Midterms Flashcards

(95 cards)

1
Q

tracing process which requires the application of considerable pressure

A

Indention or Canal-Like Process

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2
Q

process made carbon paper tracing

A

Carbon Outline Process

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3
Q

forged signature which closely resembles the genuine made by some tracing process or outline form.

A

Traced Forgery

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4
Q

a forged signature which resembles the genuine signature written in free-hand. Considered as the Most Skillful Form of Forgery.

A

Simulated or Copied forgery

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5
Q

a forged signature where no attempt has been made to make a copy or facsimile of the genuine writing of a person purported to sign the document. Also known as Spurious Signature.

A

Simple forgery

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6
Q

most useful and effective protective covering of a disputed document

A

Transparent Plastic Envelope

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7
Q

the act as falsifying and counterfeiting of treasury or bank notes, paper bills or any instruments payable to the bearer or order.

A

Forgery

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8
Q

refers to the act of simulating or copying or tracing somebody’s signature without the permission of the later, for profit.

A

Forgery

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9
Q

a class of signature for routinely executed document or made for personal correspondence.

A

Informal or Cursory

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10
Q

Used for mail delivery of goods, purchase of equipments and an autograph collector.

A

Careless Scribble

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11
Q

tracing process made with the used of light from the back or bottom using transmitted light process

A

Projection or Transmitted Light Process

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12
Q

signature characterized by inter-widening strokes

A

Highly Individualized

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13
Q

signature in which letters or characters are readable

A

Conventional Signature

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14
Q

specimen which was executed in particular date, particular time and place, under a particular writer’s condition and for a particular purpose.

A

Evidential Signature

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15
Q

A genuine signature which was used in preparing simulated or traced forgery.

A

Model signature

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16
Q

a name of person signed by himself on a document as a sign of acknowledgement.

A

Signature

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17
Q

found either at the beginning or end of letters, both small and capital in which the pen touched or left of the paper so slowly that a tiny pool of ink spread slightly.

A

Knob

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18
Q

the long downward stroke that is the trunk or stalk, seen especially in B, F, K, P.

A

Main stroke or Stem or Shank of Staff

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19
Q

the rounded outer side of the top of the bend, crook, or curve in small letters such as h, k, m, n.

A

Hump

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20
Q

The long initial rising stroke of a letter.

A

Initial Spur

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21
Q

the bend, crook, or curve on the inner side of the bottom loop or curve of small letters.

A

Hook or Through

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22
Q

added strokes that serves as an ornamental or flourish to the design of the letters. They considered unnecessary to the legibility of the writing.

A

Embellishments

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23
Q

strokes added to complete certain letters. They are necessary to the legibility of the letters.

A

Diacritics

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24
Q

the upward stroke, usually on letters that have a high loops such as h, d, and I.

