Pathétique Flashcards

(6 cards)

1
Q

Melody

A

The introduction motif is repeated 9 times

Uses of melodic flourishes, a common feature of the romantic period and allows the composer to show off - 4

Use of semi quavers and it is chromatic and virtuous in-10

The 1st subject is the mannheim rocket theme and rapidly ascends - 11

The sequences get lower in pitch to reference the classical period -36,3943

The codetta theme features a playful melody

The development section has a fragmented melody and is transition material

Highly lyrical and features grace notes and trill to add decoration - 51-88

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2
Q

Harmony & Tonality

A

The piece starts in the key of c minor and its relative major in Eb

A diminished 7th chord, unstable and popular in romantic era - 1

There is a tonic pedal, which creates a murky bass and use of tritone which is a dissonant interval - 11

The G major chord creates functional harmony - 27

Dominant preparation - 44,45,46,47,48,49

There is a repeated perfect cadence to reinforce the tonic key, providing a strong sense of closure - 127-131

The key is in Gm, which is unrelated and has no functional relationship - 133

The second subject starts in Eb minor - 51

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3
Q

Dynamics

A

There is a dramatic, extreme change from p to ff - 5

The dynamics are sf, which are softer and lyrical - 61

There is use of gradual crescendos leading to the end - 116

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4
Q

Texture

A

Development section is melody dominated homophony

The introduction is homophonic and monorhythmic

The melody is chordal with register accompaniment - 28

4 part polyphony and shifts to homophonic - 88,101

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5
Q

Structure

A

The piece is in sonata form and the exposition allows composer to introduce ideas - 11-132

The lyrical theme - 51-64

Transitional and playful with ornamentation - 65-88

The development section has rhythmic augmentation - 137

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6
Q

Rhythm, Metre & Tempo

A

Grave means sad, solemn whilst allegro di molto e con brio means very fast

Use of dotted rhythms and syncopation to create drama

The quavers are lyrical and flowing - 51-64

The extended rhythms add tension

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