Midterm (updated) Flashcards
(15 cards)
Nichols’s 3 C’s (Credible, Compelling, Convincing)
Key traits of a strong documentary (truthful, engaging, & persuasive); Black Panthers is credible through footage, compelling through rhetoric, & convincing in its political stance
Expository Mode
Uses voiceover narration to convey info directly to viewer; Island of Flowers uses a dry, sarcastic narrator expose the absurdity of global inequality
Poetic Mode
emphasizes mood, tone, & visual aesthetics over clear argument; Meshes of the Afternoon is poetic in style, using dream imagery & symbolic editing
Observational Mode
captures events as they happen, without intervention or narration; Three Songs for Benazir includes observational moments of Benazir’s life in the refugee camp
Participatory Mode
filmmaker actively engages with subjects or events; Black Panthers includes interactions between filmmaker & Black Panther members
Reflexive Mode
draws attention to filmmaking process or challenge documentary form; Island of Flowers is reflexive in its self-aware narration & structural play
Performative Mode
emphasizes filmmaker’s personal perspective or emotional involvement; Three Songs for Benazir uses subjective lens to evoke empathy for Benazir’s struggles
Film as Microcosm
a film reflects broader social, political, or cultural structures in mini form; Rear Window is a microcosm of 1950’s American values & gender roles through its apartment courtyard
Realism vs Formalism
realism tries to depict life as it is, formalism uses stylization & structure to convey meaning; Roma leans realist with long takes & natural sound, Meshes of the Afternoon is highly formalist
Fetishizing vs Modeling Desire
fetishizing reduces people to objects, modeling desire shows them as subjects of affection or aspiration; Black Girl critiques colonial fetishization of African women through Diouana’s treatment of
Hegemony
subtle control of society through cultural norms rather than force; Black Panthers exposes how US media & institutions shape public perception of Black activism
Neocolonialism
continued control through economics/culture; Black Girl critiques neocolonialism because Diouana is free, but still exploited by French employers
Macro vs Micro Relations in Shot Types
macro = overall structure of scenes/shots, micro = details within a shot like lighting, blocking, & framing; Cleo’s subtle facial expressions within crowded frames
Third Cinema vs First & Second
a politically radical film movement from the Global South, first = Hollywood, second = European art film; Black Girl is considered third cinema, resisting colonialism & dominant ideologies
Formal & Social Analysis
formal = film techniques, social = cultural/political context; a formal reading of Meshes of the Afternoon looks at surreal editing, while a social reading sees it as feminist