Photography for Orals Flashcards by nadiah fellah

Dan Graham Homes for America, 1966

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Lynda Benglis Artforum ad, 1974

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Victor Burgin

Photopath 1969,

right: at the ICA, London for the exhibition

Live in your Head: When Attitudes become form

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Allan Sekula Untitled (Slide Sequence), 1972

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Rosler

The Bowery in two inadequate descriptive systems

1974-5

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Catherine Opie

Self Portrait (Pervert). 1994

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Sherrie Levine,

Untitled (After Edward Weston I), 1980

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Richard Prince

Untitled (Four Women
Looking in the Same DirecKon #1‐#4)
1977‐9

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Sanja Ivanovic

Double Life, 1975

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Katy Grannan

Mike, Private Property, New Paltz, NY 2003

from Sugar Camp Road
2002‐3

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Thomas Struth

National Gallery 2, London 2005 from Museum Photographs

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Alfred S)eglitz Spring Showers‐‐the Street Sweepers, 1901.

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Hannah Höch

Cut with a Kitchen Knife: Dada through the last Weimar Beer Belly
Cultural Epoch of Germany, 1919‐20,

photomontage.

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Germaine Krull

pages from Metal 1927‐8

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Cartier‐Bresson

Greece, 1937

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Walker Evans,

Graveyard, Houses and Steel Mill, Bethlehem, Pennsylvania
(1935)

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Walker Evans

“Vanishing Backyards” Fortune, 1930
“Along the Right of Way” Fortune, 1950

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Aaron Siskind

Harlem Document (1932‐40)

St. Louis 9, 1955

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Harry Callahan

Eleanor 1947

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Harry Callahan

Telephone Wires, 1945

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Ansel Adams

Mount Williamson, (Sierra Nevada, Fort Manzanar, CA), 1944

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Richard Long

A Line Made of Walking, England, 1967

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Smithson

from “Monuments of Passaic” ArOorum 6:4, December 1967

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Douglas Huebler

Duration #7, Rome,
1973

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Kusama Grand Orgy to Awaken the Dead at MoMA, 1969 Orgy, 1969

Dorothea Lange, The Road West, New Mexico (1938)

Robert Frank from The Americans, 1958

John Hilliard Camera Recording its own Condition, 1971

Joseph Kosuth, One and Three Chairs (1965)

Lawrence Weiner A 36 inch by 36 inch removal of the lathing or support wall of plaster or wall board from a wall. (1968)

Nauman from Eleven Color Photographys, 1967‐8

Bernd and Hilla Becher Anonymous Sculptures, 1970 Winding Tower, 1967

Otto Steinert Subjective Fotografie, 1952

August Sander Bricklayer’s Mate, 1929 Sander Farming Type, 1929 from People of the Twentieth‐Century

William‐Henry Fox Talbot The Pencil of Nature, 1844

Bechers Gas Tanks (Spherical), 1963

Bechers Gasometers, Belgium, Germany, England, United States, 1965‐92 Blast Furnaces, 1970‐1983

Gerhard Richter Atlas, sheet 1 & 5, 1962

Aby Warburg Mnemosyne Atlas, 1929

Thomas Struth Dey Street, New York, 1978 Dusselstrasse, Dusseldorf, 1977

Thomas Struth South Lake Apartments 3, Chicago, South Lake Apartments 4, Chicago, 1990

Candida Höfer British Library, London, I, 1994

Hiroshi Sugimoto Cabot Street Cinema, Massachusettes, 1978

Jeff Wall Stereo, 1983

Jeff Wall Mimic, 1989, backlit cibachrome

Philip‐Lorca diCorcia Eddie Anderson, 21, Houston, TX, $20 1990‐2

Victor Burgin Performative/Narrative, 1971

Burgin Artforum ad, 1976

Burgin installation shot, UK 76, 1976 (11 panels 40 x 60 in.)

