photography class Flashcards
(162 cards)
1
Q
DEVELOPING FILM 8 STEPS
A
- 1 MIN H20 SOAK- AGITATE
- DEVELOPER 9 MIN AGITATE FIRST 30 SECS~ THEN 10 SEC OF 1ST MIN THEREAFTER ( DUMP IT)
- STOP BATH= 30 SECS AGITATE CONST. (RECYCLE)
- FIXER= 5 MIN AGITATE SAME AS DEVEL. ( RECYCLE)
- RINSE H20 FOR 1 MIN.
- HYPOCLEAR= 5 MIN AGITATE GENTLE SAME AS DEVELOPER
- H20 FINAL WASH 10 MIN GENTLE MOVEMENTS
- PHOTO FLO 30 SECS BATH OUTSIDE
2
Q
FILM DEVELOPING IMPORTANT FACTS
A
TAP BOTTOM TO DISLODGE BUBBLES LOAD FIM IN TOTAL DARKNESS EACH REEL USE 10 0Z OF SOLUTION TEMPERATURE IS CRUCIAL 65-75 C AGITATION MUST BE GENTLE = OVER AGITATION CAN DAMAGE FILM AND CREAT OVER EXPOSURE.
3
Q
3 factors that affects DOF depth of field
A
- lens apperture f/stops
- distance camera/subject
- lens focal lenght
4
Q
DOF
A
the front/back zone within which objects appear to be sharp
extending between 2 particular distances
5
Q
shallow DOF
A
when little else BUt main subject appear sharp
6
Q
great DOF
A
when scene is sharp from front to back
7
Q
APERTURE
A
CONTROL FOCUS
8
Q
DARK ROOM CHEMICALS
A
developer-1.5 minutes use tongue to move pic water - rise quick stop bath - 15 sec fixer- 5 min water leave it hypo 3 min wash outside,, squesh+ water book
9
Q
developer
A
transform sliver halide into silver metal
10
Q
stop bath
A
stop action of developer
11
Q
fixer
A
removed unexposed silver halide crystals from film- makes image permanent and impervious to light
12
Q
hypoclear
A
remove any residual fixer from film therefore reduce the washing time
13
Q
photo flo
A
release water tension reduce spots
14
Q
APERTURE
A
controls intensity of light into the camera
15
Q
F/STOP
A
f/2—f/2.8—f/4—f/5.6—f/8—f/11—f/16–…
–Big apert. smal apert—
Right to left = 1/2 multiply each stop
Left to right increase 2x
maximum aperture= wide hight quality speed of lens
combine aperture/shutter= perfect exposure
16
Q
essential of printing
A
NEGATIVES free from dust.. load shine side up image facing down
17
Q
filters
A
start at # 2
higher or lowe contrast grade
18
Q
Focusing enlarger
A
open aperture/adjust size of image use leans start at f/5.6 check grain focus most lens are sharper at f/8
19
Q
SHUTTER SPEEDS
A
capture moving object
1 second is the longest
Right—-reduce amt of light entering
——Left double ammount of light entering
1–1/2–1/4–1/8–1/15–1/30–1/60–1/125–1/250–1/500–1/1000
each direction multiply by 1/2 both directions
20
Q
negative
A
too much exposure.. film aper dense dark
underexposure bright film film developing time to long
avoid sun exposure on fim. heat destroy it
21
Q
controlling motion with shutter speed
A
1/30 freezes motion
1/125 stops motion completely
