Midterm Terms Flashcards

1
Q

Form

A

A abstract quality or property expressed in visual form

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2
Q

Formal Content

A

Information that relies on the visual nature of the unit forms and their interaction

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3
Q

Narrative content

A

Image that tells a story. This may include commercial imagery

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4
Q

Symbolic content

A

Image in which the visual unit forms represent something beyond their appearance; a dove represents peace

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5
Q

Unit form/Design Elements

A

Visual Elements (art elements) and design principles that comprise the parts of visual image.

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6
Q

Visual Content

A

The message communicated by the visual image: Formal, symbolic or narrative or a combination.

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7
Q

Visual Image

A

An art-work you see.

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8
Q

Visual Literacy

A

The ability to see a visual image and understand its form and content

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9
Q

Picture plane

A

The area to be designed or created (painted, drawn etc). This can be be paper, canvas, etc

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10
Q

Visual Attractiveness

A

The ability of unit forms to draw the attention to itself based on the degree of contrast.

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11
Q

Visual Hierarchy

A

The ordering of visual unit forms (art elements and design principles) from greater to lesser degree. The unit forms degree of contrast determines the place in the visual hierarchy.

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12
Q

Unity/Harmony

A

The agreement of the unit forms that comprise a visual image. Its creates a visual wholeness.

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13
Q

Positive space

A

The element, whether small or large, in the picture plane that is the “subject”.

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14
Q

Negative Space

A

The space surrounding the positive space, otherwise called “ground”.

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15
Q

Shape

A

A clearly defined area that one can see. It may be defined by an outline, value or color.

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16
Q

Representational shape

A

A shape that represents (looks like) or refers to an object in the real world. May be realistic or barely recognizable. Does NOT mean they are necessarily realistic.

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17
Q

Rectilinear shape

A

Shapes made of straight lines.

18
Q

Curvilinear shape

A

A shape that has rounded and curved/or curved edges and/or contours.

19
Q

Non-representational Shape

A

A shape that does not replicate, OR refer to, an real life object.

20
Q

Stylization

A

The emphasis or exaggeration of visual form. (often abstract or non-realistic)

21
Q

Closed composition

A

Images that are contained in the Frame of reference.

22
Q

Open composition

A

Visual unit forms are expanded beyond the edge of the picture plane. Cut off by the format.

23
Q

Gestalt

A

The whole is different than its parts. We perceive the whole before we notice the parts.

24
Q

Continuation

A

A. A real line connecting design elements
B. A suggested line created though alignment of unconnected forms.

25
Q

Alternating rhythm

A

The regular unchanging repetition of a design element

26
Q

Progressive rhythm

A

Regular repetition of design elements that do CHANGE with each recurrence in the rhythm. Adds variance and unity to the work.

27
Q

Integrative Repetition

A

A NON-rhythmic repetition of design element(s) that lend commonality to the various sections of a work.

28
Q

Principles of Gestalt

A
  1. Unity
  2. Variety
  3. Proximity
    4 Similarity Like but not the same
    5 Continuation
    6 Closure
29
Q

Additive color

A

Non-reflected light

30
Q

Subtractive color

A

Color which is reflected

31
Q

Primary colors

A

Red, yellow, and blue

32
Q

Secondary colors

A

Orange, purple, green

33
Q

tertiary colors

A

mixing one primary with a secondary of the primaries.

ie: Yellow/ gresh
red /orange.

34
Q

Tint

A

Add white to a hue

35
Q

Tone

A

Pure hue + grey

36
Q

Shade

A

Add a little of black to hue

37
Q

Progressive rhythm

A

Regular repetition of design elements that do CHANGE with each recurrence in the rhythm. Adds variance and unity to the work.

38
Q

Orthogonal Lines

A

Lines that recede to the vanishing points in linear perspective.

39
Q

Horizon line

A

The place where sky seems to meet earth.

40
Q

Special Planes

A

Fields of varying depth in the illusion of three-dimensional perspective.

41
Q

Suggested Line

A

A line that is implied through our Gestalts sense of continuation. These lines are created by alignment of forms or their edges, or by the gaze of human or animal forms in the image.

42
Q

Vanishing point

A

The fixed point on the horizon line where the orthogonal lies meet.