Burgin USA ’77, 1977‐8

Allan Sekula, Mass Meat, 1972

Sekula Meditations of a Triptych, 1973‐8

Allan Sekula Aerospace Folktales, 1973

Fred Lonidier The Health and Safety Game: Fictions based on Fact 1976, photographs, text, and videotape

Minamata W. Eugene Smith 1971

Hackney Flashers (incl. Jo Spence) Women and Work, 1976

Jo Spence and Terry Dennett “I’ll take (almost) any work" (After John Heartield) from Remodeling Photo‐History, 1979‐82

Sherrie Levine, Untitled (After Walker Evans), 1981 Rosler, The Bowery in Two Inadequate Descriptive Systems, 1974‐5

Duane Michals Untitled, 1968

Cindy Sherman Untitled Film Stills, No. 4, 1977.

Louise Lawler Arranged by Barbara and Eugene Schwartz, 1982

Louise Lawler I can see the whole room!…and there’s nobody in it!… from Arranged by Mr. & Mrs. Burton Tremaine, Sr. 1984

Louise Lawler Monogram, 1984

Barbara Kruger Untitled (You are not aware of yourself), 1982

Richard Prince, Untitled (Cowboys), 1980 & 1991‐2

James Casebere Arches, 1985

Sarah Charlesworth April 21, 1978 from Modern History 1978

Mary Kelly Interim (Part I), 1984‐5

Laurie Simmons Woman in Interior VIII and Woman in Interior IX, 1976

Sherman Untitled (Centerfolds), 1981

Sherman Untitled (Pink Robe), #97 1982

Sherman Untitled (fashion) #22, 1983 Untitled (fashion) #133, 1984

Sherman Untitled (Fairytales) #156, 1985

Sherman Untitled #153, 1985

Ansel Adams Moonrise, Hernandez, New Mexico, 1941

Robert Mapplethorpe Portrait of Doris Saatchi, 1985

Installation shot of Before Photography: Painting and the Invention of Photography exhibit at the Museum of Modern Art, NY, 1981, curated by Peter Galassi.

Seydou Keita Untitled, 1956-7

Boris Mikhailov ``` Case Histories (1999 book), ``` 2011 MoMA exhibition

Krzysztof Wodiczko AT&T Building, 1984 South Africa House Projection, Trafalgar Square, London, 1985 New Museum, 1991

Krzysztof Wodiczko Homeless Projection: A Proposal for the City of New York, 1986

Wodiczko Western Bonaventure Hotel, LA, 1987 (with Los Angeles Institute of Contemporary Art)

Shimon Attie, Almstad Strasse, 42, Berlin, 1993 Mulackstrasse, 37, Berlin, 1993 from The Writing on the Wall, 1991-3

Shimon Attie At the Coliseum (Looking towards the Arch of Titus), on-location slide projection, Rome, Italy, from The History of Another, 2001-2. At Portico of Octavia, on-location slide projection, Rome, Italy, 2003. Lambda photograph,

Magdelana Jetelova Atlantic Wall, 1995

Felix Gonzalez-Torres, Untitled, 1991, as installed for The Museum of Modern Art, New York "Projects 34: Felix Gonzalez-Torres“ May 16 - June 30, 1992, in 24 locations throughout New York City

Suzanne Opton Birkholz, 353 Days Iraq, 205, Afghanistan, from the series Soldier, (installation shot, Denver), 2009

Zoe Strauss I-95, 2010 (installation shot)

Zoe Strauss I-95, 2010

Claude Cahun Self-portraits, 1928; 1927; 1931

Jo Spence and Terry Dennett “Revisualisation” from Remodeling Photo‐History, 1979‐82

John Stezaker The Voyeur, 1979.

Laurie Anderson Fully Automatic Nikon (Object/Objection/Objectivity), 1973.

Eleanor Antin Carving: a Traditional Sculpture, 1972, photographs.

Judith Joy Ross Untitled, 1988

Sally Mann “Jesse at 5” from Immediate Family, 1989

Susan Meiselas Carnival Strippers, 1972‐75

Philip‐Lorca DiCorcia Lucky 13, 2005

Carolee Schneeman Partial Portraits, 1970

Catherine Opie, Dyke, 1992, c‐print.

