatter and quirked on top. Opposite of cavetto
Ovolo
418
Using veneers cut as cross sections of roots and branches of walnut, olive-wood, and some fruit woods to resemble the irregular concentric rings in oyster shells
Oystering
419
A flat circle or oval containing acanthus leaves in a rosette arrangement
Patera
420
A boss elongated so that it hangs down from the intersection of coffers in ceilings or from tables
Pendant
421
A compound of paper pulp or shreds of paper mixed with paste or glue to be moulded into various shapes
Paper Mache
422
A horizontal molding near a ceiling from which pictures can be suspended
Picture Mold, Picture Rail
423
A four lobed ornamentation
Quatrefoil
424
A long, semi-cylindrical, stem like from or a grouping of such used to enrich moldings
Reeding
425
Scroll and leaf ornament sometimes combined with cartouches or grotesque forms and applied to friezes, panels or other architectural forms. It is usually a symmetrical horizontal composition
Rinceau, Arabesque
426
An ornamental motif formed by a series of leaves arranged around a central point. The leaves are usually conventionalized and may be arranged to form a circle, ellipse or square
Rosette
427
An x-pattern
Saltier
428
A semicircular shell with ridges radiating from a point at the bottom. This motif was especially common in furniture design during the Queen Anne and Georgian periods in England and the United States, It was also extensively used in the early Spanish renaissance.
Scalloped Shell
429
A parchment roll used as an ornament
Scroll
430
Broken pediment with each half shaped in the form or a reverse curve, and ending in an ornamental scroll. Usually a finial or some sort is placed in the center between the two halves of the pediment
Scroll Pediment
431
Used as marquetry in furniture panes
Seaweed
432
A figure having the head and breasts of a woman, the wings of an eagle, and the body of a lion
Sphinx
433
Consisting of enriched interlacing flat bands and forms similar to fretwork
Strapwork
434
The stonework formed in the head of a gothic window, Applied to the surface on a door or wood panel
Tracery
435
A pattern resembling a tree or vine, showing branches, leaves, flowers, and small animals. Originating in ancient Assyria, it was borrowed by the Persians
Tree-of-Life Pattern
436
A three lobed ornamentation resembling a clover
Trefoil
437
Millwork around openings such as windows and doors, usually called casings
Trim
438
A convex semi-circular molding
Torus
439
Ornamental motifs, patterns or portraits centered on a large field
Vignettes
440
A peculiar pattern of scroll work consisting of convolved undulations
Vitruvian Scroll
441
A spiral scroll forming the principal characteristics of the ionic capital
Volute
442
A wooden lining for interior walls, usually paneled.
Wainscot
443
A conventionalized leaf pattern of classical origin used to enrich a cyma reversa molding
Waterleaf, Leaf and Dart Pattern
444
A continuous pattern conventionally imitating a series of braking wave crests
Wave Pattern
445
A decorative band or garland of flowers, foliage, or other ornamental material
Wreath
446
A general class of resinous polymers, derived from esters, amides or other acrylic acid derivatives
Acrylic
447
Pain used on new plaster, which is durable in contact with lime
Alkali Resistant
448
Mechanical bonding of a coating to a rough surface as contrasted with adhesion, which is chemical bonding
Anchoring
449
Metal paint designed to inhibit corrosion
Anti-Corrosive Paint
450
These paints contain toxic compound, which kill any fungi attempting to feed from it.
Anti-Fungus Paints
451
Paint that contains grit (sand, plastic chips, cork dust) that forms a grippable surface that breaks the tension of the water
Anti-Slip Paint
452
This is the process of artificially ageing paint. It can be achieved by rubbing over the new paint with a darker glaze or colour wash. This creates a dirtier color
Antiquing
453
Undercoat staining through the topcoat
Bleeding
454
Is bubbles or blisters in the paint film. It is caused by water vapor being attracted by heat and forming spaces beneath the film, or resins from knots in the timber being attracted t heat, or paint being used on surfaces which have extreme heat
Blistering
455
Milky opalescence in lacquer usually caused by lack of compatibility in the paint or being applied in cold or wet weather
Blushing
456
Is a powdery deposit being formed on a dry paint film surface. The powder is unbound pigment. This is caused by painting over surfaces that haven't been sealed sufficiently, or the paint is deficient in binder, caused by over thinning. It can also occur when using interior paints on exterior surfaces.
Chalking
457
These are all names for splits that appear in the film of the surface coating. It is caused by the use of excessive dryers or recoating before the under coat is dry.
Checking, Cracking, Crocodiling, Alligatoring
458
This is diluted layer of paint or proprietary product that is applied over a base coat to provide a wash or glimpse of color
Colorwash
459
This imitates old peeling paint and provides a cobweb look. The crackle glaze is applied between two water based coats of differing colors. This then produced a series of cracks on the top layer and exposes the base coat color underneath
Crackle- Glaze Paint
460
This is a process that was developed to imitate the crazing of very old varnish. It is achieved by applying two varnishes to a surface that dry at different rates. It achieves a finer crazing than by using the crackle glaze but is a more expensive method
Craquelure
461
Scratching plaster to prepare the surface for the next coat
Deviling
462
A type of paint made by mixing the pigment with glue or size. Now largely superseded by emulsion paints
Distemper
463
This is making a finish look older than it really is or time worn and rugged. It is achieved by using two different colors, base and top coat and partially removing the top coat to expose the base underneath.
