Midterm Flashcards
(201 cards)
1
Q
It was a joyful style of painting that delighted in using bold colors.
A
Fauvism
2
Q
Fauvism was developed in France at the beginning of the ___by ___
A
20th century
Henri Matisse and André Derain.
3
Q
The artists who painted in this style were known as ‘Les Fauves’.
A
Fauvism
4
Q
___ believed that color should be used at its highest pitch to express the artist’s feelings about a subject, rather than simply to describe what it looks like.
A
Fauvism
Les Fauves
5
Q
Fauvist paintings have two main characteristics:
A
extremely simplified drawing and intensely exaggerated color.
6
Q
•The ‘self expression’ in the art of inspired Expressionist artists in the __.
A
Vincent Van Gogh and Edvard Munch
20th century
7
Q
It is a style of art that is charged with an emotional or spiritual vision of the world.
A
German Expressionism
8
Q
It attempts to shift the focus to one or more of those elements so the viewer can witness those elements in a new and unusual way that the viewer hasn’t witnessed before.
A
Abstract arts
9
Q
The word ‘__’ means to withdraw part of something in order to consider it separately.
A
Abstract
10
Q
In Abstract art that ‘something’ is one or more of the visual elements of a subject: its __
A
line, shape, tone, pattern, texture, or form.
11
Q
Example of Expressionism
A
Red Tower at Halle
Still from the 1929 film
Self portrait city horn
12
Q
It was invented around 1907 in Paris by __
A
Pablo Picasso and Georges Braque.
13
Q
It was the first abstract style of modern art.
A
Cubism
14
Q
It ignore the traditions of perspective drawing and show you many views of a subject at one time.
A
Cubist paintings
15
Q
They believed that the traditions of Western art had become exhausted and to revitalize their work, they drew on the expressive energy of art from other cultures, particularly African art.
A
Cubists
16
Q
It was a revolutionary Italian movement that celebrated modernity.
A
Futurists
17
Q
They adopted the visual vocabulary of Cubism to express their ideas - but with a slight twist.
A
Futurists
18
Q
In a Cubist painting the artist records selected details of a subject as he moves around it, whereas in a ___ painting the subject itself seems to move around the artist.
A
Futurists
19
Q
The main figures associated with the movement were the artists, __
A
Umberto Boccioni, Giacomo Balla, Gino Severini, the musician Luigi Russolo and the architect Antonio Sant’Elia.
20
Q
It was a Dutch ‘style’ of pure abstraction developed by Piet Mondrian, Theo Van Doesburg and Bart van der Leck.
A
De Stijl
21
Q
It was the outstanding artist of the group.
A
Mondrian
De Stijl
22
Q
He gradually refined the elements of his art to a grid of lines and primary colors.
A
Mondrian
23
Q
He saw primary colors in a universal harmony way: yellow radiated the sun’s energy; blue receded as infinite space and red materialized where blue and yellow met.
A
Mondrian
24
Q
It was a form of artistic anarchy born out of disgust for the social, political and cultural establishment of the time which it held responsible for Europe’s descent into World War.
A
Dadaism
25
It was an ‘anti art’ stance as it was intent on destroying the artistic values of the past.
Dadaism
26
It weapons in the war against the art establishment were confrontation and provocation.
Dada's
27
They confronted the artistic establishment with the irrationality of their collages and assemblages.
Dadaism
28
It was the positive response to Dada's negativity.
Surrealism
29
Its aim was to liberate the artist's imagination by tapping into the unconscious mind to discover a 'superior' reality - a 'sur-reality'.
Surrealism
30
To achieve this the Surrealists drew upon the images of dreams, the effects of combining disassociated images, and the spontaneous form of drawing without the conscious control of the mind.
Surrealism
31
The most influential of the Surrealist artists were __
Max Ernst, Joan Miró, Salvador Dali and René Magritte.
32
It was fueled by the idea of the subconscious, to paint without thought was in full flow by 1946.
