PATM Music and the emotional brain Flashcards

Learn about emotions in music and the brain.

1
Q
  1. What is the difference between an emotion and a mood?
A

• Emotions may be defined as fairly brief
and intense experiences
• Mood may refer to less intense but more
prolonged experiences

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2
Q
  1. What are the basic emotions humans experience?
A
  • Sadness
  • Joy
  • Surprise
  • Fear
  • Anger
  • Disgust
  • Contemp
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3
Q
  1. Describe the Circumplex model of emotions. Russell, 1980.
A

This type of model is particularly good
for capturing the continuous changes in
emotional expression in music.

Organises emotions in terms of affect
(pleasant/unpleasant) and degrees of
physiological arousal (high/low)

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4
Q
  1. Emotional responses comprise 3

physiological components name them.

A
  1. Behavioural (muscular – run away)
  2. Autonomic nervous system (gives a lot more energy)
  3. Hormonal Components
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5
Q

5.The 3 different emotional response

components are controlled by what?

A

The amygdala which is located in the temporal lobes in the brain.

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6
Q
  1. How do we know that the amygdala is implicated in emotions?
A
  • Patient data shows that lesions in the amygdala lead to a decrease in emotional responses (La Bar et al., 1995; Bechara et al., 1995).
  • Tranquilizers and opiate effects are in the amygdala.
  • In humans stimulation of the hypothalamus produces autonomic responses associated with fear and anxiety but people only report feeling afraid when the amygdala is stimulated as well (White, 1940; Halgren et al., 1978; Gloor et al.,1982).
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7
Q
  1. How is the hypothalamus linked with the amygdala?
A
  • In humans stimulation of the hypothalamus produces autonomic responses associated with fear and anxiety but people only report feeling afraid when the amygdala is stimulated as well (White, 1940; Halgren et al., 1978; Gloor et al., 1982).
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8
Q
  1. Discus brain responses to musical emotions where PET (positron emission tomography) was used to examine cerebral blood flow (CBF) changes related to affective responses to music.

**Blood, Zatorre, Bermudez & Evans (1999). **

A

Music recruits neural mechanisms similar to those previously associated with pleasant/unpleasant emotional states

Subjective reports of chills were accompanied by changes in heart rate, electromyogram (EMG emectrical activity in muscle, and respiration.

As intensity of these chills increased, cerebral blood flow increases and decreases were observed in brain regions thought to be involved in reward/motivation, emotion, and arousal.

**Blood, Zatorre, Bermudez & Evans (1999). **

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9
Q
  1. What did Leonard Meyer (1950s)

say about Emotion and Meaning in Music

A

“Principle emotional content of music arises through the composer’s choreographing of expectation. Meyer noted that composers sometimes thwart our expectations, sometimes delay an expected outcome, and sometimes simply give us what we expect. Meyer suggested that the principle source of music’s emotive power lies in the realm of expectation

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10
Q
  1. What does the ITPRA stand for?
A
  • I = Imagination Response - what do you think might happen?
  • T = Tension Response - are you ready for what is about to happen?
  • P = Prediction Response- did you predict the outcome accurately and how do you feel about the accuracy of your prediction?
  • R = Reaction Response - How have you reacted and how does it make you feel?
  • A = Appraisal Response - Upon reflection, how do you feel things have A worked out?
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11
Q
  1. Describe the ITPRA theory

Imagination response

A
  • Future-oriented behavioural motivation
  • The ability to “preview” important for imagination (patient data)
  • We “feel” rather than “think” about future possibilities
  • This ability allows deterred gratification – forego an immediate pleasure in order to gain greater pleasure later
  • Allows us to go through emotional peaks and troughs
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12
Q
  1. Describe the ITPRA theory

Tension response

A

Preparing for an emotional event involves motor preparation (arousal) and perceptual preparation (tension)

Must be synchronised for the onset of the musical event.

