Midterm Flashcards

(88 cards)

1
Q

What is Music Therapy?

A

1960 - National Association for Music Therapy (NAMT) defined music therapy as the “scientific application of the art of music to accomplish therapeutic aims. It is the use of music and the therapist’s self to influence changes in behavior”
American definition of music therapy was based on changing behavior
Current Day – American Music Therapy Association (AMTA) defines music therapy with these additions:
Music therapy involves the clinical and evidence-based use of music interventions to accomplish individualized goals
Research in music therapy indicates its effectiveness in overall physical rehabilitation and facilitating movement, increasing people’s motivation to become engaged in their treatment and providing emotional support for clients and their families.

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2
Q

Music Is

A

Music is a universal phenomenon
People of all ages and backgrounds can listen, perform, create, and enjoy it
Music is a flexible therapeutic medium
Many different styles
Variety of ways to get involved (composing, performing, listening etc.)
Music therapists use music and musical activities to facilitate therapeutic/health care goals
Therapy refers to assisting or helping a person

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3
Q

Musical improvising

A

Creating something with your voice/an instrument that has never been created before
Benefit: this can never be done incorrectly
MTAs facilitate improvising
Build confidence
Piano example: “you play only the black keys and I’ll play the white keys”

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4
Q

Why is Music Therapy effective?

A
Universality
Flexibility
Brain activation
The ONLY thing that can activate all the areas of the brain
Recognition
Emotion
Speech
Cognition
Memory
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5
Q

Music as a tool

A

Use within music therapy in order to achieve a variety of healthcare goals
Music has been found to alter mood/elicit relaxation responses
Can distract from physical pain
Evokes memories
Dementia – memories can be accessed through music even in individuals who struggle with accessing memories

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6
Q

Culture of music

A

Music therapy means different things to different people, shaped by cultural backgrounds, philosophy, values, training, clinical setting etc. - MTAs can refer to other MTAs that can better relate to certain cultures and backgrounds, this can be beneficial to the client (must recognize if this would beneficial based on cultural needs)

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7
Q

Music Therapy is NOT:

A

Special music education
Exclusively for people with musical backgrounds
Music lessons
Entertainment
Entertainers are not MTAs
While there is therapeutic value, the entertainer is not forming a relationship w/ the client and/or actively engaging the client in the music
The purpose is not for healthcare goals even if there is therapeutic value

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8
Q

Canadian Association of Music Therapists (CAMT)

A

CAMT is a federally-incorporated, self-regulated non-profit professional organization
It aims to create strong certified MTAs (Music Therapists) and to raise awareness surrounding professional music therapy services throughout Canada
Canadian definition: the use of music by an accredited music therapist to achieve health care goals
CAMT wants to encourage the practice of music therapy in clinical, educational, and community settings.

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9
Q

Boston Children’s Hospital

A

Allowing children to gain control over something again
Loud/quiet sounds
Choice of instrument
Singing
Empowering
Building confidence
Also to impact the family/parents
Watching their child engage in something they enjoy again
Encouraging healthy development (music is part of natural development) (rehabilitation)

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10
Q

Process to receive music therapy:

A
  1. Referral
    You DO NOT refer someone to MT because they have autism/cancer/ABI/dementia, these are diagnoses.
    Clients are referred for specific healthcare goals (social skills, speech, communication, self-expression, gross motor skills/fine motor skills)
  2. Assessment
    purpose: to tell you what the clients goals and objectives are, to inform the treatment plan
  3. Goals
    Based on observations/assessments
  4. Treatment plan (interventions)
  5. Reports & re-assessments
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11
Q

Framework of Music therapy session:

A

Hello Song
Interventions
Closing Song

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12
Q

Interventions

A
Pre Composed Music 
Singing
Listening
Instrument Playing
Improvising 
Composing
Lyric Analysis
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13
Q

Pre-composed music

A

can help with people with AD- may still have remember music from their past (able to remember lyrics)
sense of familiarity and safety
therapist must comprehend their knowledge of the client’s pre-composed music