Surrealism
33
The pioneers of Abstract Expressionism were __
Jackson Pollock, Lee Krasner, Mark Rothko, Willem de Kooning, Clyfford Still, Franz Kline, and Philip Guston.
34
___was the first American art style to exert an influence on a global scale.
The modern/contemporary art
35
It was also known as ‘Action Painting’, a title which implied that the physical act of painting was as important as the result itself.
Abstract Expressionism
36
It was hugely successful and became an icon of the 1960s.
Pop art
37
The champions of Pop Art were __.
Roy Lichtenstein, Andy Warhol and Tom Wesselmann
38
It coincided with the globalization of pop music and youth culture, personified by ___
Elvis and The Beatles.
39
It was brash, colorful, young, fun and hostile to the artistic establishment.
Pop art
40
The images of celebrity and consumerism by __
Andy Warhol and the comic book iconography of Roy Lichtenstein represent the style as we know it today.
41
It is short for 'optical art'.
OP art
42
It was an abstract style that emerged in the 1960's based on the illusionistic effects of line, shape, pattern and color.
OP Art
43
Op Artists such as __
Victor Vasarely, Bridget Riley and Richard Anuszkiewicz popularized the movement.
44
It referred to the new wave as Op art and how it manipulated the eye.
Time magazine
45
It was very popular with the public and was quickly commercialized by the design and fashion industries
Op art
46
It was not only a reaction against the emotionally charged techniques of Abstract Expressionism but also a further refinement of pure abstraction.
Minimalism
47
It used hard-edged forms and geometric grid structures.
Minimalism
48
Color was used to define space or surface.
Minimalism
49
Ad Reinhardt, whose late paintings anticipate Minimalism, put it simply,
The more stuff in it, the busier the work of art, the worse it is. More is less. Less is more...’
50
__ were important contributors to Minimalism.
Frank Stella, Don Judd, Robert Morris, John McCracken and Sol LeWitt
51
It was a style which could be easily translated into architecture and furnishing and it was.
Minimalism
52
It , also called Super-realism, American art movement that began in the 1960s, taking photography as its inspiration.
Photo realism
53
They created highly illusionistic images that referred not to nature but to the reproduced image.
Photo-realist painters
54
Artists such as __attempted to reproduce what the camera could record.
Richard Estes, Ralph Goings, Audrey Flack, Robert Bechtle, and Chuck Close
55
They typically projected a photographed image onto a canvas and then used an airbrush to reproduce the effect of a photo printed on glossy paper
Photo-realists
56
__ doesn't matter
| __ dies
Perfection
| Message
57
Project image and character
Physical appearance
58
Communicate with what you have in your
Heart
| Subconscious minds
59
Combination
Element
Methods
Principles
60
20th century modern art
```
Fauvism
Expressionism
Abstract
Cubism
Futurism
De Stijl
Dadaism
Surrealism
Symbolism
Abstract expressionism
Pop art
Op art
Minimalism
Photo realism
```
61
Express feelings through the use of color, bringing out the positive feeling
Fauvism
62
Bold, bright shocking colors
Fauvism
63
Seen in office doing paperworks
Fauvism
64
Capitalizes spirit of color
Fauvism
65
Father of expressionism
Vincent Van Gogh
66
Singer of American pie, Vincent
Don McClean
67
Cannot judge based on what you see but the story begin the painting
Expressionism
68
As an outlet, release
Expressionism
69
Cannot understand
Abstract
70
Abstract expressionism and abstract alone
Abstract
71
Aesthetic reason displayed in commercial buildings, banks, restaurants, spas
Abstract expressionism
72
Move or separate away from reality
Abstract expressionism
73
Geometric achieve shapes wherein space and perspective on how you look closely
Abstract expressionism
74
Try to get out of the box
Abstract expressionism
75
Manifests reality based on what it is over your mind
Abstract expressionism
76
No perfect image, appreciate the idea
Cubism
77
Appreciate the idea
