musc 121 Flashcards
(24 cards)
ars nova time period
early 1300’s
new music time period
early 1600’s
examples of 17th C discoveries
solar system, calculus, political equality/capitalism, opera
the affections
for every motion stimulating the senses, there is a specific motion evoked in the soul (ie. sadness, joy, anger, love, fear, excitement, wonder
seconda practica
music as the servant of the words. controversial way of word painting by monteverdi (fifth book of madrigals). basically music doesn’t have to be pretty to be good/meaningful
why is seconda practica controversial and who is famous for hating it
giovanni maria artusi criticized seconda practica for breaking all counterpoint rules. he instead advocated for “prima práctica”, the traditional way
basso continuo/basso seguente
uninterrupted bass
solo madrigal
-solo voice w/ basso continuo -strophic -throughcomposed -published in le nuove musische-performed in late 1580’s in a palace in florence -drew on polyphonic madrigal and solo singing
figured bass
composer provided numbers and flats/sharps
opera definition
a work
monody
solo voice w/ accompaniment (solo madrigal, aria, recitative)
influential/popular story in early operas
orpheus, theme of the power of music
canzonetta
folk-like song used in renaissance, dance like, easy to follow, type of aria
aria
long song accompanying solo voice
early greek tragedy operas consisted of…
-single melody -sung by a soloist or chorus -performed w/ or w/o accompaniment -could evoke powerful emotions in the listener (seconda practica) -used natural vocal registers, melodic contour, meter and tempo
renaissance antecedents:
1) pastoral drama 2)madrigal 3) intermedio (intro/interlude/outro)
was italy a wealthy nation in europe at this time?
yes, the wealthiest
florentine camerata
all-male discussion by academics and wealthy aristocrats over opera. usually attacked counterpoint and defended monody
music of euridice - jacopo peri (1600)
-earliest survivingopera in a complete score -includes two types of monodys (aria and recitative) -strophic form -internal rhyme scheme
arioso
rhythm of the vocal line between regular rhythm of aria and free rhythm of recitative
venetian public opera characteristics
-solo singing -small orchestral ensemble -human relationships -artists demanded high pay -history, not legend -carnival!!!!
venitian carnival
-diverse and sizeable audience base - very social event -9 opera houses in 1678 -similar to today’s las vegas -allowed multiple performances of one opera -very competitive -fewer instruments -complex human characters
early operas in rome
-lives of saints comic themes -spectacular stage effects -extended choruses -women were banned, all female roles were done by castrati
“lament bass”
descending tetrachord