Middle Ages Flashcards

(29 cards)

1
Q

monophonic texture

A
  • “mono” means one
  • music consisting of a single line of melody (referred to as a “voice”)
  • no harmony or accompaniment
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2
Q

polyphonic texture

A
  • “poly” means many
  • two or more independent melodic lines (or voices) heard simultaneously
  • referred to as contrapuntal texture
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3
Q

modes

A
  • scale patterns distinguished by their unique order of half steps and whole steps
  • served as the source for melodies in the Middle Ages and Renaissance
  • generally referred to by their original Greek names (Dorian, Phrygian, etc.)
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4
Q

neumes

A
  • the earliest form of notation in Western art music
  • small notational symbols - originally indicating the direction of the melodic line
  • later in the shape of squares or diamonds positioned on a staff and representing specific pitches
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5
Q

a cappella

A
  • Latin for “in the chapel”
  • vocal music without instrumental accompaniment
  • characteristic feature of vocal music in Middle Ages and Renaissance
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6
Q

plainchant

A
  • sometimes called “plainsong”
  • monophonic texture
  • modal melodies
  • relatively narrow melodic range
  • unmeasured prose rhythm
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7
Q

Gregorian chant

A
  • a form of plainchant
  • sacred, liturgical music of the Roman Catholic Church, generally with Latin texts
  • modal, monophonic melodies with unmeasured rhythm
  • named after Pope Gregory the Great
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8
Q

syllabic text setting

A
  • one note for a single syllable of text

- text can be clearly understood

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9
Q

neumatic text setting

A
  • several notes (two to four) for a single syllable of text
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10
Q

responsorial singing

A
  • a method of performance
  • solo voice alternates with chorus
  • solo passages referred to as “verse”
  • choral passages referred to as “respond”
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11
Q

melismatic text setting

A
  • many notes for a single syllable of text

- the most elaborate and florid form of text setting

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12
Q

Mass

A
  • the most important service in the liturgy of the Roman Catholic Church
  • includes prayers, readings from the Bible, and a reenactment of the Last Supper, referred to as the Eucharist or Holy Communion
  • consists of texts that are variable according to the church calendar (Proper) and texts that remain the same (Ordinary)
  • became an important genre, particularly during the Renaissance era
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13
Q

Mass Proper

A
  • changing, variable prayers of the Mass
  • linked to church calendar
  • sections include: Gradual, Introit, Communion, Alleluia
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14
Q

gradual

A
  • the fourth section of the Mass Proper (variable texts)
  • texts of the gradual are based primarily on the Psalms (poetic texts from the Old Testament)
  • generally melismatic and performed in a responsorial style
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15
Q
Elements of Musical Style in the Middle Ages
Texture
Notation
Melodic Range
Rhythm
A

Texture - music evolved from a single-lined texture (monophony) to more complex, multivoiced works (polyphony).
Notation - The Middle Ages witnessed the development of a system of notation that still exists today.
Melodic Range - a relatively narrow range
Rhythm - the evolution of rhythm coincides with the development of notation and the emergence of polyphony. The flexible, unmeasured rhythm associated with plainchant gave way to a more structured approach.

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16
Q

When did the Middle Ages take place?

A

ca 476 - ca 1450

17
Q

What specific periods was the Middle Ages divided into?

A

Early Christian, Romanesque and Gothic

18
Q

Why was the Middle Ages known as the “Dark Ages”?

A

It was associated with plagues, lawlessness, religious conflicts, constant wars and repressive feudal societies

19
Q

What developments took place in the Middle Ages?

A

rise of polyphony, continuing advancements in notation, poets and writers could express themselves in their “home” languages.

20
Q

What was music’s primary function in the Middle Ages?

A
  • to enhance the church services (sacred genres) and to celebrate life in society through song and dance (secular genres)
21
Q

Describe the background and origin of Gregorian chant?

A
  • evolved from the Hebrew chant tradition
  • served as functional music in the worship services of the Roman Catholic Church
  • originally passed down orally, among the earliest forms of notated music in Western tradition
  • organized and codified during the papal reign of Pope Gregory the Great
  • used as the basis for many new compositions during the Middle Ages and Renaissance
22
Q

Who was Pope Gregory I?

A
  • also known as Pope Gregory the Great
  • leader of the Roman Catholic church from 590-604
  • he organized and codified the chants that had accumulated, leading to the establishment of a uniform liturgical service
  • he oversaw the expansion of schools to train singers in performance of sacred repertoire (schola cantorum)
23
Q

What term is used to refer to a large body of chants from many different regions and traditions

A

plainchant and plainsong

24
Q

What is the Haec dies?

A
  • It is a Gregorian chant
  • the composer is anonymous
  • written in the early Middle Ages
  • The mass component comes from the Gradual Mass for Easter Day
  • Source of text is from 118:1/24, Old Testament
  • Sung in Latin
  • Performed by soloist and chorus
  • Texture is monophonic
25
Describe the music of the Haec dies?
- monophonic texture - melody is based on the Dorian mode - Responsorial performance: solo voice (Haec dies), chorus (quam fecit), solo voice (confitemini) and chorus (eius) - unmeasured rhythm, no barlines or note values, but follows the natural flow of the text (known as prose rhythm) - melismatic text setting on key words "Haec", "Dominus", "exsultemus", "quoniam" - conveys the joyful message of the feast of Easter - melodic range extends to a 9th (wider than many chants) - reflects the meaning of the text and the importance of the day - melody moves by step & narrow leap; many melodic 3rds, some 4ths & 5ths
26
What is the Liber Usualis?
- Book of Common Use) - an important source containing music and text of many chants used in the Roman Catholic services - collection was compiled in the late 19th century by the Benedictine monks of France - consists of almost 2000 pages containing settings of the Mass Ordinary and chants for specific rituals
27
Who made this statement? "Every element has a sound, an original sound from the order of God; all those sounds unite like the harmony from harps and zithers".
Hildegard von Bingen
28
Who was Hildegard von Bingen?
- 1098 - 1179 - inspired religious leader, writer and composer - raised in a convent - known for her mystic visions and prophesies - remembered as one of the most amazing woman of the Middle Ages - she composed original poetry and music and created a new genre - the morality play
29
What is the Ordo virtutum?
- longest and best-known work by Hildegard von Bingen - translated as "Play of Virtues" - allegorical morality play or sacred drama - contains 82 original monophonic melodies - work was written to teach Christian values to an illiterate audience - the allegorical characters include the Virtues: Humility, Hope, Charity and Discipline