Optimum arousal and attention in preparation for anticipated events

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13
Q
  1. Describe the ITPRA theory Prediction response
A
  • Expectation-related emotion
  • Negative/positive reinforcements to encourage the formation of accurate expectations
  • Rewards and punishments arise in response to the accuracy of the expectation
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14
Q
  1. Describe the ITPRA theory Reaction Response
A
  • Were outcomes pleasant or unpleasant?
  • Neurologically fast responses “Quick and dirty” that assume a worst case assessment of the outcome
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15
Q
  1. Describe the ITPRA theory Appraisal Responses
A
  • Here conscious thought is involved
  • Neurologically complex assessment of the final outcome that results in negative/positive reinforcements
  • Reaction and appraisal responses are independent and may evoke different emotions or may re-enforce each other
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16
Q
  1. Describe the full ITPRA theory with reference to Pre-event and Post-event
A

Pre-event
I) Feeling states first activated by imagining
different outcomes
T) As event approaches tension is experienced

  • *Post event**
  • *P**) Once event has occurred, feeling evoked in response to whether ones predictions were borne out
  • *R**) Fast response to event
  • *A**) Less hasty appraisal of the event
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17
Q
  1. Why is the neurotransmitter Dopamine important in the brain system responsible for reward-driven learning?
A

Dopamine is releasesd in the striatum at peak emotional arousal during music listening. (Salimpoor et al, 2010)

18
Q
  1. Describe the Brain Stem Reflex with relation to music.
A
  • Most primitive mechanism, responding to acoustic characteristics of sound
  • Loud, sudden, dissonant, fast sounds elicit BSR responses
  • Arousal
19
Q
  1. What is meant by Evaluative Conditioning?
A

Results from repeated associations between music and a emotion inducing context (e.g. happy birthday to you; funeral march).

You do not need to be aware of the association to experience the emotion.

20
Q
  1. Hurons model can’t predict all emotions brought about by music state some.
A

Structural characteristics

Autobiographical associations “They are playing our song darling”

Other types of cultural associations (e.g. funeral music; moon landing)

21
Q
  1. What is emotional contagion?
A

Describes how groups of people share emotions.

Infants cry when they hear other infants crying

Shared feelings of triumph at a football match etc.

Worship music

22
Q
  1. Give examples of Visual Imagry in music.
A
  • We get music that evokes images.
  • Music evoking storms at sea, sunrise, the birth of the earth etc
23
Q
  1. How is episodic meomory linked to music?
A

Episodic memory is the memory of autobiographical events (times, places, associated emotions, and other contextual who, what, when, where, why knowledge) that can be explicitly stated

  • Darling they are playing our tune (Autobiographical memory)
  • Moon Landing
  • Emotion not elicited directly by the music but by the link between the music and a past event
  • People with Altsimers can still remember old songs even though daily memory has gone. Can reconnect them with their past.
24
Q

24.

Cognative Theories of emmotion

What is the James-Lange Theory ?

A

Good early attempt to differenciate between the physiological feeling of arousal and specifically what the stimulus is (A bear)

This physical arousal makes a person feel a specific emotion. According to this theory, emotion is a secondary feeling.

25
Q
  1. Descrbe the Cannon-Baird Theory
A
  • Disagreed with the James-Lange Theory
  • Emotion reactions & bodily reactions Occur **simultaneously **
26
Q
  1. Schachter & Singer’s Two-factor Theory of Emotion (1962)
A

1 Large Bear

2 We experience undifferentiated arousal

3 We try to attribute the arousal to a cause (in us or in the environment). Once we have identified the cause we label the arousal with an emotion.

The two-factor theory of emotion focuses on the interaction between physical arousal and how we cognitively label that arousal. In other words, simply feeling arousal is not enough; we also must identify the arousal in order to feel the emotion.

27
Q
  1. Dutton & Aron 1974 undertook a study what was it?
A

Attractive female psychologists asked males to complete a questionnaire survey. She supplied a phone number in case they had questions.

Half were interviewed on a swaying bridge 200 over a river, the other half were interviewed on a sturdy bridge.

Results 30% of males in sturdy bridge condition and 60% of males in swaying bridge called the experimenter. Results interpreted as misattribution (sexual attraction) of arousal.

