my main 6 quotes Flashcards

(36 cards)

1
Q

Sonnet 43 first two quotes

A

depth and breadth and height

triplet is a comprehensive list showing she loves him to the highest, widest and deepest point
meaning she’s trying to measure her love but it’s an abstract concept with hints at the complexity of it

ends of being and ideal grace

saying where life and God meet, it’s another attempt to measure her ‘immeasurable’ love
ideal grace suggests perfection, even though she doesn’t know what marriage will be like, so it involves trust in an unknown

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2
Q

Sonnet 43 middle two quotes

A

freely … purely

these are both concepts we can easily understand ‘where service is perfect freedom’

the words echo each other, it’s her own free choice to love selflessly, she’s saying she feels no pressure or compulsion to love him

Right … Praise

she’s not influenced by egotism and her love can’t be purchased (it’s why there’s no compulsion)
‘right’ has overtones of righteousness and behaving in ways God sees as just
‘praise’ suggests her love isn’t contaminated by flattery from him (letters he wrote praising her work)
she’s not responding out of pride, her love is morally free and pure

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3
Q

Sonnet 43 final two quotes

A

in my old griefs

idea that love is powerful enough to shape her faith which survived, so her faith must be strong and intense
‘griefs’ refer to her siblings’ deaths and suggest she’s willing to suffer with and for him just as she did then
reference to marriage vows (for better or for worse) so understanding that love doesn’t exclude pain and not idealising love and accepts the possibility that they will face hardships that test them

better after death.

suggests intensity and permanence of her love, as it transcends the limitations of this life and will extend to the afterlife, making it eternal, and that’s her final statement, her love is boundless, pure and eternal

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4
Q

London first two quotes

A

each charter’d street

adjective ‘charter’d’ shows a loss of liberty as it suggests restriction
the citizens have lost their freedom to wonder but not the poets
the poets aren’t trapped the way the London citizens are

marks of weakness, marks of woe

caesura divides sentence into 2 equal parts
weakness - citzens are disempowered and a lack of agency and power they have
marks - notices what’s imprinted on the citizens the expressions on their faces
woe - state of inertia/lack of energy and lack of movement, also product of their weaknesses, product of lack of power/energy gives misery

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5
Q

London middle two quotes

A

mind-forg’d manacles

adjective ‘mind-forg’d’ suggests its made internally out of the citizen’s own weaknesses so they have no power to shake it (encouraged citizens to rebel)
noun ‘manacles show citizens being trapped
society is a manifestation of the minds that create it/chains that restrict movement and freedom

runs in blood down Palace walls

suggests that the monarchy is responsible for deaths,
criticism of the monarchy who are failing to look after their citizens - especially vulnerable children

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5
Q

London final two quotes

A

youthful harlots curse

the prositutes curse the situation she’s in
youthful shows corruption of innocent children, the lack of protection for vulnerable, shows hardened heart
harlots are servicing sexual needs of married people no longer in love

blights with plagues, the Marriage hearse

marriage is dead, the harlots are products of marriage society which is failing
marriage society has failed partners

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6
Q

The Soldier first two quotes

A

foreign field…for ever England

adjective ‘foreign’ is dismissive of the foreign place suggesting England is superior
alliteration of ‘f’ sound creates a gentle tone to contrast with the harsh realities of war
suggests even though the battlefield is foreign, his death transforms it into something harmonious
adjective ‘forever’ evokes a sense of permanence and timelessness, implying the soldier’s death allows the foreign land to be part of the eternal fabric of his country (saying that’s superior)

her flowers to love, her ways to roam

pronouns ‘her’ personifies England portrayed as a mother figure who is godlike, comparable to mother nature - speaker was born English - England metaphorically gave birth to him, essentially speaker owes everything to England
‘flowers’ imagery evokes sense of peace, beauty and growth, showing that England is worth loving, defending, and dying for

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7
Q

The Soldier middle two quotes

A

blest by suns of home

England cleansed him and ‘blest’ him, religious connotations
England granting soldier a kind of purity of soul
intensely idealised portrayal of individual’s relationship with country

a pulse in the eternal mind

pulse is soldier
eternal mind is god
in death all evil of war shall be rid of, speaker restored to an eternal mind as nothing but a pulse, emphasising ability of souls to be cleansed of sin and to return to God after death

