Miruthangam Flashcards

1
Q

What type of instrument is Miruthangam and what does it vitally accompany?

A
  • Classical percussion instrument
  • Vocal, instrumental + dance
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2
Q

What does its name mean and where is this derived from?

A
  • Clay body
  • Derived from the fact that its original body was made of clay
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3
Q

Body of Miruthangam:

A
  • Scooped out of single block of wood (jackwood, redwood or margosa wood)
  • Similar to 2 bottomless flowerpots joined at rims
  • Skins fastened to leather braces and are stretched over the 2 heads
  • Small cylindrical pieces (‘Pul’) placed between shell and braces to adjust pitch
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4
Q

Layers of Miruthangam (names + what they are):

A
  • Right head = Valanthalai (3 concentric layers of skin, innermost concealed from view)
  • Innermost layer = Utkaraithattu
  • Following layer = Vettuthattu/Meetuthol (calf skin)
  • 3rd layer = Kottuthattu/Chapputhol (sheep skin)
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5
Q

Describe what is it at the centre of Valanthalai and its role:

A
  • Permanent fixature of black paste in circular manner (Soru/Karanai/Marundu)
  • Consists of manganese dust, boiled rice + tamarind juice or fine iron filings
  • Hand stone w/ polished surface is used so that paste is thickest at centre then thins out
  • Gives fine characteristic tone of Miruthangam
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6
Q

What is the left head known as, how many layers does it have, what is it made of and what is put on it at the beginning of a concert?

A
  • Left head = Idanthalai/Thoppi
  • 2 layers
  • Outer layer = Buffalo skin, Inner layer = Sheep skin
  • Paste of Suji (semolina) + water or boiled rice, water + ashes temporarily fixed at centre
  • Removed at end of concert
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7
Q

State lengths of part of Miruthangam:

A
  • RH = 7 in, LH = 7 1/2 in
  • Length of Miruthangam is about 2 ft
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8
Q

Method of playing:

A
  • 2 hands, wrists + fingertips
  • Jati exercises first learnt vocally + practised on dummy instrument
  • Preliminary beats + strokes practised on Miruthangam
  • Powers of creation can be shown in solo performance called ‘Thani Avartanam’
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