22
Q
two main ways to portray motion of a moving object
A
- by freezing stop movement that appears sharp
- the other is blurring the subject
waling figure= shutter speed 1/30
1/125 stops motion completely
23
Q
aperture
A
eye of camera,
adjustable in lenses
controls intensity of light
24
Q
f stops smallest
A
large size diameter== larger aperture in lenses
25
F STOP LARGER
smallest aperture
26
faster shutter
stop motion
27
slow shutter
shows motion
28
equivalent exposures
1/8 1/15
| f/22 f/16
29
ISO grading
set light meter== amount of light film speed
30
shutter speed
seconds and fractiono f seconds
long exposure 30 seconfs set camera to bulb for long expposure
31
relationship between numbers
slow--------------fast decreases as it goes right it cut lights in 1/2
32
WILLIAM HENRY FOX TALBOLT
took paper coated sodium cloride salt and silver nitrade silver chloride exposed to light in camera obscura
NEGATIVE!! was created
fixed paper in sodium thiosulfate from that he coined the name positive
CALOTYPE.. beautiful impresion
1839 TALBOType photogenic drawnings
his process was REPRODUCIBLE
33
Talbotype/photogenic
was reproducible
34
photogenic drawing
poeple did not smile.. image look too serious
35
CLAUDE FELIX ABEL
NIECE OF SAINT VICTOR used glass as a new negative
| exposed time was too long 20-45 min
36
LOUIS DESIREE BLONQUAL EVRAND
ABLURREN SILVER PAPER egg white in big plate swab for 6 minutes exposed to light in camex
37
LOUIS JACKEN MANDE DAGUERRE
DAGERRETYPE 1839
COPPER PLATE COATED WITH SILVER
DEVELOPED PIECE BY SISPENDED DRY VER HEATED MERCURY
38
SR JONH HERSHEL
B-stromere coined the term PHOTOGRAPH
FIXER!! soldium thiosulfate
39
1890 gelatin silver paper
film gelatin forma nimal hoors
40
FREDERIC SCOTT ARCHER
collodium nitrocellulose and ether alcohool
glass palete coated with colodium
than paper into silver nitrade
exposed to light in camera obscura
developed in pyogalic acid HAVE TO HAVE DARK ROOM
41
DRY PLATE PROCESS 1970S
AMBROTYPE,, THEY LOOKED LIKE DEGUERRA TYPE BUT CHEAPER TO MAKE
42
MEANING CAMERA ROOM CHAMBER
OBSCURA - DARK
IMAGE APPEARS UPSIDE DOWN IN CAMERA OBSCURA
IT HAS MIRROR REFLECTION
IMAGE WA NO PERMANENTE
43
LENS WERE DISCOVER
WHEN BLOWER GLASS CUT PIECES AND THEY ABLE TO MAGNIFY THINGS
44
HERINCH SCHULZE
RENACENCE INCENTION OF PRINTED
HE NOTICED THAT CERTAIN COMPOUND ARE SENSITIVE TO LIGHT IT TURNS DARK
CLHORINE, IODADINE, BROMINDE USE IN PHOTOGRAPHY
45
JOSEPH NICEPHORE NIEPCE
FIRST PHOTOGRAPH PROCESS 1826
HELIOGRAPH
```
INVENTED HELIOGRAPH PROCESS
PRINT MAKER
WAYS TO PRINT PERMANENTE
PEDER PLATE COATED WITH ASPHALT JUDIA HARDENS IN EXPOSURE TO LIGHT