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8
Q

The Soldier final two quotes

A

her sights and sounds; dreams happy as her day;

persona lists reasons why they feel such passion and affection for home nation
England presented as Garden of Eden, a place without hardship or pain,
caesura and alliteration gives sense of breathlessness and excitement

under an English heaven

js repeat eveything said reinforces it all

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9
Q

She Walks in Beauty first two quotes

A

She Walks in beauty, like the night

the woman is compard to the night, which has connotations of mystery and beauty (Lord Byron was not familiar with this woman)
it’s an unconventional comparison

all that’s best of dark and bright

the juxtaposition of dark and bright suggests she has aspects of night and day
by having the best aspects of night and day, Byron suggests she’s superior, and in this balance, she has created extraordinary beauty

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10
Q

She Walks in Beauty middle three quotes

A

to gaudy day denies

Byron criticises day calling it ‘gaudy’, meaning too bright, tasteless and tacky, implying the woman is more beautiful than the day
he challenges the conventions of love but also literature, showing an unconventional love could relate to Byron’s stance on love (so his love life)

waves in every raven tress

the image suggests that the woman’s beauty is very much alive and also suggests her dark hair is beautiful
‘waves’ is written in the present tense giving her beauty a sense of energy
ravens are birds with black feathers, tress means hair, so image suuggests that the energy of her beauty can be seen in her hair

thoughts serenely sweet express

not only does she have an aesthetically pleasing appearance but her thoughts are sweet and kind, her outward beauty is expressing her inner beauty
she’s a good person, her thoughts are sweet and serene ergo her expression is
(idea of pseudoscience of physiognomy)

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11
Q

She Walks in Beauty final two quotes

A

tell of days in goodness spent

poem ends with a celebration of the woman’s character rather than her appearance
suggests however someone’s appearance is very surface level and easy to assess but it takes longer to figure out they really are

a heart whose love is innocent!

the exclamation adds to the semantic field created in the previous lines, Byron is celebrating the woman’s beauty, purity and goodness, he could be celebrating it as a the womaniser inside of him found a new pure love to corrupt

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12
Q

Living Space first two quotes

A

not enough straight lines. That

enjambment - rupture, irregular line ending form graphic representation of uneven construction of shanty dwellings in Mumbai
‘not enough’ refers to the lack of straight lines in both poem’s structure and the shantys
‘straight lines’ doesn’t even unfold in a straight line

caesura - break
‘That’ is perched on the edge of the sentence, fragment of larger construction (sentence), fragment like pieces that make up building

towards the miraculous

shifts poem away to faith and optimism, open space
‘miraculous’ suggests faith, and it’s transitional, now talk about spiritual inner life of citizens, which transforms their physical life

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13
Q

Living Space middle two quotes

A

even dared to place

adverb ‘even’ casts action as unbelievable reflecting idea of ‘miraculous’
verb ‘dared’ implies a courage/defiance in person who placed the eggs in the basket, also some boldness to dangle life so carelessly in the face of danger as it’s so fragile
contrast though as life is already so strong to be able to survive in such unhospitable environments

eggs in a wire basket

noun ‘eggs’ refers to chick eggs contain life as necessary to life, rebirth, food, sustenance, and central to future generation
imagery of globe hanging in the darkness of space
also idiom of having all your eggs in one basket meaning you risk all you have on success or failure of one thing (life itself)

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14
Q

Living Space final two quotes

A

slanted universe

adjective ‘slanted’ refers to information presented or viewed from a particular angle especially in a biased or unfair way
alludes to injustice of society in which impoverished people live in dangerous living situations
constant opposition of rich and poor

the bright, thin walls of faith

‘faith’ has religious connotations and adds to the idea of ‘ miraculous’
adjective ‘bright’ shows how hope and positivity is the most important element not destruction and highlights humanity’s resilient nature

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15
Q

As Imperceptibly as Grief first two quotes

A

The Summer lapsed away –

simile compares ending of summer to grief fading away, unusual simile due to word order suggesting that Grief is significant tot he persona, we know that death is something Dickinson was preoccupied with
also suggests that grief is inevitable and cyclical as summer comes around every year

To seem like Perfidy –

capitalisation suggests importance and personifies the nouns
religious edge suggesting her grief has her thinking in a deeper/spriritual way
dashes represent persona’s fragile, unstable mind due to weight of grief on mind
weight causing thoughts to beome tangential and fragmented

16
Q

As Imperceptibly as Grief middle two quotes

A

As Twilight long begun

suggests grief is long lasting
time imagery of twilight indicates passing of time and therefore cycles of life and death
reinforces idea death and therefore grief is inevitable
twilight is a time of change day into night or night into day suggesting hopefulness as it indicates better things to come or discouragement as it could herald in more darkness

As Guest, that would be gone –

time personified as guest who wants to leave, reiterating idea time must pass no matter how much we wish to dwell
time is ultimately more powerful than man

17
Q

As Imperceptibly as Grief final two quotes

A

Our Summer made her light escape

plural pronoun ‘our’ turns grief into something shared and universal
Dickinson comments on all grief and all summers now
adjective ‘light’ ssuggests escapes is something natural and easy, reinforcing summer and gried need no assistance to pass

Into the Beautiful.

