MIDTERM Flashcards

(333 cards)

1
Q

WHAT it is an energy emitted and transferred through matter and travels in the speed of light.

A

Radiation

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2
Q

Radiation – it is an energy emitted and transferred through matter and travels in the

A

speed of light.

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3
Q

SPEED OF LIGHT: can be measured by:

A

299792458 m / s
300,000 km/s
186,000 mi/s (miles)
3 x 10^8 m/s (S.I. unit)

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4
Q

Is an art and science of recording x-ray images as
x-ray passed through an object and recorded on x-ray film

A

RADIOGRAPHY

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5
Q

Is also know as X-ray film

A

IMAGE RECEPTOR

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6
Q

Also known as INVISIBLE image

A

LATENT IMAGE

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7
Q

Also known as VISIBLE image

A

MANIFEST IMAGE

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8
Q

MANIFEST IMAGE: Also known as

A

VISIBLE image

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9
Q

IMAGE RECEPTOR: Is also know as

A

X-ray film

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10
Q

LATENT IMAGE: Also known as

A

INVISIBLE image

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11
Q

is one of the most familiar forms of radiation.

A

Sunshine

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12
Q

Sunshine is one of the most familiar forms OF WHAT

A

forms of radiation.

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13
Q

A place where patient completes data gathered and schedule
for examination.

A

INFORMATION AREA OR RECEIVING AREA

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14
Q

An area where the patient change their dress to laboratory
gown for examination.

A

DRESSING ROOM

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15
Q

An area where the x-ray examination conducted.

A

EXPOSURE ROOM

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16
Q

EXPOSURE ROOM
* An area where WHAT

A

the x-ray examination conducted.

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16
Q

DIFFERENT AREAS IN RADIOLOGY
DEPARTMENT

A
  1. INFORMATION AREA OR RECEIVING AREA
  2. DRESSING ROOM
  3. EXPOSURE ROOM
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16
Q

A room where processing cycle of the exposed x-ray film
takes place.

A

DARK ROOM OR PROCESSING ROOM

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17
Q

in DARK ROOM on what rank or level, The most important room in Radiology Department

A

SECOND important

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17
Q

ININFORMATION AREA OR RECEIVING AREA
* A place where patient completes WHAT

A

Data gathered and schedule
for examination.

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17
Q

An area where diagnostic report or findings were interpreted
or rule-out based on the patient request through radiologist

A

READING ROOM OR INTERPRETATION ROOM

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17
Q

Radiograph was viewed by WHAT

A

Negatoscope or View Box

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17
Q

READING ROOM OR INTERPRETATION ROOM
* An area where the patient request through radiologist.

