midterm Flashcards

(39 cards)

1
Q

Intermediary action refers to the practices of all the people who inter intervene as popular music is produced, distributed, and consumed

A

Mediation

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2
Q

The predominant influence of a political or cultural force over another

A

Hegemony

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3
Q

Revisiting the influence of a political or cultural force that has hegemony

A

Counter hegemony

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4
Q
  • Phonograph, 1877
  • Wax cylinders
  • Edison Records
A

Thomas Edison

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5
Q

Flat disc, 1901

Victor Talking Machine Company

A

Emile Berliner(德裔美国发明家

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6
Q

The First Major Labels

A

The Edison Company
Columbia Records
Victor Talking Machine Company
(维克多哥伦比亚爱迪生

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7
Q

Palais royale saloon in San Francisco, 1889

Military marches, hymns and vaudeville tunes

A

Coin-operated cylinder playback machine

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8
Q

European quadrille (white)
Parody called “cakewalk” (black)
Imitation of cakewalk (white)
Cakewalk becomes a signature element

A

minstrelsy

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9
Q
Song and character created by Thomas Dartmouth Rice, 1829
First international American hit song
Subversive trickster
Morphed into gross stereotypes
Lazy, goofy, dimwitted
Untrustworthy, threatening
A

Jim Crow

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10
Q

First black blues vocalist recording: Mamie smith, “That Thing called love”, 1920
First commercially successful “hillbilly” recording: Fiddlin’ John Carson, 1913
sold to Columbia records
Indie label in NYC, established 1918

A

okeh records

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11
Q

The “image of communion” exists in the minds of those who imagine themselves belonging to a larger entity comprised of people they will likely never meet.

A

Imagined communities

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12
Q

The art of practice of narration; the representation in art of an event or story
Part of the process of mediation

A

Narrative

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13
Q

undermine the power and authority of (an established system or institution).

A

Subvert

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14
Q

Audiences identified and addressed by consumption habits

A

“Mass-mediated consumer”

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15
Q

Todd Storz and jukeboxes
Same hits in frequent rotation
Ads, jingles, promotions, rapid-fire patter

A

Top 40

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16
Q

Developed in the 1920s and 30s by Edwin Armstrong, the radio inventor
Rejected by radio networks, remains unoccupied and experimental
becomes “antiestablishment technology”

A

FM technology

17
Q

Created by Lewis Hill, 1949

Educational, multicultural, listener-supported

A

Pacifica Radio

18
Q

Bob Fass

Radio Unnameable: spontaneous & unformatted
Invented the “call-in”

WBAI (Pacifica station in NY)
“The Godfather of”

19
Q

Popular music is competitive & repetitive
Shared experience through audience participation
Helped create a sense of national identity
“The most popular songs are the best songs.”

A

Your Hit Parade

20
Q

• Latest R&B records
• Black cultural elements: storytelling, speaking in rhythm and rhyme, improvisation
“Personality DJs”
Latest R&B records
Black cultural elements: storytelling, speaking in rhythm and rhyme, improvisation
“Personality DJs
Spawned white imitators (vocal minstrelsy)

21
Q
  • The Moondog Show
  • Teenage demographic
  • “Bringer of Black music to white youth”
  • “Bringer of Black music to white youth”
  • Teenage demographic
  • The Moondog Show
  • “Rock n’ roll”
22
Q

NPR Music Narratives

“Fresh Air”

23
Q

Turino’s Four Fields of Artistic Practice

A

Presentational Performance
Participatory Performance
High Fidelity
Studio Audio Art

24
Q

The tendency to seek distraction and relief from unpleasant realities, especially
by seeking entertainment or engaging in fantasy

25
Léon Theremin, Russian electrical engineer | “Aetherphone” (Theremin), 1928
Theremin (俄国发明家发明的电子乐器
26
Robert Moog, engineer (1934-2005) Invented Moog syntheziser, 1964 First widely used electronic instrument Set up booth at Monterey Pop Festival, 1967 Psychedelic and Prog-rock: The Beatles, the Doors, Stevie Wonder, Frank Zappa, the Byrds, Pink Floyd, Rush
Moog Synthesizer(穆格电子合成器
27
1970s electronic music & social dancing Orchestral music over rhythm section Origins: African-American, Latin-Caribbean, queer nightlife in NYC goes mainstream, late 1970s Giorgio Morodor and Donna Summer, “I Feel Love” 1977
Disco
28
Chicago, late-1970s and 80s Frankie Knuckles Initially for gay, Black men, expanded to wider audiences Disco, soul, rock, R&B, drum machines, synthesizers
House
29
Underground, often illegal, after-hours dance parties, 1980s Interface between technology and drugs Working-class communities, England, Germany, then San Francisco and NY Trance= shift in consciousness & identity
Rave
30
Event-based (Tomorrowland, Ultra Europe, Electric Daisy Carnival, Miami Ultra) Peaked in the 2010s Crossed over with other genres Inclusiveness (audience) P.L.U.R= Peace, Love, Unity and Respect (DJ Frankie Bones) Exclusiveness (creators) Male-dominate
EDM
31
Gender ideologies are most often codified as religious, moral or legal systems that justify relations between the genders.
gender binary
32
The capacity of individuals to act independently and make their own free choices (Barker)
agency
33
Hatred, dislike or mistrust of women
misogyny
34
Discrimination or devaluation based on a person’s sex
sexism
35
A collection of movements and ideologies aimed at defining, establishing, and defending equal political, economic, and social rights for women
Feminism
36
Seneca Falls Convention, 1848 Issues: voting rights, access to education, property rights UMD admits women, 1916 19th Amendment, 1920
1st wave Feminism
37
Having both female and male characteristics. Being neither distinguishably masculine nor feminine, as in dress, appearance, or behavior.
androgyny
38
The study of how different identity categories interact and affect one another, particularly how patterns of discrimination overlap
intersectionality
39
erosion of gender binary new categories of gender and sexual identities non-binary, transgender, cisgender LGBTQIA+
postgenderism