‘Beautiful’ creates positive tone, suggests passing of gried is something to celebrate
full stop at end of stanza and whole poem creates a sense of finality, suggests grief is over and persona has accepted loss and has moved on

17
Q

Cozy Apologia middle two quotes

A

Big Bad Floyd

hurricane mentioned, rhyme scheme messed up, immediately the reader is aware that this is the ‘enemy’ that is referred to in the first stanza
Hurricanes are strong, powerful, destructive, dangerous and this prospect of that danger is alluring and exciting to Dove, image of that toxic masculinity which hurt Dove all those years ago, that she reflects on. This is why Big Bad Floyd is Fred’s nemesis; he is destructive and therefore poses a threat to Dove’s sanity and their relationship

teenage crushes on worthless boys

adjective ‘worthless’ devalues the boys, emphasizing their insignificance and highlighting the speaker’s emotional growth
shift from idealized to realistic love reflects the transition from shallow, fleeting emotions to a more meaningful adult relationship
tone of regret and the imagery of past infatuations show the Dove’s reflections starting to evolve as they critique youthful infatuations

18
Q

Cozy Apologia first two quotes

A

my pen exudes, drying matte

compares Fred to ‘pen’, saying their love is ordinary, unromantic and not risky, he’s reliable and loyal but not exciting cos always there
‘drying matte’ image of how relationships change over time

chain mail glinting

image allude to comparing fred to a knight in shining armour, jump from pen to knight is big
setting up with different images of masculinity
alluding to assumptions about romance as a child being true but not in the way you’d expect
Fred’s there to save her from domestic ordinary distress but there to rescue her from unnamed danger

19
Q

Cozy Apologia final two quotes

A

we’re content, but fall short of the Divine

happy enough BUT not perfect something missing, exciting relationship out somewhere else
an attraction in Dove to Floyd (dragon), Floyd’s got this god-like power which is exciting/stimulating BUT dangerously difficult to her
she just has this tendency to feel that security and reliability of the relationship with Fred lacks something exciting which is represented by dominating/powerful Floyd

nothing else will do…with you

Despite feeling of unsatisfaction, she comes to terms with the fact that the cosiness Fred provides for her is only thing that saves her and keeps her sane, if she were to abandon it for the flame (Floyd) then the wave of depression would crush her, so engaging in that flame is a danger, and with this final understanding, she restores the beauty of reliable love with a final couplet, it’s not everything she had originally dreamed of, but through her experiences as a teenager, and her new-found understanding through this reflection, she’s content, and she’s ok with that

20
Q

Valentine first two quotes

A

I give you an onion

‘onion’ devoid of any romantic interest
so ordinary so able to carry metaphors, able to elevate the object to celestial happiness and restores mystery taken from utilitarian use
also refuses values of industrial love by offering something with no financial value
complexity helps us understand and redefine love as a truthful emotion

it promises light

as well as having a light side, moon has dark side, so promises darkness
it’s hidden at first glance, you must read between the lines to see
reflects how every relationship has good and bad parts
moon also had phases where is shines more light than at other times, like how relationships go through happy and unhappy periods

21
Q

Valentine middle two quotes

A

a wobbling photo of grief

idea that onions make you cry, love can cause feelings of intense sorrow, loss and pain
image of distress and pain not expected in love poems

I am trying to be truthful

suggest that the truth hurts and it’s a gift but unlike the gifts of love we see in the first line
suggests images of red rose and satin heart are misleading lies, and show an idealisation of the person we love
also misleading because it doesn’t correspond with anyone’s experience of love

22
Q

Valentine final two quotes

A

for as long as we are

sense of unreliability and tone of skepticism
there’s no sense of love as a never-ending feeling, love is not forever people and relationships change
goes with the idea of truth and build on idea love isn’t stable

shrink to a wedding ring

‘shrink’ connotes restriction, and sense of a trap
trying to express that some relationships continue into marriage but it comes at a price, the ultimate goal of love isn’t marriage, it’s a choice