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14
Q

Singing

A

Improves articulation, rhythm, and breath control
Improves intake of oxygen
Encourages reminiscence and discussions of the past, while reducing anxiety
Brain injuries such as ABI/aphasia - people can still sing even if they can’t speak
Once the brain is primed through singing, the patients are also able to answer questions – short term increase in speech fluency
Rehabilitation

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15
Q

Listening

A

Cognitive skills, attention span, memory

Opportunity for insight with client recordings

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16
Q

Instrument playing

A

Facilitates and improves range of motion, joint mobility/agility/strength, balance, coordination, gait consistency and relaxation
Rhythm and beat are important in priming the motor areas of the brain, in regulating breathing and heart rate, and maintaining motivation or activity level
Motor areas of the brain
Strong beats and catchy rhythms have been found to facilitate the initiation of movement with Parkinson’s patients

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17
Q

Improvising

A

Offers a creative, nonverbal means of expressing thoughts and feelings
Non-judgmental, easy to approach, and requires no previous musical training
Improvising can lead to expression of emotion – ex. “I don’t know how I’m feeling today…” After playing music, the client may be able to better articulate their feelings based on how they felt while playing the music or what they chose to play
Where words fail to communicate emotions, music can feel that void
Provides a safe opportunity to interact with feelings associated with trauma
Musical expression from client followed by musical response by MTA – I heard you, I’m here, I’m listening

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18
Q

Composing

A

For people with terminal illness, it is a vehicle of examining feelings surrounding feelings towards life/death and the meaning of life and death
Provides an opportunity to create a legacy/shared experience to caregiver/child/loved one prior to death
Familiar melody – you are my sunshine example

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19
Q

Lyric analysis

A

Lyric discussion can facilitate discussion surrounding trauma/abuse

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20
Q

With whom does a music therapist work?

A

In Canada, the majority of MTAs are working within long-term care with the elderly population, as the largest client-base is within the elderly population group + funding is available within long-term care facilities
Children with autism – funding is accessed for children with disabilities through passport funding
Children and elderly people have others advocating for them (their parents or their adult children)
Schools/school groups
Prisons
Mental health programs
Rehabilitation
Private practice

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21
Q

What are the personal qualifications of a music therapist?

A

Musician
Excellent functional musical skills
Broad knowledge of different musical styles
Uses music flexibly, creatively and in an aesthetically satisfying manner
Piano requirement for programs
Usually guitar as well
Therapist
Good physical and emotional stability
Sincere interest in helping others
Patience, tact and understanding
Reliable, genuine, ethical
Clinical objectivity
Learning to be a musician but ALSO a therapist, using music in a therapeutic way
As a pianist, you may excel at classical music but an MTA requires musical flexibility to be therapeutic

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22
Q

Educational preparation of a music therapist

A

University
1000-hour supervised internship
Certified board of music therapists (CBMT) exam
MTA certification
Continuing education – MTA must maintain their credential every 5 years through CAMT continuing education process

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23
Q

Piaget’s Developmental stages:

A

Sensorimotor (0-2)
Preoperational (2-7)
Concrete operational (7-11)
Formal operational (11+)

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24
Q

Sensorimotor (0-2)

A

Learning about their immediate environment through senses and motor activity
Although hearing is still developing, newborns are active listeners and can identify sound source
Newborns and infants are attracted it infant-directed speech, their mother’s voice and songs that contain characteristics of ID-speech
Following beat is innate to humans