Helmut Newton Self‐Portrait with Wife June and Models, Vogue studio, Paris 1981

Jemima Stehli Strip, 1999‐2000.

Hannah Wilke What does this Represent? What do you Represent? (Reinhardt) from So Help Me Hannah 1978‐89

Andres Serrano Heaven and Hell, 1984. Cibachrome Serrano Pieta, 1984.

Andres Serrano Rabble, 1984. Cibachrome print.

Serrano Cabeza de Vaca, 1984

Serrano Red Pope Triptych, 1990 Serrano Blood and Semen, 1990

Robert Mapplethorpe Pictures/Self Portrait, 1977

F. Holland Day Nude Youth with Laurel wreath standing Against a Rock, 1907 Minor White Portland, 1940

Mapplethorpe Self‐Portrait, 1975 Mapplethorpe Self Portrait, 1978.

Mapplethorpe Self Portrait, 1988

Mapplethorpe Orchid, 1987 Carleton 1988

Edward Weston, Nude, 1925 Pepper No. 30, 1930

Robert Mapplethorpe Man in Polyester Suit, 1980 Mark Stevens (Mr. 10 1/2), 1976

Mapplethorpe Jim and Tom, Sausalito, (X Portfolio) 1977-8

Mapplethorpe Jesse McBride, 1976 Mapplethorpe Brian Ridley and Lyle Heeter, 1979

Robert Mapplethorpe. Rosie. 1976

Mapplethorpe Lou, NYC, 1978 Caravaggio, The Incredulity of Saint Thomas, 1601-2

Joel Peter Witkin Canova’s Venus, 1982

David Wojnarowicz Rimbaud in New York, 1977‐9. Silver gelatin prints.

Gran Fury Kissing Doesn’t Kill, Greed and Ignorance Do, 1989

Sally Mann Self Portrait, 1974

Sally Mann Immediate Family, 1984-1991

Sally Mann The Last Time Emmett Posed Nude for me, from Immediate Family 1984-1991

Sally Mann Immediate Family, 1984-1991

Sally Mann Family Color, 1990-1

Cindy Sherman Untitled #225, 1990 Untitled # 250, 1992

Glenn Ligon Notes on the Margin of the Black Book, 1991-3.

Mapplethorpe Derrick Cross, 1982

Mapplethorpe Ajitto, 1981

Mapplethorpe Apollo, 1988

Mapplethorpe Charles Bowman, 1980

Mapplethorpe Ken Moody and Robert Sherman, 1984 (left) Ken and Tyler, 1984

Rotimi Fani-Kayode Nothing to Loose IV, 1989

Rotimi Fani-Kayode The Golden Phallus, 1989

Rotimi Fani-Kayode Untitled, c. 1987 (left)

Rotimi Fani-Kayode Bronze Head, c. 1987

Lyle Ashton Harris and Renée Cox Hottentot Venus, 1995 Lyle Ashton Harris Billie # 21, 2002 (dye infused polaroid)

Carrie Mae Weems Colored People, 1989-90. Monochrome color print.

Carrie Mae Weems Blue Black Boy, from Colored People, 1989-90. Monochrome color print.

Carrie Mae Weems Untitled from Kitchen Table Series, 1990

Carrie Mae Weems From Here I saw What Happened and I Cried, 1995. Cprint with text on glass

Lorna Simpson Untitled, 1989 (photographs & two plastic panels).

Lorna Simpson Guarded Conditions, 1989

Lorna Simpson Easy for Who to Say, 1989

Lorna Simpson The Park, Serigraph on six felt panels with two felt text panels 1995

Lorna Simpson Please Remind me of who I am, 2009. 50 photobooth photographs, 50 ink drawings, bronze frames.

