Nature of the Olympian Gods Flashcards

1
Q

Who are the 12 gods and what do they do?

A

-Zeus: king, order & justice
-Athena: wisdom, craft, heroes
-Aphrodite: beauty and love
-Hera: marriage
-Demeter: agriculture
-Apollo: music, prophecy, sun
-Dionysus/Hestia: theatre/ hearth
-Hermes: messengers, travellers
-Ares: war
-Hephaestus: blacksmiths
-Artemis: archery, maidens
-Poseidon: sea, horses

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2
Q

Hades

A

not included because he doesn’t live on Olympus

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3
Q

Persephone

A

sometimes included due to her role in Eleusinian Mysteries but she lives with Hades for 1/2 year

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4
Q

Dionysus and Hestia

A

can be changed around but both are important in religious life

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5
Q

What sort of religion did the Ancient Greeks follow?

A

Polytheistic

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6
Q

Where are the Gods found?

A

on Mount Olympus
-> Panhellenic belief in them all

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7
Q

Who are the two writers involved in the belief of the gods?

A

Homer and Hesiod

both responsible for how Greeks interact/saw their religion - how they percieved the gods during the 8th/7th centuries BC

  • major impact on Greek attitudes to Olympus
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8
Q

Herodotus on Homer and Hesiod

A

In his Histories, wrote about the influence of them

“composed theogonies and described the gods for the Greeks”

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9
Q

What are the Homeric hymns?

A

inform us what Greeks thought about the gods around 700BC focusing on their creation

  • not composed by Homer but in his style
  • explain cause for god’s cults or their aetiology
  • focus on births
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10
Q

Homer

A

8th or 7th century

cultural figurehead

Iliad & Odyssey set in mythical world of heroes
-> deities play important role as Olympians involve themselves in mortal affairs
-> portrayed as very powerful & as governed by personal impulse & desire (pick faves whom they support & influence) –> cause harm to enemies (e.g Athena helps Ach. in battle against Hector)
-> also used for light relief to contrast with the severity of mortals situations (e.g end of Bk 1 Iliad)

-divine immortality often contrasted with human morality (biggest contrast = death)

gods often inhabit physical realm and at core element of story

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11
Q

Hesiod

A

c. 700BCE

in Works and Days, he gives advice about when to perform agricultural tasks and how to lead a morally good life (require support of the gods)

emphasises the power of Zeus and Right

gives advice on how to worship the gods
-> understand these customs hardly changed over time (influence)

Through Works and Days and the Theogony (creation of gods) shows origin of gods, why they deserve worship and how mortals should treat them

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12
Q

What is anthropomorphism?

A

attribution of human characteristics and emotions to non-human forms

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13
Q

Who are usually depicted as anthropomorphic?

A

the gods
-> but they are depicted as having powers that go significantly beyond those of humans (eternal life and immune power distinguishes them)
- immortal and should not be near death

-> they have human emotions and appearance

e.g Athena on the Panathenaic Amphora

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14
Q

Examples of the gods displaying human characteristics

A

Judgement of Paris
-Eris = jealous

Pandora’s Box
-Zeus = vengeful

Eros + Psyche
-Aphrodite = jealous

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15
Q

Dr Emma Aston on anthropomorphism

A

-gods resembled human beings which allowed for strong belief in contact with gods in mortal form

-gods and mortals could have children together (e.g. Aeneas)

-Greeks wanted to worship physical beings -> allowed for meeting

-mortals might be terrified to see a god in front of them -> gods can disguise themselves

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16
Q

Gods in myth

A

have emotions and needs of humans (jealousy, love, hatred, desire, hunger)

anthropomorphic in appearance and character
-> behave according to these feelings in myth

e.g foundation of EM myth (Hades = passion for Persephone)

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17
Q

Hesiod on Zeus’ power

A

“easily makes strong, and easily he oppresses strong”

-> shows that gods power and authority stretches beyond anything mortals can achieve

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18
Q

Zeus and human emotions

A

Zeus is often the arbitrator but he also falls victim to emotions (particularly passion - e.g Leda love )

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19
Q

Gods and favourites

A

Gods have clear faves and preferences which is seen in Homer and Hesiod’s work (e.g Poseidon hates Odysseus but Athena loves him)

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20
Q

What is the reciprocal relationship between gods and mortals?

A

gods delighted in being honoured properly and helped/ valued mortals in return -> gods tend to punish mortals who don’t worship them at all

gods help with every aspect of life as long as they are honoured by the mortals (who deserve it - if they are not protected then they must not deserve it)

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21
Q

Example of the gods helping mortals

A

when Hector is about to die in the Iliad, Zeus is sad due to the number of sacrifices he made

22
Q

What areas of life would the gods help with?

A

all aspects

Personal - marriage, health

Public - war and city foundations

23
Q

What is a votive offering?

A

a dedication to a god by an individual as part of a ‘contract’ or vow made between mortal and deity

24
Q

What was the help of the gods based on?

A

based on honour not love

-> rewarded for continuous piety and worship of gods (divine favour not based on one-off)

25
Q

What are the 4 main ways to honour a god?

A
  • votive offering
  • libation
  • sacrifice
  • prayer
26
Q

Why are the gods worshipped?