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25
Preoperational (2-7)
Rapid language and conceptual growth Increased vocalization The child (ages 2-3) may be able to improvise short, melodic patterns (old McDonald – E-I-E-I-O) 2-4 years – the child may show brief moments of brief synchrony to rhythmic music – but being able to maintain steady beat (beat competency) would require greater physical maturation Rehab/ABI/Post-stroke 3-4: walking, galloping, jumping in musical games 4-5: the child does more accurate imitation of pitch patterns with greater vocal control 4-6: before this, parallel play is primary; at this bracket, children are more willing to share and cooperate
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Concrete operational (7-11)
Think systematically and mentally solve problems related to immediate reality Playing rules for music therapy improv (ex. Play only the black keys) Music is used to foster social interactions, group interaction and motor functioning
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Formal operational (11+)
Children develop abstract thinking skills Religion, politics, fantasy, gaming Metacognition (awareness of one's own thought process) *How can I make an impact on change? What is within my control, what is not?
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The Musical Adolescent
Music is normal/natural – teens may participate in formal music organizations (band/choir) and informal (rock bands) or watch music videos and listen to recordings Music is an outlet for feelings of rebellion and confusion that come with adolescence. As such, music therapy is a powerful therapeutic intervention for individuals of this age bracket
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Musical Diversity
Style and cultural heritage With such diversity, people can identify with at least one style Music is a universal phenomenon, music itself can be found across the globe BUT, music is NOT a universal language, as the same type of music does not communicate the same way across the globe MTAs take into account which instrument to use – ex. Playing the same song, “You are my sunshine” is different on a piano vs. Guitar vs. Clarinet vs. Flute Personal preferences of client Benefits/health-care goals that can be achieved
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Functions of Music
Auditory and tactile simulation of music can be helpful in evoking initial or more adaptive responses from nonresponsive individuals at a verbal level Music serves as an effective mnemonic device Communication Emotions Culture and society
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congruity
is a phenomenon wherein a particular music selection or style is paired with a specific event. E.g. tearing up after hearing a song on the radio that was played at a funeral of a loved one
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Isomorphism
refers to the use of music to convey human emotions and movements
33
Music in preliterate cultures
Members believe that music affects mental and physical well-being "medicine men" used music in religious/healing rites to appease the gods Healing choruses (a group effort)
34
Early Civilizations
The advent of agriculture 8,000-10,000 years ago led to civilization Music played an important role
35
Ancient Egypt (c. 5000 BC):
Magical, religious and rational components of medicine coexisted Priest-physicians often included chant therapies in their medical practice because they believed that music was the medicine for the soul Hieroglyphics depict playing instruments Music was considered emotional catharsis
36
Four cardinal humors
1. Blood 2. Phlegm 3. Yellow bile 4. Black bile These four cardinal humors influenced medicine for the next 2,000 years and was particularly important in the middle ages
37
Middle Ages and Renaissance
Still based on four humors Hymns were considered effective against certain unspecified respiratory diseases During the renaissance, physicians prescribed music as a preventative medicine Reactive healthcare VERSUS proactive healthcare Baroque Period: Kircher suggested that certain personality characteristics were associated with certain styles of music e.g. depressed people responded better to melancholy music Today, MTAs recognize the preferences of the individual rather than prescribing music – there is no musical prescription! The healer now had to consider which style of music to use for treatment By the late 18th century, emphasis was placed on scientific explanations At this time, music was relegated to special cases and only applied by physicians who views treatment with a holistic framework
38
History/Development of MT
The earliest reference to Music Therapy as a profession in the US was in 1789 As early as the 1830s, MT was used in schools for the blind
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Early 20th Century Music Therapy
Hospital stays were longer (average of 13 days in 1923 to about 4 days today) and patients with intellectual or mental disabilities could be hospitalized for life Cases for MT were presented in academic papers
40
1950
MT became regulated in the US (AMTA today) Today (in Canada), the majority of MTAs work with the elderly/people with Alzheimer’s but the foundation of MT started with working with children and mentally ill individuals CRPO - College of Registered Psychotherapists of Ontario Music Therapists using the act of psychotherapy need to become a member of the CRPO (ONLY if using the act of psychotherapy)
