Midterm (updated) Flashcards

(15 cards)

1
Q

Nichols’s 3 C’s (Credible, Compelling, Convincing)

A

Key traits of a strong documentary (truthful, engaging, & persuasive); Black Panthers is credible through footage, compelling through rhetoric, & convincing in its political stance

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2
Q

Expository Mode

A

Uses voiceover narration to convey info directly to viewer; Island of Flowers uses a dry, sarcastic narrator expose the absurdity of global inequality

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3
Q

Poetic Mode

A

emphasizes mood, tone, & visual aesthetics over clear argument; Meshes of the Afternoon is poetic in style, using dream imagery & symbolic editing

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4
Q

Observational Mode

A

captures events as they happen, without intervention or narration; Three Songs for Benazir includes observational moments of Benazir’s life in the refugee camp

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5
Q

Participatory Mode

A

filmmaker actively engages with subjects or events; Black Panthers includes interactions between filmmaker & Black Panther members

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6
Q

Reflexive Mode

A

draws attention to filmmaking process or challenge documentary form; Island of Flowers is reflexive in its self-aware narration & structural play

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7
Q

Performative Mode

A

emphasizes filmmaker’s personal perspective or emotional involvement; Three Songs for Benazir uses subjective lens to evoke empathy for Benazir’s struggles

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8
Q

Film as Microcosm

A

a film reflects broader social, political, or cultural structures in mini form; Rear Window is a microcosm of 1950’s American values & gender roles through its apartment courtyard

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9
Q

Realism vs Formalism

A

realism tries to depict life as it is, formalism uses stylization & structure to convey meaning; Roma leans realist with long takes & natural sound, Meshes of the Afternoon is highly formalist

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10
Q

Fetishizing vs Modeling Desire

A

fetishizing reduces people to objects, modeling desire shows them as subjects of affection or aspiration; Black Girl critiques colonial fetishization of African women through Diouana’s treatment of

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11
Q

Hegemony

A

subtle control of society through cultural norms rather than force; Black Panthers exposes how US media & institutions shape public perception of Black activism

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12
Q

Neocolonialism

A

continued control through economics/culture; Black Girl critiques neocolonialism because Diouana is free, but still exploited by French employers

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13
Q

Macro vs Micro Relations in Shot Types

A

macro = overall structure of scenes/shots, micro = details within a shot like lighting, blocking, & framing; Cleo’s subtle facial expressions within crowded frames

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14
Q

Third Cinema vs First & Second

A

a politically radical film movement from the Global South, first = Hollywood, second = European art film; Black Girl is considered third cinema, resisting colonialism & dominant ideologies

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15
Q

Formal & Social Analysis

A

formal = film techniques, social = cultural/political context; a formal reading of Meshes of the Afternoon looks at surreal editing, while a social reading sees it as feminist

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