A

they deserve it and mortals worshipped because they deserve it

  • if mortals are not protected they must not deserve it
27
Q

How important is the reciprocal relationship?

A

Integral to the belief in the gods and to the relationship bet. gods and mortals

(“do ut es”)

Works and Days tells how best to honour gods

28
Q

What is an epithet?

A

an adjective that accompanies someone’s name, which denotes a quality or characteristic about the character

e.g Zeus: king, marketplace, property

29
Q

What is the reason for epithets?

A

gods did not have singular responsibilities and using epithets helped to narrow down the specific reason they were being asked for help

had variety of different areas of influence

30
Q

What did mortals do with the epithets?

A

a common approach was to be to pray to groups of gods

pray to all gods related to events so you don’t get punished by the other gods
-> conscious decision for Greeks/ a concern (56 evidence consultations at the oracle of Delphi were about religious matters)

epithets focused on role you were worshipping

31
Q

Epithets and oracles

A

variety of epithets proved to be a challenge so they asked the oracle

openness of rel. = problem for pious individuals

32
Q

Robert Parker on epithets

A

“the tendency of Greeks to appeal to a plurality of gods, to recruit a team, appears in this area of life more clearly than others”

-> so as to not offend any other gods

33
Q

What is the agora?

A

MARKETPLACE

  • common in Greek cities where economic, political, social and religious events took place
34
Q

Zeus epithets

A

Zeus Agoraios (of the agora) - oversight of buying and selling goods, admin, deals sealed with oaths - pol. social and economic

Zeus Phratrios (phrantry) - each Athenian belonged to smaller clan and Zeus and Athena Phratria overlooked sacrifices made to them

Zeus Philios - god of individual and household well-being, prosperity and purification (property, marriage, childbirth)

Zeus Herkeios (of fence/courtyard) - protector of families (family cults)

35
Q

What is a phrantry?

A

A BROTHERHOOD

  • subdivision of the old tribes of Athens which was carried over into the new democratic system after 508/7
36
Q

What are hero cults?

A

transformation of the death ritual which attracted a large number of people, making the tomb an important place.
-> create a community/centre of culture

37
Q

What did you need to do to become a hero?

A

achieve something unusual

+ve - Heracles
-ve - Cleomedes who killed 60 children

38
Q

Erkroth on the hero

A

“a hero can be defined as a person who lived and died, either in myth or real life, this being the main distinction between a god and a hero”

39
Q

What was the pantheon not?

A

A closed entity, but rather permeable with deities joining at different points and v. blurred distinctions between gods, demigods (heroes, nymphs, fate, muses) and mortals

40
Q

To be a recipient of a hero cult…

A

-had to be dead
-done something unusual
-ambivolance (e.g Oedipus)

41
Q

Levels of hero cult worship

A

Can be personal, local or Panhellenic

42
Q

Link between tragedy and hero cults

A

tragedies draw on the emotions from hero cults

43
Q

Examples of hero cults

A

Cleomedes:
- not a good hero but did something unusual (killed 60 children)

Hercules:
- 12 labours
- good hero

Achilles:
- not a good hero
- strength is massive

44
Q

How popular were hero cults?

A

widespread in Greece
-> Heracles most popular hero and particularly honoured at Olympia (but still all over Greco-Roman world)

45
Q

local hero cults

A

many people only worshipped at one specific location e.g Pelops -> inspired Olympic Games and worshiped at Olympia

Pausanians and Theogenes hero

46
Q

Heroic status given

A

famous heroes are often worshipped and much liked by the Greeks

Achilles given heroic status by Homer

Heracles and Asclepius were mortals who died and then became heroes - show fluidity

47
Q

Difference between heroes and mortals

A

heroes worshipped in a way that went beyond usual rituals around burial and extended to official level

48
Q

Panhellenic worship

A

all places that followed Hellenic culture (Olympian gods)

-Zeus at Olympia

-Pythian Apollo at Delphi

-Athena at securities (unite people)

-Homer and Hesiod inshrined how the gods behaved to Greek world

  • sanctions offered places for Greeks to come together (religion brought them together)
  • Olympian gods were all across Greek world

-Heracles at sanctuary in Olympia - athletes during the games

49
Q

Local worship

A
  • all polis’ have local culture (at least 1500 polis’ in Greece)
    -> each have own way of doing Greek religion (festivals etc.)

-smaller sanctuaries (e.g Athena in Athens)

-Zeus Phratrios

-Athena @ Athens

-Athenian deme Erchia -> heroes Epops, Leucaspis and Menecleius = nowhere else

  • localised deities

-interpretation of gods can be quite flexible

50
Q

Personal worship

A
  • everybody/ Greeks thought Homer as their fave author and would have known his work -> pride (cultural figurehead)

-Zeus, Apollo, Hestia etc. protect home and religion there

-Heracles often worshiped at home

-mysteries, healing cults and oracular consultation

51
Q

Panathenaic amphora

A

PRESCRIBED SOURCE

Athena
-she is huge (large size shows she is more than just human - power greater than humans)

grandeur and superiority

Homeric Hymn 11 supports depiction

-extravagant clothing (important)

-armed and ready for action (tells us that the Greeks believed their gods actively got involved in the lives of mortals)