ode to a pysche Flashcards

(34 cards)

1
Q

what does the pysche represent?

A

the human soul made immortal through love

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2
Q

how is the pysche frequently depicted?

A

having the wings of a butterfly in order to suggest the lightness of the soul.

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3
Q

in ancient world when a man just died, how was his body portrayed?

A

as having a butterfly fluttering above it, emerging from his mouth.

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4
Q

in greek what does the word ‘pysche’ mean?

A

both soul and butterfly. Keats translates the idea of winged lightness into a dove in his ode

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5
Q

what is the myth of Pysche?

A

Pysche is presented as a mortal kings daughter with such beauty she caused people to forget Venus, the godess of love. This caused venus to want to destry her. Although pysche becomes the bride of Venus’s son Eros, she looses him and then wanders through the world being attacked by venus for whom she must accomplish fearful tasks. however Pysche was helped by thebgods and nature untill such time as she was reunited with Eros and forgiven by Venus, then eventually made immortal by Zeus.

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6
Q

what was keats rationalle for writing ode to pysche?

A

you must recollect that pysche was not embodied as a goddness. I a more orthodox than to let a heathen goddness be so neglected-letter to his brother in 1819.

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7
Q

how does the poem begin?

A

the speaker is addressing the goddess of Pysche asking her to fogive him for singing her secrets. He relates how while wondering through the forest that day he came upon ‘two fair creatures’ asleep in an embrace whom he recognised as a winged boy who was later revealed to be Eros and winged Pysche

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8
Q

what happens in stanza 2?

A

the speaker describes pysche as the youngest and most beautiful of all the gods and godesses living on Mount Olympus. However unlike trhe rest, pysche has none of the usual attributes of the gods, no tneple, no altar, no choir to sing her praises

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9
Q

what happens in stanza 3?

A

keats descines that Pysche is still young therefore misunderstood by the bast era, instead the poems speaker will make up for this lack of appreciation of Pysche, especialy the age he lies in ‘so far retir’d from happy peities’ needs her more than ever

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10
Q

What happens in stanza 4?

A

the speaker says he will become Pysches preist and buld her a temple ‘fane’ of the mind and imagination, with a garden of santuary cultivated by fancy (imagination) he promises pysche that when she is established in her new home (the poets mind) the window will remian open so her winged boy (eros) will be able to have free access to her

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11
Q

what did keats base his stanza design on?

A

the sonnet, although there is more irregualities in this poem compared to alter odes.

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12
Q

What rythm did keats use

A

foundation of iambic pentameter

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13
Q

which stanza is most like a sonnet?

A

stanza 3 as it has 14 lines, ryhming ababcddc in the occtave and eefgfg in the sestet

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14
Q

what was the effect of keats experimentation with stanza form?

A

it was about freedom rather than restriction, there is a mixture of predictability and the unexpected. The first stanza begins with regular alternate ryme -scheme which becomes more random incorpating unryhmed lines 10 and 14 , this gives an energy and a sense of harony to the verse seen as the alternting ryme scheme is returned at the end of the stanza

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15
Q

the repiation of what lines is heavy handed?

A

‘non virgin-choir to make a delicious moan’
‘so let me by thy choir and make a moan’
the poem is about the beauty of the soul, the speaker desire to ‘make a moan’ does not harmonise with the fluid music assocaited with the classical rye.

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16
Q

what is the effect of the two tableaux?

A

they operate as framing devixce for the side, keats recreates the forgotten pysche.

17
Q

‘surely i dreamt today, or did i see the winged pysche with awakened eyes’

A

pysche is placed in the context of ancient mythology a place which exists outside the poets imagination and hwich is accessible through dream or waking vision

18
Q

when does the second tableau occur?

A

in the final stanza, when the poet declarres he will serve as Pysches preist. The difference is that this time the context is not a wild classical landscape but rather ‘in some untrodden region’ of the poets mind.

19
Q

what does the language of the poem capture?

A

the myth and magic of the ancient world, with refernces to zephyrs, dryads and temples.

20
Q

how does the tone change?

A

from the warmth of pyschical love in stanza one to more structured langauge of religous observance in the final stanza.

21
Q

repition

A

clearly intentional but a more clumsy device in Ketas first ode than is seen in more mature odes.

22
Q

what is the diction of teh first stanza

A

soft and tender, with frequent sibilance and gendtele assonance. this captures the gentle meandering of the speakers body or mind between the boarders of realitya nd dream.

23
Q

aural effect

A

‘soft cinched ear’ ‘fainting with suprise’ tender eye-drawn of auroean love’
at this stage he is also employing the kind of self conscious poetic diction and attidue the roamntic poets genderally sought to avoid

24
Q

describition of the two after sex

A

conveys leisure and lack of tension by the hyypensated ‘cool-rooted’ ‘calm breathing’ and soft-handed’ the sounds are sesnous with long liquid vowels.
the whole scene is onomatapeotic- the elaves are ‘whispering’ the blossoms ‘trembled’ amnd the spoft breathing of the lovers suggested by the s sound is ‘hushed’ ‘silver’ ‘grass’ ‘arms’

25
'where branched thoughts, new grown with pleasant pain, instead of pines shall murmer in the wind'
the use of plosices speak of a more dispaplined environmet and also suggested by the word 'trellis' although it is still softened by the repeated long vowle sounds of 'mumur' 'far far'. In this second tableau flowers do not grwo wildly but aree 'bred' there is intentionaliity. There is more mental energy than impressionistic musi ngs from keats
26
gardens of the mind
'sanctuary' 'branched thoughts' 'thre wrethed trellis of a working brain' Gardens speak of human cultivation, keats is building a verbal contruct o honour tyhe importance of teh soul and love. his 'gardener fancy' indicates keats belief in the powers of human invention, the human power to imagine and create art as seen as something that aids and improves nature.
27
'will never breed the same'
Because the imagination is infinate and can create endlessly without repition
28
light
the poem starts in gentle woodland light 'eye-dawn' 'aurorean' convey the pink glow in increaing morning light. the light assocaited with pysche intensifies in the thrid stanza as she is the 'brightest' and her wings are 'lucent' and by the end of the forth verse she is assocaited with the warmtha nd light if a flame 'bright tourch' this conveys her mortal begginning but alsio her union with life giving force of erotic love
29
the union of body and soul in love
pysche symbolises for keats the idea that true love evolves the body and soul both eternal and tnporal values, love aspire to last forever but is also firecly ehre and now. As a moral who becomes immortal who has enjpoyed physical sexuyal union is also union wit god. keats humanises the goddess her temple being the human mind
30
'untrodden regions of the mind'
the development of creativity-the creative process in being a human being. For keats being human meant cultivating one unsconscious, using the imagination to m ake all the disparate experinces encountered in life cohere with 'rosey santuary'
31
'pleasant pain'
being a human means enaging with 'pelsant pain' a typically keatsian oxymoran of findingf riches in painful ciurcumstances-ina ltter to george in 1819 he wrote 'do youy see not how neccessary a world of pains ad troubles is to school intellegence and make it a soul'
32
keats religion
was not a christian- hellinsims which was a mixture of nature and erotic love and found it was vital for an artist to be open to both.
32
33
the vale of soul making
keats did not believe- differently to other romantic poets-in an ideal perefct world and belived nature did not allow perfectability and je belived the soul and itellegdnece was distinctly seperate. He belived that soul has to be formed by three influences-intellegnce, the huamn heart and the world or experice it is these elements thats hape our identity.In his letter to geroge 1819 he unveils the 'system of spirit creation' that he had been designing.