Distressing
464
A chemical preparation added to paint which causes it to dry quickly
Drier
465
Is a white fluffy surface deposit that is caused by salts in the plaster being drawn to the surface. The moisture evaporates. Dry brushing will remove it
Efflorescence
466
This is paint with a finish midsheen between matte and gloss
Eggshell Paint
467
These are the finishing or final coats. They provide the final color and gloss level required. They are the protection layer from weather, moisture, knock and chops.
Finishing Coat
468
Is paint or varnish lifting away from the surface in flakes because of a breakdown of the adhesion. It occurs when painting damp surfaces, especially timber, or painting powdery surfaces,
Flaking
469
Method of painting on wet plaster with tempera colors. The plaster absorbs the pigment, and when dry, the painting becomes hard and durable and a part of the plaster
Fresco
470
This is essentially the application of a gold finish. It can be achieved by applying gold lead, or by using metallic powders
Gilding
471
Putty used to set glass in window frames and to fill nail holes and cracks
Glazing Compound
472
A painted imitation of the fiber lines of wood
Graining
473
Swelling and standing up of the wood grain caused by absorbed water and solvents
Grain Raising
474
A type of varnishing. It was to imitate the lacquering work from the east.
Japanning
475
A glossy type of pain finish. Usually applied by spraying. Modern lacquers are unlike varnishes or enamels are based on cellulose compounds
Lacquer
476
This is the layering of numerous coats of varnish, sanding in between coats. This creates a smooth lustrous effect.
Lacquering (Japanning)
477
The paint is passed through the voids that surround the design
Negative Stencil
478
This is the first coat of paint that is applied to a raw (unpainted) surface.
Primer
479
Is the wrinkles occurring in the pain film as it dries. It happens because the paint has been applied too thickly. To prevent it, ensure that the paint is applied to the normal film thickness
Rivelling
480
Solvents used to thin coating
Thinners
481
A framework of metal wire or tubing used in fashioning a work in clay, wax, or plaster of Paris
Armature
482
A small terra cotta sketch of a sculpture, Italian
Bozzetto
483
A design carved in relief in stone or shell
Cameo
484
A type of dark colored, hard stone much used in Egyptian sculpture
Diorite
485
A form of incised relief in which the design is sunk below the surface
Intaglio
486
Small scaled model for a finished sculpture. It is used to visualize and test shapes and ideas without incurring the cost and effort of producing a full scale sculpture
Maquette
487
Oil based clay used for modeling sculptures
Plasticene
488
Lamp invented by a Swiss named ______. Had a round wick with provision for the introduction of air inside the wick as well as the outside
Argand Lamp
489
Oil lamp with swinging tubular arms, generally furnished with an Argand burner. Used in the early 19th century
Astral Lamp
490
The process by which the eye adjusts to a change in light level
Adaptation
491
General light, often indirect, or entering a room form an adjacent space
Ambient Light
492
An opaque or translucent element used to shield a lamp from view or to absorb unwanted light
Baffle
493
An unshielded light source
Bare Lamp
494
An optical filler the selectively reflects some wavelengths, while transmitting others
Dichoroic Mirror
495
The emission n of light, only during the absorption of radiation of a different wavelength
Fluorescence
496
A series of baffles, usually geometric, used to shield a lamp from view at certain viewing angles
Louvers
497
Glare, where reflection reduces contrast and so prevents detail being discerned
Veiling Reflection
498
Broken or waste glass suitable for remelting
Cullet
499
Literally meaning horse mirror. It is a full length mirror, usually standing on the floor
Cheval Glass
500
Crushed glass often melted onto other glass to produce patterns and color
Fruit
501
Joining two or more blown section while hot
Incalmo
502
Threads of white or colored glass within clear glass, sometime lace like in pattern
Latticino
503
Fragile opalescent glass wares made by the Romans and used for ornamental and useful purposes
Murrhine
504
A glass or mirror designed to stand on the floor or against a a wall or a surface
Pier Glass
505
An iron rod used in glass manufacturing to carry hot materials
Pontil
506
A method of engraving on copper by the use of a resinous solution of nitric acid
Aquatint
507
A protective plating for steel. Often used for wood screws
Cadmium Plaiting
508
15th century metal alloy, the ancestor of pewter, being a combination of copper, tin, and lead. Used particularly in application to ornamental figures made in Dinant, Belgium
Dinandrie
509
A type of metal inlay. The design is incised by means of acid applications on a metal base, and the depressions are filled in with wires or different metal cuts to fit
Damascene Work
510
A metal product commonly used as a raw material feed in steel making, usually containing iron and other materials to aid various stages of the steel making process such as deoxidation, desulfurization and adding strength
Ferroalloy
511
Metal linings, often ornamented and usually of cat iron, placed in a fireplace behind the fire to reflect hear and protect the masonry
Firebacks
512
The process by which steel is coated with a layer of zinc. The zinc coating provides the steel with greater corrosion resistance
Galvanizing
513
Steel cast in a metal mold ready for rolling or forging. It is distinct from casting, which is not rolled or forged
Ingot
514
Ornamental or utilitarian metal work, such as handles, drawer pulls, escutcheons, etc. used on cabinetwork
Mounts
515
Treating the surface of iron or steel with acid to remove scale, rust and dirt, preparatory to further processing such as cold rolling, tinning, galvanizing, polishing, etc
Pickling
516
Oxide of iron that forms on the surface of steel after heating
Scale
517
The non metallic forming a molten layer on top of the molten steel in a steel furnace. It is made by charging suitable materials and plays and important role in the refining of steel
Slag
518
Silver that is 92 1/2% pure
Sterling
519
Useful or decorative objects made of tin and ornamented with painted or enameled patterns
Tole
