Music HIst#3 Flashcards
(49 cards)
Bela Bartok
Early works - late romantic movement
Mikrokosmos- piano pedological study
Used folk music Bluebeards castle,
Neotonal
early1900’s songel pitch as tonal center but non traditional harmonics
Ethnomusicology
study of cultures and their music. peasent music
“night music”
covey the feeling and representation of nature
Concerto for orchestra
1943late work
Zoltan Kodaly
composer, worked with Bartok as ethnomusicologist
Charles Ives- 4 sphers of composition
American vernacular, Protestant church music, European classical, and experimantal
The Unanswered question
08, tonal and atonal layers
Collage
use of multiple tunes, layered to represent the recall of experiences from a memory
technology on music
phonographs,sound film, electronic recording=radio influence
Irving Berlin
Patriotic tunes, God Bless America and White Christmas. Ragtime music- Alexanders ragtime band. Wrote for revues
Cole Porter
went to Yale and harvard. Sophisticated lyrics, sexual, innuendo and double-entendre. Wrote exculsivly for theater and Hollywood.
12 bar blues
first four bars=1 next two=IV next two=1, next two=V last two=I. A. A. B
the Blue note
A bent or b3rd, 5, or 7
Jazz origins/features
born in new orleans. 20’s jazz= syncopated rhythm, novel vocal and instrumental sounds, unbridled mocking of social musical ideal, improv, performer oriented
New orleans jazz
leading style after WWI, varitation of a given tune, improvised or in the same spontaneous style. alternating solos rest of the band supports rhythmicly. Call and response, gospel
Blues or pop songs as a starting point then harmonicaly played with improv over top
Louis Armstrong/scat
trumpet player, amazing improv, played with King Oliver. Scat= singing syllabes rather than play notes on instrument
Big band
jazz for dance music in ballrooms, supper club theater. 3 sections- brass, reeds and rhythm . brass- trumpet trombone, reed- clarinets sax, rhythm- piano, drums, guitar, double bass.
Swing
dance music 30’s-40’s.
Contrafact
using a popular harmonic progression and playing a new melody over top
Film Music
Diegetic/source music- heard or performed by the characters themselves
Nondiegetic/underscoring music- for the audience, background music that converys a mood or aspects of scene or charactor
Max Steiner-King Kong
the model for underscoring, used leit-motives to represent charactors and ideas
Carol Starling and others
Starling- looney tunes and disney
others- Korngold, Newman(1st american born)
Les Six
French didnt really work together. Seeked to free French music from forgien domination. anti romantic.