(Part 1) Unit 2: The Well-Tempered Clavier Flashcards

1
Q

Define:

Tierce de Picardie

A

A common mannerism in the Baroque era that concluded a work written in a minor key with a tonic triad containing a raised third

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2
Q

List the following for The Well Tempered Clavier, Book 1:

Genre and composition date

A

Solo keyboard music

Book 1: 1722, Book 2: 1742

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3
Q

In “The Well-Tempered Clavier”, what does “well-termpered” mean?

A

Refers to the (then) newly invented tuning system for keyboard instruments that allowed for pieces to be written in any key

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4
Q

In “The Well-Tempered Clavier”, what does “clavier” mean?

A

German word for any keyboard instrument other than organ

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5
Q

List the structure of the two books of “The Well-Tempered Clavier” (2)

A

2 books, each containing 24 preludes and fugues organized in pairs of parallel major and minor keys
Each book starts with preludes and fugues in C major/minor, going up by chromatically by half step, ending with B major/minor

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6
Q

List the key, form, tempo, meter, and texture of Prelude and Fugue in B flat major, BMV 866

A
B flat major
Incorporates aspects of binary form
No specific indication on score (style implies quick tempo, in the manner of toccata)
4/4 time
Homophonic and polyphonic
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7
Q

Define:

Toccata

A

A very fast keyboard work demonstrating a virtuosic, improvisatory character

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8
Q

In Bach’s Prelude in B flat Major, BMV 866:

In measures 1-2, ______-chord passages played in breathless ______-______ notes and treated ____________

A

Broken
Thirty-second
Sequentially

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9
Q

In Bach’s Prelude in B flat Major, BMV 866:

What key does measures 1-2 end on?

A

F major (dominant key)

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10
Q

True or False:

After ending on F major, measures 1-2 proceeds immediately to the next section

A

True

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11
Q

What section is measures 1-2 in Prelude in B flat Major, BMV 866?

A

Section A

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12
Q

In Bach’s Prelude in B flat Major, BMV 866:
In measures 11-13, it continues the _______-like style with rapid _______-like runs that emerge from arpeggiated _______ chords

A

Toccata
Cadenza
Seventh

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13
Q

In Bach’s Prelude in B flat Major, BMV 866:

Does Section B require virtuosity throughout?

A

Yes

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14
Q

What section is measures 11-13 in Prelude in B flat Major BMV 866?

A

Section B

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15
Q

In Bach’s Prelude in B flat Major, BMV 866:

Section B’s _____________ style contrasts with the __________ order demonstrated in the _____ that follows

A

Improvisatory
Controlled
Fugue

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16
Q

List the key, tempo, meter, texture, number of voices, and type of answer in the Fugue of the Prelude in B flat Major, BMV 866

A
B flat major
Moderately fast (Bach gave no tempo indications anywhere in the score)
3/4 time
Polyphonic texture
3 voices
Tonal answer
17
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

How many countersubjects are presented simultaneously through the fugue?

18
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

What is the purpose of the two countersubjects?

A

Act as accompanying figures to the statements of the subject or answer

19
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

In measures 1-5, _______ in _ ____ _____ is presented in the ___ voice

A

Subject
B flat Major
Top

20
Q

True or False:

The subject in B flat major presented by the top voice in the Fugue is unusually long

21
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

How motives does the subject consist of? What are they?

A

Comprises two motives
First is mostly disjunct outlining the tonic-dominant seventh harmony
Second is conjunct, outlining the same harmonies

22
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

In measures 5-8, _____ _______ in ______ voice (_ _____)

A

Tonal answer
Middle
F major

23
Q

In the Fugue of the Prelude in B flat Major, BMV 866:

In measures 5-8, what is in the top voice?

A

Countersubject 1

24
Q

In the Fugue of the Prelude in B flat Major, BMV 866:
In measures 9-13, subject is in ____ voice, countersubject 1 is in the ______ voice, countersubject 2 is in the ___ voice

A

Bass
Middle
Top

25
True or False: | In measures 9-13, there is a redundant entry of the tonal answer in the middle voice in m. 12
False, there is a redundant entry of the tonal answer in the upper voice in m. 13
26
List the events that take place in the middle section of the Fugue of the Prelude in B flat Major, BMV 866 (4)
First episode leads to G minor The subject appears in G minor followed by a tonal answer in C minor The second episode leads to E flat major A partial (two-measure) entry of the tonal answer in m. 35 is interrupted by a complete entry in E flat major in m. 37
27
What is the complete entry in E flat major in m. 37 of the Fugue known as?
False stretto
28
List the events that take place in final section of the Fugue of the Prelude in B flat Major, BMV 866 (2)
Concludes with a tonal answer reaffirming the home key of B flat major Final four measures act as a coda bringing the fugue to a strong close