41
Music therapy involves
Developing identity Self-expression Qualities of music: Using rhythm, pitch, and form to support all individuals Accessibility and inclusivity; support all individuals Improvised music Core of therapy - the therapeutic relationship Individual relationship with music Therapeutic relationship between client and MTA
42
MT Enhances
``` Communication skills Confidence Self-awareness Cognition Memory ```
43
Neuroscience model of MT
NMT uses the functional perception of all properties of music to retain brain behaviour function Therapeutic application of music to cognitive, sensory, and motor functions
44
Psychodynamic
Involves: Sensorimotor, speech and language, cognition | Music and functional changes in the brain
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NMT can be effective for:
``` Stroke TBI Parkinson's disease Minimizing symptoms including tremors Multiple sclerosis Looking at the autoimmune disease and working to minimize symptoms Dementia and Alzheimer's disease Functional memory Cognition Emotional state Daily activities (eating, dressing, medicating) Cerebral palsy Autism spectrum disorder Social communication Behavioural management Repetitive behaviour ```
46
Sensorimotor Skills
Patterned sensory enhancement - ex. Jenn pacing arm music to the music Movement to the cue of music Spatial Pitch Dynamic Therapeutic instrumental music performance - ex. pacing hitting the drum to music Client is actually playing an instrument to the music/beat Rhythmic auditory stimulation - gait training video example Rhythmic cues for gait training (walking)
47
Melodic intonation therapy
Beating to and humming the prosody of speech/phrase - I want coffee example Used commonly by SLPs - Vocal intonation therapy
48
Speech and Language
Musical speech stimulation Rhythmic speech cueing Oral motor and respiratory exercises Vocal intonation therapy Therapeutic singing Singing songs you enjoy while combining the techniques of accessing language and oral motor function Tying together all the vocal Developmental speech and language training through music Symbolic communication training through music
49
Cognition
Auditory perception Emotion Sensory function
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Music in Psychosocial Training and Counseling
Using social situations and group therapy Group cohesion process Using MPC as a warm-up to group therapy Mood factoring Drum example (musical wave) More reflective than Associative Mood and Memory training
51
Associative Mood and Memory training
Facilitate memory recall Dementia and TBI memory loss Associating mood with music to access memory Live or recorded music Henry example - excited about music, lighting up to his favourite songs and singing/remembering his old favourites The goal here is to access the memory not the emotion
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3 domains
``` Sensorimotor Pattern sensory enhancement Rhythmic auditory situation Speech and language Melodic intonation therapy Therapeutic singing Cognition/dalcros Associated mood and memory training Music and psychological training and counseling ```
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Method
Certain organized and systematic way for conducting therapy Philosophy Beliefs and basic attitudes Theory Scientific explanation for behaviours Model Relationship between music and behaviour/healthcare goals
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Trends that have influenced the development of Music Therapy Approaches
Advances in scientific knowledge regarding health and illness Biopsychosocial model of health and illness Societal changes Short-term health care Multiculturalism Research and clinical initiatives in the MT field Continues to develop by researchers and clinicians
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Factors that influence Clinical choices
Developmental Age vs Chronological | Personal Attitudes and Values
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Orff-Schulwerk - elemental music
``` Holistic approach Hearing before learning Call and response Chants "hello" song, eye contact ```
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Dalcroze Eurhythmics
Using movement to enhance range of motion, motor skills etc.
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Kodaly Approach
Developmental in approach | Communication, socialization, fine and gross motor
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Nordoff-Robbins
Form of active music therapy Music-centered Conceptually and by definition using music as the primary method of therapy The work is done within the music, no dialogue/verbal discussion, all music Belief: music exists within everybody Accessing Innate music ability Finding the music child within Two MTAs in the room, 1 on the piano continuously holding the musical space, the second works with the client to engage in music on another instrument or vocally Music making, playing instruments, singing etc. Techniques applicable to wide range of clients including those with developmental disabilities Cont. Self-actualization and the meaningfulness of human destiny Within every human being is a musical self aka "musical child", working to access that Long-term engagement in music therapy Improvisation is used often at the beginning Index the session/indexing: document in a narrative style with attention to the client's significant musical and non-musical responses, changes, musical relationships and teamwork (transcribing/recording minutes/seconds) documenting sessions Apply separately to a Nordoff-Robbins MT degree, cannot become accredited additionally like NMT
