Music pt.2 Flashcards

(30 cards)

1
Q

Performing forces in defying gravity

A

Large orchestra

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2
Q

Melody Defying gravity

A
  1. Syllabic throughout
  2. Vocalisation in final bar
  3. Bar 6 and 7 ascending sequence
  4. Leaps often feature a rising 5th
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3
Q

Technology used in defying gravity

A

overdrive, distortion

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4
Q

Structure defying gravity

A

Verse chorus

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5
Q

Texture defying gravity

A
  1. Melody dominated homophony- singer accompanied by chords in orchestra
  2. Some unaccompanied bars (eg bar 3)
  3. The ending is contrapuntal
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6
Q

Tonality defying gravity

A
  1. Chromatic movements and unrelated chord progression= unease
  2. D-Major
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7
Q

Harmony defying gravity

A
  1. Chords in root position= lowest
  2. In the opening theme are downward shifts in parallel semitones
  3. Pedal at bar 168
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8
Q

Temp, metre and rhythm defying gravity

A
  1. Tempo constantly changes
  2. Rallentando at the end of sections#
  3. 3/2 to 2/2 in opening then goes to 4/4 at b. 88. Then at b.115 it goes to 2/2
  4. Frequent syncopation
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9
Q

How dramatic effect is made in defying gravity

A
  1. Strings use tremolo
  2. Brass section plays homophonic chordal music in fanfare- like manner.
  3. Cymbal roll adding excitement
  4. Full band plays at climax
  5. Drum kit always plays adding momentum
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10
Q

performing forces in star wars

A

Full symphony orchestra

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11
Q

Texture star wars

A
  1. Homophonic

2. Inverted tonic pedal at intro- many pedal textures used throughout

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12
Q

Structure star wars

A

AA BA

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13
Q

Tonality star wars

A
  1. Clear Bb major for first 27 bars -onwards, it is less clear
  2. More complex chords and much dissonance making some passages almost atonal
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14
Q

Harmony star wars

A
  1. Tonal but doesn’t always use chords 1, 1V and V

2. Imperfect cadence used in first phrase of A section (Bar 7)

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15
Q

Melody star wars

A
  1. Bar 1 has rising perfect fifth from tonic- dominant= heroic
  2. Section B starts with an anacrusis
  3. Contrary motion- (b.18)
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16
Q

Rhythm, tempo and metre star wars

A
  1. 4/4 reflects marching
  2. Fast tempo
  3. Homorhythm (rhythmic unison) chords from b.44-50 to create drama
17
Q

Performing forces Afro Celt sound system release

A
  1. African: Kora, talking drum
  2. Celtic: Hurdy-gurdy, uillean pipes, bodhran, fiddle, whistle, accordion
  3. Western: Synthesisers, drum-machine, electric piano, shaker and tambourine
18
Q

Structure Afro Celt sound system release

A

Clear verse form= intro, solo, breaks, outro

19
Q

Melody Afro Celt sound system release

A
  1. Main verse syllabic
  2. Repetitive
  3. Glissando
20
Q

Texture Afro Celt sound system release

A
  1. Main texture is homophonic

2. Loops

21
Q

Harmony and tonality Afro Celt sound system release

A
  1. C Major
  2. Drone
  3. Chord sequences repetitive
22
Q

Tempo, metre and rhythm afro celt

A
  1. Free time at start
  2. 4/4
  3. Triplets
  4. Accents
  5. Short riffs
23
Q

When was Sama Em Preuldio

24
Q

Genre Sama Em Preuldio

25
Sama Em Preuldio structure
AB
26
Tonality Sama Em Preuldio
1. B minor 2. Many bossa novas use minor keys 3. Music doesn't always modulate (change key)
27
Texture Sama Em Preuldio
1. Intro is monophonic and throughout it is mainly homophonic
28
Harmony Sama Em Preuldio
1. Tonal 2. Influence of jazz in being quite complex 3. Frequent chord extensions
29
Melody Sama Em Preuldio
SECTION A 1. First note of each phrase descends by a semitone SECTION B 1. Entirely conjunct
30
Tempo, metre and rhythm Sama Em Preuldio
1. 4/4 | 2. Frequent triplets