Music Revision Flashcards

(44 cards)

1
Q

Raindrop Prelude - Structure

A

Ternary Form
Disproportion
Cyclical

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2
Q

Raindrop Prelude - Melody

A

Cantabile Tone
3 Falling note at start
Ornamented (dectuplets)

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3
Q

Raindrop Prelude - Texture

A
Harsh Section B
Heavy chords emphasise texture
Melody dominated homophony
Pedal in octaves
Monophonic in end
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4
Q

Raindrop Prelude - Dynamics

A

Gradual crescendos in Section B
Contrast to quiet Section A
Begins and ends quietly
End fade away

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5
Q

Raindrop Prelude - Tonality/Harmony

A
Db Major
Bb Major end of Section A
Enharmonic minor C# minor in Section B
Diatonic but chromatic in Section B
Thick, dissonant chords in Section B
Dominant Pedal
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6
Q

Mozart - Melody

A

Balanced Phrasing
Periodic phrases
Contrasting melodies in 1st and 2nd subject

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7
Q

Mozart - Structure

A

Sonata Form
Exposition
Development
Recapitulation

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8
Q

Mozart - Tonality

A

G Minor
Modulates the Bb Major
Development explores many keys, F#
Recapitulation in G minor

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9
Q

Mozart - Harmony

A

Mainly diatonic in exposition
Very chromatic in development
Circle of Fifths

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10
Q

Mozart - Texture

A

Homophonic
Very thick due to dramatic notes
Octaves

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11
Q

Mozart - Rhythm

A

Molto Allegro
4/4
Short melodic cells
Some syncopation

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12
Q

Handel - Melody

A

Syllabic but also melismatic
Sung by 4 part choir
Word painting - Motif 4
Imitation

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13
Q

Handel - Structure

A

Begins with ritornello - can link sections
Ends on plagal cadence
Based around 4 motifs

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14
Q

Handel - Tonality

A

Starts and ends on A Major
Modulates to E Major
Modulates to B Major
Dominant, then supertonic

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15
Q

Handel - Harmony

A

Diatonic
Singers in harmony
Ends on plagal cadence
A lot of perfect cadences

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16
Q

Handel - Texture

A

Starts monophonic
Goes to homophonic
Goes to polyphonic
Basso Continuo backs the melody

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17
Q

Somethings Comin - Melody

A
Sung by tenor
Blue Notes
Syllabic
Tritone
Vibrato
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18
Q

Somethings Comin - Structure

A

Intro - A - B - B1 - A1 - Outro

Ends on unresolved flat 7th C natural

19
Q

Somethings Comin - Tonality

A

D Major
Modulate to C Major
Chromatic/Tritone

20
Q

Somethings Comin - Harmony

A

Jazz based Harmonies
Neapolitan Chord
Extended Chords

21
Q

Somethings Comin - Texture

A

Homophonic
Melody Dominated Homophony
Thin at the beginning
Variation in number of instruments

22
Q

Somethings Comin - Rhythm

A

3/4
Goes to 2/4
Push Rhythm emphasises anticipation
Accents

23
Q

Electric Counterpoint - Melody

A

Resultant melody formed by ostinatos
Resultant played by live guitar
Note Addition
Angular/Disjunct

24
Q

Electric Counterpoint - Structure

A

Intro - A - B - Coda - End

Built by layers

25
Electric Counterpoint - Tonality/Harmony
E Minor Aeolian Modulate to C Minor in Section B Diatonic Tonal Ambiguity till Bass enters
26
Electric Counterpoint - Rhythm
``` Rhythmic Displacement Syncopation Accents Cross Rhythms 12/8 3/2 ```
27
Electric Counterpoint - Texture
Monophonic Polyphonic/Contrapuntal Gradual Build Up Constant Texture
28
Peripetie - Melody
Short melodic fragments Disjunct Angular Klangfarbenmelodie
29
Peripetie - Structure
Free Rondo Form, A - B - A - C - A Very developed A section however No obvious melody
30
Peripetie - Tonality
Atonal Based on chromatic scale Expressionism
31
Peripetie - Harmony
Each fragment = Hexachord Dissonance everywhere Hexachords make up melodies
32
Peripetie - Dynamics
Sudden changes pp to fff Many crescendos and diminuendos
33
Peripetie - Rhythm
Sehr Rasch 3, 4 and 2 time Complex
34
Skye Waulking - Melody
Based on G pentatonic Sung in gaelic Mainly Syllabic
35
Skye Waulking - Structure
Intro - 1 - 2 - Coda - End | Phrase and Refrain
36
Skye Waulking - Texture
Melody dominated homophony Layered Heterophonic in instrumental
37
Skye Waulking - Tonality/Harmony
Mainly diatonic 1 = E minor 2 = G major Lack of dominant = modal feel
38
Skye Waulking - Rhythm
12/8 Slow, relaxed tempo Syncopation
39
Skye Waulking - Instrumentation
``` Wurlitzer piano Uiellian Pipes Gaelic vocals Bouzouki Fiddle ```
40
Rag Desh - Melody
Flourished Conjunct Improvisation in Alap
41
Rag Desh - Structure
Alap = improvised Ghat 1 = rupak tala Ghat 2 = ektal tala Jhalla = virtuosic ending
42
Rag Desh - Instrumentation
Bansuri = indian flute Esraj = bowed string Shruti Box = drone Tabla
43
Rag Desh - Tonality/Harmony
Based on monsoon Raga Simple Harmony No modulations Drone = tonic + dominant
44
Rag Desh - Dynamics
Fade in Alap is quiet Ghat is louder than Alap Some accents