Music syllabus Flashcards

1
Q

Syllabus components

A
  1. exploring music in context External
  2. experimenting with music Internal
  3. performing music External
  4. the contemporary music maker (HL only) Internal
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2
Q

music roles

A

researcher
creator
performer

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3
Q

areas of inquiry

A

music for sociocultural and political expression
music for listening and performance
music for dramatic impact, movement, and entertainment
music technology in the electronic and digital age`

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4
Q

3 music genres from AOI 1

A

protest songs
liturgical music
national anthems

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5
Q

3 music genres from AOI 2

A

chamber music
cool jazz
experimental music

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6
Q

3 music genres from AOI 3

A

Music for film
Music for ballet
Musical theatre

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7
Q

3 music genres from AOI 4

A

electronic dance music
elektronische musk
technology in popular music production

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8
Q

what is liturgical music

A

liturgical music, also called church music, music written for performance in a religious rite of worship.

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9
Q

what does AOI 1 focus on

A

it focuses on music that expresses and communicates social and cultural messages, conveys political ideas and/or helps preserve social and cultural traditions

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10
Q

what is absolute music

A

absolute music focuses on music that expresses and communicates intrinsic aesthetic values.

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11
Q

3 composers for every AOI 3 genre

A

music for film
John Williams
Henry Mancini
Max Steiner

music for ballet
Sergei Prokofiev
Ludwig Minkus
Aaron Copland

musical theatre
Stephen Sondheim
Alan Menken
Andrew Lloyd Webber

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12
Q

3 examples of electronic music instruments

A

electronic keyboard
electric guitar
AlphaSphere

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13
Q

4 examples of common DAWs

A

Apple Logic Pro
Ableton Live
Image-line FL Studio
Steinberg Cubase

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14
Q

exploring music in context main

A

listening, scores, media, books, journal articles, interviews, documentaries

researcher : locate, analyse, and explain musical findings
creator : creating according to stylistic conventions
performer : playing and practising music from unfamiliar contexts

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15
Q

exploring music in context assessment

A

Assessments:
Portfolio submission (max. 2400 words)
Writing
Creating exercise (max. 32 bars and/or audio of 1min)
Performing one adaptation of music for the student’s own instrument

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16
Q

experimenting with music main

A

Connecting “exploring” and “presenting”
Refine musical decisions: select -> apply -> develop -> practice -> reflect
Researcher: write experimentation report
Creator: understand how music is constructed through composing/ improvising/ arranging/ remixing
Performer: submit practical excerpts from creating

17
Q

experimenting with music assessment

A

Assessments
Experimentation report providing rationale and commentary
3 excerpts of creating (max. 5 mins)
3 excerpts of performing (max.5 min)

18
Q

performing music main

A

Researcher: written / spoken presentations
Creator: original compositions or improvisations
Performer: solo performing / ensemble performing

19
Q

performing music assessment

A

Assessment
Programme notes (max. 600 words)
Composition / improvisation (max. 6 min)
Solo / ensemble performance (max 12.min)

20
Q

the contemporary music maker

A

Develop an artistic vision
Planning the project
Managing the project
Collaboration
Presenting the music

21
Q

the contemporary music maker assessment

A

Assessment
Multimedia presentation (max 15min)
Project proposal
Process and evaluation
Realized project