LaToya Ruby Frazier Shadow (from the Momme Portrait series) 2008 I found out in 2008 that both Grandma Ruby and Mom had cancer, as did many of the elder women in Braddock. Here, Mom and I explored a new approach to documenting our illnesses (mine being lupus). We stood our mattress on end and covered it with a comforter, essentially making it our studio/stage. We made a portrait of our bodies overlapping as one, unified in sickness, death, and our struggle to survive. The light cast a shadow that for me foreshadows the loss of Grandma Ruby; she passed away six months later from pancreatic cancer.

LaToya Ruby Frazier Self Portrait (10am), 2009 In Self-Portrait (March 10 a.m.) I continued to document my lupus attacks. Any time I am having a lupus attack and feel up to making a portrait, I document the moment. On this occasion I had just returned from clearing out my grandmother’s apartment in Braddock after her death. I only kept a few articles of her clothing. In this portrait I am wearing her pajama pants, and a bed sheet is duct-taped to the bedroom wall.

LaToya Ruby Frazier fifth Street Tavern and U.P.M.C. Braddock Hospital on Braddock Avenue, 2011

Danny Lyon Atlanta, 1963‐4

Bruce Davidson East 100th Street, 1968

Garry Winogrand, American Legion Convention, Dallas, Texas (1964)

Diane Arbus, A Jewish Giant at Home with his Parents in the Bronx, NY, (1970)

Larry Clark Tulsa (photo book), 1971 common theme: kids shooting up, in bed, smoking, blood, pensive shots, with rifle, in trucks, some negatives/ contact sheets

Larry Clark Tulsa (photo book), 1971

Larry Clark Teenage Lust, 1983

Larry Clark The Perfect Childhood, 1995

Nan Goldin The Ballad of Sexual Dependency, 1986

Bill Owens Suburbia, 1973 [page layouts]

Carrie Mae Weems, ‘Dad and Son-Son’ from Family Pictures and Stories, 1978-84

Jim Goldberg Rich and Poor, 1984

Howard Schatz Homeless: A Portrait of Americans in Hard Times, 1993

Nan Goldin The Ballad of Sexual Dependency, 1986

Goldin, Gilles and Gotscho, 1992-3

Jack Pierson Angel Youth, 1990

Richard Billingham Ray’s a Laugh, 1996

Nikki Lee Hispanic Project, 1998 Punks Project, 1997

Lee Seniors Project, 1999 Hip Hop Project, 2001

Chris Verene Galesburg Series , 1984-present “My Twin Cousin’s, Husband’s Brother’s Cousin’s Cousins,” 2003 C-print [right] “Candi, Cody, and Caity”, 2005 C-print [left]

Jeff Wall Destroyed Room, 1978, backlit cibachrome

Jeff Wall Picture for Women, 1979 (light box transparency)

Candida Höfer Wiso Library, University of Cologne, I, 1994 Institute for Insurance Law, Cologne, 1994

Thomas Ruff Portraits, 1986‐1990 Anna Giese, 1989

Andrea Gursky Klasenpass, 1984

Gursky Swimming pool, Tenerife, 1984 Swimming Pool, Ratingen, 1987

Gursky Hong Kong Stock Exchange, Diptych, 1994

Gursky Times Square 1997

Thomas Ruff jpeg 02, 2004

Thomas Struth Chicago Art Institute I, 1990

Jeff Wall Flooded Grave, 1998‐2000, backlit cibachrome

Jeff Wall Outburst, 1986

Wall Dead Troops Talk (a Vision after an Ambush of a Red Army Patrol near Moqor, Afghanistan), 1986

Wall Passerby, 1996. Gelatin silver print Wall No, 1994. Transparency in lightbox

Jeff Wall Volunteer, 1996

Wall Morning Cleaning, Mies van der Rohe Pavillion, 1999. Cibachrome & backlit light box

Thomas Demand Room, 1994

Thomas Demand Office, 1995

Thomas Demand Poll, 2001

Luc Delahaye L’Autre, 1999

Anna Atkins Photographs of British Algae Vol. I, 1843 (cyanotype photobook)

ChrisKan Boltanski Monument to the Children of Dijon, 1986. Photographs and light bulbs.