A

diagnostic report or findings were interpreted
or rule-out based

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18
Q

DARK ROOM OR PROCESSING ROOM
* A room where processing cycle of WHAT

A

the exposed x-ray film
takes place

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19
in DARK ROOM, Is a room ______ of white light in which the processing cycle takes place.
devoid
19
WHAT was viewed by the aid of Negatoscope or View Box
Radiograph
19
The most SECOND important room in Radiology Department.
DARK ROOM
19
is a room devoid of white light in which the processing cycle takes place.
DARK ROOM
19
in darkroom, Is a room of what
devoid of white light in which the processing cycle takes place.
19
IN GENERAL REQUIREMENTS OF THE DARK ROOM: LOCATION
must be adjacent (close or near) to the x-ray room.
19
in darkroom, A technologist can never hope to be a really good technologist unless he/she is a WHAT Because of the special importance of this room in the handling, processing and even flow of works, both general and detailed feature should be most thoughtfully worked out
a master of the darkroom and processing technique
20
WHAT ARE THE GENERAL REQUIREMENTS OF THE DARK ROOM
LOCATION: must be adjacent (close or near) to the x-ray room. * SIZE: 9.5 ft x 15 ft * VENTILATION: Humidity range must be 40% - 60% Temperature rate should be 19°C to 22°C * COLOR OF THE WALL: Dark color but not shiny * RADIATION PROOF * LIGHT PROOF * PROVIDED WITH ELECTRIC WIRING
20
IN DARKROOM, A technologist can never hope to be a really good technologist unless he/she is a master of the darkroom and processing technique. Because of the special importance of this room in the handling, processing and even flow of works, both general and detailed feature should be WHAT
most thoughtfully worked out
20
IN GENERAL REQUIREMENTS OF THE DARK ROOM: VENTILATION: Humidity range must be
40% - 60%
20
IN LAY OUT OF DARK ROOM The processing room should be WHAT
adjacent to the exposure room, and should have a source of electricity for operating of apparatus.
21
IN GENERAL REQUIREMENTS OF THE DARK ROOM: SIZE
9.5 ft x 15 ft
21
IN GENERAL REQUIREMENTS OF THE DARK ROOM: VENTILATION: Temperature rate should be
19°C to 22°C
21
The processing room should be adjacent to the exposure room, and should have a source of electricity for operating of apparatus.
LAY OUT OF DARK ROOM
22
IN GENERAL REQUIREMENTS OF THE DARK ROOM: COLOR OF THE WALL
Dark color but not shiny
22
The entire processing procedure in one room is divided into TWO sections. WHAT ARE THOSE TWO
1. DRY SECTION 2. WET SECTION
22
WHAT minimum distance between these areas should be
4 feet
22
WHAT SHOULD distance between these areas should be 4 feet
A minimum distance
23
should be installed over the entrance to guard against unauthorized or inadvertent entry
Warning light
24
Warning light should be installed WHERE
installed over the entrance to guard against unauthorized or inadvertent entry
24
WHAT ARE TYPES OF DARK ROOM DOORS
1. SINGLE DOOR 2. LIGHT LOCK / DOUBLE DOOR 3. LABYRINTH OR MAZE 4. REVOLVING DOOR
25
IN TYPES OF DARK ROOM DOORS WHAT radiologic technologist are the only person who routinely utilizes the processing with an inside bolt or lock.
SINGLE DOOR
25
IN TYPES OF DARK ROOM DOORS 1. SINGLE DOOR: The radiologic technologist are the WHAT
the only person who routinely utilizes the processing with an inside bolt or lock.
26
IN TYPES OF DARK ROOM DOORS This type of entrance may be consisting of a small hall, with two doors.
LIGHT LOCK / DOUBLE DOOR
26
IN TYPES OF DARK ROOM DOORS This door is used to make sure that accident due to sudden opening of the door or the 1st door wont exposed anything inside the dark room.
LIGHT LOCK / DOUBLE DOOR
27
IN TYPES OF DARK ROOM DOORS The second door serves as a protection, safety and assurance.
LIGHT LOCK / DOUBLE DOOR
28
IN TYPES OF DARK ROOM DOORS Once the person is already inside the hall, the first door should be closed before opening the 2nd door entering the dark room.
LIGHT LOCK / DOUBLE DOOR
29
IN TYPES OF DARK ROOM DOORS LIGHT LOCK / DOUBLE DOOR: This type of entrance may be consisting of a small hall, with HOW MANY doors
TWO
30
IN TYPES OF DARK ROOM DOORS LIGHT LOCK / DOUBLE DOOR: This type of entrance may be consisting of a small hall, with two doors. This door is used to make sure WHAT?
that accident due to sudden opening of the door or the 1st door wont exposed anything inside the dark room
30
IN TYPES OF DARK ROOM DOORS LIGHT LOCK / DOUBLE DOOR: Once the person is already inside the hall, the WHAT door should be CLOSED before opening the 2nd door entering the dark room.
1ST door
30
IN TYPES OF DARK ROOM DOORS LIGHT LOCK / DOUBLE DOOR: Once the person is already inside the hall, the 1ST door should be WHAT before opening the 2nd door entering the dark room.
CLOSED
30
IN TYPES OF DARK ROOM DOORS LIGHT LOCK / DOUBLE DOOR: Once the person is already inside the hall, the 1ST door should be CLOSED before opening the WHAT door entering the dark room.
2ND DOOR
31
IN TYPES OF DARK ROOM DOORS LIGHT LOCK / DOUBLE DOOR: The second door serves as WHAT
a protection, safety and assurance
32
WHAT TYPE OF DOOR CAN CAUSE TRAPPING
LIGHT LOCK / DOUBLE DOOR
32
IN TYPES OF DARK ROOM DOORS This is not provided with doors.
LABYRINTH OR MAZE
32
WHAT TYPE OF DOOR IS ONE LEADING IN AND OTHER OUT WITH A SHORT HALLWAY IN BETWEEN
LIGHT LOCK / DOUBLE DOOR
32
IN TYPES OF DARK ROOM DOORS LIGHT LOCK / DOUBLE DOOR: Once the person is already inside the hall, the 1ST door should be CLOSED before opening the 2nd door entering WHAT
the dark room.
32
IN TYPES OF DARK ROOM DOORS It prevents the entrance of white light to the processing room, yet provides air circulation.
LABYRINTH OR MAZE
33
IN TYPES OF DARK ROOM DOORS It requires, however at least twice as much floor space as a light lock.
LABYRINTH OR MAZE
34
WHAT TYPE OF DOOR HAS NO DOORS
LABYRINTH OR MAZE
34
IN TYPES OF DARK ROOM DOORS The walls and the ceiling should be painted with dark and flat non-reflective paint and be illuminated by safe light. The walls and the ceiling should be painted with dark and flat non-reflective paint and be illuminated by safe light.
LABYRINTH OR MAZE
34
WHAT TYPE OF DOOR PEOPLE CAN ENTER AND EXIT AND ANY MOMENT
LABYRINTH OR MAZE
34
WHAT TYPE OF DOOR CAN TAKES UP TOO MUCH BUILDING SPACE
LABYRINTH OR MAZE
35
IN TYPES OF DARK ROOM DOORS LABYRINTH OR MAZE: This is not provided with WHAT
doors
36
IN TYPES OF DARK ROOM DOORS LABYRINTH OR MAZE It prevents WHAT
the entrance of white light to the processing room, yet provides air circulation.
36
IN TYPES OF DARK ROOM DOORS LABYRINTH OR MAZE It requires WHAT
however at least twice as much floor space as a light lock.
36
IN TYPES OF DARK ROOM DOORS LABYRINTH OR MAZE The walls and the ceiling should be painted with WHAT COLOR and flat non-reflective paint and be illuminated by safe light
with dark
37
IN TYPES OF DARK ROOM DOORS LABYRINTH OR MAZE The walls and the ceiling should be painted with dark and WHAT
and flat non-reflective paint and be illuminated by safe light
37
A TYPE OF DOOR THAT Is not being used anymore.
REVOLVING DOOR
38
SAFE LIGHT: Is design to give WHAT
enough visibility to accomplish all necessary duties in the handling and processing x-ray film without harmful effect to any unprocessed film
38
WHAT TYPE OF DOOR THAT IS THE MOST EFFICIENT BUT MOST ESPENSIVE TYPE
REVOLVING DOOR
38
WHAT TYPE OF DOOR COMPOSED OF TWO BLACK CYLINDERS
REVOLVING DOOR
38
WHAT ARE Different lights used in DARKROOM
1. White Light 2. SAFE LIGHT 3. WRATTEN 6B (AMBER) FILTER 4. GBX FILTER
38
WHAT TYPE OF DOOR THE OUTER IS FIXED
REVOLVING DOOR
39
WHAT Is design to give enough visibility to accomplish all necessary duties in the handling and processing x-ray film without harmful effect to any unprocessed film
SAFE LIGHT
39
IN White Light: Use to perform many activities, such as:
* Mixing chemicals * Cleaning tanks * Unloading film hangers
39
WHAT IS Different lights used in DARKROOM
ILLUMINATION
39
WHAT TYPE OF DOOR INNER IS THE REVOLVNG DOOR WITH ONLY ONE OPENING
REVOLVING DOOR
40
WHAT Is the recommended type of filter that the light produce is not in the same spectral range as the film sensitivity. (monochromatic)
WRATTEN 6B (AMBER) FILTER
40
A safe light consist of WHAT, that it does not fog the film / expose to it for reasonable handling period.
consist of all filter used in a lamp housing to provide light such as spectral quality and intensity
40
WRATTEN 6B (AMBER) FILTER: - Is WHAT that the light produce is not in the same spectral range as the film sensitivity. monochromatic)
Is the recommended type of filter
40
WRATTEN 6B (AMBER) FILTER: - Is the recommended type of filter that the light produce is not in the same spectral range as the film sensitivity. ALSO KNOWN AS
(monochromatic)
40
A safe light consist of all filter used in a lamp housing to provide light such as spectral quality and intensity, that it does not WHAT
it does not fog the film / expose to it for reasonable handling period.
41
WRATTEN 6B (AMBER) FILTER: - Is the recommended type of filter that WHAT the light produce
