Midterm Key Concepts Flashcards

1
Q

Adinkra

A

symbols standing for ideas that he engraved on food trays

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2
Q

Assemblage

A

Assembling various objects to create art
Usually 3D

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3
Q

Collaborative Aesthetics

A

Emphasizes creation of a work made more beautiful when artistic appreciation is enhanced thru collaboration
Practice in and across genres traditionally understood as individual
Can be professional and among apprentices
Practice and philosophy

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4
Q

Collaborative Arts

A

Performing arts (theater, dance, film)
Curation
Curatorial
Collection practices in museums

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5
Q

Controversiality of “Art”

A

AI won first place
Virtual rapper
What is role of artists
Whose idea does AI generated art express
Can it move to a diff place w/o losing meaning

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6
Q

Cultural Competency

A

Natural or learned capacity to identify and respect cross-cultural difference
Recognize and respect cultural differences
You won’t see work that can be recognized as art if you don’t have it

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7
Q

Detail vs. Crop

A

Detail - minute or subordinate part of painting, distinct from larger portions
Puts an emphasis on smth minute as smth major; changes the scale and perspective on artwork
Crop - cuts edges or borders of art
Doesn’t zoom into smth to give it more emphasis
What is emphasized out of the whole, larger portion of the painting?
Homer’s painting: highlights the sailors
Slave market: cuts out the whip to focus on the mother-child relationship

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8
Q

Folk vs Fine Art

A

Classifying art
By classifying, you’re creating knowledge
3 values this classification reveals
Class difference - fine art w wealthy ppl, folk art w poor ppl
Social difference - fine art is our art; folk art is their art
Universalism vs particularism - judging art in a standard form leads to excluding things as art
Genre/classification - category of artistic composition characterized by particular style or form
Not an explanation, but a production of knowledge
Folk art - art of the common person; anonymous; self-taught; community not individual
Henry Glassie: “fine art of other people”
Fine art - “fine art is our folk art” -Glassie

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9
Q

Folklore

A

The art of everyday life
Creative expression in everyday life
Informal (variable) and traditional (passed on) culture
Goal is to understand human behavior and thought
Important to know how ppl operate in circumstances they’re stuck in
Ways to express self in relation to society through
Things we make - Material culture
Things we say - Oral literature
Things we do - music/dance/ritual/custom/gesture
Material culture - one category; materializing tradition; unity of mind and matter

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10
Q

Global “Diasporist”

A

Conscious syncretist
Diaspora - dispersion/spread of ppl from homeland
Ficre is one

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11
Q

Graffiti

A

Walls as art
Moving and still
Moving walls (subways)
Rural and urban
Style Wars: documentary on graffiti
NYC artists pushing boundaries:
Jean-Michel Basquiat
Keith Haring
Lady Pink: “Young kids who paint on the walls are screaming to be heard”

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12
Q

Love as Creative Force and Credo

A

June Jordan says this
Elizabeth Alexander also embodies this in her memoir

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13
Q

Nyamakala

A

craftsman

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14
Q

Performance

A

Folklorists look at tradition through the lens of performance
Puts creativity in context
Understand individuals to understand ppl in groups (single turns into collective)
Understand signs, creations, and objects (symbols of presence) to understand individuals
Understand practice, process, making, creating (performance) to understand signs/creations/objects

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15
Q

Portrait

A

Designates identifiable representation or likeness of an individual

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16
Q

Sacred vs Profane

A

Sacred - important for spiritual beliefs; specifically ab spirituality
Profane - morally unacceptable; not tied to spirituality

17
Q

Sankofa

A

concept pertaining to remembering your history
Akan concept (Twi language) “go back and get”
Go back to your history to understand your present and future (appreciate and learn from the past)

18
Q

Shirley card

A

kodak camera calibration card so that they could take pics of black ppl

19
Q

Tradition

A

There is no creation w/o tradition
Resource for creativity and memory
Dynamic concept (innovation w/in tradition)
Way that future is created out of the past