60
Bonny Method of Guided Imagery and Music
Can gain accreditation following MT accreditation/other field in addition Guided imagery and music (GIM) Bringing self-awareness by associating music with imagery Therapeutic goals include: Creativity Self-exploration Spiritual insight Cognitive reorganization Tapping in to the unconscious through imagery Aiding in uncovering and working through negative thoughts, emotions and feelings MTA is not meant to solve, but to help guide the client through the emotions/feelings
61
Behavioural approach
Classical or operant conditioning Example: Pavlov's conditioning with the dogs and the bells Behaviorism Behavioral psychology Applied behavioural analysis (ABA) Purpose: to modify behaviors (through reinforcements or punishment) MT example: client who hits his head on the ground, guiding him to redirect and hit a drum with his hands instead - more cathartic and safe for him Reinforcing positive behaviour by offering the reward of drumming/cathartic experience
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Cognitive-Behavioural Music Therapy
Replacing undesirable, irrational thinking with healthier cognitive patterns Can help people with emotional/social problems including anxiety, substance abuse, eating disorders, mood disorders, chronic pain and sleeping disorders Example: I'm afraid of water Reframing water to associate with life, with drinking water (necessity)
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Psychodynamic approach
Based on the belief that human behaviour is influenced by unconscious psychological processes (internal conflicts, impulses, desires, motives) which are largely unaware consciously
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Reflection of Biomedical models
How music impacts the release of hormones and neurotransmitters surrounding pain/feeling pain Using MT to relax and reduce stress, reducing pain hormones and neurotransmitters Music therapy and relationship with hormones
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Eclectic or Integrative Approach
Therapists use techniques from all types of therapy without necessarily accepting the theoretical frameworks involved NO SINGLE THEORY is comprehensive enough to account for the complexities of human behaviours Accepting that each theory has its strength and weaknesses, therapists that use an integrative approach have the opportunity to more closely match the needs and goals of individual clients
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Biopsychosocial Mode
``` Biological aspects (physical) Psychological aspects (cognitive, emotions) Social aspects (values, culture, family, community) How all three work together and interact to impact your health ```
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Transference
Unconscious redirection of feelings from one person to another
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Countertransference
Initially something to get rid of | The emotional reaction of the therapist
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Primacy of Countertransference
"wounded healers" - extremely empathetic/sensitive therapists who can fall victim to countertransference Therapist's hook The area of wounded-ness that allows the therapist to get caught in the client's material Musical hook The moment when the music and or lyrics intersect with the therapist's issues and trigger associations Sharing countertransference - relates to disclosing countertransference feelings Level of disclosure depends on each individual client Reason for disclosure, therapeutic alliance, length and stage of treatment In VP, the transference can be heard in the voices (with or without)
70
Psychological theories behind Vocal Psychotherapy:
``` Carl Yung's theories influence Collective unconscious Interpersonal relations Object relations theory Relationship with play and developing one's true self Vocal improvisation Vocal holding Vocal improvisation in a safe environment can help clients find comfort in the environment Trauma theory Intersubjectivity ```
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Trauma theory
Three stages of healing Safety Remember, reminisce, mourn Integration Attachment trauma - the mother infant bond (or lack of) can set the stage for other forms of trauma VP offers therapeutic regression and positive integration
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Natural sounds
Humming/toning/chanting can stimulate the Vagus nerve which encourages the release of neurotransmitter Nitric Oxide (NO) Parasympathetic nervous system can be thought of as the "stress eraser" - putting us back in a state of balance The power of the voice to affect physiology
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Toning
The conscious use of sustained vowel sounds for the purpose of restoring the body's balance