is not in the same spectral range as the film sensitivity. (monochromatic)
41
IN THE SOURCE, Distance of safelight from the working bench WHAT FEET
NOT less than 1.5 meters or 5 feet
41
filter used for blue-sensitive film. (orthochromatic
GBX FILTER
41
GBX FILTER: filter used for WHAT
blue-sensitive film. (orthochromatic
41
15 Watts, WHAT BULB is recommended which is widely used
tungsten bulb
42
IN SOURCE, * Therefore, distance of safelight from the floor is WHAT
2.5 meters.
42
FOR THE SOURCE, HOW MANY WATTS tungsten bulb is recommended which is widely used
15 Watts
42
IN DRY SECTION: This is the area in a darkroom where WHAT
loading and unloading of film and film holder takes place
42
This is the area in a darkroom where loading and unloading of film and film holder takes place
DRY SECTION
43
It contains an area for loading and unloading film holders.
LOADING BENCH
43
IN LOADING BENCH * It contains an area for WHAT .
loading and unloading film holders.
43
IN LOADING BENCH * The proper height of a loading bench for the average standing person is WHAT METER
3 Feet or 1 meter
43
The primary components of the dry section of the processing room.
LOADING BENCH
44
IN LOADING BENCH WHAT for the average standing person is 3 Feet or 1 meter
The proper height of a loading bench
44
IN LOADING BENCH * The depth is determined by the distance a person can easily reach on the surface without WHAT
without undue leaning or stretching, 24 inches is recommended.
44
IN LOADING BENCH * The maximum length of the working surface should WHAT
accommodate TWO (2) 14 x 17 inch cassette, end to end to permit unloading and reloading of two cassettes.
44
IN FILM BIN: It is customary (usual practice) to deep supply of opened x-ray film boxes sufficient for WHAT
immediate needs, located underneath the loading bench.
44
IN LOADING BENCH * The depth is determined by the distance a person can easily reach on the surface without undue leaning or stretching, WITH HOW MANY INCHES RECOMMENED
24 inches is recommended.
45
It is customary (usual practice) to deep supply of opened x-ray film boxes sufficient for immediate needs, located underneath the loading bench.
FILM BIN
45
IN FILM BIN: It is WHAT THAT, located underneath the loading bench.
It is customary (usual practice) to deep supply of opened x-ray film boxes sufficient for immediate needs
46
WHAT IS The ideal way to store cassette and film holders is in vertical compartment, so that they are readily accessible but not encroach (INTRUDE) on the working surface of the loading bench
STORAGE COMPARTMENT
47
IN STORAGE COMPARTMENT: The ideal way to store cassette and film holders is in WHAT POSITION compartment, so that they are readily accessible but not encroach (INTRUDE) on the working surface of the loading bench
vertical compartment
48
IN STORAGE COMPARTMENT: The ideal way to store cassette and film holders is in vertical compartment, so that they are WHAT
readily accessible but not encroach (INTRUDE) on the working surface of the loading bench
49
WHAT cabinet which you can store, different accessories used in processing such as: * A. Package chemicals * B. Mixing accessories * C. Towels and etc
STORAGE CABINET
50
STORAGE CABINET: A cabinet which you can store, different accessories used in processing such as:
* A. Package chemicals * B. Mixing accessories * C. Towels and etc
50
Is an opening to the exposure room that makes the cassette readily available to the technologist.
CASSETTE TRANSFER CABINET OR PASSBOX
51
VENTILATION: A well functioning darkroom should be no WHAT?
no odor
51
CASSETTE TRANSFER CABINET OR PASSBOX * Is an opening to the exposure room that makesWHAT
the cassette readily available to the technologist.
52
A well functioning darkroom should be no odor. Proper ventilation will also tend to reduce dust artefacts and improve processor operation.
VENTILATION
53
VENTILATION: A well functioning darkroom should be no odor. Proper ventilation will also tend to reduce WHAT
to reduce dust artefacts and improve processor operation.
54
VENTILATION: HAS ALWAYS WHAT ventilation inside the darkroom must be observed, for the help and efficiency of the Technologist in processing
Always satisfactory
55
IN VENTILATION Always satisfactory ventilation inside the darkroom mustWHAT
must be observed, for the help and efficiency of the Technologist in processing
56
This is the area in a darkroom where the processing of x-ray film takes place.
WET SECTION: This is the area in a darkroom where the processing of x-ray film takes place.
57
IN WET SECTION: This is the area in a darkroom where WHAT
the processing of x-ray film takes place.
58
WHAT ARE THE PROCESSING TANKS
MANUAL PROCESSING MASTER TANK INSERT TANK
59
Includes wetting, developing, rinsing, fixing, washing and drying of x-ray film. It should be done in an area separated from the loading bench.
MANUAL PROCESSING
60
IN MANUAL PROCESSING: IncludesWHAT? THAT It should be done in an area separated from the loading bench.
Includes wetting, developing, rinsing, fixing, washing and drying of x-ray film
61
MANUAL PROCESSING: Includes wetting, developing, rinsing, fixing, washing and drying of x-ray film. It should be done in an area separated from WHAT
the loading bench.
62
IN MANUAL PROCESSING This arrangement avoids WHAT
splashing of solution on screen, film and loading areas.
63
WHAT IS A PROCESSING IS A SERIES OF ACTIONS by which exposed xray field yields an image.
film processing (manual)
64
in processing a film, the sequnec of actions should be as follows:
a. mark the patient's name on the film b. develop the film c. rinse developer from the film d. fix the film e. wash the fixer from the film f. dry the film steps (a-d) must be carried out with only the (colored) safelights on)
65
Serve as water jackets to hold the insert tanks, and usually provides space between the insert tanks for rinsing and washing of films.
MASTER TANK
66
in MASTER TANK: Serve as WHAT to hold the insert tanks, and usually provides space between the insert tanks for rinsing and washing of films.
water jackets
67
IN MASTER TANK: Serve as water jackets to hold the WHAT , and usually provides space between the insert tanks for rinsing and washing of films.
insert tanks
68
IN MASTER TANK: Serve as water jackets to hold the insert tanks, and usually provides WHAT
space between the insert tanks for rinsing and washing of films.
69
It is removable container for individual processing solution and are placed in the water jacket of a master tank
INSERT TANK
70
IN INSERT TANK: It is removable container forWHAT and are placed in the water jacket of a master tank
for individual processing solution
71
IN INSERT TANK: It is removable container for individual processing solution and are placed inWHAT
in the water jacket of a master tank
72
It holds the x-ray film during processing procedure. It consists of cross bar and right frame which are attached four clips, two of which are mounted on a bow spring welded to the cross bar.
SHEET FILM HANGER
73
IN SHEET FILM HANGER: It holds the WHAT during processing procedure. It consists of cross bar and right frame which are attached four clips, two of which are mounted on a bow spring welded to the cross bar.
the x-ray film
73
SHEET FILM HANGER: It holds the x-ray film during processing procedure. It consists of WHAT, two of which are mounted on a bow spring welded to the cross bar.
cross bar and right frame which are attached four clips
74
SHEET FILM HANGER: It holds the x-ray film during processing procedure. It consists of cross bar and right frame which are attached four clips, WHICH are mounted on a WHAT
two of which are mounted on a bow spring welded to the cross bar.
74
Used in dental clinics, consist of a bar to which are attached the film clips
DENTAL FIM HANGER
75
IN DENTAL FIM HANGER: Used in WHERE, consist of a bar to which are attached the film clips
dental clinics
75
IN DENTAL FIM HANGER: Used in dental clinics, consist of WHAT
consist of a bar to which are attached the film clips
76
Where it is necessary to process 10 mm roll film for photo fluorography or various widths of cardiography film paper.
ROLL FILM HANGER
77
IN ROLL FILM HANGER: Where it is necessary to process HOW MM OF ROLL FILM for photo fluorography or various widths of cardiography film paper.
10 mm roll film
78
IN ROLL FILM HANGER: Where it is necessary to process 10 mm roll film for WHAT.
for photo fluorography or various widths of cardiography film paper.
79
IN LABORATORY APRON: A waterproof apron should be WHAT to prevent solution stains on uniform and other clothing
worn during processing operation
80
A waterproof apron should be worn during processing operation to prevent solution stains on uniform and other clothing
LABORATORY APRON
81
IN LABORATORY APRON: A waterproof apron should be worn during processing operation to prevent WHAT
to prevent solution stains on uniform and other clothing
82
Processing of radiographs requires an accurate check on the temperature of the solution to maintain at all times, by using of an accurate WHAT
THERMOMETER
