Midterm I Songs

Answer 1

Angels; My Boyfriend’s Back; 1963; girl groups & simple teen revenge

Answer 2

Beach Boys; California Girls; 1965; surfing with a hint of psychedelia

Answer 3

Beach Boys; Good Vibrations;1966; psychedelic LSD over doo wop and surfing band style

Answer 4

Beatles; Here Comes the Sun; 1969; psychedelic edge

Answer 5

Beatles; Paperback Writer; 1966; rock ‘n’ roll with warm sound

Answer 6

Beatles; Twist and Shout; 1963; garage twisting R&B

Answer 7

Beatles; Yesterday; 1965; semi-classical, ballad, acoustic

Answer 8

Chuck Berry; Johnny B. Goode; 1958; early rockabilly becomes rock ‘n’ roll

Answer 9

Pat Boone; Ain’t That a Shame; 1955; teen crooning from above

Answer 10

The Chantays; Pipeline; 1963; instrumental surf music

Answer 11

The Chords; Sh’Boom; 1954; doo wop (R&B vocal harmony)

Question 12

https://carmen.osu.edu/content/1138/MUSIC/2252/music_2252_au2013_24226/2252.songs.C/cream.spoonful.clip.mp3?_&d2lSessionVal=GELQ1Gup0b0cMqoKmbH1SrI5R&ou=11111184

Answer 12

Cream; Spoonful; 1968; psychedelic blues/rock

Answer 13

Crew Cuts; Sh’Boom; 1954; white R&B vocal harmony/ doo wop

Answer 14

Arthur Crudup; That’s All Right Mama; 1946; R&B

Answer 15

Fats Domino; Ain’t That a Shame; 1955; R&B NO

Answer 16

Bob Dylan; Like A Rolling Stone; 1965; electrified folk, seriously adult, electric music

Answer 17

Bob Dylan; The Times They Are a-Changin’; 1963; folk

Answer 18

Esquivel; Night and Day; 1958; space age odyssey

Answer 19

Golden Gate Gospel Quartet; Golden Gate Gospel Train; 1937; black roots vocal harmony

Answer 20

Benny Goodman; King Porter Stomp; 1935; big band swing, jazz influence

Answer 21

Woody Guthrie; Mean Talking Blues; 1945; talking blues

Answer 22

Bill Haley; Rock the Joint; 1952; R&B/Western swing

Answer 23

Fletcher Henderson; King Porter Stomp; 1933, big band swing, jazz and blues influence

Answer 24

Buddy Holly; That’ll Be the Day; 1957; rockabilly

Answer 25

Robert Johnson; Cross Road Bues; 1936; country blues

Answer 26

The Kinks; You Really Got Me; 1964; electric rock 'n' roll, straighforward, country simplicity

Answer 27

The Kingsmen; Louie, Louie; 1963; garage rock

Answer 28

Led Zeppelin; Dazed and Confused; 1968; psychedelic blues rock

Answer 29

Jerry Lee Lewis; Whole Lotta Shakin' Goin' On; 1957; rockabilly, intense piano

Answer 30

Little Richard; Tutti Frutti; 1955; intense piano blues 'gumbo'

Answer 31

Love; 7 and 7 Is; 1966; garage fury to level of psychedelic existentialism

Answer 32

Monkees; I'm A Believer; 1966; clean pop rock

Answer 33

Carl Perkins; Dixie Fried; 1956; rockabilly, working class fury

Answer 34

Elvis Presley; Heartbreak Hotel; 1955; rockabilly becomes mainstream pop

Answer 35

Elvis Presley; That's All Right Mama; 1954; rockabilly

Answer 36

Jimmy Preston and the Prestonians; Rock the Joint; 1949; gospel-infused jump-band boogie-blues

Answer 37

Righteous Brothers; You've Lost That Lovin' Feeling; 1964; Phil Spector & white duet

Answer 38

Shadows of Knight; Gloria; 1966; garage rock

Answer 39

Simon and Garfunkel; Sound of Silence; 1965; vocal harmony and pop sensibility

Answer 40

Frank Sinatra; I've Got You Under My Skin; 1956; swing

Answer 41

Rolling Stones; Gimme Shelter; 1969; rock with boogie-backbeat

Answer 42

Rolling Stones; Lady Jane; 1966; trippy baroque

Answer 43

Rolling Stones; Satisfaction; 1965; rock rebels without a cause

Answer 44

Muddy Waters; Hoochie Coochie Man; 1954; Chicago blues

Answer 45

Hank Williams; Honky Tonk Blues;1952; honky tonk

Answer 46

Bob Wills and His Texas Playboys; New San Antonio Rose; 1940; western swing

Answer 47

Howlin' Wolf; Spoonful; 1960; Chicago blues/ boogie

Answer 48

Link Wray and his Raymen; Rumble; 1958; garage music