A

Whirl

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25
an horizontal or downward final stroke usually seen in small letters such as a, s, u, y.
Space Filler or Terminal Spur
26
class of signature used in acknowledging important document such as will, checks, contract and business papers.
Formal or Complete
27
the introductory backward stroke added to the beginning of many capital letters; it is also occasionally found in some small letters.
Hitch
28
the base, or bottom of a letter that lies on the line of writing.
Foot
29
the small loop formed by strokes that extend in divergent directions as in b, c, f, k, p. q, r, s, v, w, and Z.
Eye Loop or Eyelet
30
The continuous line that joins two letters.
Dactus Link or Junction Connected
31
disconnected and non-continuous stroke between two letters.
Dactus Broken or Junction Broken
32
=the part of a letter ordinarily formed by a small circle that usually lies on the line of writing, as the bodies of a, b, d, g, o, p.
Central Part or Body
33
the horizontal and looped strokes that are often used to complete such letters as A, F, f, H and D.
Buckle Knot
34
is the location of the pen in relation to the paper surface, which can be determined by the presence of the emphasis or pen shading.
Pen Position (pen hold)
35
refers to the more obvious increase in the width of the letter strokes or the widening of the ink strokes due to the added ink on the flexible pen point or the use of the stub pen.
Shading
36
a special form of pen-lift in which there is an obvious gap between letters
Hiatus
37
interruption in a stroke caused by removing the writing instrument from the paper. Disconnection between letters and letter combination may be due to lack of movement control. Using a ballpoint pen may cause pen lift due to failure of the ball to rotate.
Pen lift
38
is a stroke going back to repair a defective portion of the writing stroke. Careful patching is a common fault in forgeries.
Retouching or Patching
39
is the stroke that normally goes back over another writing strokes; it is slightly to occur in others handwriting.
Retracing or Retrace
40
represents the reach of the hand with the wrist at rest. It is the average scope or limits of the pen during the process of writing with the wrist of the hand at still.
Pen Scope
41
the beginning and ending strokes of letters, both small and capital, in which the pen touch the paper without hesitation, beard, Hitch or knob.
Blunt
42
The slight up and down introductory or sort of double hitch, seen at the beginning of many capital letters.
BEARD
43
the bend, crook, or curve on the inner side of the upper loop of such letters as c, h, m, n, etc.
ARC
44
cannot be measured precisely from the finished handwriting but it can be interpreted in board term as to slow and drawn, deliberate, average and rapid.
Speed
45
refers to the degree of proportion, balance, or harmony of the formation of strokes
Symmetry
46
is the degree to which glyphs (individual characters) in writing are understandable or recognizable based on appearance.
Legibility
47
refers to the relative degree of the writer's proficiency. It cannot be accurately measured although it can be grouped as to poor, average and good. Writing ______ is independent to many factors, manual dexterity being the most important. Its basis is either legibility or symmetry.
Skill
48
is mostly employed in "vertical Writing" and mainly in the formation of printed styles of writing. Letters are formed by the actions of the Thumb, Index and the Middle Fingers.
Finger movement
49
refers to factors relative to the motion of the pen such as, pressure, rhythm, pen lifting, and others.
Writing movement
50
is the visible record in the written stroke of the basic movement and manner of holding the pen or writing instrument. It is derived from a combination of factors including writing skill, speed, rhythm, freedom of movement shading and proportion.
Line Quality
51
writing is produced by the movement of the hand and arm and also fingers in some cases. The elbow is the pivotal of the lateral movement.
Forearm (or Muscular Movement)
52
it involves the action of the hand as a whole with fingers playing but a mirror role (mainly in the formation of small letters) and the wrist is the pivotal of the lateral movement.
Hand Movement
53
involves the action of the entire arm without rest and is employed in very large writing.
Whole-Arm Movement
54
is the balance quality of movement or the harmonious recurrence of strokes or impulse. As an element of writing movements, rhythm accounts to be one of the very essential for there is nothing in handwriting so difficult to imitate as the exact quality of a muscular rhythm.
Rhythm
55
is the act of intermittently forcing the pen against the paper surface with increase pressure or the periodic increase in pressure of the writing.
Pen Emphasis
56
is the average force with which the pen comes in contact with the paper or the usual force involves in the writing. This is one of the most personal but somewhat hidden characteristics in writing.
Writing (Pen) Pressure
57
those that have been introduced into the handwriting, whether consciously unconsciously by the writer
Personal or Individual Characteristics
58
those derived from the general style to which the handwriting conforms
Class or Style Characteristics
59
refers to any property or mark which serves a distinguishing trait
Characteristics
60
are those changes which continue to exist only while the basic cause is affecting the writer
Transitory Changes
61
refers to the usual or normal deviation found in a repeated writing specimen of an individual's handwriting
Natural Writing Variation
62
It refers to tremor at the wrong place or tremor that is wrongly placed.
Tremor Fraud
63
tremor that is not due to weakening of the muscle but due to lack of skills on the part of the writer.
Tremor of Illiteracy
64
natural consequence of one's handwriting
Genuine Tremor
65
It is a writing weakness portrayed by irregular, or wavering stroke.
TREMORS
66
an imaginary or straight line in which the writing rest.
Baseline
67
refers to the degree of writing inclination relative to the baseline
Slant
68
elements of one's writing that are sufficiently unique and well fixed to serve as a strong basis of individuality.
Significant Writing Habits
69
signs of forgery in guided a thing
Good Pen control
70
signs of forgery in guided a ting
Good Pen control
71
signs of genuine guided writing
Abrupt in Direction
72
a specimen of writing executed while the writer's hand is at steadied. Usually employed by beginners in writing.
Guided/Assisted Writing
73
is a specimen of writing executed deliberately by the author in trying to alter his usual writing habits in the hope of hiding his identity
Disguised Writing
74
refers to the amount of horizontal gap or space between letters.
Letter Spacing
75
a type of ratio in which the size of short letters is one-third (1/3) the size of tall letters
Low Ratio
76
a type of ratio in which the size of short letters is three-fourth (3/4) the size tall letters
High Ratio
77
a type of ratio in which the size of short letters is half (1/2) the size of tall letters
Normal Ratio
78
are letters written between the lines
Short Letters
79
are letters with upward and downward strokes on some projected parts
Tall Letters
80
refers to the relationship between short and tall letters
Ratio of Writing
81
is the combination of the basic shape and designs of letter and the writing movement which was taught in school.
System of Writing
82
is an illustration of the basic designs of letters that is fundamental to the writing system.
Copy-book-form
83
goes toward the body
Downward stroke
84
goes away from the body of a letter
Upward stroke
85
used for lateral movement
Lumbrical
86
it pulls the pen down to make downward strokes
Flexor
87
it pushes the pen up to make upward strokes
Extensor
88
is a visible effect of bodily movement which is an almost unconscious expressions of fixed muscular habits, reacting from fixed mental impression of ertain ideas associated with script form.
Handwriting
89
is the visible result of a very complicated series of acts, being as a whole or a combination of certain forms which are the very visible result of mental and muscular habits acquired by long continued painstaking effort.
Writing
90
refers to any repeated elements or details which may serve to individualize writing
Writing Habits
91
a specimen of writing that is executed normally and without any attempt of altering its usual writing habits
Natural Writing
92
refers to writing characterized disconnected by a style.
Handlettering
93
writing in which the letters are for the most part joined together.
Cursive Writing
94
the art of attempting to interpret the character or personality of an individual from his handwriting.
Graphology
95
a mental disease where one loses the ability to write although he could still grasp a writing instrument
AGRAPHIA