83
IN THERMOMETER: Processing of radiographs requires a WHAT FOR the solution to maintain at all times, by using of an accurate thermometer.
accurate check on the temperature
84
IN THERMOMETER: Processing of radiographs requires an accurate check on the temperature of the solution to maintain at all times, by using of WHAT
an accurate thermometer.
85
IN THERMOMETER: Processing of radiographs requires an accurate check on the temperature of the solution to WHAT, by using of an accurate thermometer.
maintain at all times
86
IN THERMOMETER: The optimum temperature of WHAT is recommended by the American Standard Association.
20°C or 68°F
87
IN THERMOMETER The optimum temperature of 20°C or 68oF is recommended by WHAT Association.
American Standard Association.
88
Are essential tools in any hospital, diagnostic center, research and development laboratory. They work to remove moisture from the air, which can help prevent the spread of infections and other health concerns.
DEHUMIDIFIER
89
IN DEHUMIDIFIER: Are essential tools in any hospital, diagnostic center, research and development laboratory. They work to WHAT, which can help prevent the spread of infections and other health concerns.
to remove moisture from the air,
89
IN DEHUMIDIFIER: Are essential tools in any hospital, diagnostic center, research and development laboratory. They work to remove moisture from the air, which can help prevent WHAT
the spread of infections and other health concerns
90
IN DEHUMIDIFIER: A dehumidifier removes water from the air in the facility until relative humidity is reduced to the level you choose. Once it has reached this level, a good dehumidifier should automatically maintain HOW MANY PERCENT OF READING humidity in the facility to make sure that every parts/device of the machine is safe and to prevent any incident/accident in the facility
maintain 60% (max reading)
90
IN DEHUMIDIFIER: A dehumidifier removes WHAT in the facility until relative humidity is reduced to the level you choose. Once it has reached this level, a good dehumidifier should automatically maintain 60% (max reading) humidity in the facility to make sure that every parts/device of the machine is safe and to prevent any incident/accident in the facility
removes water from the air
91
IN DEHUMIDIFIER A dehumidifier removes water from the air in the facility until relative humidity is reduced to the level you choose. Once it has reached this level, a good dehumidifier should automatically maintain 60% (max reading) humidity in the facility to make sure WHAT
that every parts/device of the machine is safe and to prevent any incident/accident in the facility
92
Instrument used to measure the humidity, or amount of water vapor in the air.
HYGROMETER
93
IN HYGROMETER: Instrument used to measure WHAT, or amount of water vapor in the air.
measure the humidity
94
IN HYGROMETER: This device is excellent for detecting water vapor in soil, air, or any other WHAT place. This is a particularly helpful tool for monitoring humidity
confined place
95
IN HYGROMETER: This device is excellent for detecting water vapor in soil, air, or any other confined place. This is a particularly helpful tool for WHAT
monitoring humidity
96
IN HYGROMETER: In an x-ray facility, HOW PERCENT FOR HUMDITY reading is the maximum limit, once the limit is reach, corrective action must be applied
60% in humidity reading
97
IN HYGROMETER: In an x-ray facility, 60% in humidity reading is the WHAT limit, once the limit is reach, corrective action must be applied
maximum limit
98
IN Characteristic of a Good Dark Room * Darkroom should WHAT, the doors and outlet must be lightproof and all safelight filters must be in good condition.
exclude all white light
99
IN Characteristic of a Good Dark Room * Darkroom should be WHAT with relation to the radiographic rooms.
centrally located
99
IN Characteristic of a Good Dark Room * Darkroom should exclude all white light, the doors and outlet must be WHAT and all safelight filters must be in good condition.
lightproof
100
IN Characteristic of a Good Dark Room * A method of entrance into the darkroom should be constructed with WHAT type of doors.
either maze or labyrinth type of doors
101
IN Characteristic of a Good Dark Room * The size of darkroom will vary with the condition of WHAT. One must realize that there should be adequate space to all necessary equipment for good darkroom operation.
operations and the size of the department
102
IN Characteristic of a Good Dark Room * The size of darkroom will vary with the condition of operations and the size of the department. One must realize that there should be WHAT
should be adequate space to all necessary equipment for good darkroom operation
102
IN Characteristic of a Good Dark Room * A good darkroom WHAT, a view box by which used to inspect radiograph and over head or general illumination to be used when the darkroom need to be clean
should be properly illuminated with various type of lighting, including a proper safelight
103
IN Characteristic of a Good Dark Room * A good darkroom should be properly illuminated with various type of lighting, including
including a proper safelight, a view box by which used to inspect radiograph and over head or general illumination to be used when the darkroom need to be clean
103
Dark Room Cleanliness * Test Frequency –
Weekly
104
IN Dark Room Cleanliness WHAT in the darkroom can result in artifacts in the radiographic image. A clean darkroom reduces artifacts and the amount of effort required for cleaning the cassettes and screens.
Dust or dirt
104
The darkroom is a major source of problems in any radiographic facility. Dust or dirt in the darkroom can result in artifacts in the radiographic image. A clean darkroom reduces artifacts and the amount of effort required for cleaning the cassettes and screens.
Dark Room Cleanliness
105
IN Dark Room Cleanliness Dust or dirt in the darkroom can result in artifacts in the radiographic image. A clean darkroom reduces WHATand the amount of effort required for cleaning the cassettes and screens.
reduces artifacts
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IN Dark Room Cleanliness Dust or dirt in the darkroom can result in artifacts in the radiographic image. A clean darkroom reduces artifacts and the amount of effort required for WHAT
cleaning the cassettes and screens.
107
IN The following are some tips on darkroom maintenance: * 2. The counter top used for loading and unloading the cassettes should WHAT
should be clear of unnecessary items
108
IN The following are some tips on darkroom maintenance: * 3. WHATmakes cleaning more difficult and provides a place for dust and dirt to accumulate.
Clutter (untidily)
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IN The following are some tips on darkroom maintenance: * 5. The ceiling of the darkroom should be constructed of a WHAT.
solid material such as drywall
110
IN The following are some tips on darkroom maintenance: * 5. The ceiling of the darkroom should be constructed of a solid material such as drywall. WHAT, often set in metal channels, allow dust and dirt to shift through the ceiling and fall on the surfaces used for handling cassettes. In addition, light can often enter the darkroom through such tiles, resulting in fog on the radiographic film.
Ceiling tiles
110
IN The following are some tips on darkroom maintenance: * 6. The heating and air conditioning vents should WHAT the room over the counter used for handling cassettes.
should not enter
110
IN The following are some tips on darkroom maintenance: * 7. Cassettes stored on the floor will accumulate dust that may be carried into the darkroom. Cassettes should WHAT between exposure and being taken into the darkroom for processing.
should not be placed on the floor
110
IN DARKROOM CLEANLINESS, Equipment Required (Note! This test is WHAT for the Polaroid Instant film System.) Records: None required
not required for the Polaroid Instant film System.
110
IN The following are some tips on darkroom maintenance: * 8. The pass box, if present, should be cleaned HOW MANY DAYS to prevent dust and dirt from being introduced into the darkroom
every day
110
IN DARKROOM CLEANLINESS, Equipment Required Records: IS WHAT
None required
110
IN The following are some tips on darkroom maintenance: * 5. The ceiling of the darkroom should be constructed of a solid material such as drywall. Ceiling tiles, often set in metal channels, allow WHAT. In addition, light can often enter the darkroom through such tiles, resulting in fog on the radiographic film.
dust and dirt to shift through the ceiling and fall on the surfaces used for handling cassettes
110
IN DARKROOM CLEANLINESS, Equipment Required (Note! This test is not required for WHAT) Records: None required
the Polaroid Instant film System
110
it is used in the context of quality assurance or quality control, it refer to ensure that the images obtained from test films are not affected by issues such as artifacts, unintended exposure, or contamination from other sources. in this sense would mean that the test films provide accurate and reliable information about the imaging system's performance