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Vocal Holding
The intentional use of two chords in combination with the therapist's voice in order to create a consistent and stable musical environment that facilitates improvised singing within the client-therapist relationship Promote therapeutic regression Helps clients who are afraid or not used to improvising Relinquish some of the mind's control to allow spontaneous singing and trance-like altered state and easier access to the world of the unconscious
75
Vocal holding interventions
Unison singing Therapist matches the client's improvised notes Harmony Singing with client at the same rhythm but different notes (hopefully complimentary) Harmony is ideally below the client's singing in order to contain/support Mirroring Mirroring what the client just improvised Grounding The therapist sings a note below what the client is singing These techniques can all be experienced differently for the client based on their experiences Not necessarily feelings that we should avoid as they provide insight for reparative experience
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Free Associative Singing
Words enter the vocal holding process Piano accompaniment (2 chords or more) Based on Freud's technique of free association But the MTA is also singing
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Lyric creation
``` Guiding free brainstorming (example) Freud and Jung Freud : picking a word and seeing what word comes after and after, may not have any connection Jung : specific word, relate it to another and then to the original and then another Guiding original lyrics and music Facilitating original lyrics Selecting words from a list Client self generates words Client writes a poem Open ended or direct questions ```
78
Song writing techniques
``` FBT (fill in the blanks) Song parody Changing all the words rather than just certain ones like FBT Song collage Mashup of songs and changing lyrics Pre-existing lyrics Keeping lyrics of a song but changing melody Once upon a time… Age appropriate for children Storytelling/predictability ```
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Techniques of music creation:
``` Improvisation Instrumental sound effects Using whole/parts pre-composed music Improvised melody over the chord pattern Client directed key/mood/etc. ```
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Song writing with TBI:
``` Motivation Adjustment - identity establishment Loss/depression Coping with changes Memory - melody Concentration/attention ```
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Themes of song writing within TBI MTA:
``` Isolation Dependency Helplessness Anger Body image Positive memories of relationships with significant others Uncertainty ```
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No definitive answer about aging
There are stages of child development, broad but existent There are not designated stages to aging Stages for adolescence, lines of stages blur as older adulthood is approached
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Different types of ages:
``` Chronological age (number of years one has been alive) Biological age (aging of the body physically) Bone density, muscle strength Change in weight Stamina (loss of..) Cellular, molecular, organ functions become less efficient with age Psychological age Ability to adapt New situations, environment Emotions Learning Recognizing that client may require consistent sessions, predictability, routine etc. Psychosocial age Cultural view and expectations Negative portrayal (western culture) High regard/wisdom (non-western) Booming cosmetic industry ```
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Common Diagnosis:
``` Depression Dementia Alzheimer's disease (type of dementia) Parkinson's disease Post-stroke Aphasia ABI Symptoms can be similar --> MTA healthcare goals can be similar Speech Orienting to environment ```
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Reasons for referral:
Decrease pacing, agitation, vocalizations (non-speech/non-communicative noise) Increase eye contact, meaningful moments Increase alertness, movement Evoke positive memories, orientation to the "here and now" Transition to facility, lessen confusion, decrease anxiety Having dementia? No, that is a diagnosis, not a healthcare goal
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Music is validating
Sense of accomplishment for elderly people with memory loss Remembering lyrics Remembering melody
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Pre-composed music
``` Why pre-composed? Familiarity/predictability (ABA) Verse/chorus/verse/chorus/verse/chorus etc. The way pre-composed songs are designed - predictability, security Security Empowering Reassurance Confidence (acknowledge ability) Memory evoking Stimulate dialogue/relationships Why is it a powerful tool? (listening exercise) Music timeline ```
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Dementia and Pre-composed music
``` Acquired decline of cognitive function Memory and language impairment Music abilities preserved - uses both hemispheres of the brain Alzheimer's Mini mental state exam and music therapy MMSE asking questions through song? Listening to story vs. music Attempting music playing can highlight deterioration ```