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31 - MUSI 1F00 Term 2 > Music Pieces Part 1 > Flashcards

Music Pieces Part 1 Flashcards

(36 cards)

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1
Q

Johnny B. Goode” by Chuck Berry (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

Johnny B. Goode” by Chuck Berry (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
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2
Q

Johnny B. Goode” by Chuck Berry (1958)

> Significance
Cultural Context
Context within the centre-periphery model

A

Johnny B. Goode” by Chuck Berry (1958)

> Significance
Cultural Context
Context within the centre-periphery model

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3
Q

Chantilly Lace” by the Big Bopper (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

Chantilly Lace” by the Big Bopper (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
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4
Q

Chantilly Lace” by the Big Bopper (1958)

> Significance
Cultural Context
Context within the centre-periphery model

A

Chantilly Lace” by the Big Bopper (1958)

> Significance
Cultural Context
Context within the centre-periphery model

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5
Q

Mr. Lonely” by Bobby Vinton (early-1960s)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

Mr. Lonely” by Bobby Vinton (early-1960s)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
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6
Q

Mr. Lonely” by Bobby Vinton (early-1960s)

> Significance
Cultural Context
Context within the centre-periphery model

A

Mr. Lonely” by Bobby Vinton (early-1960s)

> Significance
Cultural Context
Context within the centre-periphery model

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7
Q

Pony Time” by Chubby Checker (1961)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

Pony Time” by Chubby Checker (1961)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
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8
Q

Pony Time” by Chubby Checker (1961)

> Significance
Cultural Context
Context within the centre-periphery model

A

Pony Time” by Chubby Checker (1961)

> Significance
Cultural Context
Context within the centre-periphery model

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9
Q

“Sitting On Top of the World” by Les Paul and Mary Ford (1953)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“Sitting On Top of the World” by Les Paul and Mary Ford (1953)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
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10
Q

“Sitting On Top of the World” by Les Paul and Mary Ford (1953)

> Significance
Cultural Context
Context within the centre-periphery model

A

“Sitting On Top of the World” by Les Paul and Mary Ford (1953)

> Significance
Cultural Context
Context within the centre-periphery model

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11
Q

“He’s a Rebel” by the Crystals (1962)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“He’s a Rebel” by the Crystals (1962)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
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12
Q

“He’s a Rebel” by the Crystals (1962)

> Significance
Cultural Context
Context within the centre-periphery model

A

“He’s a Rebel” by the Crystals (1962)

> Significance
Cultural Context
Context within the centre-periphery model

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13
Q

“River Deep—Mountain High” (1966) by Tina Turner produced by Phil Spector

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“River Deep—Mountain High” (1966) by Tina Turner produced by Phil Spector

> Artist
> Date
> Genre/Style
> Form
> Standard Features
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14
Q

“River Deep—Mountain High” (1966) by Tina Turner produced by Phil Spector

> Significance
Cultural Context
Context within the centre-periphery model

A

“River Deep—Mountain High” (1966) by Tina Turner produced by Phil Spector

> Significance
Cultural Context
Context within the centre-periphery model

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15
Q

“Surfin’ USA” by The Beach Boys (1963)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
A

“Surfin’ USA” by The Beach Boys (1963)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
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16
Q

“Surfin’ USA” by The Beach Boys (1963)

> Significance
Cultural Context
Context within the centre-periphery model

Study These Flashcards
A

“Surfin’ USA” by The Beach Boys (1963)

> Significance
Cultural Context
Context within the centre-periphery model

17
Q

“Sweet Little Sixteen” by Chuck Berry (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
Study These Flashcards
A

“Sweet Little Sixteen” by Chuck Berry (1958)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
18
Q

“Sweet Little Sixteen” by Chuck Berry (1958)

> Significance
Cultural Context
Context within the centre-periphery model

Study These Flashcards
A

“Sweet Little Sixteen” by Chuck Berry (1958)

> Significance
Cultural Context
Context within the centre-periphery model

19
Q

“Fun, Fun, Fun” by The Beach Boys (1964)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
Study These Flashcards
A

“Fun, Fun, Fun” by The Beach Boys (1964)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
20
Q

“Fun, Fun, Fun” by The Beach Boys (1964)

> Significance
Cultural Context
Context within the centre-periphery model

Study These Flashcards
A

“Fun, Fun, Fun” by The Beach Boys (1964)