28
Q
  1. Describe the three Appraisals described by **Lazarus (1982) **
    1: Primary Appraisal
    2: Secondary Appraisal
    3: Re-Appraisal
A

Primary Appraisal: An environmental situation is regarded as being positive (no bear), stressful (bear) or unimportant (bear in a cage)

Secondary Appraisal: Account is taken of the resources the individual can bring to the situation (There is a free roaming large bear but I am armed)

**Re-Appraisal: **The stimulus situation and the coping strategies are monitored (the bear is quite scary but I am armed), with the primary (scary bear) and secondary appraisals (I am armed) being modified if necessary.

Denial and intellectualism (the bear doesn’t look too scary) can produce reductions in stress

29
Q
  1. The autonomic componant increases and decreases what?
A

There are increases in the sympathetic nervous system and decreases in the parasympathetic nervous system that result in many bodily changes

30
Q
  1. What are the main parts of the sympathetic nervous system (SNS)?
A

The **sympathetic nervous system (SNS) **increases with stimulation. (Fight or flight response)

31
Q

31 What are the main parts of the parasympathetic nervous system (PSNS)?

A

Sympathetic and parasympathetic divisions typically function in opposition to each other

A useful mnemonic to summarize the functions of the parasympathetic nervous system is SLUDD (salivation, lacrimation, urination, digestionand defecation).

32
Q
  1. What is the third componant of stress reaction?
A

Hormonal Effects: Adrenal Gland.

Adrenal cortex

secretes steroids that help make Glucose available to Muscles

Adrenal Medulla

secretes epinephrine and norepinephrine And this further increases blood flow to the muscles and causes nutrients stored in the muscles to be converted into glucose

33
Q
  1. What is the function of the central nucleus of the amygdala?
A

The central nucleus of the amygdala projects to regions of the hypothalamus, midbrain, pons and medulla that are responsible for the expression of the different components of emotional responses

34
Q

34.

What did Hornak, Rolls & Wade (1996) find about patients with orbitofrontal cortex damage?

A

Patients with orbitofrontal cortex damage impaired at identifying facial and vocal emotional expressions

“Emotion, tears, that’s all gone out of the window. If I saw someone cry I’d just laugh – people look really silly getting upset”

35
Q
  1. What brain circuitary does music share with euphoria inducing stimuli, such as food, sex, and drugs?
A

Brain regions involved in reward/motivation, emotion and arousal.

This finding links music with biologically relevant, survival-related stimuli via their common recruitment of brain circuitry involved in pleasure and reward.

36
Q
  1. (Sloboda & Juslin, 2001) Emotions in the music?
A

“There is now an accumulating body of knowledge that shows that there is a lawful relationship between the intensity of emotional qualities experienced in music and the specific structural characteristics of the music at a particular point in time”

**(Sloboda & Juslin, 2001) **

37
Q

37.

Name** s**tructural characteristics associated with emotions **(Sloboda, 1991; 1992) **

A
  • Syncopations
  • Harmonic changes
  • Melodic appoggiaturas Etc

These create, maintain, confirm or disrupt musical expectancies **(Sloboda, 1991; 1992) **

38
Q

38.

Juslin & Laukka (2003) 41 studies of music performance (vocal and instrumental).

Do performers and listeners concur on the emotional qualities of the music?

A

They found that listeners perceived emotions similarly to performers when emotions were:

Happiness

Sadness

Anger

Fear

Tenderness

39
Q
  1. Multiple Mehanisms Theory

Juslin & Västfjäll (2008) What does BEEVE stand for?

A
  • 1) Brainstemreflex
  • 2) Evaluative conditioning
  • 3) Emotional contagion
  • 4) Visual imagery
  • 5) Episodic memory
  • 6) Expectancy
40
Q
  1. Who was Phineas Gage?
A

Phineas P. Gage (1823–1860) was an American railroad construction foreman remembered for his improbable survival of a rock-blasting accident in which a large iron rod was driven completely through his head, destroying much of his brain’s left frontal lobe, and for that injury’s reported effects on his personality and behavior over the remaining twelve years of his life, effects so profound that (for a time at least) friends saw him as “no longer Gage.”