in Crossover in Quality Assurance "control film crossover"
110
in Crossover in Quality Assurance: If the term "control film crossover" it is used in the context of quality assurance or quality control, it refer to ensure that WHAT?
to ensure that the images obtained from test films are not affected by issues such as artifacts, unintended exposure, or contamination from other sources
110
in Crossover in Quality Assurance: Crossover in this sense would mean that the test films provide WHAT
accurate and reliable information about the imaging system's performance
111
in Crossover in Quality Assurance: Radiographic film is manufactured in ________.
BATCHES
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in Crossover in Quality Assurance: Radiographic film is manufactured in batches. Consequently, there may be WHAT? in the film characteristics between batches
slight variations
111
in Crossover in Quality Assurance: WHAT can affect the sensitometric characteristics of the film
FILM AGING AND STORAGE
111
in Crossover in Quality Assurance: This means that the WHAT ARE THE values may not be the same between the two batches of film.
the MD, HD, LD and DD values
111
in Crossover in Quality Assurance: FILM AGING AND STORAGE can affect the sensitometric characteristics of the film. This means that the MD, HD, LD and DD values may WHAT?.
may not be the same between the two batches of film.
111
in Crossover in Quality Assurance: * Changes in these density levels may cause the processor TO WHAT?.
to appear to be operating out of tolerances when it is not
111
in Crossover in Quality Assurance: When the number of films in the QC box is low and another box with the same emulsion batch number is not available, WHAT is needed.
a crossover to a new box of film is needed
111
in Crossover in Quality Assurance: WHAT is performed when the emulsion batch number of the QC film (not the clinical film) changes.
Crossover
111
in Crossover in Quality Assurance: When the number of films in the QC box is low and another box with the same emulsion batch number is not available, a crossover to a new box of film is needed. Crossover is performed when the emulsion batch number of the QC film (not the WHAT?) changes.
clinical film
111
in Crossover in Quality Assurance: * NOTE: Facilities using the same box of film for both QC testing and clinical imaging must WHAT? procedure while 5 sheets of film remain. Crossover must be performed each time QC film with a different emulsion batch number is purchased.
must perform crossover
111
in Crossover in Quality Assurance: * NOTE: Facilities using the same box of film for both QC testing and clinical imaging must perform crossover procedure while 5 sheets of film remain. Crossover must WHAT?
must be performed each time QC film with a different emulsion batch number is purchased.
111
IN Crossover in Quality Assurance: * NOTE: The facility must plan ahead. If there are no five sheets of the old QC film available to perform a cross-over, it will be necessary to WHAT?
to re-establish the operating limits (Procedure 2A Establish Processor Operating Levels and Control Limits).
111
WHAT ARE THE Equipment Required IN Control Film Crossover
Sensitometer Densitometer Five sheets of film from old control film Fresh Box of control film. Form 1 Processor Quality Control Chart Form 3 Crossover Data Sheet Digital thermometer accurate to at least " 0.5o F
111
in Equipment Required IN Control Film Crossover: 1. While you have at least five sheets of the old QC film remaining, select a new box of QC film and WHAT?
label it for QC purposes only
111
in Equipment Required IN Control Film Crossover: 2. The chemicals in the processor should be WHAT?. A crossover procedure cannot be performed immediately after routine preventative processor maintenance. Ensure that the processor is operating within the ± 0.10 control limits.
seasoned
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in Equipment Required IN Control Film Crossover: 2. The chemicals in the processor should be seasoned. A crossover WHAT? after routine preventative processor maintenance. Ensure that the processor is operating within the ± 0.10 control limits.
cannot be performed immediately
111
in Equipment Required IN Control Film Crossover: 2. The chemicals in the processor should be seasoned. A crossover procedure cannot be performed immediately after routine preventative processor maintenance. Ensure that the processor is operating within WHAT?
within the ± 0.10 control limits.
111
in Equipment Required IN Control Film Crossover: 3. Turn on sensitometer and follow manufacturer’s instructions for warm up. Ensure glass surface of sensitometer is clean. If necessary clean with a small amount of glass cleaner and allow WHAT?. Be sure sensitometer is set to the proper light, blue or green, to match the film being used
allow drying before using
111
in Equipment Required IN Control Film Crossover: 3. Turn on sensitometer and follow manufacturer’s instructions for warm up. Ensure glass surface of sensitometer is clean. If necessary clean with a small amount of glass cleaner and allow drying before using. Be sure sensitometer is set to WHAT?
proper light, blue or green, to match the film being used
111
PARTS OF THE SENSITOMEER WITH THE STEP WEDGE
COVER WITH FOAM TO ENSURE GOOD FILM-WEDGE CONTACT OPTICAL STEP WEDGE PULSED STROBOSPIC LIGHT
111
WHAT IS AN INSTRUMENT DESIGNED TO EXPOSE A REPRODUCICLE, UNIFORM, OPTICAL STEP-WEDGE PATTERN ONTO A FILM
SENSITOMETER
111
in Equipment Required IN Control Film Crossover: 4. At the same time that processor QC is normally performed, Expose and immediately WHAT? and five sensitometric control strips from the new QC box of film alternating between the two emulsion batches. When completed you will have 10 sensitometric strips
process five sensitometric control strips from the old box of QC film
112
in Equipment Required IN Control Film Crossover: 4. At the same time that processor QC is normally performed, Expose and immediately process five sensitometric control strips from the old box of QC film and five sensitometric control strips from the WHAT?. When completed you will have 10 sensitometric strips
the new QC box of film alternating between the two emulsion batches
112
in Equipment Required IN Control Film Crossover: 4. At the same time that processor QC is normally performed, Expose and immediately process five sensitometric control strips from the old box of QC film and five sensitometric control strips from the new QC box of film alternating between the two emulsion batches. When completed you will have WHAT?
sensitometric strips
112
in Equipment Required IN Control Film Crossover: 5. Turn on the densitometer and follow manufacturer’s procedures for warm up. Follow manufacturer’s procedure to HOW MANY WHAT the densitometer. This is usually done by holding down the optical sensory arm and pressing the NULL button until 0.00 is displayed. The densitometer must be zeroed before each use. The densitometer must be calibrated before each use by using the calibration tablet supplied by the manufacturer. If the densitometer has several aperture sizes, use the 2mm aperture.
ZERO
112
in Equipment Required IN Control Film Crossover: 5. Turn on the densitometer and follow manufacturer’s procedures for warm up. Follow manufacturer’s procedure to zero the densitometer. This is usually done by holding down the optical sensory arm and pressing the what? button until 0.00 is displayed. The densitometer must be zeroed before each use. The densitometer must be calibrated before each use by using the calibration tablet supplied by the manufacturer. If the densitometer has several aperture sizes, use the 2mm aperture.
NULL button
112
in Equipment Required IN Control Film Crossover: 5. Turn on the densitometer and follow manufacturer’s procedures for warm up. Follow manufacturer’s procedure to zero the densitometer. This is usually done by holding down the optical sensory arm and pressing the NULL button until WHAT?. The densitometer must be zeroed before each use. The densitometer must be calibrated before each use by using the calibration tablet supplied by the manufacturer. If the densitometer has several aperture sizes, use the 2mm aperture.
0.00 is displayed
112
in Equipment Required IN Control Film Crossover: 5. Turn on the densitometer and follow manufacturer’s procedures for warm up. Follow manufacturer’s procedure to zero the densitometer. This is usually done by holding down the optical sensory arm and pressing the NULL button until 0.00 is displayed. The densitometer must be WHAT?
must be zeroed before each use
112
in Equipment Required IN Control Film Crossover: 5. Turn on the densitometer and follow manufacturer’s procedures for warm up. Follow manufacturer’s procedure to zero the densitometer. This is usually done by holding down the optical sensory arm and pressing the NULL button until 0.00 is displayed. The densitometer must be zeroed before each use. The densitometer must be calibrated before each use by using the calibration tablet supplied by the WHAT? . If the densitometer has several aperture sizes, use the 2mm aperture.