EXPOSED TO LIGHT IN CAMERA OBSCURE
```
46
POLAROID
BY EDWIN COND 1845
47
HANNIBAL GOODWIN
ROLL FIM
48
GEORY EASTMEN
KODAK
49
NIKON
USA 1050
50
3 TYPES PF CAMERA
SMALL --SLR SINGLE LENS REFLEX MIRROR INSIDE THAT RECORDS BEFORE IMAGE IS RECORDED, VIEW FINDER , REFELX 35MM
MEDIUM- TRL SHAPE REGULAR SQUARE, LONGER FRAME , FEWER FOTOS
\LARGER FORMAT-- SHEETS OF FILM 5/5 TO 20/24 IN ARE LARGER THAN MOST BASID CAMERAS DONT CARRY ROLLS
USED IN BANQUETE, MILITARY, SCHOOL CLASS-- WIDE RANGE HAS BETTER RESOLUTION SUE TO IT SIZE
51
LENSES
COME IN DIFFERENT SIZES, LENGH, FOCAL LENGHT, REFERS TO MEAUSRE DISTANCE LENS POINT .. INTENSITY IN CAMERA,
MAKES IMAGE SHARP
FOCUS
ALLOW APERTURE TO CONTROL AMOUNTS OF LIGHTS ENTERING CAMERA
MADE OF ELEMENTS OF PIECES OD GROUNDED GLASS
52
NODAL POINT
PTICAL CENTER .. FILM PLANE LIGHT IS REFLECTED
53
1.NORMAL CATEGORIES FOR LENSES
NORMAL LENSES 63MM-- LONGEST
50MM MOST COMMOM, 35MM LOWER LIMIT
LONGER = NARROW VIEW
SHORTER WIDEST VIEW
35MM LENSE SIZE FOCAL LENGHT
35MM CAMERA SIZE OF FILM
54
2.WIDE ANGLE LENSES
GATHER MORE INFO, VIEW LONGEST , WIDEST
28MM=14MM, 24MM=14MM, 22MM/ 11MM/
SHORTER LENS = BIGGER VIEW
55
PIN CURSION DISTROTION.. ON WIDE ANGLE LENSES
DIVISION OF PARALLEL LINE, EX PIC OF BUILDING FORM BOTTOM LOOK LIKE PYRAMID PARALLEL LINES BEND.. LENSES DIVERGES
56
3. TELEPHOTO LENS
ANGLE OF VIEW MAGNIFICATION- ISOLATE SPECIFC AREA . FOCUS ON THE INFORMATION
LONG LENSES NARROW ANGLE OF VIEW
MORE MAGNIFICATION.. AUMENTA
70MM 85MM 105MM 135MM 200MM 500MM 100MM 5000MM PHOTO OF LARGE EVENTS LIKE SPORTS
57
ZOOM LENSES
DOWNSIDE ZOOM ARE NOT SHARP
| DIFFICULT TO MAKE EDGES SHARPER USE WIDE ZOON LENSES
58
PHOTOGRAM
DEMONSTRATE HOW PHOTGRAPHS PAPER WORKS EXPOSES PAPER OBJECTS REFLECT LIGHSTS
59
SHUTTER
CONTROL LIGHT ENTERING THE CAMERA
CONTROL LENGHT OF TIME LOCATED IN BODY OF CAMERA. SPEED DESCRIBED IN SECONDS OF FRACTIONS OF SECONDS FROM ONE STOP TO ANOTHER STOP
60
APERTURE
OPEN CLOSES, CONTROLS INTENSITY OF LIGHT
61
SHUTTER+ APERTURE WORKING TOGETHER
ALLOW LIGHT INTO THE CAMERA TWO MECHANISM TO CONTROL LIGHT WORKING TOGETHER. EQUAL AMMOUNT OF LIGHT = GOOD PICTURE
62
LIGHT METER
SET APPROPRIATE EXPOSURE MEDIA
63
BULB
OPEN SHUTTER FOR LONG TIME= MOTION IS CAPTURE
64
PRE SET YOUR SHUTTER SPEED TO ALLOW CAPTUR OF MOVING LIGHT
1 SECOND IS THE LONGEST
1/2 1/4 1/8 1/15 1/30 1/60 1/125 1/250 1/500 1/100..ETC
EACH TIME IT STOPS CUT THE AMOUTN OF LIGHT BY 1/2 GOING FROM LEFT TO RIGHT
FRACTIONS ARE MULTIPLIED TO GIVE TOTAL AMOUNT
OPOSITE DIRECTION LIGHT IS INCREASED BY 2 ALSO MULTIPLICATION
65
SHUTTER
FAST------SLOW LEAVE LIGHT SPEED LONGER MORE LIGHT ENTERING.. 1 SECOND IS THE LONGEST!