Cubism
78
Father of the Cubisn
Pablo Picasso
79
Modernism/ method is the texture
Futurism
80
Plays around earth and metallic colors
Futurism
81
Art noveau, zen type
Futurism
82
Mobile, car, technology
Futurism
83
Minimalism
De Stijl
84
Design of modern furniture
De Stijl
85
Combination of color and lines
De Stijl
86
Delivers radiance and positive colors
De Stijl
87
Visual arts attacking some issues in society
Dadaism
88
Anti-art concept
Dadaism
89
Collage
Dadaism
90
Presents certain convictions to society
Dadaism
91
Kulo
Dadaism
92
One of the independent sector
Art
| Dadaism
93
Too good to be true
Surrealism
94
Editorial cartoon
Surrealism
95
Persistence of memory
Surrealism
96
Head of crocodile (police, government)
Surrealism
97
What you feels runs on your mind but not happening in reality that is no what you see but on your mind facing reality
Surrealism
98
Poetry in visual arts
Symbolism
99
Read between the lines
Symbolism
100
Can't see detail/image
Abstract expressionism
101
It tries more action being taken
Abstract expressionism
102
Commercialized
Pop art
103
Emphasis on icons/graphics/logo
Pop art
104
Capitalize on lines
OP art
105
Architecture
Minimalism
106
Seen in condominium
Minimalism
107
What you see is what you get
Photo realism
108
Put you in awe/impact
Photo realism
109
Common thing/strike anywhere
Photo realism
110
Elements
```
Line
Firm
Color
Texture
Pattern
Composition
Contrast
Rhythm
Value
Unity
Movement
Emphasis
```
111
SOC
Steam of consciousness
112
Pencil
Line
113
Sculpture
Form
114
Psychology
| Fauvism
Color
115
Repetition and the same image
Pattern
116
Cast everyone has a role
Composition
117
Black and yellow
| Traffic enforcer
Contrast
118
Combined repetitive lernents
Rhythm
119
Confine different forms and serene
Unity
120
Red moving
| Diagonal
Movement
121
SOC
Emphasis
122
PowerPoints
–Images
–Text
–“Notes”
123
Element
```
Line
Form
Color
Texture
Pattern
Composition
Contrast
Rhythm
Value
Unity
Movement
Emphasis
```
124
It is a mark made by a pointed tool.
Line
125
Often defined as a moving dot.
Line
126
This picture is a great example of ___ because the entire picture has lines, straight and curved
Line
127
The image represents the element of “___” because it was made with a pencil which is a pointed tool.
Line
128
The width of the __ that make up the image are very small compared to its length. The variety of widths and intensities of ___ creates the image and adds perpective.
Lines
129
It create the form of the woman
Contour lines
130
It describes volume and mass of three-dimensional objects.
Form
131
This picture is 3-d because it is a sculpture. It can be viewed from any side and it is not drawn on a wall
Form
132
The appearance in hue, value, and intensity of an object in light.
Color
133
This selection has three colors that are featured prominently and is part of the Color Form movement.
Color
134
It refers to the surface quality of artwork.
Texture
135
A piece could be appear to be rough, granulated, smooth and even sticky.
Texture
136
This image here is a great example of ___ because the U.S. navy Seals in Gilli suites are matching the dry brush and grass’s texture to blend in.
texture
137
something that repeats it self over and over.
Pattern
138
This is a good example of a ___ because it is repeating itself.
Pattern
139
It is the manner in which parts of a thing flow together in harmony.
Composition
140
Botticelli’s painting is very harmonious, as nothing is out of place or in stark contrast.
Composition
141
This image illustrates the principle of ___ because of the differences of values and colors within the image.
Contrast
142
The large black man in the center of the image ___ the harsh white background. This is a perfect example of value content
Contrasts
143
Title: Sym29
Artist: Eric Penington
Rhythm
144
It is the repetition of visual movement of the elements- colors, shapes, lines, values, forms, spaces, textures.
Rhythm
145
The repeated shapes and colors give this picture a lot of ___
rhythm
146
It help to see and understand a two-dimensional work of art.