manufacturer
112
in Equipment Required IN Control Film Crossover: 5. Turn on the densitometer and follow manufacturer’s procedures for warm up. Follow manufacturer’s procedure to zero the densitometer. This is usually done by holding down the optical sensory arm and pressing the NULL button until 0.00 is displayed. The densitometer must be zeroed before each use. The densitometer must be calibrated before each use by using the calibration tablet supplied by the manufacturer. If the densitometer has several aperture sizes, use the WHAT?
2mm aperture
112
in Equipment Required IN Control Film Crossover: 6. For the five strips from the WHAT? batch read the densities of the steps. Operating Levels and Control Limits, for MD, HD and LD and the base + fog. You should write the densities and the date on the film with permanent marker.
old emulsion
113
in Equipment Required IN Control Film Crossover: 6. For the five strips from the old emulsion batch read the densities of the steps. Operating Levels and Control Limits, for MD, HD and LD and the base + fog. You should write the densities and the date on the film with WHAT?
permanent marker
113
in Equipment Required IN Control Film Crossover: 6. For the five strips from the old emulsion batch read the densities of the steps. WHAT Levels and Limits, for MD, HD and LD and the base + fog. You should write the densities and the date on the film with permanent marker.
Operating Levels and Control Limits
113
in Equipment Required IN Control Film Crossover: 6. For the five strips from the old emulsion batch read the densities of the steps. Operating Levels and Control Limits, for WHAT?. You should write the densities and the date on the film with permanent marker.
MD, HD and LD and the base + fog
113
in Equipment Required IN Control Film Crossover: 7. Determine the Density Difference (DD) of the old QC film by WHAT?
by subtracting the average density of the LD step from the average density of the HD step ( DD = HD-LD).
113
in Equipment Required IN Control Film Crossover: 8. Record these values on the Crossover Data Sheet under WHAT?
under Old Emulsion Data.
113
in Equipment Required IN Control Film Crossover: 8. Record these values on the WHAT? under Old Emulsion Data
Crossover Data Sheet
113
in Equipment Required IN Control Film Crossover: 9. For the five strips from the WHAT batch read the densities of the steps established in Procedure 2A, Establish Operating Levels and Control Limits, for MD, HD and LD and the base + fog. You should write the densities and the date on the film with permanent marker.
new emulsion batch
113
in Equipment Required IN Control Film Crossover: 12. Determine the difference in the MD, DD, and Base plus Fog between the WHAT? E.G.. If the value of the new strip is higher than the old, the difference will be a positive number. If the value of the new strip is lower than the old, the difference will be a negative number.
between the new and old strips (i.e., new value – old value)
113
in Equipment Required IN Control Film Crossover: 12. Determine the difference in the MD, DD, and Base plus Fog between the new and old strips (i.e., new value – old value). If the value of the new strip is higher than the old, the difference will WHAT?. If the value of the new strip is lower than the old, the difference will be a negative number.
will be a positive number
114
in Equipment Required IN Control Film Crossover: 12. Determine the difference in the MD, DD, and Base plus Fog between the new and old strips (i.e., new value – old value). If the value of the new strip is higher than the old, the difference will be a positive number. If the value of the new strip is lower than the old, the difference will be WHAT?
will be a negative number
114
in Equipment Required IN Control Film Crossover: 12. Determine the difference in the MD, DD, and Base plus Fog between the new and old strips (i.e., new value – old value). If the value of the new strip is WHAT?, the difference will be a positive number. If the value of the new strip is lower than the old, the difference will be a negative number.
higher than the old
114
in Equipment Required IN Control Film Crossover: 12. Determine the difference in the MD, DD, and Base plus Fog between the new and old strips (i.e., new value – old value). If the value of the new strip is higher than the old, the difference will be a positive number. If the value of the new strip is WHAT?, the difference will be a negative number.
lower than the old
114
in Equipment Required IN Control Film Crossover: 13. Using the numbers obtained in WHAT?, adjust the old operating levels for MD, DD, and Base plus Fog. This is accomplished by adding the old operating level to the difference obtained in 10.
10
115
in Equipment Required IN Control Film Crossover: 13. Using the numbers obtained in 10, adjust WHAT? This is accomplished by adding the old operating level to the difference obtained in 10.
the old operating levels for MD, DD, and Base plus Fog
115
in Equipment Required IN Control Film Crossover: 13. Using the numbers obtained in 10, adjust the old operating levels for MD, DD, and Base plus Fog. This is accomplished by adding WHAT?
by adding the old operating level to the difference obtained in 10.
115
in Equipment Required IN Control Film Crossover: 14. Record the new operating levels, control limits and new emulsion batch number on a WHAT?
new Processor QC Chart (Form
115
in Equipment Required IN Control Film Crossover: 15). In WHAT? section indicate that crossover was performed and the date.
“Remarks”
115
in Equipment Required IN Control Film Crossover: 16. The old Processor QC Chart is WHAT? but must be maintained for at least one year.
no longer used for daily processor QC data recording
115
in Equipment Required IN Control Film Crossover: 16. The old Processor QC Chart is no longer used for daily processor QC data recording but must be maintained for at least HOW MANY YEARS?
for at least one year
115
in Equipment Required IN Control Film Crossover: 17. If the new box of QC film produces densities such that the previously established steps for WHAT? are no longer the best choices, then new steps must be established using Procedure 2A - Establish Processor Operating Levels and Control Limits
MD, HD and LD
115
in Equipment Required IN Control Film Crossover: 17. If the new box of QC film produces densities such that the previously established steps for MD, HD and LD are WHAT?
no longer the best choices
116
in Equipment Required IN Control Film Crossover: 17. If the new box of QC film produces densities such that the previously established steps for MD, HD and LD are no longer the best choices, then new steps must be established using WHAT?
Procedure 2A - Establish Processor Operating Levels and Control Limits
117
IN Manual Processing by the Time Temperature Method: WHO? requires that manual processing be performed using the time and temperature method. Manual developing by sight is not permitted because it decreases image quality. The film is not completely developed and exposure to enough light to “see” the image before the film is fixed may cause film fogging and a loss of contrast.
NJ regulation [N.J.A.C. 7:28-22.5(c)]
118
IN Manual Processing by the Time Temperature Method: NJ regulation [N.J.A.C. 7:28-22.5(c)] IT IS NOT REQUIRED OR REQUIRED? that manual processing be performed using the time and temperature method. Manual developing by sight is not permitted because it decreases image quality. The film is not completely developed and exposure to enough light to “see” the image before the film is fixed may cause film fogging and a loss of contrast.
requires
119
IN Manual Processing by the Time Temperature Method: NJ regulation [N.J.A.C. 7:28-22.5(c)] requires that manual processing be performed using the time and temperature method. Manual developing by WHAT?. The film is not completely developed and exposure to enough light to “see” the image before the film is fixed may cause film fogging and a loss of contrast.
by sight is not permitted because it decreases image quality
120
IN Manual Processing by the Time Temperature Method: NJ regulation [N.J.A.C. 7:28-22.5(c)] requires that manual processing be performed using the time and temperature method. Manual developing by sight is not permitted because it decreases image quality. The film is not completely developed and exposure to enough light to WHAT? may cause film fogging and a loss of contrast.
to “see” the image before the film is fixed
121
IN Manual Processing by the Time Temperature Method: NJ regulation [N.J.A.C. 7:28-22.5(c)] requires that manual processing be performed using the time and temperature method. Manual developing by sight is not permitted because it decreases image quality. The film is not completely developed and exposure to enough light to “see” the image before the film is fixed may cause WHAT?
