MODULE 6-8: GESTALT'S PRINCIPLES, PERCEPTIONS AND MORE Flashcards

Gravitational Curve, Gestalt's Principle & User Requirements and Perception of Spaces (27 cards)

1
Q

The easiest and simplest kind of Balance in which the elements are arranged in precisely the same manner on either side of a central axis or line. It is subtle and elusive, and difficult to attain.

A

Symmetrical Balance

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2
Q

It approaches absolute symmetry. The parts of the design are not identical but are equal in visual weight.

A

Asymmetrical Balance

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3
Q

It is characterized by all parts radiating from a center.

A

Radial Balance

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4
Q

It is a complete adaptation to surroundings, and emphasizes picturesqueness instead of symmetry. It results freely rely on natural surroundings instead of man-made structures.

A

Gravitational Curve

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5
Q

It is the ability to distinguish shapes, color, and details one sees.

A

Visual Acuity

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6
Q

Dependent on one’s particular cognitive processes and prior knowledge, it is the ability to interpret color patterns and shapes through light that enters our eyes.

A

Visual Perception

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7
Q

Where did the Gestalt’s Principles in Visual Perception emerge from in the 20th century?

A

Austria and Germany

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8
Q

These are a series of hypotheses defined by German Psychologists in the 1920s which state that ‘the whole is something else than the sum of its parts” and “breaks down how relationships between design elements are formed and interpreted by the human mind.”

A

Gestalt’s Principles

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9
Q

Visualization of a group with the same elements on both sides.

A

Symmetry

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10
Q

This occurs when elements are placed close to each other.

A

Proximity

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11
Q

Movement of the eyes from one object to another as they would follow a path. This is often used in typography-based logos.

A

Continuity

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12
Q

If enough of the shape is indicated or hinted at, the viewer will subconsciously fill in the missing information.

A

Closure

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13
Q

The eye differentiates an object from its surrounding area. A fore or shape is perceived as the “figure”, while the surrounding area is perceived as “ground”.

A

Figure & Ground

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14
Q

Visualization of a group with similar elements.

A

Similarity

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15
Q

_______, when objects are similar and another object can be emphasized if it is different from the others. It is an additional feature of the Similarity Principle.

A

Anomally

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16
Q

_______ is a process through which humans and other organisms become aware of the relative positions of their own bodies and objects around them.

A

Space Perception

17
Q

According to the theories of ____ and his Aesthetic Model, there are three (3) main scales that man experiences.

A

Alois Regel (1858-1905)

18
Q

What are three (3) main scales that man experiences?

A
  1. Near/Small
  2. Middle/Medium
  3. Far/Large
19
Q

Shading and contrast become important when understanding objects in a space at a distance.

A

Middle/Medium

20
Q

When experiencing architectural objects from a large distance, the ability for tactile understanding fades out. Simple forms and colors are most important.

21
Q

We are able to best understand complex curvilinear geometry. We can take an entire object, grasp it, rotate it, feel it, etc., and be able to build a mental map of the object and understand it much easier.

22
Q

It is an aspect of perception and concerns the processes involved in distinguishing shapes through the senses.

A

Form and Shape Perception

23
Q

Studies of this suggest that roughness is judged from cues signaling the protrusion and spatial distribution of surface elements.

A

Texture Perception

24
Q

In visual perception, ____ is the difference in visual properties that makes an object (or its representation in an image) distinguishable from other objects and the background.

A

Contrast Perception

25
The term ____ represents primarily the end beneficiary of the plan and design of a structure, making them the highest level of priority.
USER
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