MUSIC Q1 Flashcards

1
Q

Age of musical diversity. composers were more willing to experiment with new music forms or reinvent music forms of the past

A

20th Century Musical styles

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2
Q

It combines two familiar or simple ideas together creating new sound

A

Primitivism

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3
Q

It was characterized by emotional restraint, balance and clarity

A

Neo-classicism

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4
Q

It reveals the composer’s state of mind

A

Expressionism

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5
Q

Focused on nationalist composers and musicall innovators who sought to combine modern techniques with folk materials

A

Modern Nationalism

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6
Q

Term borrowed to describe music that is intended to convey a mood and impression rather than a dramatic or narrative idea

A

Impressionism

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7
Q

It is Closely associated with Electronic music and dealt with the parameters or dimensions of sound in space (innovative)

A

Avant-Garde

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8
Q

Refers to a style where in the piece always sounds different at every performance of the random techniques of production

A

Chance music

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9
Q

He developed the 12-tone technique; Expressionism

A

Arnold Schoenberg

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10
Q

Father of the modern school of composition; Impressionism

A

Claude Debussy

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11
Q

He earned the title of one of music’s truly epochal innovators because of his technical innovations anad the changing face of his compositional style:Primitivism, Expressionism and Neo-classical

A

Igor stravinsky

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12
Q

composer of “Prelude to the afternoon of a Faun” And “Claire de lune”

A

Claude Debussy

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13
Q

Composer of “firebird” “the rite of spring” “Petrouchka”

A

Igor stravinsky

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14
Q

composer of “rhapsody in blue”

A

George Genshwin

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15
Q

Composer of “Four minutes and thirty-three seconds (4’33”)

A

John Cage

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16
Q

Performing Medium of 20th century musical style

A

Chamber orchestras; Instrumental Esembles; orchestras; Choral groups

17
Q

Complex, individual rhythms are used. ex: Polyrhythm and polymeters

A

Rhythmn

18
Q

is often Experimental and dissonant. ex: Atonality, 12-tone composition

A

Harmony

19
Q

Polyphonic, Homophonic, aleatory

A

Texture

20
Q

are often fragmented, dissonany and experimental. Twelve-tone rows or microtonal scales

A

melody

21
Q

musical [redacted] from previous Musical periods are used, often in experimental ways

A

Form