may cause film fogging and a loss of contrast
122
IN Manual Processing: 1. Remove what? from tanks. Rubber apron and gloves should be worn to prevent contact with chemicals and protect clothing.
covers
122
IN Manual Processing WHAT ARE THE Equipment Required:
* Manual tanks * Film holder(s) * Protective apron and gloves * Thermometer * Timer
122
IN Manual Processing by the Time Temperature Method: Between developing sessions keep covers on tanks to decrease WHAT?
to decrease evaporation and oxidation of chemicals.
123
IN Manual Processing: 1. Remove covers from tanks. Rubber apron and gloves should be worn to prevent WHAT?
To prevent contact with chemicals and protect clothing
124
IN Manual Processing: 1. Remove covers from tanks. WHAT? should be worn to prevent contact with chemicals and protect clothing.
Rubber apron and gloves
124
IN Manual Processing: * 2. Check WHAT? in tanks. If low, add chemistry.
fluid level
125
IN Manual Processing: * 2. Check fluid level in tanks. If low, add WHAT?
chemistry
125
IN Manual Processing: * 4. Measure WHAT? of THE developer. If temperature is below 64°, increase developer temperature using tank manufacturer’s recommended method. Allow time for developer temperature to increase before developing films. Check temperature again before starting procedure.
temperature of developer
126
IN Manual Processing: 1. Remove covers from tanks. Rubber apron and gloves should be worn to prevent contact with chemicals and protect clothing. * 2. Check fluid level in tanks. If low, add chemistry. * 3. Stir chemistry well. * 4. Measure temperature of developer. If temperature is below 64°, increase WHAT? Allow time for developer temperature to increase before developing films. Check temperature again before starting procedure.
increase developer temperature using tank manufacturer’s recommended method
126
IN Manual Processing: * 4. Measure temperature of developer. If temperature is below WHAT?, increase developer temperature using tank manufacturer’s recommended method. Allow time for developer temperature to increase before developing films. Check temperature again before starting procedure.
64°
127
IN Manual Processing: * 4. Measure temperature of developer. If temperature is below 64°, increase developer temperature using tank manufacturer’s recommended method. Allow WHTA? for developer temperature to increase before developing films. Check temperature again before starting procedure.
time
127
IN Manual Processing: * 4. Measure temperature of developer. If temperature is below 64°, increase developer temperature using tank manufacturer’s recommended method. Allow time for developer temperature to WHAT? Check temperature again before starting procedure.
increase before developing films
128
IN Manual Processing: * 4. Measure temperature of developer. If temperature is below 64°, increase developer temperature using tank manufacturer’s recommended method. Allow time for developer temperature to increase before developing films. Check WHAT? again before starting procedure.
temperature
129
IN Manual Processing: * 6. All of the following steps except for WHAT? should be performed in the darkroom under safelights only. Ensure that the safelight used meets film manufacturer’s specifications.
drying
129
IN Manual Processing: 5. Depending on temperature of developer, film should be left in developer solution as follows:
a. Developer is 64° - 66° = 7 minutes b. Developer is 68° - 70°= 5 minutes. Optimal for most films. c. Developer is 72°- 76° = 4 minutes
130
IN Manual Processing: * 4. Measure temperature of developer. If temperature is below 64°, increase developer temperature using tank manufacturer’s recommended method. Allow time for developer temperature to increase before developing films. Check temperature again before WHAT?.
before starting procedure.
131
IN Manual Processing: * 6. All of the following steps except for drying should be performed in the darkroom under safelights only. Ensure that the safelight used meetsWHAT?
used meets film manufacturer’s specifications.
131
IN Manual Processing: * 6. All of the following steps except for drying should be performed in the darkroom under WHAT?. Ensure that the safelight used meets film manufacturer’s specifications.
safelights only
132
IN Manual Processing: 8. Immerse film completely in developer. Agitate film gently for the entire development time. WHAT? will ensure that all parts of the film are developed to the same extent and ensure that air bubbles do not stay on the film and cause artifacts. Use a timer to ensure accurate timing.
Agitation
132
IN Manual Processing: 8. Immerse film completely in WHAT?. Agitate film gently for the entire development time. Agitation will ensure that all parts of the film are developed to the same extent and ensure that air bubbles do not stay on the film and cause artifacts. Use a timer to ensure accurate timing.
developer
133
IN Manual Processing: 8. Immerse film completely in developer. Agitate film gently for the entire development time. Agitation will ensure that all parts of the film are WHAT? Use a timer to ensure accurate timing.
are developed to the same extent and ensure that air bubbles do not stay on the film and cause artifacts. Use a timer to ensure accurate timing.
134
IN Manual Processing: 8. Immerse film completely in developer. Agitate film gently for the entire development time. Agitation will ensure that all parts of the film are developed to the same extent and ensure that air bubbles do not stay on the film and cause artifacts. Use a timer to ensure WHAT?
to ensure accurate timing
134
IN Manual Processing: 8. Immerse film completely in developer. Agitate film gently for the entire development time. Agitation will ensure that all parts of the film are developed to the same extent and ensure that air bubbles do not stay on the film and cause artifacts. Use a WHAT? to ensure accurate timing.
timer
135
IN Manual Processing: * 9. When the required development time is completed, carefully remove film from WHAT? AND WHAT?. Film should be drained over the developer tank or wash tank. Care must be taken not to drain developer into fixer tank.
from developer tank and allow excess developer to drain off
136
IN Manual Processing: * 9. When the required development time is completed, carefully remove film from developer tank and allow excess developer to drain off. Film should be drained over WHAT? Care must be taken not to drain developer into fixer tank.
over the developer tank or wash tank
136
IN Manual Processing: * 9. When the required development time is completed, carefully remove film from developer tank and allow excess developer to drain off. Film should be drained over the developer tank or wash tank. Care must be taken WHAT?
Care must be taken not to drain developer into fixer tank.
137
IN Manual Processing: * 10. WHAT? in stop bath or wash tank for at least 30 seconds. Drain well over wash tank.
Immerse film
138
IN Manual Processing: * 11. Immerse film in fixer tank for HOW MANY MINUTES?. Use film manufacturer’s specifications to determine the amount of time to leave film in fixer tank. Film should be agitated for the first minute of fixation.
for 5 to 10 minutes
138
IN Manual Processing: * 10. Immerse film in stop bath or wash tank for at least HOW MANY SECONDS?. Drain well over wash tank.
at least 30 seconds
139
IN Manual Processing: * 9. When the required development time is completed, carefully remove film from developer tank and allow excess developer to drain off. Film should be drained over the developer tank or wash tank. Care must be taken not to drain developer into fixer tank. * 10. Immerse film in stop bath or wash tank for at least 30 seconds. Drain well over TO WHAT?
wash tank.
140
IN Manual Processing: * 11. Immerse film in fixer tank for 5 to 10 minutes. Use film manufacturer’s specifications to determine WHAT? Film should be agitated for the first minute of fixation.
the amount of time to leave film in fixer tank
140
IN Manual Processing: * 11. Immerse film in fixer tank for 5 to 10 minutes. Use WHAT? to determine the amount of time to leave film in fixer tank. Film should be agitated for the first minute of fixation.
Use film manufacturer’s specifications
140
IN Manual Processing: * 11. Immerse film in fixer tank for 5 to 10 minutes. Use film manufacturer’s specifications to determine the amount of time to leave film in fixer tank. Film should be WHAT?
should be agitated for the first minute of fixation
141
IN Manual Processing: * 12. Remove film from WHAT ? tank. Drain well over fixer or wash water tank. Care should be taken not to drain fixer into developer tank.
fixer tank
142
IN Manual Processing: * 12. Remove film from fixer tank. Drain well over WHAT?. Care should be taken not to drain fixer into developer tank.
fixer or wash water tank
142
IN Manual Processing: * 12. Remove film from fixer tank. Drain well over fixer or wash water tank. Care should be taken not to drain WHAT?
fixer into developer tank
143
IN Manual Processing: * 13. Immerse film in wash water tank for HOW MANY MINUTES?
