midterm Flashcards

(60 cards)

1
Q

12 Bar Blues Form

A

blues song where 12-bar cycle is repeated ; most commonly 4/4 time

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2
Q

AB form

A

need to put info

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3
Q

backbeat

A

from drums in class, heavy accent on beats 2 and four in jazz/rock n roll

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4
Q

bar

A

segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value

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5
Q

beat

A

basic unit of time, the rhythm listeners would tap their toes to

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6
Q

bridge

A

contrasting section that prepares for the return of the original material section

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7
Q

chord

A

any harmonic set of pitches consisting of multiple notes

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8
Q

chorus

A

part of song that recurs at intervals, usually following each versein

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9
Q

contrasting verse-chorus

A

songs that use different music for the verse and chorus

be my baby - the Ronettes

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10
Q

distortion

A

making the music sound more raw

distorting the clean sounds

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11
Q

form

A

structure of a musical composition or perofrmance

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12
Q

genre

A

-can genre have an absolute definition? it changes with time and has grey areas

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13
Q

instrumentation

A

list of instruments for which a composition is scored

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14
Q

introduction

A

intro into a song

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15
Q

metre

A

grouping of beats into a measure or bar

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16
Q

reverb

A

the persistence of sound after a sound is produced

like yelling in a large stairway or gym

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17
Q

rhythm

A

the organization of time in music

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18
Q

riff

A

a short repeated phrase in music, typically used as an introduction or refrain in a song

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19
Q

simple verse-chorus

A

the same musical patterns are used for bot verse and chorus

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20
Q

strophic form

A

strophic form can be written out as AAAA…

-no chorus but a refrain

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21
Q

tempo

A

speed of pace of a given piece

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22
Q

timbre

A

refers to the sound of a note or pitch

  • not the highness or lowness of the pitch itself
  • rough or weak or smooth
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23
Q

verse

A

part of a song

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24
Q

Elvis Presley

A

that’s all right

1954

early rnr with country pop and rock aspects
sun records big hit

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25
chuck berry
Maybellene 1955 rnr figure singer songwriter crossover hit and he passed as a 'white person'
26
Booker t and the MGs
green onions 1962 riff based dance music reverb in the guitar
27
dick dale and the del-tones
misirlou 1962 instrumental surf music super fast wet sound-reverb
28
the ronnettes
be my baby 1963 contrasting verse-chorus form percussion, backup vocals, string,
29
the beach boys
surfin usa 1963 Surf Music: black doo wop, white vocal groups, chuck berry, wall of sound
30
the beatles
please please me 1963 Beatlemania
31
the kingston trio
tom dooley 1958 start of folk revival one of the biggest hits of the era
32
the rolling stones
little red rooster 1964 song writing credit given to stones British Invasion blues and blues rock bad boy image vs beatles
33
bob dylan
like a rolling stone 1965 bob dylan, but ELECTRIC babbbyyy 6min song so its not pop (still played on radio) 4 long sections one verse and chorus per section
34
the byrds
mr. tambourine man 1965 Formed in LA in 1964 US & UK #1 brings together folk revival Bob Dylan cover
35
simon and garfunkel
sound of silence 1964 original acoustic version not a hit when first recorded after Dylan and the Byrds success, the record company added other instruments without S&G's knowledge and released it; became . a hit
36
the beatles
tomorrow never knows 1966 Beatlemania
37
the beach boys
good vibrations 1966 took at least 5 months to record unusual sounds/instrument combinations (6 vocalists, fuzz bass, organ, upright bass, cello, etc.)
38
jefferson airplane
white rabbit 1967 Psychedelia
39
Elvis Presley (1950s only)
poor working class family: more exposure to black culture than upper white class summer 1953 vanity recording at sun records July 1954: Elvis gets callback from Marion Keisker session takes of when Elvis plays old r&b tune 1955 Elvis' manager Tom Parker gets him deal 35,000 for the contract from Sam Phillips and 5,000 for Elvis two TV appearances in 1956: breakout year for Elvis nationally international star 1956ish 1958-1960 inducted into the Army Elvis helped establish rockabilly
40
Psychedila or psychedelic rock
scene becomes mainstream and hits a peak in the summer of 1967 aka "The Summer of Love" in 1950s growing interest in psychedelic drugs experimentation with sound
41
folk rock
'meaningful' lyrics with beat and electric instrumentation of rock most songs were newly composed but not all
42
payola
record labels and distributors often paid radio DJs to play their records major labels had federal government to investigate indie record label's use of payola to get radio airplay many DJs fired and radio stations formats changed Alan Freed and Dick Clark Freed didn't admit fault, ending his career Clark was cooperative and remained in music bizz
43
alan freed
Radio personality DJ in Cleveland, Ohio one of first to play R&B records for white audience r&b = rock n roll
44
pat boone
major star, well-known white cover artist easy to sell to mainstream pop market lead the 1950s cover phenomenon (white covers of black hits)
45
blues rock
simplicity and repetition; riff based core instrumentation: electric guitars, electric bass, drums, vocals blues-based harmonic structures
46
sam phillips
indie DJ; studio owner; producer sun records opens 1952 brought Elvis into music
47
wanda jackson
one of only a few 1950s female rock and rollers
48
jimi hendrix
more than anyone else, he defined rock-based improvisation new guitar sounds psychedelic sounds
49
american bandstand
like the 1950s rock and roll radio shows but for TV filmed in Philly, nationally syndicated as of 1957 Dick Clark is host
50
phil spector
Brill building philosophy of making high-quality pop often worked on one song for months demanded total control at sessions: recording and even releasing the record on his own label two ideas: the idea of the freelance and celebrity producer/producer as artist wall of sound: many instruments in a small pace
51
sitar
Indian classical instrument 18-21 strings; 6-7 played, the rest are sympathetic (drone) strings
52
bo diddley
another influential blues-to-rock and roll figure chess records hyper-masculinity
53
bob dylan
Greenwich Village, NYC, 1961 quickly became a leader in music scene although his recording career was slow to take off manager Albert Grossman known for his songwriting abilities had an electric phase major music influence on the mid 1960s transformation from rock and roll to a style that would be called simply Rock
54
surf music
eclectic influences: black doo wop, white vocal groups, cars, girls, surfing (1964) distinct style of pop group vocal sound
55
the beatles
Formed in Liverpool as a skiffle band called the Quarry Men early live experience and musical training Beatlemania 1962-66 studio band: 67-68
56
the rolling stones
started as a blues cover named on July 1962 big in UK by late 1963, US late 1964 perhaps delayed because of their bad-boy mage (long hair, scruffy, rebellious)
57
skiffle
a movement of young musicians playing fast, enthusiastic versions of US folk songs
58
baroque pop
a rock subgenre that emerges in the early-to-mid 1960s rock and classical instrumentation/arrangements (string, wind, brass) harpsichord
59
eric clapton
part of the London blues scene from the early 1960s member of The Yardbirds, but left the group when they recorded more pop-oriented material guitar player
60
cream
deemed rock's first 'supergroup' when they formed, all three were well-known musicians in their own right Eric Clapton, Jack Bruce, Ginger Baker