Els Vanden Meersch Implants, 2006. (Photobook).

Susan Hiller J. Street Project, 2002‐5

Roni Horn To Place – Book IV: Pooling Waters 1994

Roni Horn You Are the Weather, 1994‐6 To Place – Book IV: Haraldsdottir 1996 (photobook)

Roni Horn ``` Still Waters (The River Thames, For Example), 1999. Offset lithographic print on photograph with text ```

Roni Horn Library of Water, 2007

Candida Höfer State Archive, Seville, 2010

Susan Meiselas Nicaragua, 1978‐91

Susan Meiselas Kurdistan: In the Shadow of History, 1991‐1997

Eugene Atget, Boulevard de Strasbourg, Corsets, 1912 Martha Rosler Chinatown, New York, September 2000, 2000

Rosler, New York City, March, 2004, 2004

Rosler, Lower Manhattan, July 2001, 2001

James Coleman Living and Presumed Dead, 1985

James Coleman Background, 1992

Tacita Dean Floh, 2001. Artist’s book.

Christopher Williams Kiev 88, 4.6 Ibs. (2.1 Kg) Manufactorer: Zavod Arsenal Factory, Kiev, Ukraine. Date of producVon: 1983‐87 Douglas M. Parker Studio, Glendale, California, March 28, 2003 (NR. 1,2,3). 2003

Chrisopher Williams Kodak Three Point ReflecVon Guide, copyright Eastman Kodak Company, 1968. (Corn) Douglas M. Parker Studio, Glendale, California, April 17, 2003. 2003

Chrisopher Williams Model # 105M—R59C, Keystone Shower Door, 57.4 X 59”/Chrome/ Raindrop, SKU # 109149, #96235. 970—084—000 (Meiko), Vancouer, B.C. Wednesday, April 6, 2005, No. 2. 2005.

Allan Sekula Fish Story, 1995

Sekula ‘Detail. Inclinometer. Mid‐AtlanIc,’ 1993, from Fish Story

John Lamprey Front and Profile View, Malayan Male, 1868‐9

Bill Brandt Francis Bacon, 1963

Edward Weston Orozco, 1930

Vandyk The Prince of Wales and Lloyd George, 1919

Walker Evans Subway Portraits, 1938‐41

Walker Evans Alabama Cotton Famer’s Wife, Allie Mae Burroughs from James Agee and Walker Evans Let us now Praise Famous Men (1941) Dorothea Lange Ma Burnham from Dorthea Lange and Paul Taylor An American Exodus: A Record of Human Erosion (1939)

Andres Serrano Nomads (John Paul), 1990 Andres Serrano Nomads (Sir Leonard), 1990

Gillian Wearing Signs that say what you want them to say not Signs that say what someone else wants them to say 1994

Rineke Dijkstra Hilton Head Island, S.C., USA, June 24, 1992 1992 Kolobrzeg, Poland, July 26, 1992, 1992

Dijkstra Self Portrait, Marnixbad, Amsterdam, June 19, 1991, 1991

Diane Arbus Girl in a Circus Costume, 1970

Avedon Bill Curry, Drifter, Interstate 40, Yukon, Oklahoma, 6/16/80, 1980 Sandra Bennett, 12 year Old, Rocky Mt, Colorado, 1980 from series In the American West

Dijkstra Jalta, Ukraine, 1993

Rineke Dijkstra Nugent RC Highschool, Liverpool, England, Nov. 11, 1994, 1994

Rineke Dijkstra Tecla, Amsterdam, Netherlands, May 16, 1994, 1994 Rineke Dijkstra Julie, Den Haag, the Netherlands, Feb, 29, 1994, 1994

Dijkstra Tia, Amsterdam, the Netherlands, 23 June, 1994, 1994 Dijkstra Tia, Amsterdam, the Netherlands, 14 Nov, 1994, 1994