Value contrast
147
It is evident in colors.
Value contrast
148
Ex: In this painting it is evident that in the half of the dome that is outlined by dark colors, fades into the background
Value Contrast
149
Cite:Art In America May-June 1979, pg. 30, Frank Stella
Value Contrast
150
It is where a picture seems to all be one.
Unity
151
Everything fits and flows together.
Unity
152
One part complements another like the land, the fish, the dolphins, and the sky.
Unity
153
It is used by artists to direct viewers through their work, often to focal areas.
Movement
154
It can be directed along lines, edges, shapes, and colors.
Movement
155
The artist of this painting uses __ to move the viewers eyes from the man on the horse to the evil Moslems being slaughtered
Movement
156
It is where an artist will make one part of the image more visible.
Emphasis
157
It stressed and shown as the main thing you look at. Like here we are looking at him or the ball. They are emphasized very well.
Emphasis
158
Illustrators and Designers Jonathon Thiel Simon
Emphasis
159
Spain: A History in Art
Movement
160
Artwork by
| Christian Lassen
Unity
161
Image From: Art In America
May-June 1979, pg. 30,
Frank Stella
Value
162
Image from Picasso
Line
163
The Goldfish
Fauvism
Henri Matisse
1911
163
The Open Window
Fauvism
Henri Matisse
1905
164
Pool of London
Fauvism
| Derain 1906
165
Red Tower at Halle
Expressionism
| Kirchner, 1915
166
Still from the ___ film The Cabinet
Expressionism
Dr. Caligari
1920
167
Self Portrait with Horn
Expressionism
| Max Beckmann 1938-40
168
There is no must in art, because art is free.
Wassily Kandinsky
169
Fugue in Two Colors
Abstract
| Frantisek Kupka 1912
170
Abstract composite
Abstract
| Anne Bonnet
171
Squares with Concentric Circles
Abstract
| Kandinsky 1913
172
Three Musicians
Cubism
| Picasso 1921
173
Seated Woman (Marie-Therese),
Cubism
| Picasso 1937
174
Woman with a guitar
Cubism
| Braque 1913
175
Movement and Sensation
Futurism
| Balla
176
Dynamism of a Cyclist
Futurism
| Boccioni 1913
177
Development of a Bottle in Space
Futurism
| Boccioni 1913
178
Composition VII (the three graces)
De Stijl
| Van
179
Composition with Yellow, Blue and Red
De Stijl
| Mondrian 1937-42
180
Red & Blue chair
De Stijl
| Gerrit Rietveld, 1917
181
ABCD (Self-portrait),
Dadaism
| Raoul Hausmann 1923-24
182
L.H.O.O.Q.,
Readymade: pencil markings on a
"Mona Lisa" reproduction print
Dadaism
| Marcel Duchamp 1919
183
The Persistence of Memory,
Surrealism
| Dali 1931
184
Uba Imperator
Surrealism
| Ernst 1923
185
Time Transfixed
Surrealism
| Magritte 1938
186
Eyes in the Heat
Abstract expressionism
187
Painting Number 2,
Abstract expressionism
| Kline 1954
188
Cherries
Abstract expressionism
189
Campbell’s Soup Cans
Pop art
| Warhol 1962
190
Marilyn Monroe
Pop art
| Warhol 1962
191
Whaam
Pop art
| Lichtenstein 1963
192
Movement in Squares,
OP art
| Riley 1961
193
Vega-Nor,
OP art
| Vasarely 1969
194
Intrinsic Harmony,
OP art
| Anuszkiewicz 1965
195
Harran II
Minimalism
| Stella 1967
196
Free Ride
Minimalism
| Tony Smith 1962
197
’23’
Minimalism
| McCracken 1964
198
Self-Portrait,
Photo-realism
| Close 1997
199
Paris Street Scene
Photo-realism
| Estes 1972
200
Ralph’s Diner
Photo-realism
| Goings 1981-82