66
DEPHT OF FIELD
EXTREMES F2, F22 AREA IN FRONT AND BEHIND CAMERA
SHALLOW AND GREAT
F2== LARGER APERTURE 0
F22== SMALL APERTURE o MOST ON OF IMAGE IS IN FOCUS , GREAT DE OF FIELD
67
LONGEST LENSES
TELEPHOTO SHALLOW DOF
68
SHORTER LENSES
GREAT DOF
69
MOVING OBJECTS
1/15 SLOW SHUTTR, SHOW MOTION
| 1/100 STOPS MOTION
70
LIGHT METER READING
ISO MORE FOCUS ON OBJECTS
F5 LARGER APERTURE BLURRED FLOWER
F32 SMALLER APERTURE LARGER DOF
71
GREAT DOF
IMAGE CLEAN ALL TOGETHER NO BLUR EVERYTHING APPEARS IN FOCUS
72
VERY SLOW SHUTTER
PARALYZE MOTION
73
APERTURE AFFECTS DEPT OF FIELD
LARGER F2 o-FOCUS LARGER APERTURE O-- LESS FOCUS
74
FOCAL LENGHT + DISTANCE
SHORTER CLOSER
LONGER SHALLOW
AFFECTS DOF
| FURTHER AWAY GREAT DEPT OF FIELD
75
TWO MECHANISM THAT ALLOWS LIGHT INTO THE CAMERA
1. APERTURE LOCATD IN LENSES- CONTROLS INTENSITY OF LIGHT INTO CAMERA. F STOPS GOES IN BOTH DIRECTION *----* SOZE ORDER BIGGER NUMBER SMALER APERTURE
MAXIMUM APERTURE SPEED OF LENSES
WIDE MORE QUALITY
FOCAL LENGHT = DIAMETER F STOPS COMBINE APERTURE AND SHUTTER TO MAKE A GOOD EXPOSURE
2.
76
ELECTRONIC CAMERAS
DX CODES
77
LIGHT METTER
AMOUNT OF LIGHT AVAILABLE
ISO RATING AS FILM SPEED INDICATES IF YOU ARE USING RIGHT AMMOUT OF
LIGHT
DIFFER FROM CAMERA TO CAMERA
* SPOT METER IT MAGNIFIES CERTAIN AREAS
78
FILM** ASA 400 FILM EXPOSURE
RAINING DAY BRIGHT OVERCAST DAY
| MOST ACCURATE AT F8
79
EQUIVALENT EXPOSURES
COMBO OF NUMBERS APERTURE/SHUTTER
ALLOW SAME AMOUNT OF LIGHT
MOTION CHILD RUNNIN BIKING= MOTION FREEZE INCREASE FAST SHUTTER
SPEEED
TREES BLOWING IN THE WIND-- LONGER SHUTER SPEED
COMBO EXAMPLE 1/60 -F8
80
EQUIVALENTS NUMBERS SHUTTER/APERTURE
1 1/2* 1/2 1/8 1/15 1/30 1/60 1/125 1/250
| F22 F16 F11 F8 F5.6 F4
81
ISO 400 FILM SENSITIVITY/ SPEED
LESS SENSITIVE- MORE LIGHT REQUIRED LONGR SHUTTER SPEED
82
ISO 200 FILM
LESS SENSITIVE BY 1STOP== LIGHT REQUIREMENT WILL CHANGE NEED TWICE MORE LIGHT
F5.6 ALL NUMBER SHIFT BY ONE STOP
F8 HIGHT FILM NUMBER-- SILVER- EQUAL MORE LIGHT REQUIRED
83
ISO 100 FILM
```
F4
50= F2.8
100= F4
200= F5.6
400= F8
```
84
DOF
ARE/SPACE IN YOUR IMAGE THAT IS IN FOCUS IN FRONT/BEHIND ON POINT OF FOCUS
MORE APERTURE, MORE DEPT OF FIELD
85
APERTURE
AFFECTS DEPT OF FIELD
LARGER= F2 SHALOW LONGER TELEPHOTO
SMALL= F22 GREAT WIDER FOCAL LENGHT
86
HENRI CARTER BRESON
THE DECISIVE MOMENT
87
ROBERT FRANK
TRAVEL AROUND US, PUBLISH THE BOOK THE AMERICANS
ECONOMIC RECOVERY, SPY , PARANOIA
WORK BECAME CLASSIC
88
INVERSELY PROPORTIONAL
EQUIVALENT
89
COLOIDAL WET PLATE
DURING MOST 19TH CENTURY PHOTO AS DONE BY PROFESSIONAL THE PROCESS WAS VERY TEDIOUS.. COILOIDAL PLATE HAD MANY STEPS
90
JULIAN CAMERON
GELATIN SLVER PLATE INTRODUCED IN 1890
91
FREDERIC EVANS
COLLAGE.