> Significance
Cultural Context
Context within the centre-periphery model

21
Q

“Sloop John B” from Pet Sounds by The Beach Boys (1966)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
Study These Flashcards
A

“Sloop John B” from Pet Sounds by The Beach Boys (1966)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
22
Q

“Sloop John B” from Pet Sounds by The Beach Boys (1966)

> Significance
Cultural Context
Context within the centre-periphery model

Study These Flashcards
A

“Sloop John B” from Pet Sounds by The Beach Boys (1966)

> Significance
Cultural Context
Context within the centre-periphery model

23
Q

“Surf City” by Jan and Dean (1963)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
Study These Flashcards
A

“Surf City” by Jan and Dean (1963)

> Artist
> Date
> Genre/Style
> Form
> Standard Features
24
Q

“Surf City” by Jan and Dean (1963)

> Significance
Cultural Context
Context within the centre-periphery model

Study These Flashcards
A

“Surf City” by Jan and Dean (1963)

> Significance
Cultural Context
Context within the centre-periphery model

25
“Love Me Do” by the Beatles (1962) ``` > Artist > Date > Genre/Style > Form > Standard Features ```
“Love Me Do” by the Beatles (1962) ``` > Artist > Date > Genre/Style > Form > Standard Features ```
26
“Love Me Do” by the Beatles (1962) > Significance > Cultural Context > Context within the centre-periphery model
“Love Me Do” by the Beatles (1962) > Significance > Cultural Context > Context within the centre-periphery model
27
“Tomorrow Never Knows” from the album Revolver by the Beatles (1966) ``` > Artist > Date > Genre/Style > Form > Standard Features ```
“Tomorrow Never Knows” from the album Revolver by the Beatles (1966) ``` > Artist > Date > Genre/Style > Form > Standard Features ```
28
“Tomorrow Never Knows” from the album Revolver by the Beatles (1966) > Significance > Cultural Context > Context within the centre-periphery model
“Tomorrow Never Knows” from the album Revolver by the Beatles (1966) > Significance > Cultural Context > Context within the centre-periphery model
29
Within You, Without You” on Sgt. Peppers by the Beatles (1967) ``` > Artist > Date > Genre/Style > Form > Standard Features ```
Within You, Without You” on Sgt. Peppers by the Beatles (1967) ``` > Artist > Date > Genre/Style > Form > Standard Features ```
30
Within You, Without You” on Sgt. Peppers by the Beatles (1967) > Significance > Cultural Context > Context within the centre-periphery model
Within You, Without You” on Sgt. Peppers by the Beatles (1967) > Significance > Cultural Context > Context within the centre-periphery model
31
A Day In The Life” by the Beatles (1967) titled “Anthology 2 Version” ``` > Artist > Date > Genre/Style > Form > Standard Features ```
A Day In The Life” by the Beatles (1967) titled “Anthology 2 Version” ``` > Artist > Date > Genre/Style > Form > Standard Features ```
32
A Day In The Life” by the Beatles (1967) titled “Anthology 2 Version” > Significance > Cultural Context > Context within the centre-periphery model
A Day In The Life” by the Beatles (1967) titled “Anthology 2 Version” > Significance > Cultural Context > Context within the centre-periphery model
33
“A Day In The Life” by the Beatles (1967) titled “Remastered” ``` > Artist > Date > Genre/Style > Form > Standard Features ```
“A Day In The Life” by the Beatles (1967) titled “Remastered” ``` > Artist > Date > Genre/Style > Form > Standard Features ```
34
“A Day In The Life” by the Beatles (1967) titled “Remastered” > Significance > Cultural Context > Context within the centre-periphery model
“A Day In The Life” by the Beatles (1967) titled “Remastered” > Significance > Cultural Context > Context within the centre-periphery model
35
“I Am The Walrus” by the Beatles (1967) ``` > Artist > Date > Genre/Style > Form > Standard Features ```
“I Am The Walrus” by the Beatles (1967) ``` > Artist > Date > Genre/Style > Form > Standard Features ```
36
“I Am The Walrus” by the Beatles (1967) > Significance > Cultural Context > Context within the centre-periphery model
“I Am The Walrus” by the Beatles (1967) > Significance > Cultural Context > Context within the centre-periphery model

31 - MUSI 1F00 Term 2 (15 decks)

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