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Renaissance Art > Midterm II Review > Flashcards

Midterm II Review Flashcards

(62 cards)

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1
Q
A

Leonardo da Vinci,

Adoration of the Magi,

begun 1481, incomplete

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2
Q

imprimatura layer,

A

underdrawing

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3
Q
A

Leonardo da Vinci,

Annunciation,

1472-75

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4
Q
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Leonardo da Vinci,

Architectural Perspective and Background study for the Adoration of the Magi,

c.1481

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5
Q
A

Leonardo da Vinci,

Ginevra de’Benci,

ca.1474

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6
Q
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Leonardo da Vinci,

Star-of-Bethlehem and Other Plants,

ca.1505-8

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7
Q
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Leonardo da Vinci,

Studies for Central Planned Buildings, (?),

ca.1488

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8
Q
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Leonardo da Vinci,

Study of Drapery for a Seated Figure,

1470s

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9
Q
A

Leonardo da Vinci,

Vitruvian Man,

ca.1490

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10
Q
A

Leonardo da Vinci,

Water Studies,

ca.1513

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11
Q
A

Andrea del Verrocchio and Leonardo da Vinci,

Baptism of Christ,

completed ca.1476

*Careful comparison of Angel figures

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12
Q
A

Andrea del Verrochio,

Portrait of a Lady with Flowers,

late 1470s

**Provides a model for missing lower portion of Ginevra de Benci portrait

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13
Q

Sfumato

A

Italian for “vanished in smoke”

a technique for creating form or the effect of atmosphere with very slight shifts in shading

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14
Q

chiaroscuro

A

Italian for “light-dark”;

gradual shading to create the illusion of 3-D form

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15
Q
A

Leonardo da Vinci,

Madonna of the Rocks,

c. 1485

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16
Q
A

Leonardo da Vinci,

“Study of the Head of the Angel,” Madonna of the Rocks,

ca.1483, silverpoint

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17
Q
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Leonardo da Vinci,

Study for an Equestrian Monument to Francesco Sforza,

ca.1485

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18
Q
A

Leonardo da Vinci,

Equestrian Statue,

1516-19

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19
Q
A

Santa Maria delle Grazie, Milan

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20
Q
A

Refectory, Santa Maria delle Grazie, Milan

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21
Q
A

Leonardo da Vinci,

Last Supper, ca. 1495–1498, fresco (oil and tempera on plaster),

Refectory, Santa Maria delle Grazie, Milan

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22
Q
A

Leonardo da Vinci,

Madonna and Child with St. Anne,

ca.1508-13

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23
Q
A

Leonardo da Vinci,

Mona Lisa,

1503-5

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24
Q

pientre et ingénieur ordinaire

A

painter & engineer to the king

*DaVinci’s role in the court of Louis XII

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25
sprezzatura
studied carelessness, especially as a characteristic quality or style of art or literature. \*Mentioned in conjunction with Mona Lisa and placement of the hands
26
**Albrecht Dürer,** ***Self-Portrait*, 1484,** **silverpoint** **\*young Durer, completed at age 13**
27
*Wanderjahre*
Travel after apprenticeship before masterpiece
28
*Meisterstück*
masterpiece submitted to guild for acceptance
29
**Albrecht Dürer,** ***Battle of the Sea Gods* (copy after Mantegna), 1494,** **pen drawing** **Surpasses original**
30
**Albrecht Dürer,** ***View of the Alps*, ca.1495,** **drawing and watercolor**
31
*en plein air*
in the open air painted from observation
32
**Albrecht Dürer,** ***Self-Portrait*, 1498**
33
**Albrecht Dürer,** ***Four Horsemen* from *Apocalypse* series,** **ca.1498**
34
**Albrecht Dürer,** ***Self-Portrait*, 1500**
35
imitatio Christi
strive to identify with Christ
36
**Albrecht Dürer,** ***Vision of St. Eustace*, 1500-1501,** **engraving**
37
**Albrecht Dürer,** ***The Fall of Man*,** **engraving, 1504**
38
**Albrecht Dürer,** ***Adoration of the Magi*,** **1504**
39
Albrecht Dürer, Feast of the Rosegarlands, 1506 \*follows Italian type & composition
40
sacra conversazion
Sacred conversation
41
**Albrecht Dürer,** ***Adam and Eve*,** **1507**
42
**Albrecht Dürer,** ***Carrying of the Cross* from the *Large Passion* series,** **1498-99, woodcut**
43
**Albrecht Dürer,** ***Man of Sorrows,* frontispiece from the *Small Passion* series,** **1509-11, woodcut**
44
sudarium
cloth wrapped around the head of Jesus
45
**Albrecht Dürer,** ***Carrying of the Cross* from the *Small Passion* series,** **1509-11, woodcut**
46
**Albrecht Dürer,** ***Carrying of the Cross* from the *Engraved Passion*,** **1512, engraving**
47
**Albrecht Dürer,** ***Knight, Death, and the Devil*,** **1513, engraving**
48
**Albrecht Dürer,** ***St. Jerome in his Study*,** **1514, engraving**
49
**Albrecht Dürer,** ***Melencholia I,*** **1514, engraving**
50
vita activa
Active Christian Life
51
*furor melancholicus*
divine frenzy of creative genius
52
typus geometriae
architect tools: hammer, plane, saw
53
**Albrecht Dürer,** ***Last Supper*,** **1523, woodcut**
54
**Albrecht Dürer,** ***The Four Apostles*,** **1526**
55
**Christoforo Foppa Caradosso,** ***Medal of Julius II,* 1506** **Medal with profile image of Pope Julius II**
56
**Sta. Maria presso S. Satiro, Milan, 1485**
57
**Donato Bramante, Interior of Sta. Maria presso S. Satiro, Milan, 1485**
58
**Donato Bramante, Tempietto, c. 1504** Courtyard of San Pietro in Montorio
59
Aerial view of New Saint Peter’s, Vatican City, Rome, Italy, 1506–1666
60
Christoforo Foppa Caradosso, Medal Bramante’s Design for New Saint Peter’s, 1506
61
**Cola da Caprarola and others, Sta. Maria della Consolazione, Todi, begun 1508**Example of what Bramante’s completed plans for St. Peters would look like
62
Donato Bramante and others, Belvedere Court, Vatican, Rome, Begun 1505

Renaissance Art (2 decks)

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