| KODAK N1 ALL YOU CAN HAVE TO DO IS PUSH BUTTOM.. LITTLE BOY BECAME AMATEUR PHOTOGRAPHER
92
HENRI CARTIER
DECISIVE MOMENTO.. INFLUENCE MANY IN HIS TIME.. HATED CROPPING OR STAGED SITUATON
93
LOUIS JACQUES MANDE DAGUERRED``~1839
DAGUERRETYPE.. DEVELOPED THE PLATE BY SUSPENDED BY MELTED MERCURY.
COPPER PLATE COVER WITH SILVER METAL
POLISHED LIKE MIRROR
SUSPENDED PLATE OVER HEARTED IODINE CRISTALS
EXPOSED TO CAMERA OBSCURE AND ACCIDENTALLY CREATED VISIBLE PRINT
94
SIR JONH HERSHEL 1830S
CAME OUT WITH CHEMICAL THAT REMOVED SILVER HALIDE-- FIXER
95
what chemical tranforms the light struck silver halide into silver metal?
DEVELOPER
96
what chemical stops the action of the developer?
STOP BATH
97
what chemical removes unexposed silver halide crystals from film and will make image permanent impervious to light?
FIXER
98
what chemical removes any residual fixer from film and reduce wash time?
HYPO CLEAR
99
what chemical removes watr tension and reduce water spots?
FOTOFLO
100
how should negatives be handle?
with care clean from dust and finger prints. loaded on enlarged with shine side up
101
what filters used for?
to increase or decrease contrast. starting point is number 2, and contrast can be lower or higher
102
what is true about F8?
most lens are sharper at f8
103
dark room chemicals time
```
first- dev. 1 1/2 min
water quick rinse
stop bath 30 sec
fixer 5 min
hypo 3 min
```
104
what controls the intensity of light entering the camera?
APERTURE
| THE F- STOPS
105
WHAT APERTURE IS F2?
BIGGEST APERTURE AND IT INCREASES BY 1/2 EACH STOP
IS THE MAXIMUM APERTURE
IS WIDE
HIGHT QUALITY
106
WHAT MAKES THE PERFECT EXPOSURE?
COMBINATION OF APERTURE AND SHUTTER
107
WHAT ARE THE THINGS THAT COMPROMISED THE QUALITY OF FILM DEVELOPING?
temperature... must be between 65-75c
time of chemicals soaking
agitation.. too much overexposed film
108
how can you determined the quality of developed negatives?
if negative appear too bright = under exposed
neg appear dense dark= too much exposure
handle them with care avoid sut, sun, water, moist
109
what camera function captures moving light, objects?
SHUTTER SPEEDS
| STARTS AT 1 SECOND WHISH IS THE LONGEST.. THERE AFTER 1/2.. 1/4 IS MEASURE IN FRACTIONS OF A SECONDS
110
EACH SHUTTER SPEED REDUCES THE AMOUNT O OF LIGHT ENTERING CAMERA?
MORE LIGHT ENTER AT HE FIRST SECONDS AND IS CUT/ REDUCED BY 1/2 BY EACH STOP
111
WHAT NAME IS USED TO DESCRIBE THE ZONE IN FRONT AND BACK IN WHICH AN OBJECT APPEARS SHARP?
dept of field
112
what is a shallow DOF?