23
A Wife in London first two quotes
She sits in the tawny vapour Behind whose webby fold on fold
23
A Wife in London middle two quotes
He - has fallen - in the far South Land The postman nears and goes:
24
A Wife in London final two quotes
By the firelight flicker new love that they would learn
25
Afternoons first two quotes
Summer is fading: declarative statement creates a neutral observational tone to the poem appropriate for a ‘Larkin’ poem, as he is known to be an observer and outsider summer is metaphorical, reflects the stage of life that the people of the poem are in In the hollows of afternoons multiple interpretations for ‘hollows’ could suggest afternoons are empty and meaningless could also suggest something safe and homely about the afternoons as the living spaces of some animals are called hollows
26
Afternoons middle two quotes
Behind them, at intervals prepositional phrase suggests a distance between husbands and wives because they're not together or side by side but in front of and behind of each other caesura reinforces distance between the husbands and wives Larkin criticises married life perhaps reflecting his own unhappy romantic life as he has been engaged a few times but never married Our Wedding, lying imagery suggests the love between the couple has mellowed and taken for granted, as the wedding album, a symbol of what their love once was, has been discarded and left by the TV
27
Afternoons final two quotes
(But the lovers are all in school) brackets makes the line stand out says lovers that will use the courting places that are still courting places are still in schools saying children of young mothers are the new lovers, suggests that the children will do what their parents did, fall in love, get married, have kids and along the way, their love will fade and become something neglected cynical perhaps Larkin against reflecting upon his own not so straightforward love life suggests next generation is doomed to do the same thing as the generation before them and that life is monotonous, it never changes To the side of their own lives. women are no longer the most important things in their own lives, but it’s not clear, at least not to them, what has forced this to happened it could be settling down, becoming mothers or just getting older, but as readers we are left never really knowing if it's the idea of settling down, could also be defending his choice to never get married and settle down because he demonstrates the consequences of it
28
Dulce et Decorum Est first two quotes
Bent double, like old beggars under sacks, soldiers buckling under weight of bags = weakness of soldiers caesura slows down pace of poem, soldiers are downbeat, sense of resistance, mirrors exhaustion of soldiers retreating from front lines which is the reality of war simile connotes vulnerability and a sense of helplessness = subverts the stereotype of hero, so not propaganda Of gas shells dropping softly behind sibilance is auditory imagery, with repetition of 's' sound replicates sound of gas shells dropping - shows danger is inescapable despite retreating = always there, cycle of danger, they're trapped
29
Dulce et Decorum Est middle two quotes
misty panes and thick green light adjectives of 'misty' 'thick and 'green' is vague, mysterious and propaganda led them to something more serious, - know nothing about it - surrounded by uncertainty, people at home haven't experienced, people can understand what its like, clear vivid image, sharing nightmare In all my dreams before my helpless sight indefinite article of 'all' shows the extent of the trauma, it's so bad, the mind is consumed with the specific event/PTSD/shell shock, that he'll never escape it the adjective 'helpless' shows how vulnerable, out of control, inescapable even in a dream, comparing it to a dream, and they can't do anything about it/can't unsee it
30
Dulce et Decorum Est final two quotes
froth-corrupted lungs imagery of young innocent men suffering/corrupted by violence, froth is a sign of rabies/being gassed - they're treated like wild animals, there's diseases everywhere and gas corrupted their lungs, the way war has corrupted their minds the old Lie: the caesura means the reader can pause after the pacey passage, fully digested/understand and reflect on new knowledge, can look at war way soldiers look at it, come to conclusion that it is all false and propaganda
31
Mametz Wood first two quotes
the wasted young, turning up under their plough blades 'wasted young' suggests young lives sacrificed in battle-bitter tone 'plough blades' nature imagery, symbolises technology that disrupts natures man's tech unearths the men and highlights the destructive capability - it has the power to kill and raise the dead the broken bird's egg of a skull metaphor connotes fragility of life and aspects of nature, eggs symbolise innocent, young, vulnerable soldiers grotesque and agonizing imagery to display injust nature of war, and impact of it on young
32
Mametz Wood middle two quotes
told to walk, not run terrifying experience of having to walk into gunfire bitter tone to show the futility of war - the soldiers are presented as tragically dutiful also reflects lack of training they had to the surface of the skin graphic imagery symbolises nature's rejection of man's destructive nature nature is working to reveal the deaths of these soldiers which is an injustice also image of healing memory as a healing act
33
Mametz Wood final two quotes
mid dance-macabre medieval idea that death always comes for you with no differentiation allegorical motif that whatever status the soldier had, they all died together ironic and bitter in tone to show how tragic this battle was slipped from their absent tongues imagery is graphic and lacks sensitivity to show unjust way they were unearthed their tongues are literally absent (rotted away) pun also shows soldier's helplessness and lack of control, they couldn't speak out they were voiceless for years after their death and voiceless in the way they could die