5 to 30 minutes
144
IN Manual Processing: * 14. If HOW MANY FILM is being processed at a time be sure that films are as widely spaced as possible in the tank to ensure that the water can clear the fixer from the film. Water should be over top of film holder. Films should not touch each other.
more than one film
145
IN Manual Processing: * 14. If more than one film is being processed at a time be sure that films are as widely spaced as possible in the tank to ensure that the water can clear the fixer from the film. WHAT? should be over top of film holder. Films should not touch each other.
Water
146
IN Manual Processing: * 14. If more than one film is being processed at a time be sure that films are WHAT? Water should be over top of film holder. Films should not touch each other.
as widely spaced as possible in the tank to ensure that the water can clear the fixer from the film
147
IN Manual Processing: * 14. If more than one film is being processed at a time be sure that films are as widely spaced as possible in the tank to ensure that the water can clear the fixer from the film. Water should be over WHAT?. Films should not touch each other.
over top of film holder
147
IN Manual Processing: * 14. If more than one film is being processed at a time be sure that films are as widely spaced as possible in the tank to ensure that the water can clear the fixer from the film. Water should be over top of film holder. WHAT? should not touch each other.
Films
148
IN Manual Processing: 15. Rate of WHAT? exchange in wash tank should be approximately eight times per hour. This will ensure fresh water to wash the chemicals from the film completely.
RATE OF water exchange
149
IN Manual Processing: 15. Rate of water exchange in wash tank should be approximately eight times per hour. This will ensure WHAT?
ensure fresh water to wash the chemicals from the film completely
149
IN Manual Processing: * 16. It is recommended to immerse film in a tank containing WHAT AND BEFORE?
a wetting agent before drying
149
IN Manual Processing: 15. Rate of water exchange in wash tank should be WHAT hour. This will ensure fresh water to wash the chemicals from the film completely.
should be approximately eight times per hour
150
IN Manual Processing: * 16. It is recommended to immerse film in a tank containing aN agent before drying. WHAT agent will minimize the water spots on the film.
wetting agent
150
IN Manual Processing: * 16. It is recommended to immerse film in a tank containing a wetting agent before drying. The wetting agent will WHAT
will minimize the water spots on the film
151
IN Manual Processing: * 17. Drain as much liquid from the film back into the wash water tank as possible before WHAT?
before hanging film to air dry or placing in dryer
151
IN Manual Processing: * 18. If dryer is used, do not WHAT?. Over drying film may cause cracking.
do not over dry film
152
IN Manual Processing: 19. When dry, remove film from WHAT?. Label film, if not previously done, with patient information.
holder
152
IN Manual Processing: * 18. If dryer is used, do not over dry film. Over drying film may WHAT?
may cause cracking.
153
IN Manual Processing: 19. When dry, remove film from holder. WHAT TO DO, if not previously done, with patient information.
Label film
154
IN Manual Processing: 19. When dry, remove film from holder. Label film, if not previously done, with WHAT?
patient information
155
IN Manual Processing: * 20. Add fresh chemicals to tank to WHAT?.
to replenish the chemistry.
156
IN Manual Processing: * 21. Cover WHAT until next use.
tanks until next use.
157
IN Laser Film Printer Quality Control: SMPTE Test Pattern IN: 0% patch
2.45" 0.15 OD
157
IN Laser Film Printer Quality Control: SMPTE Test Pattern IN: 10% patch
2.10" 0.15 OD
157
IN Laser Film Printer Quality Control: Inverted gray scale IN: 0% patch
2.50+ 0.15 OD
157
IN Laser Film Printer Quality Control: In most clinical settings, the physician makes the diagnosis by WHAT?
by reading the images from a transparency recorded with a multiformat camera
157
IN Laser Film Printer Quality Control: SMPTE Test Pattern IN: 40% patch
1.15" 0.15 OD
157
IN Laser Film Printer Quality Control: Inverted gray scale IN: 40% patch
1.35" 0.15 OD
157
OD MEANS
Optical Density
158
IN Laser Film Printer Quality Control: SMPTE Test Pattern IN: 90% patch
0.30" 0.08 OD
158
IN Laser Film Printer Quality Control: Inverted gray scale IN: 90% patch
0.30" 0.08 OD
158
IN Laser Film Printer Quality Control: * The transparency should reproduce WHAT?
the quality and gray scale of the original image displayed on the system monitor
158
IN Laser Film Printer Quality Control: WHAT IS THE TEST FREQUENCY:
WEEKLY
158
IN Laser Film Printer Quality Control: Inverted gray scale IN: 10% patch
2.25" 0.15 OD
158
SMPTE MEANS
Society of Motion Pictures & Television Engineers
159
IN Laser Film Printer Quality Control: * The following procedure uses the WHAT FOR digital test pattern. This pattern is supplied with most laser printers or it can be obtained from accessory vendors.
Society of Motion Picture and Television Engineers (SMPTE)
160
IN Laser Film Printer Quality Control: * The following procedure uses the Society of Motion Picture and Television Engineers (SMPTE) FOR WHAT?. This pattern is supplied with most laser printers or it can be obtained from accessory vendors.
digital test pattern
161
IN Laser Film Printer Quality Control: * As determined by procedure 3A, WHAT? should be consistent over time and match the gray scales presented on monitor.
the laser film printer quality
162
IN Laser Film Printer Quality Control: * The following procedure uses the Society of Motion Picture and Television Engineers (SMPTE) digital test pattern. This pattern is supplied with WHAT?
with most laser printers or it can be obtained from accessory vendors
163
IN Laser Film Printer Quality Control: * As determined by procedure 3A, the laser film printer quality should be WHAT?
should be consistent over time and match the gray scales presented on monitor.
164
IN Establishment of Laser Film Printer Quality Control Operating Levels: * If possible, WHO? should assist with the initial establishment of the laser film printer quality control operating levels. The medical physicist should determine the most appropriate gray scale test pattern to use for the facility’s laser film printer system configuration or acquire a step-wedge phantom image if no gray scale test pattern is available.
the medical physicist
164
IN Establishment of Laser Film Printer Quality Control Operating Levels: * If possible, the medical physicist should assist with the initial establishment of the WHAT?
the laser film printer quality control operating levels
164
IN Establishment of Laser Film Printer Quality Control Operating Levels: Frequency: Initial setup and when significant change is made in imaging procedures such as WHAT?
such as different type of film, chemicals, or processing conditions
165
IN Establishment of Laser Film Printer Quality Control Operating Levels: * If possible, the medical physicist should assist with the initial establishment of the laser film printer quality control operating levels. WHO? should determine the most appropriate gray scale test pattern to use for the facility’s laser film printer system configuration or acquire a step-wedge phantom image if no gray scale test pattern is available.
The medical physicist
165
IN Establishment of Laser Film Printer Quality Control Operating Levels: * If possible, the medical physicist should assist with the initial establishment of the laser film printer quality control operating levels. The medical physicist should determine the most appropriate WHAT? to use for the facility’s laser film printer system configuration or acquire a step-wedge phantom image if no gray scale test pattern is available.
the most appropriate gray scale test pattern
166
IN Establishment of Laser Film Printer Quality Control Operating Levels: If possible, the medical physicist should assist with the initial establishment of the laser film printer quality control operating levels. The medical physicist should determine the most appropriate gray scale test pattern to use for WHAT?
for the facility’s laser film printer system configuration or acquire a step-wedge phantom image if no gray scale test pattern is available.
166
IN Establishment of Laser Film Printer Quality Control Operating Levels: WHAT ARE THE Equipment Required:
* Densitometer * Laser Film Printer Quality Control Chart * Gray Scale test Pattern - SMPTE (Society of Motion Picture and Television Engineers)
167
IN Establishment of Laser Film Printer Quality Control Operating Levels: If possible, the medical physicist should assist with the initial establishment of the laser film printer quality control operating levels. The medical physicist should determine the most appropriate gray scale test pattern to use for the facility’s laser film printer system configuration or acquire a WHAT? if no gray scale test pattern is available.
step-wedge phantom image