WHEN LITTLE ELSE BUT MAIN SUBJECT APPEARS IN SHARP
113
WHAT IS GREAT DOF?
when scene i sharp from front to back
114
WHAT ARE THE 3 THINGS THAT WORKS TOGETHER IN A CAMERA?
1. lens aperture --f stop
2. distance camera and subject
3. lens and focal length
** aperture most often to control
less aperture = more focus!!
115
inside the camera
45 degree reflex mirror.. light bounces around eye piece
116
shutter
window allowing light for control period of time. it controls length of time that is allow into the camera to expose film
117
what is the 2 mechanism that controls amount of light?
shutter
| lenses
118
purpose of stop bath
neutralizes developer.. mainly to preserve the next chemical
119
what is SLR?
is a small camera format with 35mm film
single lense reflex
range finder
120
FILME SPEED
ASA/ISO RATING
REFERS TO HOW SENSITIVE THE FILM IS TOO LIGHT
MORE SILVER-- MORE SENSITIVE
121
WHAT IS ASA / ISO?
DETERMINE THE QUANTITY OF SILVER IN FILM
122
NUMBER RANGE FOR FILM ISO
50 100 200.. 400.. THE LOWER THE NUMBER == LESS SENSITIVE TO LIGHT
123
WHAT IS TRL CAMERAS?
MEDIUM FORMAT CAMERAS WITH LONGER FRAME AND FEWER FOTOS
124
LARGER FORMAT CAMERAS
USES SHEETS OF FILM 5/5 TO 20/24 AND ARE LARGER THAN MOST BASIC CAMERAS..
DONT CARRY ROLLS
USED IN BIG EVENTS.. LARGE GROUP OF PEOPLE
125
what allows aperture to control amounts of light that enters camera?
LENSES
126
WHAT MAKES IMAGE SHARP?
LENSES
127
LENSES ARE USE FOR FOCUS AND ARE MADE OF..
ELEMENTS OF PIECES OF GROUNDED GLASS
128
LENSE
CAMES IN DIFFERENT SIZES, LENGHTS, FOCAL LENGHT AND IT REFERS TO MEASUREMENT OF DISTANCE
129
WHERE IS THE OPTICAL CENTER?
IN THE NODAL POINT
130
NORMAL LENSES
63MM LONGEST
50MM MOST COMMOM
35MM LOWER
131
WIDE ANGLE LENSES
GATHER MORE INFO
WIDEST 28MM =14MM
24MM=13MM 22MM=11MM
SHOTER LENS BIGGER VIEW
132
WHAT IS THE DISTORTION IN THE END F THE PICUTE CALLED?
PIN CUSHION DISTORTION
133
TELEPHOTO LENS
ANGLE OF VIEW MAGNIFICATION. ISOLATE EXPECIFIC AREA, IT FOCUS ON THE INFORMATION
LONG LENSES = NARROW ANGLE OF VIEW
70MM 85MM 105 MM...5000MM PHOTO OF LARGE EVENTS LIKE SPORTS
134
ZOOM LENSES
DOWNSIDE.. THEY ARE NOT SHARP
| DIFFICULT TO MAKE EDGES ACCURATE
135
WHAT CONTROLS THE INTENSITY OF LIGHT?
APERTURE
| OPEN /CLOSES EYE OF CAMERA
136
WHAT CONTROLS LENGHT OF TIME THAT LIGHT IS ENTERING IN TO CAMERA?
SHUTTER
137
BULB FUNCTION?
OPEN SHUTTER FOR LONG LIME .. MOTION IS CAPTURE
138
PRE SET SHUTTER SPEED TO ALLOW CAPTURE OF MOVING LIGHT..
FROM 1 WHOLE SECONDS STOPS CUT THE AMOUNT OF LIGHT IN HALF.. MULTIPLY FRACTIONS 1/2
AS IT GOES BACK OPPOSITE WAY MULTIPLY EACH STOP BY 2
139
WHAT ARE THE TWO MECANISMS THAT ALLOWS LIGHT INTO THE CAMERA?
