Music Test 3 Flashcards

(42 cards)

1
Q

Medieval (Middle Ages)

A

1st Sacred Music Hildegard von Bingen, Guillaume de Machaut

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2
Q

The Renaissance

A

Josquin de Prez, William Byrd, “Rebirth”

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3
Q

The Baroque Era

A

Claudio Monteverdi, Johann Sebastian Bach

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4
Q

Monophonic, “Free Rhythm”, No meter, Smooth Melodic Lines, Contour is tight, Church Modes, Latin Texts

A

Plainchant, Gregorian Chant

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5
Q

One word, One Pitch

A

Syllabic

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6
Q

One word, Many Pitches

A

Melismatic

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7
Q

One word, Two to Four Pitches

A

Neumatic

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8
Q

Most prolific composer before 14th century

A

Hildegard von Bingen

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9
Q

Morality play set to music

A

Play of virtues

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10
Q

2nd line of music added below the chant melody

A

Organum

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11
Q

Notre Dame School

A

Leonin, Perotin

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12
Q

“Le Mas de Notre Dame”

A

Ars Nova

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13
Q

Leading composer of the 14th century

A

Guillame de Machant

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14
Q

Non-religious Music; Social; Personal Expression

A

Secular

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15
Q

“I can all too well compare my lady”

A

Ars Nova, Pygmalion, Guillame De Machaut

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16
Q

Secular genre by Machaut

A

Chanson

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17
Q

Formal language of the church and sacred tradition.

18
Q

Short poem/lyric or reflective character

19
Q

Practice of group repetition of a leader’s text music phrase has its roots in ancient Jewish practicfe

A

Responsorial Singing

20
Q

Sounds made to inspire the faithful to worship

21
Q

Designed to convey the changing meanings in text

22
Q

Language of the people (secular)

23
Q

Imitative counterpoint, text/word painting

24
Q

“The Cricket” madrigal, word painting

A

Josquin des Prez

25
Scientific inquiry
Humanism
26
English composer, Anthem (motet), Voice polyphony
William Byrd
27
"Sing Joyfully" (1590)
William Byrd
28
6 voice polyphony, song acappella
Imitative Counterpoint
29
Fixed melody
Cantus Firmus
30
Major Sections in an Orchestra
Chamber, Baroque, Modern
31
2 notes (high note- melody, low note- bass, middle note- free expression)
Basso Continuo
32
Early opera innovator, "Orpheus" (1607)
Claudio Monteverdi
33
Sung/Spoken Dialogue; Clarity
Recitative
34
Rise of homophonic texture
Baroque Opera
35
Extended song for solo voice often accompanied
Aria
36
St. Thomas Church, Leipzig, Germany, 19 kids
Johann Sebastian Bach (Didn't write Opera), "Fugue in G minor"
37
A polyphonic work based on a central theme called "subject" - - Basic Musical Idea
Fugue
38
Fugue stated in sequential voices
Fugual Exposition
39
New material without subject
Episode
40
Orchestra work with soloist(s)
Concerto
41
Sections alternate between orchestra and soloist(s)
Ritornello Principle
42
Pause/rest
Cadence