Movements Flashcards
(34 cards)
Hop
Movement of elevation begun on ball of one foot & landing on ball of same foot
Bow
Feet & head in 1st pos, arms in 1st or at sides
Incline body forward slowly (not too far) & return to original position.
If arms at sides, bring to 1st on 1st count after bow
Spring
Movement of elevation beginning on ball of one foot and landing on ball of other foot
Step
Transfer of weight from one foot on to ball of other foot, with or without travel
When designated, may lower heel to finish on flat
Assemble
Movement of elevation begun on ball of one foot & landing on balls of both feet in 3rd or 5th
Disassemble
Movement if elevation begun in closed position with equal weight, flat or on balls of both feet, finished landing on ball of one foot with other placed in (or raised to) specified position
No travel on disassemble and no extension of landing foot (unless specified)
Change
Movement of elevation begun with weight on balls of both feet in 5th and landing on balls of both feet simultaneously in 5th with other foot front.
No extension towards 2nd on elevation
May also be done in 3rd
Leap
Movement of elevation begun on balls of both feet in 5th, extending feet toward 2nd aerial, finished landing simultaneously on balls of both feet in 5th with or without change of feet.
On extension during elevation both legs should be straightened
Outward Brush
Half point of working foot lightly touches ground in progress from 3rd aerial very low through 3rd to open aerial position or from a rear position, thru 1st to 4th aerial position
When done with spring or hop, working foot touches almost simultaneously on landing
Inward brush
Half pt lightly touches ground in progress from an open aerial position to accepted closed pos (e.g. shuffle) or 3rd aerial low (hbbb)
Shake for ST
Always done w/hop
working foot progressively extended by 2 or more subsidiary movements (“shake actions”) from 3rd/5th pos to 2nd aerial high. Shake actions come from knee and are controlled by thigh; they should start while flexing knee of supporting leg in prep for hop, simultaneously on landing from which, working foot arrives at highest pt. ex counting: and and a 1
Shake for fling
Always with a hop
Working foot starts placed in 3rd/5th pos from where it is extended to 4th Int aerial pos using only 1 subsidiary movement. Thus actual shake = 2 shake actions, 1st finished in 4th Int aerial low and 2nd arriving at 4th Int aerial simultaneously upon landing from the hop.
Ex counting: 1 and [and] a 2 or 1 [and] and a 2
Pas de basque
Prepare w/ext of working foot to 2nd aerial pos low, spring to that side bringing the working foot to 3rd/5th pos on half pt and beat (w/o exaggeration) on the ball of the other foot in 3rd/5th rear, at same time sharply extending front foot if needed to begin next movement.
- same pos (3rd/5th) throughout
- when turn or partial turn done w/2 pdb, no ext to finish 1st pdb and 2nd done w/little-no travel
- May be danced w/other than lateral travel, in which case ext of starting foot is along req line of travel (generally toward 4th Int)
Counting for 2pdb:
Sword - 1& 2 3& 4
All others - 1 & 2 3 & 4
Open pdb
Pdb w/front foot in 4th opposite 5th and no extension at the finish
Used in sword dance, in quick step also in 4th, 4th Int, and 2nd
High cut - describe
Spring, hop, or disassemble - simultaneously on landing take the working foot to 3rd rear aerial. Then, working from knee only, extend working foot towards 2nd aerial pos and return to 3rd rear aerial. During elevation one or both legs are extended toward 2nd aerial pos. no side travel unless specified.
High cuts in series - describe, options
Succession of springs from 3rd rear aerial to 3rd rear aerial, executing high cut each time & during each elevation extend both feet toward 2nd aerial pos. extension for foot from which spring is commenced may be slight.
Can be danced w/ or w/o extensions
S’pey: 1& 2& 3& 4& (sometimes single one 1 and [and])
Reel: 1 & 2 & 3 & 4 (sometimes single one 1 and [and])
High cuts in sword or reel - rule for ext
If extended, high cut which is executed from disassemble must be extended
High cuts w/o extension - rule re 1st one
Permissible to extend high cut that is executed in conjunction w/disassemble
High cut in front
Same as high cut, but raised foot is taken thru 4th Int aerial to 3rd aerial & re-extension is towards 4th Int aerial (some steps specify ext to 2nd aerial).
Never in series
Balance
Start w/R foot in 4th Int aerial, hips facing front w/R shoulder slightly advanced, arms in 3rd pos & head in 2nd pos. spring onto R foot, displacing supporting foot which is taken to 4th Int rear pos aerial. Repeat contra to complete movement & finish in starting pos. 2 bears of music.
Traveling balance
Start as for a balance, bring R foot inwards to take 3 steps R L R traveling diagonally backward in a line ~45deg to line of direction, stepping 5th, 4th Int, 5th. Extend L to 4th Int rear aerial simult on taking 3rd step (1 & 2).” Repeat contra, traveling fwd along same line to finish in starring pos (3 & 4).
Upper body erect the whole time
Arms are taken inwards to fourth pos during backward during backward travel then to 3rd during fwd travel OR circled outwards and down to at sides to 5th on backwards and circled outwards & up at sides to 3rd on fwd travel
Rock
Spring from 3rd/5th pos to 3rd rear pos, or vice-versa, pointing working foot on landing, touching ground lightly. Rocks are usually danced in series, in which 1st one is started from open pos. rear foot always pointed 1st.
Round the leg
Working foot is passed from 3rd rear aerial to 3rd aerial, or vice-versa. During movement the working foot must be kept as close as possible to supporting leg with the knee of working leg held well back
Shedding
Hop, spring, or disassemble pointing working foot to 2nd pos (1); hop, taking working foot to 3rd rear aerial pos (2); hop, executing round the leg movement with working foot to 3rd aerial (3); hop, executing round the leg movement with working foot to 3rd rear aerial pos (4).
Arms: 2nd opposite
