Module C Flashcards

(7 cards)

1
Q

techniques used by Nam Le’s diasporic story “Love and Honour and Pity and Pride and Compassion and Sacrifice”

A
  • Onomatopoeia
  • Subtle plot, underlying themes/motifs and ideas that are never directly explicitly addressed
  • Lots of dialogue between the characters in order to construct their personalities, contexts and perspectives
  • Metafiction – writing about writing
    o Use of writing to explore tropes and stereotypes
    o The author sees writing as a way of forming one’s identity - cathartic
  • The use of (unreliable) first person narrative to increase the tension and curiosity of what his father is thinking
    o Constructs the father to be elusive – especially in the eyes of Nam Le
  • Explores many different aspects such as culture and family
  • Motif of nature, vivid natural imagery to describe his feelings, emotions or state f mind
  • Time jumps/flashbacks (non-linear narrative) to almost give a sense of a pieces of a timeline that slowly begins to form as the story goes on, shows the fragmentation of the persona’s mind, abrupt paragraph or scene endings brings a source of tension
    o the reader is allowed to explore and piece together the sequence of events (engaging)
  • intimate, raw, remorseful, nostalgic tone – due to hindsight
    o raw and intimate
    o narrative voice – characteristic, some of the piece, characters that show similarities and differences
    o life experience, something only he can tell.
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2
Q

normal techniques which characterise an imaginative

A

realistic scenarios that reflect… human behaviour

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3
Q

things to describe nam le’s story Love and honour and pity and pride and compassion and sacrifice

A
  • diasporic
  • metafiction
  • criticises the growing consumerism surrounding ethnic literature
  • details an author’s battle between writing about his own Eastern ethnicity whilst attempt to adhere to the western aesthetics of literature
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4
Q

techniques used by Geraldine Brookes in her discursive

A
  • Anaphora, truncated sentences which give impact
  • Vivid sensory imagery
  • Provoking/thought provoking
  • Rhetorical questioning and metaphors
  • A slightly humorous tone, entertaining through displaying her personality in the snapshots of her
  • Cyclic structure – her text ends and starts with same topic, full circle
  • Personification of language – it is powerful
  • States some facts and conclusions she has drawn but mostly a questioning tone
  • Antithesis – contrasts but in the same sentence (juxtaposition) e.g. modern is ancient.
  • Began with a personal anecdote – see her thoughts, begin thinking about the main discursive topic, she expresses what happened to her and then her response (which is reflecting on it)
  • Mixes a combination of her thoughts/expectations with realism – giving the readers a taste of ideas, mixing it with reality. Backing claims up with evidence/personal experiences
  • A recount of her expression “learn it from me”. Talking in hindsight as she moves between the past to present tense
  • Motif of the building of a toolbox and wall – uses symbolism to refer to her journey and the completed wall indicates her concept of completion, connecting the whole thing from start to finish
  • References (esteemed) people or other famous books that provide a corroboration or a enw talking point/perspective/way to lead to other things
  • Often ends on a slightly incomplete note, it’s an exploration therefore you can always find out more
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5
Q

general features of a discursive

A
  • Personal experiences and anecdotes – address a tension in their world, understand etc. (something that can be talked about or debated)
  • Use of language to explore and address an idea –> audience can be taken on a reflective journey?
  • Loosely structured and generally flowing from idea to idea or structured using quotes or other thought-provoking things
  • First person perspective (intimate and personal)
  • Types of discursive writing styles
    o Anecdotal
    o Reflective
    o Conversational/personal
    o Emotive
    o Spiritual
    o Referential – historical allusions
    o Historical development
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6
Q

Techniques used by George Orwell in his persuasive

A
  • Very critical (negative) but also recognises that he is prone to do the same things ⟶ “we’re all in this together” vibe – doesn’t ostracise the reader with a harsh tone
  • After each sub-argument or supporting paragraph, summing up and concluding what the paragraph says and how it contributes to the argument
    o E.g. Orwell labels the misuses of language as “swindles and perversions”
  • Ideas, organisation, word choice, sentence fluency, connections
    o Voice: diction, detail, imagery, syntax, tone
    o Solid evidence, elaboration to explain and show point (be clear and concise)
    o Links back to the question repeatedly ⟶ also is not afraid to go into the interesting things.
  • Begins with an introduction which increases a thesis
    o Lures the audience into a sense of guilt, incriminates us (gaining our attention) and implores us to think further
  • Accumulative listing, gives overwhelming and empowers the argument
  • Uses hyperbole to emphasise importance and exaggerate the impact
  • Evidence was listed to be easily referenced – very logical with reasoning (lots of SPECIFIC examples)
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7
Q

General features of a persuasive

A
  • High modality, critical, strong
  • Rhetoric tone – pathos, logos, ethos
  • Assertive, certain, patronising (shows or gives the impression that the writer is quite knowledgeable – establishes credibility in name or action)
  • Aphoristic – matter of fact writing/language
  • Use of language ⟶ directed towards the reader in order to command attention
  • Questioning the reader through rhetorical questioning as a form of exploration and asking the reader to consider
  • Analogies
  • Uses metaphors and similes in order to depict negative/positive connotations
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