APERTURE F STOPS
| SUTTER FRACTIONS OF SECONDS
140
ELETRONIC CAMERAS
HAS DX CODES
READ LIGHTS THAT ARE REFLECTED
HAS LIGHT METER
INDICATES IF YOU ARE USING THE RIGHT AMOUNT OF LIGHT
141
EXPOSURE EQUIVALENTS
| APERTURE/SHUTTER
BOTH INTERMEDIUM NUMBERS LET SAME OVERALL AMOUNT OF LIGHT
EXAMPLES
SHUTTER 1/8 AND APERTURE F22 == COMBO FAST SHUTTER SPEED SHOW MOTION
1/1000 AND F2 EQUIVALENTS
142
APERTURE SHUTTER
1/8=F22 1/15=F16 1/30=F11
1/60=F8 1/125= F5.6 1/250= F4
1/250=F2.8 1/1000=F2
143
WHO INVENTED HELIOGRAPH IN 1826?
JOSEPH NICEPHORE NIEPCE PRINT MAKER
144
WHAT IS A HELIOGRAPH PROCESS?
ways to make print permanent by pewter plate coated with bitumen of judia asphalt hardens in exposure to light
145
WHO WAS HEINRICH SCHULZE?
RENASCENCE INVENTION OF PRINTING .. FIRST TO NOTICED THAT CERTAIN COMPOUNDS DARKENS OVER LIGHT SILVER HALIDE SALTS
146
WHAT IS A DAGUERRETYPE?
WAS CREATED 1939 BY LOUIS JACQUES MANDE DAGUERRE. COPPER PLATE WITH SILVER METAL POISHED LIKE MIRROR WAS SUPENDED OVER HEATED IODINE CRYSTALS. HE ACCIDENTALTY CREATED VISIBLE PRINT BY BROKEN THERMOMENTER
147
WHO WAS LOUIS JACQUES MANDE DAGUERRE?
INVENTOR OR DAGUERRETYPE. DEVELEPED THE PLATE BY SUPENDED IT OVER HEATE MERCURY
148
WHO AS SIR JOHN HERSHEL?
A BRITISH ASTRONOMER.. 1830S
CAME OUT WITH CHEMICAL TO REMOVER SILVER HALIDE
FIXER SODIUM THIOSULFATE.. THE LAST STEP OF DAGUERRE PRCESS
IMPROVE IT.
149
WHO CREATED THE TALBOTYPE?
WILLIAM HENRY FOX TALBOT
| CREATED THE NEGATIVE AND FROM THAT IT BECAME POSITIVE.. REPRODUCIBLE PROCESS
150
CALOTYPE
IT BCAME A NEGATIVE.. BEAUTIFUL IMPRESSION
151
WHAT IS THE DIFERENTE BETWEEN TALBOTYPE AND DAGUERREOTYPE?
TALBOTYPE/CALOTYPE WAS REPRODUCIBLE
152
WHO CREATED THE IDEA OF USING GLASS AS A NEW NEGATIVE?
CLAUDE FELIX ABEL, NIECE OF SAN VICTOR
153
WHO CREATED THE ROLL FILM?
HANNIBALL GOODWIN
154
WHO STOLE THE IDEA OF FILM
GEORY EASTMEN / KODAK
155
WHEN GELATIN SILVER PRINT WAS INTRODUCED?
1890
156
LITTLE FRENCH BOY FIRST AMATEUR PHOTOGRAPHER
FREDERIC EVANS
157
WICH PHOTOGRAPHER PUBLISHED THE AMERICANS AND PORTRAYED USA IN THE 50S?
ROBERT FRANK
158
FASTER SHUTTER SPEED
STOP MOTION
159
HOW TO SHOW MOTION
slow shutter speed
160
f22
small aperture most image in focus great depth of field
161
very slow shutter
paralyzze motion
162
who was HENRI CARTIER BRESSON?
THE DECISE MOMENT WELL KNOW PHOTOGRAPHER
