Music Revision Flashcards
(44 cards)
Raindrop Prelude - Structure
Ternary Form
Disproportion
Cyclical
Raindrop Prelude - Melody
Cantabile Tone
3 Falling note at start
Ornamented (dectuplets)
Raindrop Prelude - Texture
Harsh Section B Heavy chords emphasise texture Melody dominated homophony Pedal in octaves Monophonic in end
Raindrop Prelude - Dynamics
Gradual crescendos in Section B
Contrast to quiet Section A
Begins and ends quietly
End fade away
Raindrop Prelude - Tonality/Harmony
Db Major Bb Major end of Section A Enharmonic minor C# minor in Section B Diatonic but chromatic in Section B Thick, dissonant chords in Section B Dominant Pedal
Mozart - Melody
Balanced Phrasing
Periodic phrases
Contrasting melodies in 1st and 2nd subject
Mozart - Structure
Sonata Form
Exposition
Development
Recapitulation
Mozart - Tonality
G Minor
Modulates the Bb Major
Development explores many keys, F#
Recapitulation in G minor
Mozart - Harmony
Mainly diatonic in exposition
Very chromatic in development
Circle of Fifths
Mozart - Texture
Homophonic
Very thick due to dramatic notes
Octaves
Mozart - Rhythm
Molto Allegro
4/4
Short melodic cells
Some syncopation
Handel - Melody
Syllabic but also melismatic
Sung by 4 part choir
Word painting - Motif 4
Imitation
Handel - Structure
Begins with ritornello - can link sections
Ends on plagal cadence
Based around 4 motifs
Handel - Tonality
Starts and ends on A Major
Modulates to E Major
Modulates to B Major
Dominant, then supertonic
Handel - Harmony
Diatonic
Singers in harmony
Ends on plagal cadence
A lot of perfect cadences
Handel - Texture
Starts monophonic
Goes to homophonic
Goes to polyphonic
Basso Continuo backs the melody
Somethings Comin - Melody
Sung by tenor Blue Notes Syllabic Tritone Vibrato
Somethings Comin - Structure
Intro - A - B - B1 - A1 - Outro
Ends on unresolved flat 7th C natural
Somethings Comin - Tonality
D Major
Modulate to C Major
Chromatic/Tritone
Somethings Comin - Harmony
Jazz based Harmonies
Neapolitan Chord
Extended Chords
Somethings Comin - Texture
Homophonic
Melody Dominated Homophony
Thin at the beginning
Variation in number of instruments
Somethings Comin - Rhythm
3/4
Goes to 2/4
Push Rhythm emphasises anticipation
Accents
Electric Counterpoint - Melody
Resultant melody formed by ostinatos
Resultant played by live guitar
Note Addition
Angular/Disjunct
Electric Counterpoint - Structure
Intro - A - B - Coda - End
Built by layers