New Final

Question 1

Answer 1

Calder, Lobster Trap and Fish Tail, 1939, American Modernism

Question 2

Answer 2

Christo and Jeanne-Claude, Surrounded Islands, 1980-83, Site-Specific Art, USA

Question 3

Answer 3

Flack, Marilyn, 1977, Superrealism, USA

Question 4

Answer 4

Rietveld, Schröder House, 1924, De Stijl, Holland

Question 5

Answer 5

Wright, Kaufmann House, 1937, American Modernism, USA

Question 6

Answer 6

Dix, Der Krieg, 1929-32, Nue Sachlichkeit, Germany

Question 7

Answer 7

Weston, Nude, 1925, American Modernism

Question 8

Answer 8

Wood, American Gothic, 1930, American Regionalism

Question 9

Answer 9

O’Keeffe, Jack-in-the-Pulpit No.4, 1930, American Modernism

Question 10

Answer 10

Rothko, Number 14, 1960, Abstract Expressionism, USA

Question 11

Answer 11

Paik, video still from Global Groove, 1973, New Media

Question 12

Answer 12

Barner, Cremaster cycle, 2003, New Media

Question 13

Answer 13

Newman, Vir Heroicus Sublimis, 1950-51, Abstract Expressionism, USA

Question 14

Answer 14

Brancusi, Bird in Space, 1924, Abstract Sculputre

Question 15

Answer 15

Rivera, Ancient Mexico from the History of Mexico, 1929-35, Mexican Social Realism

Question 16

Answer 16

Kooning, Woman 1, 1950-52, Abstract Expressionism, USA

Question 17

Answer 17

Orozco, Hispano-America from The Epic of Civilization, 1932, Mexican Social Realism

Question 18

Answer 18

Mendieta, Flowers on Body, 1973, Feminist Art

Question 19

Answer 19

Em, Nora, 1979, New Media

Question 20

Answer 20

Stieglitz, The Steerage, 1907, American Modernism

Question 21

Answer 21

Nevelson, Tropical Garden II, 1957-59, Abstract Expressionism, USA

Question 22

Answer 22

Le Corbursier, Notre-Dame-Du-Haut, 1950-55, Modernist Architecture, France

Question 23

Answer 23

Ringgold, Who’s Afraid of Aunt Jemima?, 1983, Feminist Art

Question 24

Answer 24

Beuys, How to Explain Pictures to a Dead Hare, 1965, Perforamce Art

Question 25

Answer 25

Kosuth, One and Three Chairs, 1965, Conceptual Art

Question 26

Answer 26

Hamilton, Just What is it That Makes Today's Homes So Different, So Appealing?, 1956, Pop Art

Question 27

Answer 27

Smithson, Spiral Jetty, 1970, Site-Specific Art, USA

Question 28

Answer 28

Alen, Chrysler Building, 1928-30, Art Deco, USA

Question 29

Answer 29

Kiefer, Nigredo, 1984, Neo-Expressionism

Question 30

Answer 30

Chicago, The Dinner Party, 1979, Feminist Art

Question 31

Answer 31

Davis, Lucky Strike, 1921, American Modernism, America

Question 32

Answer 32

Picasso, Guernica, 1937, Cubism

Question 33

Answer 33

Rauschenberg, Canyon, 1959, Pop Art

Question 34

Answer 34

Wright, Guggenheim Museum, 1943-59, Modernist Architecture, USA

Question 35

Answer 35

Mondrain, Compostion in Red, Blue, and Yellow, 1930, De Stijl, Holland

Question 36

formalism

Answer 36

Strict asherence ro, or dependence on, stylizd shapes and methos of compostion. AN emphais on an artwork;s visual element rather than its subject. Example:

Question 37

Answer 37

Kelly, Red Blue Green, 1963, Post-Painterly Abstraction

Question 38

Answer 38

Gropius, the Bauhaus, 1925-26, International Style, Germany

Question 39

Answer 39

Moore, Reclining Figure, 1939, Abstract Sculpture

Question 40

Answer 40

Piano and Rogers, Georges Pompidou National Center of Art and Culture, 1977, Post-Modernist Architecture, France

Question 41

color field painting

Answer 41

A variant og Post-Painterly Abstraction in which artist sought to reduce painting to its physical essence by pouring diluted paint onto unprimed canvas and lettig these pigments soak into the fabric.

Question 42

Answer 42

Le Corbusier, Villa Savoye, 1929, International Style, France

Question 43

Answer 43

Benton, Pioneer Days and Early Settlers, 1936, American Regionalism

Question 44

Answer 44

Schnabel, The Walk Home, 1984-85, Neo-Expressionism

Question 45

Answer 45

Malevich, Suprematist Construction: Airplane Flying, 1915, Suprematism, Russia

Question 46

Answer 46

Demuth, My Egypt, 1927, American Modernism

Question 47

Answer 47

Judd, Untitled, 1969, Minimalist Sculpture

Question 48

Answer 48

Scheemann, Meat Joy, 1964, Performance Art

Question 49

Answer 49

Tatlin, Monument to the Third International, 1919-1920, Constructivism, Russia

Question 50

Answer 50

Stella, Mas a Menos, 1964, Post-Painterly Abstraction

Question 51

Answer 51

Stahn, The Passion of Sacco and Vanzetti, 1931-32, American Social Realism

Question 52

Answer 52

Hanson, Supermarket Shopper, 1970, Superrealism, USA

Question 53

Answer 53

David Smith, Cubi XIX, 1964, Abstract Expressionism, USA

Question 54

Answer 54

Lin, Vietnam Veterans Memorial, 1981-83, Site-Specific Minimalist Art, USA

Question 55

Answer 55

Rohe, Seagram Buidling, 1956-58, International Style, USA

Question 56

Answer 56

Pollock, Number 1, 1950, Abstract Expressionism, USA

Question 57

Answer 57

Kahlo, The Two Fridas, 1939, Mexican Social Realism

Question 58

Answer 58

Sherman, Unitiled Film Still #35, 1979, Feminist Art

Question 59

Answer 59

Utzon, Sydney Opera House, 1959-72, Modernist Architecutre, Australia

Question 60

Answer 60

Gehry, Guggenheim Bibao Museo, 1997, Deconstructivist Architecture, Spain

Question 61

Answer 61

Lange, Migrant Mother, 1935, American Social Realism

Question 62

Gestural abstraction/action painting

Answer 62

Also known as action painting. A kind of of abstract painting in which the gesture, or act of painting, is seen as the subject of art. Example: Pollock, Number 1, 1950, Abstract Expressionism, USA

Question 63

Answer 63

Viola, The Crossing, 1996, New Media

Question 64

Answer 64

Close, Big Self-Portrait, 1967-68, Superrealism, USA

Question 65

Answer 65

Beckmann, Night, 1918-19, Nue Sachlichkeit, Germany

Question 66

Answer 66

Warhol, Marilyn Diptych, 1962, Pop Art

Question 67

Precisionism

Answer 67

An American Art Movement of the 1920's and 1930's. The Precisionists concentrated on portaying man-made enviorments in a clear and conside manner to express the beauty of perfect and precise machine forms. Example: Demuth, My Egypt, 1927, American Modernism

Question 68

Answer 68

Tony Smith, Die, 1962, Minimalist Sculpture

Question 69

Answer 69

Lichtenstein, Hopeless, 1963, Pop Art

Question 70

Answer 70

Lawrence, The Migration of the Negro No.49, 1940-41, American Social Realism