Module C Flashcards
(7 cards)
1
Q
techniques used by Nam Le’s diasporic story “Love and Honour and Pity and Pride and Compassion and Sacrifice”
A
- Onomatopoeia
- Subtle plot, underlying themes/motifs and ideas that are never directly explicitly addressed
- Lots of dialogue between the characters in order to construct their personalities, contexts and perspectives
- Metafiction – writing about writing
o Use of writing to explore tropes and stereotypes
o The author sees writing as a way of forming one’s identity - cathartic - The use of (unreliable) first person narrative to increase the tension and curiosity of what his father is thinking
o Constructs the father to be elusive – especially in the eyes of Nam Le - Explores many different aspects such as culture and family
- Motif of nature, vivid natural imagery to describe his feelings, emotions or state f mind
- Time jumps/flashbacks (non-linear narrative) to almost give a sense of a pieces of a timeline that slowly begins to form as the story goes on, shows the fragmentation of the persona’s mind, abrupt paragraph or scene endings brings a source of tension
o the reader is allowed to explore and piece together the sequence of events (engaging) - intimate, raw, remorseful, nostalgic tone – due to hindsight
o raw and intimate
o narrative voice – characteristic, some of the piece, characters that show similarities and differences
o life experience, something only he can tell.
2
Q
normal techniques which characterise an imaginative
A
realistic scenarios that reflect… human behaviour
3
Q
things to describe nam le’s story Love and honour and pity and pride and compassion and sacrifice
A
- diasporic
- metafiction
- criticises the growing consumerism surrounding ethnic literature
- details an author’s battle between writing about his own Eastern ethnicity whilst attempt to adhere to the western aesthetics of literature
4
Q
techniques used by Geraldine Brookes in her discursive
A
- Anaphora, truncated sentences which give impact
- Vivid sensory imagery
- Provoking/thought provoking
- Rhetorical questioning and metaphors
- A slightly humorous tone, entertaining through displaying her personality in the snapshots of her
- Cyclic structure – her text ends and starts with same topic, full circle
- Personification of language – it is powerful
- States some facts and conclusions she has drawn but mostly a questioning tone
- Antithesis – contrasts but in the same sentence (juxtaposition) e.g. modern is ancient.
- Began with a personal anecdote – see her thoughts, begin thinking about the main discursive topic, she expresses what happened to her and then her response (which is reflecting on it)
- Mixes a combination of her thoughts/expectations with realism – giving the readers a taste of ideas, mixing it with reality. Backing claims up with evidence/personal experiences
- A recount of her expression “learn it from me”. Talking in hindsight as she moves between the past to present tense
- Motif of the building of a toolbox and wall – uses symbolism to refer to her journey and the completed wall indicates her concept of completion, connecting the whole thing from start to finish
- References (esteemed) people or other famous books that provide a corroboration or a enw talking point/perspective/way to lead to other things
- Often ends on a slightly incomplete note, it’s an exploration therefore you can always find out more
5
Q
general features of a discursive
A
- Personal experiences and anecdotes – address a tension in their world, understand etc. (something that can be talked about or debated)
- Use of language to explore and address an idea –> audience can be taken on a reflective journey?
- Loosely structured and generally flowing from idea to idea or structured using quotes or other thought-provoking things
- First person perspective (intimate and personal)
- Types of discursive writing styles
o Anecdotal
o Reflective
o Conversational/personal
o Emotive
o Spiritual
o Referential – historical allusions
o Historical development
6
Q
Techniques used by George Orwell in his persuasive
A
- Very critical (negative) but also recognises that he is prone to do the same things ⟶ “we’re all in this together” vibe – doesn’t ostracise the reader with a harsh tone
- After each sub-argument or supporting paragraph, summing up and concluding what the paragraph says and how it contributes to the argument
o E.g. Orwell labels the misuses of language as “swindles and perversions” - Ideas, organisation, word choice, sentence fluency, connections
o Voice: diction, detail, imagery, syntax, tone
o Solid evidence, elaboration to explain and show point (be clear and concise)
o Links back to the question repeatedly ⟶ also is not afraid to go into the interesting things. - Begins with an introduction which increases a thesis
o Lures the audience into a sense of guilt, incriminates us (gaining our attention) and implores us to think further - Accumulative listing, gives overwhelming and empowers the argument
- Uses hyperbole to emphasise importance and exaggerate the impact
- Evidence was listed to be easily referenced – very logical with reasoning (lots of SPECIFIC examples)
7
Q
General features of a persuasive
A
- High modality, critical, strong
- Rhetoric tone – pathos, logos, ethos
- Assertive, certain, patronising (shows or gives the impression that the writer is quite knowledgeable – establishes credibility in name or action)
- Aphoristic – matter of fact writing/language
- Use of language ⟶ directed towards the reader in order to command attention
- Questioning the reader through rhetorical questioning as a form of exploration and asking the reader to consider
- Analogies
- Uses metaphors and similes in order to depict negative/positive connotations