Marker Untitled, (Tehran, 1950s) Demo 6 (Paris, 2006) from Staring Back 2007

Marker Demo 17 (Paris, 2006) Demo 18 (Paris, 2006) from Staring Back 2007

Marker Immigrants Burying L. Schwartzenberg 3, Paris, 2003 Marker Demo 8, (Paris, 2006) from Staring Back 2007

Bettina von Zwehl Alina 2004

Bettina von Zwehl Untitled #2, 1998

Shizuka Yokomizo Stranger, 1999

Katy Grannan Carla and Pit Bull, Garehouse Road, New Paltz, NY, from series Sugar Camp Road, 2002

Philip-Lorca DiCorcia Mike Vincee, 24, NYC or Tulsa Oklahoma, $30 1990‐2

Philip-Lorca DiCorcia Head #5, 2001 Head #6, 2001

HILL & ADAMSON Title-Fishwives, Newhaven, 1845

LE SECQ, Henri Title-Strasbourg Cathedral, calotype, 1851 BALDUS, Edouard-Denis Title-Cloister of Saint- Trophime, Arles, 1851

SOUTHWORTH & HAWES Title-Early Operation Using Ether for Anesthesia, 1847 Harriet Beacher Stowe - 1839-64: Daguerreotype popular, esp. in USA - Brady other famous studio

FENTON, Roger Title-57th Regiment & Valley of the Shadow of Death, Russia/ Crimea war, 1855

BARNARD, George N. Title-"Sherman's Hairpins”, 1864

FRITH, Francis Title-The Pyramids of Dashur from the Southwest, Egypt, 1858

ROBINSON, Henry Peach Title-Fading Away, 1858

REJLANDER, Oscar G. Title-The Two Ways of Life, 1857 - high art photo - classicizing - Raphael's School of Athens, saw in Rome - Tableau Vivant, popular tradition - two youths in center, two directions - 31" wide, from 30+ negatives

EMERSON, Peter Henry Title-Gathering Waterlilies, 1886 \*PICTORIALISM - peaked from 1880s-1920s - furthered photo as art form, rejected industrialization and commercialization in subject matter and aesthetics, instead overlaid scenes (typically landscapes) with fog and shadows, strove for complexity in tonal range - favored gum bichromate - admired Julia Margaret Cameron

MARVILLE, Charles Title-From the "Album de l'ancien Paris”, 1865-9 - Haussman's program: 1853-70

WATKINS, Carleton Title-From the Best General View, Mariposa Trail, 1860-69 - most well-known documenter of Mariposa and Yosemite - Sublime, unpopulated views - Inspired Bierstadt - Stereoviews enormously popular in 1850s, enlightened masses, public interest in science, global expansion, access to info; immediacy of scene - Bourgeois living room became microscopic world

BRASSAI Title-Mome Bijou at the "Bar de la Lune" Paris, Ca. 1933

KERTESZ, Andre Meudon, 1928 - Parisian Neighborhood - Inter-War - Neither strict Surrealist or Photojournalist/ Reportage - Uncanny in everyday; Poetry of modern urban life - Train=Modernization/ Progress; plays with doubleness of how modernization, since growth also looks like destruction - After WWII, moved to NYC; displacement and alienation of surroundings a theme

SALGADO, Sebastiao Title-Fight Between a Serra Pelada Mineworker and a Policeman, Para,Brazil, 1986

ROSLER, Martha Title-Vacation Getaway (from Bringing the War Home: House Beautiful), 1967-72

Florence Henri, Self-Portrait, 1928

Man Ray, Noire et blanche, 1926

BARNARD,George N. Title-Burning Mills,Oswego, NY daguerreotype Location-Rochester:Eastman House Date-1853

Mary Kelly Post-partum document

1973-9 (First shown at ICA, London, 1976) - Kelly a conceptual artist - Over 100 object in PPD, few photos, only important as a whole--multi-media - Explores mother-child relationship - Kelly 2nd wave feminist, looking at invisible labor od daily lives [LABOR/ WOMEN"S WORK] - Sexuality as social organizing principle, present even in infant - Psycholanalytic framework, Freud and Lacan

Photography for Orals Flashcards

(269 cards)